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Color name
RGB 253 216.8 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 216.8 150 it is the complementary color RGB 2 38.2 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 216.8 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 216.8 150 shade: RGB 255 216.8 145, RGB 255 234.8 164, RGB 255 252.8 183, RGB 255 255 202 and RGB 255 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 216.8 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 216.8 150 shade: RGB 253 216.8 150, RGB 236 198.8 131, RGB 219 180.8 112, RGB 202 162.8 93 and RGB 185 144.8 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 216.8 150 shade: RGB 253 217 150, RGB 253 189 150, RGB 253 161 150 and RGB 253 150 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 216.8 150 shade: RGB 253 217 150, RGB 253 244 150, RGB 234 253 150, RGB 206 253 150 and RGB 178 253 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 216.8 150 shade matches the following richer shades: RGB 253 217 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 216.8 150 shade: RGB 253 217 150, RGB 244 214 159, RGB 236 212 167, RGB 227 209 176 and RGB 218 206 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 216.8 150 shade: RGB 253 160 150, RGB 253 188 150, RGB 253 215 150, RGB 253 243 150 and RGB 236 253 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 216.8 150 shade: RGB 251 187 69, RGB 252 202 110, RGB 253 217 150, RGB 254 231 190 and RGB 255 246 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 216.8 150 shade: RGB 253 216.8 150, RGB 167 253 150 and RGB 174 150 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 216.8 150 shade: RGB 253 216.8 150, RGB 150 253 215 and RGB 215 150 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 216.8 150 shade: RGB 253 216.8 150, RGB 167 253 150, RGB 150 188 253 and RGB 236 150 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 216.8 150 shade: RGB 253 216.8 150, RGB 150 253 164, RGB 150 188 253 and RGB 253 150 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 41 / 1

HEX #FDD896

RGB 253 216.8 150

HSL 38.91, 0.96%, 0.79%

LAB 88.26, 3.8, 37.55

 

Complementary color

CMYK 98 / 64 / 0 / 59

HEX #022669

RGB 2 38.2 105

HSL 218.91, 0.96%, 0.21%

LAB 17.61, 17.83, -42.18

 

CMYK 0 / 15 / 43 / 0

HEX #FFD891

RGB 255 216.8 145

HSL 39.16, 1%, 0.78%

LAB 88.37, 4.06, 40.25

 

CMYK 0 / 8 / 36 / 0

HEX #FFEAA4

RGB 255 234.8 164

HSL 46.68, 1%, 0.82%

LAB 93.12, -3.05, 36.88

 

CMYK 0 / 1 / 28 / 0

HEX #FFFCB7

RGB 255 252.8 183

HSL 58.17, 1%, 0.86%

LAB 97.95, -9.75, 33.77

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 14 / 41 / 1

HEX #FDD896

RGB 253 216.8 150

HSL 38.91, 0.96%, 0.79%

LAB 88.26, 3.8, 37.55

 

CMYK 0 / 16 / 44 / 7

HEX #ECC683

RGB 236 198.8 131

HSL 38.74, 0.73%, 0.72%

LAB 81.96, 4.44, 38.78

 

CMYK 0 / 17 / 49 / 14

HEX #DBB470

RGB 219 180.8 112

HSL 38.58, 0.6%, 0.65%

LAB 75.57, 5.17, 40.06

 

CMYK 0 / 19 / 54 / 21

HEX #CAA25D

RGB 202 162.8 93

HSL 38.42, 0.51%, 0.58%

LAB 69.09, 6.02, 41.39

 

CMYK 0 / 22 / 60 / 27

HEX #B9904A

RGB 185 144.8 74

HSL 38.27, 0.44%, 0.51%

LAB 62.51, 7.03, 42.75

 

CMYK 0 / 14 / 41 / 1

HEX #FDD996

RGB 253 217 150

HSL 39.03, 0.96%, 0.79%

LAB 88.31, 3.69, 37.62

 

