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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 166 128 it is the complementary color RGB 2 89 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 166 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 166 128 shade: RGB 255 166 123, RGB 255 184 142, RGB 255 202 161, RGB 255 220 180 and RGB 255 238 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 166 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 166 128 shade: RGB 253 166 128, RGB 236 148 109, RGB 219 130 90, RGB 202 112 71 and RGB 185 94 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 166 128 shade: RGB 253 167 129, RGB 253 133 129 and RGB 253 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 166 128 shade: RGB 253 167 129, RGB 253 200 129, RGB 253 233 129, RGB 239 253 129 and RGB 205 253 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 166 128 shade matches the following richer shades: RGB 253 167 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 166 128 shade: RGB 253 167 129, RGB 242 171 139, RGB 232 175 150, RGB 222 179 160 and RGB 211 183 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 166 128 shade: RGB 253 129 158, RGB 253 133 129, RGB 253 166 129, RGB 253 199 129 and RGB 253 232 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 166 128 shade: RGB 251 110 48, RGB 252 138 88, RGB 253 167 129, RGB 253 195 170 and RGB 254 223 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 166 128 shade: RGB 253 166 128, RGB 191 253 129 and RGB 129 141 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 166 128 shade: RGB 253 166 128, RGB 129 253 166 and RGB 166 129 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 166 128 shade: RGB 253 166 128, RGB 191 253 129, RGB 129 215 253 and RGB 191 129 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 166 128 shade: RGB 253 166 128, RGB 154 253 129, RGB 129 215 253 and RGB 228 129 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 49 / 1

HEX #FDA680

RGB 253 166 128

HSL 18.24, 0.97%, 0.75%

LAB 75.89, 28.11, 32.85

 

Complementary color

CMYK 98 / 30 / 0 / 50

HEX #02597F

RGB 2 89 127

HSL 198.24, 0.97%, 0.25%

LAB 35.38, -7.69, -27.63

 

CMYK 0 / 35 / 52 / 0

HEX #FFA67B

RGB 255 166 123

HSL 19.55, 1%, 0.74%

LAB 76.05, 28.44, 35.74

 

CMYK 0 / 28 / 44 / 0

HEX #FFB88E

RGB 255 184 142

HSL 22.3, 1%, 0.78%

LAB 80.46, 20.8, 31.48

 

CMYK 0 / 21 / 37 / 0

HEX #FFCAA1

RGB 255 202 161

HSL 26.17, 1%, 0.82%

LAB 85.03, 13.43, 27.64

 

CMYK 0 / 14 / 29 / 0

HEX #FFDCB4

RGB 255 220 180

HSL 32, 1%, 0.85%

LAB 89.74, 6.41, 24.15

 

CMYK 0 / 7 / 22 / 0

HEX #FFEEC7

RGB 255 238 199

HSL 41.79, 1%, 0.89%

LAB 94.54, -0.24, 20.98

 

CMYK 0 / 34 / 49 / 1

HEX #FDA680

RGB 253 166 128

HSL 18.24, 0.97%, 0.75%

LAB 75.89, 28.11, 32.85

 

CMYK 0 / 37 / 54 / 7

HEX #EC946D

RGB 236 148 109

HSL 18.43, 0.77%, 0.68%

LAB 69.55, 29.25, 34.42

 

CMYK 0 / 41 / 59 / 14

HEX #DB825A

RGB 219 130 90

HSL 18.6, 0.64%, 0.61%

LAB 63.15, 30.53, 36.13

 

CMYK 0 / 45 / 65 / 21

HEX #CA7047

RGB 202 112 71

HSL 18.78, 0.55%, 0.54%

LAB 56.68, 31.95, 38

 

CMYK 0 / 49 / 72 / 27

HEX #B95E34

RGB 185 94 52

HSL 18.95, 0.56%, 0.46%

LAB 50.18, 33.52, 40.01

 

CMYK 0 / 34 / 49 / 1

HEX #FDA781

RGB 253 167 129

HSL 18.39, 0.97%, 0.75%

LAB 76.13, 27.67, 32.63

 

CMYK 0 / 47 / 49 / 1

HEX #FD8581

RGB 253 133 129

HSL 1.94, 0.97%, 0.75%

LAB 68.93, 45.11, 23.05

 

CMYK 0 / 49 / 49 / 1

HEX #FD8181

RGB 253 129 129

HSL 0, 0.97%, 0.75%

LAB 68.14, 47.09, 21.99

 

CMYK 0 / 34 / 49 / 1

HEX #FDA781

RGB 253 167 129

HSL 18.39, 0.97%, 0.75%

LAB 76.13, 27.67, 32.63

 

CMYK 0 / 21 / 49 / 1

HEX #FDC881

RGB 253 200 129

HSL 34.35, 0.97%, 0.75%

LAB 83.85, 10.41, 42.52

 

CMYK 0 / 8 / 49 / 1

HEX #FDE981

RGB 253 233 129

HSL 50.32, 0.97%, 0.75%

LAB 92.02, -6.43, 52.61

 

CMYK 6 / 0 / 49 / 1

HEX #EFFD81

RGB 239 253 129

HSL 66.77, 0.97%, 0.75%

LAB 96.07, -21.69, 57.23

 

CMYK 19 / 0 / 49 / 1

HEX #CDFD81

RGB 205 253 129

HSL 83.23, 0.97%, 0.75%

LAB 93.8, -34.44, 53.96

 

CMYK 0 / 34 / 49 / 1

HEX #FDA781

RGB 253 167 129

HSL 18.39, 0.97%, 0.75%

LAB 76.13, 27.67, 32.63

 

CMYK 0 / 34 / 49 / 1

HEX #FDA781

RGB 253 167 129

HSL 18.39, 0.97%, 0.75%

LAB 76.13, 27.67, 32.63

 

