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Color name
RGB 253 13 168

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 13 168 it is the complementary color RGB 2 242 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 13 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 13 168 shade: RGB 255 13 163, RGB 255 31 182, RGB 255 49 201, RGB 255 67 220 and RGB 255 85 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 13 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 236 0 149, RGB 219 0 130, RGB 202 0 111 and RGB 185 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 253 13 103, RGB 253 13 38 and RGB 253 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 253 13 232, RGB 208 13 253, RGB 143 13 253 and RGB 79 13 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 13 168 shade matches the following richer shades: RGB 253 13 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 233 32 162, RGB 213 52 156, RGB 193 72 150 and RGB 173 92 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 13 168 shade: RGB 209 13 253, RGB 253 13 233, RGB 253 13 169, RGB 253 13 105 and RGB 253 13 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 13 168 shade: RGB 181 2 117, RGB 222 2 144, RGB 253 13 168, RGB 253 53 182 and RGB 253 94 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 253 145 13 and RGB 13 253 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 169 253 13 and RGB 13 169 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 253 145 13, RGB 13 253 97 and RGB 13 121 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 13 168 shade: RGB 253 13 168, RGB 253 217 13, RGB 13 253 97 and RGB 13 49 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

Complementary color

CMYK 99 / 0 / 64 / 5

HEX #02F257

RGB 2 242 87

HSL 141.25, 0.98%, 0.48%

LAB 84.07, -78.17, 59.53

 

CMYK 0 / 95 / 36 / 0

HEX #FF0DA3

RGB 255 13 163

HSL 322.81, 1%, 0.53%

LAB 56.28, 86.61, -14.68

 

CMYK 0 / 88 / 29 / 0

HEX #FF1FB6

RGB 255 31 182

HSL 319.55, 1%, 0.56%

LAB 57.67, 86.54, -23.65

 

CMYK 0 / 81 / 21 / 0

HEX #FF31C9

RGB 255 49 201

HSL 315.73, 1%, 0.6%

LAB 59.59, 85.4, -31.62

 

CMYK 0 / 74 / 14 / 0

HEX #FF43DC

RGB 255 67 220

HSL 311.17, 1%, 0.63%

LAB 62.03, 83.23, -38.59

 

CMYK 0 / 67 / 6 / 0

HEX #FF55EF

RGB 255 85 239

HSL 305.65, 1%, 0.67%

LAB 64.95, 80.14, -44.62

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 100 / 37 / 7

HEX #EC0095

RGB 236 0 149

HSL 322.12, 1%, 0.46%

LAB 51.84, 82.33, -13.44

 

CMYK 0 / 100 / 41 / 14

HEX #DB0082

RGB 219 0 130

HSL 324.38, 1%, 0.43%

LAB 47.84, 77.09, -8.31

 

CMYK 0 / 100 / 45 / 21

HEX #CA006F

RGB 202 0 111

HSL 327.03, 1%, 0.4%

LAB 43.81, 71.82, -2.97

 

CMYK 0 / 100 / 50 / 27

HEX #B9005C

RGB 185 0 92

HSL 330.16, 1%, 0.36%

LAB 39.73, 66.51, 2.63

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 95 / 59 / 1

HEX #FD0D67

RGB 253 13 103

HSL 337.5, 0.98%, 0.52%

LAB 54.19, 81.61, 18.09

 

CMYK 0 / 95 / 85 / 1

HEX #FD0D26

RGB 253 13 38

HSL 353.75, 0.98%, 0.52%

LAB 53.29, 79.14, 54.18

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 95 / 8 / 1

HEX #FD0DE8

RGB 253 13 232

HSL 305.25, 0.98%, 0.52%

LAB 58.97, 94.05, -50.18

 

CMYK 18 / 95 / 0 / 1

HEX #D00DFD

RGB 208 13 253

HSL 288.75, 0.98%, 0.52%

LAB 52.72, 90.25, -72.38

 

CMYK 43 / 95 / 0 / 1

HEX #8F0DFD

RGB 143 13 253

HSL 272.5, 0.98%, 0.52%

LAB 43.09, 82.68, -88.52

 

CMYK 69 / 95 / 0 / 1

HEX #4F0DFD

RGB 79 13 253

HSL 256.5, 0.98%, 0.52%

LAB 36.06, 78.32, -100.37

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 86 / 30 / 9

HEX #E920A2

RGB 233 32 162

HSL 321.19, 0.82%, 0.52%

LAB 52.91, 79.66, -19.59

 