CMYK 0 / 25 / 41 / 1

HEX #FDBD96

RGB 253 189 150

HSL 22.72, 0.96%, 0.79%

LAB 81.55, 18.23, 28.69

 

CMYK 0 / 36 / 41 / 1

HEX #FDA196

RGB 253 161 150

HSL 6.41, 0.96%, 0.79%

LAB 75.19, 32.9, 20.04

 

CMYK 0 / 41 / 41 / 1

HEX #FD9696

RGB 253 150 150

HSL 0, 0.96%, 0.79%

LAB 72.82, 38.58, 16.77

 

CMYK 0 / 14 / 41 / 1

HEX #FDD996

RGB 253 217 150

HSL 39.03, 0.96%, 0.79%

LAB 88.31, 3.69, 37.62

 

CMYK 0 / 4 / 41 / 1

HEX #FDF496

RGB 253 244 150

HSL 54.76, 0.96%, 0.79%

LAB 95.07, -9.91, 46.3

 

CMYK 8 / 0 / 41 / 1

HEX #EAFD96

RGB 234 253 150

HSL 71.07, 0.96%, 0.79%

LAB 95.97, -21.51, 47.14

 

CMYK 19 / 0 / 41 / 1

HEX #CEFD96

RGB 206 253 150

HSL 87.38, 0.96%, 0.79%

LAB 94.13, -31.75, 44.42

 

CMYK 30 / 0 / 41 / 1

HEX #B2FD96

RGB 178 253 150

HSL 103.69, 0.96%, 0.79%

LAB 92.54, -41.34, 42.06

 

CMYK 0 / 14 / 41 / 1

HEX #FDD996

RGB 253 217 150

HSL 39.03, 0.96%, 0.79%

LAB 88.31, 3.69, 37.62

 

CMYK 0 / 14 / 41 / 1

HEX #FDD996

RGB 253 217 150

HSL 39.03, 0.96%, 0.79%

LAB 88.31, 3.69, 37.62

 

CMYK 0 / 12 / 35 / 4

HEX #F4D69F

RGB 244 214 159

HSL 38.82, 0.79%, 0.79%

LAB 86.91, 2.75, 31.03

 

CMYK 0 / 10 / 29 / 7

HEX #ECD4A7

RGB 236 212 167

HSL 39.13, 0.64%, 0.79%

LAB 85.86, 1.71, 25.34

 

CMYK 0 / 8 / 22 / 11

HEX #E3D1B0

RGB 227 209 176

HSL 38.82, 0.48%, 0.79%

LAB 84.52, 1.1, 18.65

 

CMYK 0 / 6 / 15 / 15

HEX #DACEB9

RGB 218 206 185

HSL 38.18, 0.31%, 0.79%

LAB 83.21, 0.69, 11.93

 

CMYK 0 / 37 / 41 / 1

HEX #FDA096

RGB 253 160 150

HSL 5.83, 0.96%, 0.79%

LAB 74.97, 33.42, 19.74

 

CMYK 0 / 26 / 41 / 1

HEX #FDBC96

RGB 253 188 150

HSL 22.14, 0.96%, 0.79%

LAB 81.32, 18.76, 28.38

 

CMYK 0 / 15 / 41 / 1

HEX #FDD796

RGB 253 215 150

HSL 37.86, 0.96%, 0.79%

LAB 87.82, 4.72, 36.98

 

CMYK 0 / 4 / 41 / 1

HEX #FDF396

RGB 253 243 150

HSL 54.17, 0.96%, 0.79%

LAB 94.82, -9.41, 45.98

 

CMYK 7 / 0 / 41 / 1

HEX #ECFD96

RGB 236 253 150

HSL 69.9, 0.96%, 0.79%

LAB 96.12, -20.76, 47.35

 

CMYK 0 / 25 / 73 / 2

HEX #FBBB45

RGB 251 187 69

HSL 38.9, 0.96%, 0.63%

LAB 79.89, 12.32, 65.74

 

