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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254.1 72.8 76 it is the complementary color RGB 0.90000000000001 182.2 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254.1 72.8 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254.1 72.8 76 shade: RGB 255 72.8 71, RGB 255 90.8 90, RGB 255 108.8 109, RGB 255 126.8 128 and RGB 255 144.8 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254.1 72.8 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254.1 72.8 76 shade: RGB 254.1 72.8 76, RGB 237.1 54.8 57, RGB 220.1 36.8 38, RGB 203.1 18.8 19 and RGB 186.1 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254.1 72.8 76 shade: RGB 254 72 76 and RGB 254 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254.1 72.8 76 shade: RGB 254 72 76, RGB 254 72 125, RGB 254 72 174, RGB 254 72 223 and RGB 237 72 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254.1 72.8 76 shade matches the following richer shades: RGB 254 72 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254.1 72.8 76 shade: RGB 254 72 76, RGB 239 87 90, RGB 224 102 104, RGB 210 117 119 and RGB 195 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254.1 72.8 76 shade: RGB 254 72 175, RGB 254 72 127, RGB 254 72 78, RGB 254 115 72 and RGB 254 163 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254.1 72.8 76 shade: RGB 243 1 5, RGB 254 31 35, RGB 254 72 76, RGB 254 113 116 and RGB 254 154 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254.1 72.8 76 shade: RGB 254.1 72.8 76, RGB 224 254 72 and RGB 72 151 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254.1 72.8 76 shade: RGB 254.1 72.8 76, RGB 78 254 72 and RGB 72 78 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254.1 72.8 76 shade: RGB 254.1 72.8 76, RGB 224 254 72, RGB 72 254 248 and RGB 103 72 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254.1 72.8 76 shade: RGB 254.1 72.8 76, RGB 169 254 72, RGB 72 254 248 and RGB 157 72 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 70 / 0

HEX #FE484C

RGB 254.1 72.8 76

HSL 358.94, 0.99%, 0.64%

LAB 58.37, 67.94, 39.29

 

Complementary color

CMYK 100 / 0 / 2 / 29

HEX #00B6B3

RGB 0.90000000000001 182.2 179

HSL 178.94, 0.99%, 0.36%

LAB 67.13, -38.3, -9.36

 

CMYK 0 / 71 / 72 / 0

HEX #FF4847

RGB 255 72.8 71

HSL 0.59, 1%, 0.64%

LAB 58.47, 67.99, 42.22

 

CMYK 0 / 64 / 65 / 0

HEX #FF5A5A

RGB 255 90.8 90

HSL 0.29, 1%, 0.68%

LAB 61.17, 62.21, 34.86

 

CMYK 0 / 57 / 57 / 0

HEX #FF6C6D

RGB 255 108.8 109

HSL 359.92, 1%, 0.71%

LAB 64.37, 55.71, 28.23

 

CMYK 0 / 50 / 50 / 0

HEX #FF7E80

RGB 255 126.8 128

HSL 359.44, 1%, 0.75%

LAB 67.98, 48.78, 22.38

 

CMYK 0 / 43 / 42 / 0

HEX #FF9093

RGB 255 144.8 147

HSL 358.8, 1%, 0.78%

LAB 71.93, 41.65, 17.22

 

CMYK 0 / 71 / 70 / 0

HEX #FE484C

RGB 254.1 72.8 76

HSL 358.94, 0.99%, 0.64%

LAB 58.37, 67.94, 39.29

 

CMYK 0 / 77 / 76 / 7

HEX #ED3639

RGB 237.1 54.8 57

HSL 359.28, 0.84%, 0.57%

LAB 52.98, 67.92, 42.92

 

CMYK 0 / 83 / 83 / 14

HEX #DC2426

RGB 220.1 36.8 38

HSL 359.61, 0.72%, 0.5%

LAB 47.86, 67.26, 46.85

 

