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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 32 126 it is the complementary color RGB 2 223 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 32 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 32 126 shade: RGB 255 32 121, RGB 255 50 140, RGB 255 68 159, RGB 255 86 178 and RGB 255 104 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 32 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 32 126 shade: RGB 253 32 126, RGB 236 14 107, RGB 219 0 88, RGB 202 0 69 and RGB 185 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 32 126 shade: RGB 252 32 126, RGB 252 32 67 and RGB 252 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 32 126 shade: RGB 252 32 126, RGB 252 32 185, RGB 252 32 244, RGB 201 32 252 and RGB 141 32 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 32 126 shade matches the following richer shades: RGB 252 32 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 32 126 shade: RGB 252 32 126, RGB 234 50 129, RGB 216 69 131, RGB 198 87 134 and RGB 180 105 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 32 126 shade: RGB 252 32 245, RGB 252 32 186, RGB 252 32 128, RGB 252 32 69 and RGB 252 54 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 32 126 shade: RGB 201 2 86, RGB 241 2 104, RGB 252 32 126, RGB 253 73 150 and RGB 253 114 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 32 126 shade: RGB 253 32 126, RGB 252 201 32 and RGB 32 216 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 32 126 shade: RGB 253 32 126, RGB 128 252 32 and RGB 32 128 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 32 126 shade: RGB 253 32 126, RGB 252 201 32, RGB 32 252 157 and RGB 32 84 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 32 126 shade: RGB 253 32 126, RGB 238 252 32, RGB 32 252 157 and RGB 47 32 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 50 / 1

HEX #FD207E

RGB 253 32 126

HSL 334.48, 0.98%, 0.56%

LAB 55.5, 80.88, 6.1

 

Complementary color

CMYK 99 / 0 / 42 / 13

HEX #02DF81

RGB 2 223 129

HSL 154.48, 0.98%, 0.44%

LAB 78.68, -66.25, 33.59

 

CMYK 0 / 87 / 53 / 0

HEX #FF2079

RGB 255 32 121

HSL 336.05, 1%, 0.56%

LAB 55.76, 80.99, 9.51

 

CMYK 0 / 80 / 45 / 0

HEX #FF328C

RGB 255 50 140

HSL 333.66, 1%, 0.6%

LAB 57.5, 78.91, 0.7

 

CMYK 0 / 73 / 38 / 0

HEX #FF449F

RGB 255 68 159

HSL 330.8, 1%, 0.63%

LAB 59.8, 75.75, -7.07

 

CMYK 0 / 66 / 30 / 0

HEX #FF56B2

RGB 255 86 178

HSL 327.34, 1%, 0.67%

LAB 62.62, 71.65, -13.82

 

CMYK 0 / 59 / 23 / 0

HEX #FF68C5

RGB 255 104 197

HSL 323.05, 1%, 0.7%

LAB 65.9, 66.83, -19.66

 

CMYK 0 / 87 / 50 / 1

HEX #FD207E

RGB 253 32 126

HSL 334.48, 0.98%, 0.56%

LAB 55.5, 80.88, 6.1

 

CMYK 0 / 94 / 55 / 7

HEX #EC0E6B

RGB 236 14 107

HSL 334.86, 0.89%, 0.49%

LAB 50.93, 77.91, 10.64

 

CMYK 0 / 100 / 60 / 14

HEX #DB0058

RGB 219 0 88

HSL 335.89, 1%, 0.43%

LAB 46.66, 73.98, 15.91

 

CMYK 0 / 100 / 66 / 21

HEX #CA0045

RGB 202 0 69

HSL 339.5, 1%, 0.4%

LAB 42.74, 68.99, 21.94

 

CMYK 0 / 100 / 73 / 27

HEX #B90032

RGB 185 0 50

HSL 343.78, 1%, 0.36%

LAB 38.8, 64.04, 28.18

 

CMYK 0 / 87 / 50 / 1

HEX #FC207E

RGB 252 32 126

HSL 334.36, 0.97%, 0.56%

LAB 55.31, 80.65, 5.81

 

CMYK 0 / 87 / 73 / 1

HEX #FC2043

RGB 252 32 67

HSL 350.45, 0.97%, 0.56%

LAB 54.17, 77.4, 39.41

 

CMYK 0 / 87 / 87 / 1

HEX #FC2020

RGB 252 32 32

HSL 0, 0.97%, 0.56%

LAB 53.85, 76.48, 57.3

 

CMYK 0 / 87 / 50 / 1

HEX #FC207E

RGB 252 32 126

HSL 334.36, 0.97%, 0.56%

LAB 55.31, 80.65, 5.81

 

CMYK 0 / 87 / 27 / 1

HEX #FC20B9

RGB 252 32 185

HSL 318.27, 0.97%, 0.56%

LAB 57.3, 86.11, -26.01

 

CMYK 0 / 87 / 3 / 1

HEX #FC20F4

RGB 252 32 244

HSL 302.18, 0.97%, 0.56%

LAB 60.12, 93.51, -55.08

 

CMYK 20 / 87 / 0 / 1

HEX #C920FC

RGB 201 32 252

HSL 286.09, 0.97%, 0.56%

LAB 52.37, 86.65, -72.43

 

CMYK 44 / 87 / 0 / 1

HEX #8D20FC

RGB 141 32 252

HSL 269.73, 0.97%, 0.56%

LAB 43.83, 78.98, -86.74

 

CMYK 0 / 87 / 50 / 1

HEX #FC207E

RGB 252 32 126

HSL 334.36, 0.97%, 0.56%

LAB 55.31, 80.65, 5.81

 

