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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 134 105 it is the complementary color RGB 2 121 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 134 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 134 105 shade: RGB 255 134 100, RGB 255 152 119, RGB 255 170 138, RGB 255 188 157 and RGB 255 206 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 134 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 134 105 shade: RGB 253 134 105, RGB 236 116 86, RGB 219 98 67, RGB 202 80 48 and RGB 185 62 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 134 105 shade: RGB 253 133 104 and RGB 253 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 134 105 shade: RGB 253 133 104, RGB 253 173 104, RGB 253 213 104, RGB 252 253 104 and RGB 212 253 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 134 105 shade matches the following richer shades: RGB 253 133 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 134 105 shade: RGB 253 133 104, RGB 240 141 117, RGB 228 148 129, RGB 216 156 141 and RGB 203 163 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 134 105 shade: RGB 253 104 156, RGB 253 104 117, RGB 253 132 104, RGB 253 171 104 and RGB 253 211 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 134 105 shade: RGB 251 68 23, RGB 252 101 64, RGB 253 133 104, RGB 253 166 145 and RGB 254 199 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 134 105 shade: RGB 253 134 105, RGB 196 253 104 and RGB 104 136 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 134 105 shade: RGB 253 134 105, RGB 104 253 132 and RGB 132 104 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 134 105 shade: RGB 253 134 105, RGB 196 253 104, RGB 104 225 253 and RGB 161 104 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 134 105 shade: RGB 253 134 105, RGB 151 253 104, RGB 104 225 253 and RGB 206 104 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 58 / 1

HEX #FD8669

RGB 253 134 105

HSL 11.76, 0.97%, 0.7%

LAB 68.72, 42.68, 35.96

 

Complementary color

CMYK 99 / 19 / 0 / 41

HEX #027996

RGB 2 121 150

HSL 191.76, 0.97%, 0.3%

LAB 46.83, -17.45, -23.63

 

CMYK 0 / 47 / 61 / 0

HEX #FF8664

RGB 255 134 100

HSL 13.16, 1%, 0.7%

LAB 68.92, 43.09, 38.96

RGB 255 134 100

CMYK 0 / 40 / 53 / 0

HEX #FF9877

RGB 255 152 119

HSL 14.56, 1%, 0.73%

LAB 72.92, 35.37, 33.85

RGB 255 152 119

CMYK 0 / 33 / 46 / 0

HEX #FFAA8A

RGB 255 170 138

HSL 16.41, 1%, 0.77%

LAB 77.19, 27.73, 29.27

RGB 255 170 138

CMYK 0 / 26 / 38 / 0

HEX #FFBC9D

RGB 255 188 157

HSL 18.98, 1%, 0.81%

LAB 81.65, 20.29, 25.16

RGB 255 188 157

CMYK 0 / 19 / 31 / 0

HEX #FFCEB0

RGB 255 206 176

HSL 22.78, 1%, 0.85%

LAB 86.27, 13.15, 21.47

RGB 255 206 176

CMYK 0 / 47 / 58 / 1

HEX #FD8669

RGB 253 134 105

HSL 11.76, 0.97%, 0.7%

LAB 68.72, 42.68, 35.96

 

CMYK 0 / 51 / 64 / 7

HEX #EC7456

RGB 236 116 86

HSL 12, 0.8%, 0.63%

LAB 62.5, 44.02, 38.03

 

CMYK 0 / 55 / 69 / 14

HEX #DB6243

RGB 219 98 67

HSL 12.24, 0.68%, 0.56%

LAB 56.29, 45.41, 40.32

 

CMYK 0 / 60 / 76 / 21

HEX #CA5030

RGB 202 80 48

HSL 12.47, 0.62%, 0.49%

LAB 50.11, 46.8, 42.81

 

CMYK 0 / 66 / 84 / 27

HEX #B93E1D

RGB 185 62 29

HSL 12.69, 0.73%, 0.42%

LAB 44.01, 48.09, 45.31

 

CMYK 0 / 47 / 59 / 1

HEX #FD8568

RGB 253 133 104

HSL 11.68, 0.97%, 0.7%

LAB 68.5, 43.11, 36.23

 

CMYK 0 / 59 / 59 / 1

HEX #FD6868

RGB 253 104 104

HSL 0, 0.97%, 0.7%

LAB 63.16, 56.83, 29.42

 

CMYK 0 / 47 / 59 / 1

HEX #FD8568

RGB 253 133 104

HSL 11.68, 0.97%, 0.7%

LAB 68.5, 43.11, 36.23

 

CMYK 0 / 32 / 59 / 1

HEX #FDAD68

RGB 253 173 104

HSL 27.79, 0.97%, 0.7%

LAB 77.14, 22.5, 46.84

 

CMYK 0 / 16 / 59 / 1

HEX #FDD568

RGB 253 213 104

HSL 43.89, 0.97%, 0.7%

LAB 86.74, 1.72, 58.05

 