CMYK 0 / 91 / 91 / 20

HEX #CB1213

RGB 203.1 18.8 19

HSL 359.93, 0.83%, 0.44%

LAB 43.09, 65.68, 50.47

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186.1 0.8 0

HSL 0.26, 1%, 0.36%

LAB 38.67, 63.14, 53.06

 

CMYK 0 / 72 / 70 / 0

HEX #FE484C

RGB 254 72 76

HSL 358.68, 0.99%, 0.64%

LAB 58.25, 68.18, 39.15

 

CMYK 0 / 72 / 72 / 0

HEX #FE4848

RGB 254 72 72

HSL 0, 0.99%, 0.64%

LAB 58.2, 68.01, 41.32

 

CMYK 0 / 72 / 70 / 0

HEX #FE484C

RGB 254 72 76

HSL 358.68, 0.99%, 0.64%

LAB 58.25, 68.18, 39.15

 

CMYK 0 / 72 / 51 / 0

HEX #FE487D

RGB 254 72 125

HSL 342.53, 0.99%, 0.64%

LAB 59.15, 71.18, 11.89

 

CMYK 0 / 72 / 31 / 0

HEX #FE48AE

RGB 254 72 174

HSL 326.37, 0.99%, 0.64%

LAB 60.57, 75.8, -14.62

 

CMYK 0 / 72 / 12 / 0

HEX #FE48DF

RGB 254 72 223

HSL 310.22, 0.99%, 0.64%

LAB 62.54, 81.92, -39.5

 

CMYK 7 / 72 / 0 / 0

HEX #ED48FE

RGB 237 72 254

HSL 294.4, 0.99%, 0.64%

LAB 61.48, 83.04, -58.6

 

CMYK 0 / 72 / 70 / 0

HEX #FE484C

RGB 254 72 76

HSL 358.68, 0.99%, 0.64%

LAB 58.25, 68.18, 39.15

 

CMYK 0 / 72 / 70 / 0

HEX #FE484C

RGB 254 72 76

HSL 358.68, 0.99%, 0.64%

LAB 58.25, 68.18, 39.15

 

CMYK 0 / 64 / 62 / 6

HEX #EF575A

RGB 239 87 90

HSL 358.82, 0.83%, 0.64%

LAB 57.95, 58.59, 30.24

 

CMYK 0 / 54 / 54 / 12

HEX #E06668

RGB 224 102 104

HSL 359.02, 0.66%, 0.64%

LAB 58.37, 47.76, 22.28

 

CMYK 0 / 44 / 43 / 18

HEX #D27577

RGB 210 117 119

HSL 358.71, 0.51%, 0.64%

LAB 59.67, 36.51, 15.09

 

CMYK 0 / 32 / 32 / 24

HEX #C38485

RGB 195 132 133

HSL 359.05, 0.34%, 0.64%

LAB 61.48, 24.39, 9.35

 

CMYK 0 / 72 / 31 / 0

HEX #FE48AF

RGB 254 72 175

HSL 326.04, 0.99%, 0.64%

LAB 60.61, 75.91, -15.15

 

CMYK 0 / 72 / 50 / 0

HEX #FE487F

RGB 254 72 127

HSL 341.87, 0.99%, 0.64%

LAB 59.19, 71.34, 10.78

 

CMYK 0 / 72 / 69 / 0

HEX #FE484E

RGB 254 72 78

HSL 358.02, 0.99%, 0.64%

LAB 58.28, 68.27, 38.05

 

CMYK 0 / 55 / 72 / 0

HEX #FE7348

RGB 254 115 72

HSL 14.18, 0.99%, 0.64%

LAB 64.8, 50.36, 48.73

 

CMYK 0 / 36 / 72 / 0

HEX #FEA348

RGB 254 163 72

HSL 30, 0.99%, 0.64%

LAB 74.66, 26.25, 59.26

 