CMYK 0 / 87 / 50 / 1

HEX #FC207E

RGB 252 32 126

HSL 334.36, 0.97%, 0.56%

LAB 55.31, 80.65, 5.81

 

CMYK 0 / 79 / 45 / 8

HEX #EA3281

RGB 234 50 129

HSL 334.24, 0.81%, 0.56%

LAB 53.34, 72.78, 0.73

 

CMYK 0 / 68 / 39 / 15

HEX #D84583

RGB 216 69 131

HSL 334.69, 0.65%, 0.56%

LAB 52.39, 62.03, -2.24

 

CMYK 0 / 56 / 32 / 22

HEX #C65786

RGB 198 87 134

HSL 334.59, 0.49%, 0.56%

LAB 52.45, 49.15, -4.27

 

CMYK 0 / 42 / 24 / 29

HEX #B46989

RGB 180 105 137

HSL 334.4, 0.33%, 0.56%

LAB 53.61, 34.17, -4.6

 

CMYK 0 / 87 / 3 / 1

HEX #FC20F5

RGB 252 32 245

HSL 301.91, 0.97%, 0.56%

LAB 60.18, 93.65, -55.55

 

CMYK 0 / 87 / 26 / 1

HEX #FC20BA

RGB 252 32 186

HSL 318, 0.97%, 0.56%

LAB 57.34, 86.22, -26.52

 

CMYK 0 / 87 / 49 / 1

HEX #FC2080

RGB 252 32 128

HSL 333.82, 0.97%, 0.56%

LAB 55.37, 80.8, 4.68

 

CMYK 0 / 87 / 73 / 1

HEX #FC2045

RGB 252 32 69

HSL 349.91, 0.97%, 0.56%

LAB 54.19, 77.48, 38.29

 

CMYK 0 / 79 / 87 / 1

HEX #FC3620

RGB 252 54 32

HSL 6, 0.97%, 0.56%

LAB 55.52, 71.73, 58.58

 

CMYK 0 / 99 / 57 / 21

HEX #C90256

RGB 201 2 86

HSL 334.67, 0.98%, 0.4%

LAB 42.96, 69.54, 11.49

 

CMYK 0 / 99 / 57 / 5

HEX #F10268

RGB 241 2 104

HSL 334.39, 0.98%, 0.48%

LAB 51.55, 79.75, 13.48

 

CMYK 0 / 87 / 50 / 1

HEX #FC207E

RGB 252 32 126

HSL 334.36, 0.97%, 0.56%

LAB 55.31, 80.65, 5.81

 

CMYK 0 / 71 / 41 / 1

HEX #FD4996

RGB 253 73 150

HSL 334.33, 0.98%, 0.64%

LAB 59.75, 72.74, -1.92

 

CMYK 0 / 55 / 32 / 1

HEX #FD72AD

RGB 253 114 173

HSL 334.53, 0.97%, 0.72%

LAB 66.47, 58.82, -5.25

 

CMYK 0 / 87 / 50 / 1

HEX #FD207E

RGB 253 32 126

HSL 334.48, 0.98%, 0.56%

LAB 55.5, 80.88, 6.1

 

CMYK 0 / 20 / 87 / 1

HEX #FCC920

RGB 252 201 32

HSL 46.09, 0.97%, 0.56%

LAB 83.22, 4.32, 80.19

 

CMYK 87 / 14 / 0 / 1

HEX #20D8FC

RGB 32 216 252

HSL 189.82, 0.97%, 0.56%

LAB 79.87, -30.21, -29.59

 

CMYK 0 / 87 / 50 / 1

HEX #FD207E

RGB 253 32 126

HSL 334.48, 0.98%, 0.56%

LAB 55.5, 80.88, 6.1

 

CMYK 49 / 0 / 87 / 1

HEX #80FC20

RGB 128 252 32

HSL 93.82, 0.97%, 0.56%

LAB 89.07, -66.18, 81.69

 

CMYK 87 / 49 / 0 / 1

HEX #2080FC

RGB 32 128 252

HSL 213.82, 0.97%, 0.56%

LAB 54.84, 18.76, -69.06

 

CMYK 0 / 87 / 50 / 1

HEX #FD207E

RGB 253 32 126

HSL 334.48, 0.98%, 0.56%

LAB 55.5, 80.88, 6.1

 

CMYK 0 / 20 / 87 / 1

HEX #FCC920

RGB 252 201 32

HSL 46.09, 0.97%, 0.56%

LAB 83.22, 4.32, 80.19

 

CMYK 87 / 0 / 38 / 1

HEX #20FC9D

RGB 32 252 157

HSL 154.09, 0.97%, 0.56%

LAB 88.14, -69.59, 32.05

 

CMYK 87 / 67 / 0 / 1

HEX #2054FC

RGB 32 84 252

HSL 225.82, 0.97%, 0.56%

LAB 43.76, 46.27, -87.13

 

CMYK 0 / 87 / 50 / 1

HEX #FD207E

RGB 253 32 126

HSL 334.48, 0.98%, 0.56%

LAB 55.5, 80.88, 6.1

 

CMYK 6 / 0 / 87 / 1

HEX #EEFC20

RGB 238 252 32

HSL 63.82, 0.97%, 0.56%

LAB 95.12, -26.72, 89.16

 

CMYK 87 / 0 / 38 / 1

HEX #20FC9D

RGB 32 252 157

HSL 154.09, 0.97%, 0.56%

LAB 88.14, -69.59, 32.05

 

CMYK 81 / 87 / 0 / 1

HEX #2F20FC

RGB 47 32 252

HSL 244.09, 0.97%, 0.56%

LAB 35.33, 72.42, -101.09

 

Description

Color code: RGB 253 32 126 | qconv.com Color code: RGB 253 32 126 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 32 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 32 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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