CMYK 0 / 20 / 56 / 1

HEX #FCCA6E

RGB 252 202 110

HSL 38.87, 0.96%, 0.71%

LAB 84, 7.4, 52.04

 

CMYK 0 / 14 / 41 / 1

HEX #FDD996

RGB 253 217 150

HSL 39.03, 0.96%, 0.79%

LAB 88.31, 3.69, 37.62

 

CMYK 0 / 9 / 25 / 0

HEX #FEE7BE

RGB 254 231 190

HSL 38.44, 0.97%, 0.87%

LAB 92.55, 1.72, 22.84

 

CMYK 0 / 4 / 9 / 0

HEX #FFF6E7

RGB 255 246 231

HSL 37.5, 1%, 0.95%

LAB 97.2, 0.52, 8.27

 

CMYK 0 / 14 / 41 / 1

HEX #FDD896

RGB 253 216.8 150

HSL 38.91, 0.96%, 0.79%

LAB 88.26, 3.8, 37.55

 

CMYK 34 / 0 / 41 / 1

HEX #A7FD96

RGB 167 253 150

HSL 110.1, 0.96%, 0.79%

LAB 91.98, -44.87, 41.24

 

CMYK 31 / 41 / 0 / 1

HEX #AE96FD

RGB 174 150 253

HSL 253.98, 0.96%, 0.79%

LAB 67.95, 30.97, -48.24

 

CMYK 0 / 14 / 41 / 1

HEX #FDD896

RGB 253 216.8 150

HSL 38.91, 0.96%, 0.79%

LAB 88.26, 3.8, 37.55

 

CMYK 41 / 0 / 15 / 1

HEX #96FDD7

RGB 150 253 215

HSL 157.86, 0.96%, 0.79%

LAB 92.42, -38.47, 8.83

 

CMYK 15 / 41 / 0 / 1

HEX #D796FD

RGB 215 150 253

HSL 277.86, 0.96%, 0.79%

LAB 71.79, 42.39, -41.94

 

CMYK 0 / 14 / 41 / 1

HEX #FDD896

RGB 253 216.8 150

HSL 38.91, 0.96%, 0.79%

LAB 88.26, 3.8, 37.55

 

CMYK 34 / 0 / 41 / 1

HEX #A7FD96

RGB 167 253 150

HSL 110.1, 0.96%, 0.79%

LAB 91.98, -44.87, 41.24

 

CMYK 41 / 26 / 0 / 1

HEX #96BCFD

RGB 150 188 253

HSL 217.86, 0.96%, 0.79%

LAB 75.79, 3.34, -36.12

 

CMYK 7 / 41 / 0 / 1

HEX #EC96FD

RGB 236 150 253

HSL 290.1, 0.96%, 0.79%

LAB 74.02, 48.45, -38.3

 

CMYK 0 / 14 / 41 / 1

HEX #FDD896

RGB 253 216.8 150

HSL 38.91, 0.96%, 0.79%

LAB 88.26, 3.8, 37.55

 

CMYK 41 / 0 / 35 / 1

HEX #96FDA4

RGB 150 253 164

HSL 128.16, 0.96%, 0.79%

LAB 91.42, -47.88, 33.44

 

CMYK 41 / 26 / 0 / 1

HEX #96BCFD

RGB 150 188 253

HSL 217.86, 0.96%, 0.79%

LAB 75.79, 3.34, -36.12

 

CMYK 0 / 41 / 6 / 1

HEX #FD96EF

RGB 253 150 239

HSL 308.16, 0.96%, 0.79%

LAB 75.41, 50.98, -28.4

 

Description

Color code: RGB 253 216.8 150 | qconv.com Color code: RGB 253 216.8 150 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 216.8 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 216.8 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 41 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 41% 1% C M Y K

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Provide designers and agencies with accurate color values.

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