CMYK 0 / 76 / 27 / 16

HEX #D5349C

RGB 213 52 156

HSL 321.24, 0.66%, 0.52%

LAB 50.69, 69.79, -19.76

 

CMYK 0 / 63 / 22 / 24

HEX #C14896

RGB 193 72 150

HSL 321.32, 0.49%, 0.52%

LAB 49.71, 56.51, -17.99

 

CMYK 0 / 47 / 17 / 32

HEX #AD5C90

RGB 173 92 144

HSL 321.48, 0.33%, 0.52%

LAB 50.16, 39.8, -14

 

CMYK 17 / 95 / 0 / 1

HEX #D10DFD

RGB 209 13 253

HSL 289, 0.98%, 0.52%

LAB 52.88, 90.39, -72.11

 

CMYK 0 / 95 / 8 / 1

HEX #FD0DE9

RGB 253 13 233

HSL 305, 0.98%, 0.52%

LAB 59.02, 94.18, -50.66

 

CMYK 0 / 95 / 33 / 1

HEX #FD0DA9

RGB 253 13 169

HSL 321, 0.98%, 0.52%

LAB 56.12, 86.78, -18.48

 

CMYK 0 / 95 / 58 / 1

HEX #FD0D69

RGB 253 13 105

HSL 337, 0.98%, 0.52%

LAB 54.23, 81.73, 16.95

 

CMYK 0 / 95 / 84 / 1

HEX #FD0D29

RGB 253 13 41

HSL 353, 0.98%, 0.52%

LAB 53.31, 79.2, 52.73

 

CMYK 0 / 99 / 35 / 29

HEX #B50275

RGB 181 2 117

HSL 321.45, 0.98%, 0.36%

LAB 39.83, 67.67, -13.11

 

CMYK 0 / 99 / 35 / 13

HEX #DE0290

RGB 222 2 144

HSL 321.27, 0.98%, 0.44%

LAB 48.99, 78.86, -15.02

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 79 / 28 / 1

HEX #FD35B6

RGB 253 53 182

HSL 321.3, 0.98%, 0.6%

LAB 58.79, 81.84, -21.96

 

CMYK 0 / 63 / 22 / 1

HEX #FD5EC5

RGB 253 94 197

HSL 321.13, 0.98%, 0.68%

LAB 64.1, 70.38, -22.43

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 43 / 95 / 1

HEX #FD910D

RGB 253 145 13

HSL 33, 0.98%, 0.52%

LAB 70.29, 33.58, 74.16

 

CMYK 95 / 0 / 5 / 1

HEX #0DFDF1

RGB 13 253 241

HSL 177, 0.98%, 0.52%

LAB 90.18, -50.91, -8.26

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 33 / 0 / 95 / 1

HEX #A9FD0D

RGB 169 253 13

HSL 81, 0.98%, 0.52%

LAB 91.11, -53.88, 86.54

 

CMYK 95 / 33 / 0 / 1

HEX #0DA9FD

RGB 13 169 253

HSL 201, 0.98%, 0.52%

LAB 66.18, -6.07, -51.48

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 43 / 95 / 1

HEX #FD910D

RGB 253 145 13

HSL 33, 0.98%, 0.52%

LAB 70.29, 33.58, 74.16

 

CMYK 95 / 0 / 62 / 1

HEX #0DFD61

RGB 13 253 97

HSL 141, 0.98%, 0.52%

LAB 87.58, -79.92, 59.34

 

CMYK 95 / 52 / 0 / 1

HEX #0D79FD

RGB 13 121 253

HSL 213, 0.98%, 0.52%

LAB 52.79, 22.72, -72.95

 

CMYK 0 / 95 / 34 / 1

HEX #FD0DA8

RGB 253 13 168

HSL 321.25, 0.98%, 0.52%

LAB 56.09, 86.68, -17.95

 

CMYK 0 / 14 / 95 / 1

HEX #FDD90D

RGB 253 217 13

HSL 51, 0.98%, 0.52%

LAB 87.26, -3.68, 86.18

 

CMYK 95 / 0 / 62 / 1

HEX #0DFD61

RGB 13 253 97

HSL 141, 0.98%, 0.52%

LAB 87.58, -79.92, 59.34

 

CMYK 95 / 81 / 0 / 1

HEX #0D31FD

RGB 13 49 253

HSL 231, 0.98%, 0.52%

LAB 36.69, 65.19, -99.41

 

Description

Color code: RGB 253 13 168 | qconv.com Color code: RGB 253 13 168 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 13 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 13 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 34% 1% C M Y K

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Provide designers and agencies with accurate color values.

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