CMYK 0 / 29 / 43 / 5

HEX #F2AB8B

RGB 242 171 139

HSL 18.64, 0.8%, 0.75%

LAB 75.99, 22.27, 26.87

 

CMYK 0 / 25 / 35 / 9

HEX #E8AF96

RGB 232 175 150

HSL 18.29, 0.64%, 0.75%

LAB 76.08, 17.51, 20.9

 

CMYK 0 / 19 / 28 / 13

HEX #DEB3A0

RGB 222 179 160

HSL 18.39, 0.48%, 0.75%

LAB 76.26, 12.82, 15.59

 

CMYK 0 / 13 / 19 / 17

HEX #D3B7AA

RGB 211 183 170

HSL 19.02, 0.32%, 0.75%

LAB 76.45, 7.96, 10.3

 

CMYK 0 / 49 / 38 / 1

HEX #FD819E

RGB 253 129 158

HSL 345.97, 0.97%, 0.75%

LAB 68.79, 50, 6.61

 

CMYK 0 / 47 / 49 / 1

HEX #FD8581

RGB 253 133 129

HSL 1.94, 0.97%, 0.75%

LAB 68.93, 45.11, 23.05

 

CMYK 0 / 34 / 49 / 1

HEX #FDA681

RGB 253 166 129

HSL 17.9, 0.97%, 0.75%

LAB 75.91, 28.2, 32.34

 

CMYK 0 / 21 / 49 / 1

HEX #FDC781

RGB 253 199 129

HSL 33.87, 0.97%, 0.75%

LAB 83.61, 10.93, 42.22

 

CMYK 0 / 8 / 49 / 1

HEX #FDE881

RGB 253 232 129

HSL 49.84, 0.97%, 0.75%

LAB 91.77, -5.93, 52.31

 

CMYK 0 / 56 / 81 / 2

HEX #FB6E30

RGB 251 110 48

HSL 18.33, 0.96%, 0.59%

LAB 63.24, 50.71, 58.33

 

CMYK 0 / 45 / 65 / 1

HEX #FC8A58

RGB 252 138 88

HSL 18.29, 0.96%, 0.67%

LAB 69.17, 39.19, 45.45

 

CMYK 0 / 34 / 49 / 1

HEX #FDA781

RGB 253 167 129

HSL 18.39, 0.97%, 0.75%

LAB 76.13, 27.67, 32.63

 

CMYK 0 / 23 / 33 / 1

HEX #FDC3AA

RGB 253 195 170

HSL 18.07, 0.95%, 0.83%

LAB 83.35, 17.39, 20.55

 

CMYK 0 / 12 / 17 / 0

HEX #FEDFD2

RGB 254 223 210

HSL 17.73, 0.96%, 0.91%

LAB 91.01, 8.66, 10.28

 

CMYK 0 / 34 / 49 / 1

HEX #FDA680

RGB 253 166 128

HSL 18.24, 0.97%, 0.75%

LAB 75.89, 28.11, 32.85

 

CMYK 25 / 0 / 49 / 1

HEX #BFFD81

RGB 191 253 129

HSL 90, 0.97%, 0.75%

LAB 92.98, -39.44, 52.76

 

CMYK 49 / 44 / 0 / 1

HEX #818DFD

RGB 129 141 253

HSL 234.19, 0.97%, 0.75%

LAB 62.35, 25.09, -57.34

 

CMYK 0 / 34 / 49 / 1

HEX #FDA680

RGB 253 166 128

HSL 18.24, 0.97%, 0.75%

LAB 75.89, 28.11, 32.85

 

CMYK 49 / 0 / 34 / 1

HEX #81FDA6

RGB 129 253 166

HSL 137.9, 0.97%, 0.75%

LAB 90.63, -53.15, 31.23

 

CMYK 34 / 49 / 0 / 1

HEX #A681FD

RGB 166 129 253

HSL 257.9, 0.97%, 0.75%

LAB 62.42, 40.7, -57.04

 

CMYK 0 / 34 / 49 / 1

HEX #FDA680

RGB 253 166 128

HSL 18.24, 0.97%, 0.75%

LAB 75.89, 28.11, 32.85

 

CMYK 25 / 0 / 49 / 1

HEX #BFFD81

RGB 191 253 129

HSL 90, 0.97%, 0.75%

LAB 92.98, -39.44, 52.76

 

CMYK 49 / 15 / 0 / 1

HEX #81D7FD

RGB 129 215 253

HSL 198.39, 0.97%, 0.75%

LAB 82.03, -16.04, -26.6

 

CMYK 25 / 49 / 0 / 1

HEX #BF81FD

RGB 191 129 253

HSL 270, 0.97%, 0.75%

LAB 64.86, 47.05, -53.02

 

CMYK 0 / 34 / 49 / 1

HEX #FDA680

RGB 253 166 128

HSL 18.24, 0.97%, 0.75%

LAB 75.89, 28.11, 32.85

 

CMYK 39 / 0 / 49 / 1

HEX #9AFD81

RGB 154 253 129

HSL 107.9, 0.97%, 0.75%

LAB 91.1, -51.62, 50.05

 

CMYK 49 / 15 / 0 / 1

HEX #81D7FD

RGB 129 215 253

HSL 198.39, 0.97%, 0.75%

LAB 82.03, -16.04, -26.6

 

CMYK 10 / 49 / 0 / 1

HEX #E481FD

RGB 228 129 253

HSL 287.9, 0.97%, 0.75%

LAB 68.96, 56.86, -46.28

 

Description

Color code: RGB 253 166 128 | qconv.com Color code: RGB 253 166 128 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 166 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 166 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 49 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 49% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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