CMYK 0 / 100 / 98 / 5

HEX #F30105

RGB 243 1 5

HSL 359.01, 0.99%, 0.48%

LAB 50.79, 77.2, 63.48

 

CMYK 0 / 88 / 86 / 0

HEX #FE1F23

RGB 254 31 35

HSL 358.92, 0.99%, 0.56%

LAB 54.21, 77.2, 56.42

 

CMYK 0 / 72 / 70 / 0

HEX #FE484C

RGB 254 72 76

HSL 358.68, 0.99%, 0.64%

LAB 58.25, 68.18, 39.15

 

CMYK 0 / 56 / 54 / 0

HEX #FE7174

RGB 254 113 116

HSL 358.72, 0.99%, 0.72%

LAB 65.08, 53.98, 25.19

 

CMYK 0 / 39 / 39 / 0

HEX #FE9A9C

RGB 254 154 156

HSL 358.8, 0.98%, 0.8%

LAB 73.92, 37.55, 15.02

 

CMYK 0 / 71 / 70 / 0

HEX #FE484C

RGB 254.1 72.8 76

HSL 358.94, 0.99%, 0.64%

LAB 58.37, 67.94, 39.29

 

CMYK 12 / 0 / 72 / 0

HEX #E0FE48

RGB 224 254 72

HSL 69.89, 0.99%, 0.64%

LAB 94.82, -31.92, 78.51

 

CMYK 72 / 41 / 0 / 0

HEX #4897FE

RGB 72 151 254

HSL 213.96, 0.99%, 0.64%

LAB 62.23, 9.31, -58.24

 

CMYK 0 / 71 / 70 / 0

HEX #FE484C

RGB 254.1 72.8 76

HSL 358.94, 0.99%, 0.64%

LAB 58.37, 67.94, 39.29

 

CMYK 69 / 0 / 72 / 0

HEX #4EFE48

RGB 78 254 72

HSL 118.02, 0.99%, 0.64%

LAB 88.43, -76.22, 70.05

 

CMYK 72 / 69 / 0 / 0

HEX #484EFE

RGB 72 78 254

HSL 238.02, 0.99%, 0.64%

LAB 44.21, 53.35, -87.46

 

CMYK 0 / 71 / 70 / 0

HEX #FE484C

RGB 254.1 72.8 76

HSL 358.94, 0.99%, 0.64%

LAB 58.37, 67.94, 39.29

 

CMYK 12 / 0 / 72 / 0

HEX #E0FE48

RGB 224 254 72

HSL 69.89, 0.99%, 0.64%

LAB 94.82, -31.92, 78.51

 

CMYK 72 / 0 / 2 / 0

HEX #48FEF8

RGB 72 254 248

HSL 178.02, 0.99%, 0.64%

LAB 91.25, -45.49, -10.24

 

CMYK 59 / 72 / 0 / 0

HEX #6748FE

RGB 103 72 254

HSL 250.22, 0.99%, 0.64%

LAB 45.18, 60.02, -85.78

 

CMYK 0 / 71 / 70 / 0

HEX #FE484C

RGB 254.1 72.8 76

HSL 358.94, 0.99%, 0.64%

LAB 58.37, 67.94, 39.29

 

CMYK 33 / 0 / 72 / 0

HEX #A9FE48

RGB 169 254 72

HSL 88.02, 0.99%, 0.64%

LAB 91.59, -52.27, 74.25

 

CMYK 72 / 0 / 2 / 0

HEX #48FEF8

RGB 72 254 248

HSL 178.02, 0.99%, 0.64%

LAB 91.25, -45.49, -10.24

 

CMYK 38 / 72 / 0 / 0

HEX #9D48FE

RGB 157 72 254

HSL 268.02, 0.99%, 0.64%

LAB 50.64, 68.09, -76.64

 

Description

Color code: RGB 254.1 72.8 76 | qconv.com Color code: RGB 254.1 72.8 76 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254.1 red, 72.8 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254.1 72.8 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 70 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 70% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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