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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 153 103 it is the complementary color RGB 2 102 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 153 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 153 103 shade: RGB 255 153 98, RGB 255 171 117, RGB 255 189 136, RGB 255 207 155 and RGB 255 225 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 153 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 153 103 shade: RGB 253 153 103, RGB 236 135 84, RGB 219 117 65, RGB 202 99 46 and RGB 185 81 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 153 103 shade: RGB 252 153 104, RGB 252 113 104 and RGB 252 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 153 103 shade: RGB 252 153 104, RGB 252 193 104, RGB 252 233 104, RGB 231 252 104 and RGB 191 252 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 153 103 shade matches the following richer shades: RGB 252 153 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 153 103 shade: RGB 252 153 104, RGB 240 157 116, RGB 227 162 129, RGB 215 166 141 and RGB 203 170 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 153 103 shade: RGB 252 104 133, RGB 252 114 104, RGB 252 153 104, RGB 252 193 104 and RGB 252 232 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 153 103 shade: RGB 251 99 23, RGB 252 126 63, RGB 252 153 104, RGB 253 181 144 and RGB 253 208 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 153 103 shade: RGB 253 153 103, RGB 173 252 104 and RGB 104 114 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 153 103 shade: RGB 253 153 103, RGB 104 252 153 and RGB 153 104 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 153 103 shade: RGB 253 153 103, RGB 173 252 104, RGB 104 203 252 and RGB 183 104 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 153 103 shade: RGB 253 153 103, RGB 129 252 104, RGB 104 203 252 and RGB 227 104 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 59 / 1

HEX #FD9967

RGB 253 153 103

HSL 20, 0.97%, 0.7%

LAB 72.66, 32.86, 41.92

 

Complementary color

CMYK 99 / 33 / 0 / 40

HEX #026698

RGB 2 102 152

HSL 200, 0.97%, 0.3%

LAB 40.87, -5.64, -34.13

 

CMYK 0 / 40 / 62 / 0

HEX #FF9962

RGB 255 153 98

HSL 21.02, 1%, 0.69%

LAB 72.84, 33.3, 44.78

 

CMYK 0 / 33 / 54 / 0

HEX #FFAB75

RGB 255 171 117

HSL 23.48, 1%, 0.73%

LAB 77.08, 25.33, 40.19

 

CMYK 0 / 26 / 47 / 0

HEX #FFBD88

RGB 255 189 136

HSL 26.72, 1%, 0.77%

LAB 81.53, 17.59, 36.02

 

CMYK 0 / 19 / 39 / 0

HEX #FFCF9B

RGB 255 207 155

HSL 31.2, 1%, 0.8%

LAB 86.13, 10.16, 32.23

 

CMYK 0 / 12 / 32 / 0

HEX #FFE1AE

RGB 255 225 174

HSL 37.78, 1%, 0.84%

LAB 90.86, 3.1, 28.77

 

CMYK 0 / 40 / 59 / 1

HEX #FD9967

RGB 253 153 103

HSL 20, 0.97%, 0.7%

LAB 72.66, 32.86, 41.92

 

CMYK 0 / 43 / 64 / 7

HEX #EC8754

RGB 236 135 84

HSL 20.13, 0.8%, 0.63%

LAB 66.37, 34.25, 43.7

 

CMYK 0 / 47 / 70 / 14

HEX #DB7541

RGB 219 117 65

HSL 20.26, 0.68%, 0.56%

LAB 60.04, 35.78, 45.58

 

CMYK 0 / 51 / 77 / 21

HEX #CA632E

RGB 202 99 46

HSL 20.38, 0.63%, 0.49%

LAB 53.68, 37.45, 47.47

 

CMYK 0 / 56 / 85 / 27

HEX #B9511B

RGB 185 81 27

HSL 20.51, 0.75%, 0.42%

LAB 47.34, 39.24, 49.07

 

CMYK 0 / 39 / 59 / 1

HEX #FC9968

RGB 252 153 104

HSL 19.86, 0.96%, 0.7%

LAB 72.55, 32.54, 41.23

 

CMYK 0 / 55 / 59 / 1

HEX #FC7168

RGB 252 113 104

HSL 3.65, 0.96%, 0.7%

LAB 64.57, 52.41, 31.21

 

CMYK 0 / 59 / 59 / 1

HEX #FC6868

RGB 252 104 104

HSL 0, 0.96%, 0.7%

LAB 63.01, 56.5, 29.19

 

CMYK 0 / 39 / 59 / 1

HEX #FC9968

RGB 252 153 104

HSL 19.86, 0.96%, 0.7%

LAB 72.55, 32.54, 41.23

 

CMYK 0 / 23 / 59 / 1

HEX #FCC168

RGB 252 193 104

HSL 36.08, 0.96%, 0.7%

LAB 81.75, 11.63, 52.26

 

CMYK 0 / 8 / 59 / 1

HEX #FCE968

RGB 252 233 104

HSL 52.3, 0.96%, 0.7%

LAB 91.67, -8.77, 63.58

 

CMYK 8 / 0 / 59 / 1

HEX #E7FC68

RGB 231 252 104

HSL 68.51, 0.96%, 0.7%

LAB 95, -26.33, 66.81

 

CMYK 24 / 0 / 59 / 1

HEX #BFFC68

RGB 191 252 104

HSL 84.73, 0.96%, 0.7%

LAB 92.44, -41.39, 63.26

 

CMYK 0 / 39 / 59 / 1

HEX #FC9968

RGB 252 153 104

HSL 19.86, 0.96%, 0.7%

LAB 72.55, 32.54, 41.23

 

CMYK 0 / 39 / 59 / 1

HEX #FC9968

RGB 252 153 104

HSL 19.86, 0.96%, 0.7%

LAB 72.55, 32.54, 41.23

 

CMYK 0 / 35 / 52 / 6

HEX #F09D74

RGB 240 157 116

HSL 19.84, 0.81%, 0.7%

LAB 72.16, 26.68, 34.11

 

CMYK 0 / 29 / 43 / 11

HEX #E3A281

RGB 227 162 129

HSL 20.2, 0.64%, 0.7%

LAB 72.07, 20.13, 26.72

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68D

RGB 215 166 141

HSL 20.27, 0.48%, 0.7%

LAB 71.99, 14.63, 19.89

 

CMYK 0 / 16 / 25 / 20

HEX #CBAA99

RGB 203 170 153

HSL 20.4, 0.32%, 0.7%

LAB 72.06, 9.42, 13.24

 

CMYK 0 / 59 / 47 / 1

HEX #FC6885

RGB 252 104 133

HSL 348.24, 0.96%, 0.7%

LAB 63.58, 58.79, 13.41

 

CMYK 0 / 55 / 59 / 1

HEX #FC7268

RGB 252 114 104

HSL 4.05, 0.96%, 0.7%

LAB 64.75, 51.94, 31.44

 

CMYK 0 / 39 / 59 / 1

HEX #FC9968

RGB 252 153 104

HSL 19.86, 0.96%, 0.7%

LAB 72.55, 32.54, 41.23

 

CMYK 0 / 23 / 59 / 1

HEX #FCC168

RGB 252 193 104

HSL 36.08, 0.96%, 0.7%

LAB 81.75, 11.63, 52.26

 

CMYK 0 / 8 / 59 / 1

HEX #FCE868

RGB 252 232 104

HSL 51.89, 0.96%, 0.7%

LAB 91.42, -8.28, 63.3

 

CMYK 0 / 61 / 91 / 2

HEX #FB6317

RGB 251 99 23

HSL 20, 0.97%, 0.54%

LAB 61.22, 55.13, 65.75

 

CMYK 0 / 50 / 75 / 1

HEX #FC7E3F

RGB 252 126 63

HSL 20, 0.97%, 0.62%

LAB 66.5, 43.95, 54.83

 

CMYK 0 / 39 / 59 / 1

HEX #FC9968

RGB 252 153 104

HSL 19.86, 0.96%, 0.7%

LAB 72.55, 32.54, 41.23

 

CMYK 0 / 28 / 43 / 1

HEX #FDB590

RGB 253 181 144

HSL 20.37, 0.96%, 0.78%

LAB 79.58, 21.79, 29.23

 

CMYK 0 / 18 / 27 / 1

HEX #FDD0B9

RGB 253 208 185

HSL 20.29, 0.94%, 0.86%

LAB 86.75, 12.53, 17.37

 

CMYK 0 / 40 / 59 / 1

HEX #FD9967

RGB 253 153 103

HSL 20, 0.97%, 0.7%

LAB 72.66, 32.86, 41.92

 

CMYK 31 / 0 / 59 / 1

HEX #ADFC68

RGB 173 252 104

HSL 92.03, 0.96%, 0.7%

LAB 91.46, -47.7, 61.89

 

CMYK 59 / 55 / 0 / 1

HEX #6872FC

RGB 104 114 252

HSL 235.95, 0.96%, 0.7%

LAB 54.03, 35.88, -70.23

 

CMYK 0 / 40 / 59 / 1

HEX #FD9967

RGB 253 153 103

HSL 20, 0.97%, 0.7%

LAB 72.66, 32.86, 41.92

 

CMYK 59 / 0 / 39 / 1

HEX #68FC99

RGB 104 252 153

HSL 139.86, 0.96%, 0.7%

LAB 89.33, -60.68, 35.84

 

CMYK 39 / 59 / 0 / 1

HEX #9968FC

RGB 153 104 252

HSL 259.86, 0.96%, 0.7%

LAB 55.79, 51.19, -67.2

 

CMYK 0 / 40 / 59 / 1

HEX #FD9967

RGB 253 153 103

HSL 20, 0.97%, 0.7%

LAB 72.66, 32.86, 41.92

 

CMYK 31 / 0 / 59 / 1

HEX #ADFC68

RGB 173 252 104

HSL 92.03, 0.96%, 0.7%

LAB 91.46, -47.7, 61.89

 

CMYK 59 / 19 / 0 / 1

HEX #68CBFC

RGB 104 203 252

HSL 199.86, 0.96%, 0.7%

LAB 77.69, -15.18, -32.82

 

CMYK 27 / 59 / 0 / 1

HEX #B768FC

RGB 183 104 252

HSL 272.03, 0.96%, 0.7%

LAB 58.97, 57.84, -61.91

 

CMYK 0 / 40 / 59 / 1

HEX #FD9967

RGB 253 153 103

HSL 20, 0.97%, 0.7%

LAB 72.66, 32.86, 41.92

 

CMYK 49 / 0 / 59 / 1

HEX #81FC68

RGB 129 252 104

HSL 109.86, 0.96%, 0.7%

LAB 89.53, -61.27, 59.17

 

CMYK 59 / 19 / 0 / 1

HEX #68CBFC

RGB 104 203 252

HSL 199.86, 0.96%, 0.7%

LAB 77.69, -15.18, -32.82

 

CMYK 10 / 59 / 0 / 1

HEX #E368FC

RGB 227 104 252

HSL 289.86, 0.96%, 0.7%

LAB 64.37, 68.2, -52.98

 

Description

Color code: RGB 253 153 103 | qconv.com Color code: RGB 253 153 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 153 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 153 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 59 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 59% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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