CMYK 0 / 0 / 59 / 1

HEX #FCFD68

RGB 252 253 104

HSL 60.4, 0.97%, 0.7%

LAB 96.8, -18.54, 69.23

 

CMYK 16 / 0 / 59 / 1

HEX #D4FD68

RGB 212 253 104

HSL 76.51, 0.97%, 0.7%

LAB 93.99, -34.08, 65.34

 

CMYK 0 / 47 / 59 / 1

HEX #FD8568

RGB 253 133 104

HSL 11.68, 0.97%, 0.7%

LAB 68.5, 43.11, 36.23

 

CMYK 0 / 47 / 59 / 1

HEX #FD8568

RGB 253 133 104

HSL 11.68, 0.97%, 0.7%

LAB 68.5, 43.11, 36.23

 

CMYK 0 / 41 / 51 / 6

HEX #F08D75

RGB 240 141 117

HSL 11.71, 0.8%, 0.7%

LAB 68.65, 35.15, 29.01

 

CMYK 0 / 35 / 43 / 11

HEX #E49481

RGB 228 148 129

HSL 11.52, 0.65%, 0.7%

LAB 68.94, 28, 22.54

 

CMYK 0 / 28 / 35 / 15

HEX #D89C8D

RGB 216 156 141

HSL 12, 0.49%, 0.7%

LAB 69.68, 20.42, 16.72

 

CMYK 0 / 20 / 24 / 20

HEX #CBA39A

RGB 203 163 154

HSL 11.02, 0.32%, 0.7%

LAB 70.33, 13.37, 10.26

 

CMYK 0 / 59 / 38 / 1

HEX #FD689C

RGB 253 104 156

HSL 339.06, 0.97%, 0.7%

LAB 64.31, 61.36, 1.27

 

CMYK 0 / 59 / 54 / 1

HEX #FD6875

RGB 253 104 117

HSL 354.77, 0.97%, 0.7%

LAB 63.4, 57.78, 22.35

 

CMYK 0 / 48 / 59 / 1

HEX #FD8468

RGB 253 132 104

HSL 11.28, 0.97%, 0.7%

LAB 68.3, 43.61, 35.98

 

CMYK 0 / 32 / 59 / 1

HEX #FDAB68

RGB 253 171 104

HSL 26.98, 0.97%, 0.7%

LAB 76.68, 23.55, 46.28

 

CMYK 0 / 17 / 59 / 1

HEX #FDD368

RGB 253 211 104

HSL 43.09, 0.97%, 0.7%

LAB 86.24, 2.74, 57.48

 

CMYK 0 / 73 / 91 / 2

HEX #FB4417

RGB 251 68 23

HSL 11.84, 0.97%, 0.54%

LAB 56.79, 67.12, 62.73

 

CMYK 0 / 60 / 75 / 1

HEX #FC6540

RGB 252 101 64

HSL 11.81, 0.97%, 0.62%

LAB 61.97, 55.68, 49.63

 

CMYK 0 / 47 / 59 / 1

HEX #FD8568

RGB 253 133 104

HSL 11.68, 0.97%, 0.7%

LAB 68.5, 43.11, 36.23

 

CMYK 0 / 34 / 43 / 1

HEX #FDA691

RGB 253 166 145

HSL 11.67, 0.96%, 0.78%

LAB 76.19, 29.76, 24.13

 

CMYK 0 / 22 / 27 / 0

HEX #FEC7BA

RGB 254 199 186

HSL 11.47, 0.97%, 0.86%

LAB 84.72, 17.73, 14

 

CMYK 0 / 47 / 58 / 1

HEX #FD8669

RGB 253 134 105

HSL 11.76, 0.97%, 0.7%

LAB 68.72, 42.68, 35.96

 

CMYK 23 / 0 / 59 / 1

HEX #C4FD68

RGB 196 253 104

HSL 82.95, 0.97%, 0.7%

LAB 93.01, -40.02, 63.97

 

CMYK 59 / 46 / 0 / 1

HEX #6888FD

RGB 104 136 253

HSL 227.11, 0.97%, 0.7%

LAB 59.57, 23, -61.87

 

CMYK 0 / 47 / 58 / 1

HEX #FD8669

RGB 253 134 105

HSL 11.76, 0.97%, 0.7%

LAB 68.72, 42.68, 35.96

 

CMYK 59 / 0 / 48 / 1

HEX #68FD84

RGB 104 253 132

HSL 131.28, 0.97%, 0.7%

LAB 89.33, -64.3, 46.04

 

CMYK 48 / 59 / 0 / 1

HEX #8468FD

RGB 132 104 253

HSL 251.28, 0.97%, 0.7%

LAB 53.92, 47.17, -70.87

 

CMYK 0 / 47 / 58 / 1

HEX #FD8669

RGB 253 134 105

HSL 11.76, 0.97%, 0.7%

LAB 68.72, 42.68, 35.96

 

CMYK 23 / 0 / 59 / 1

HEX #C4FD68

RGB 196 253 104

HSL 82.95, 0.97%, 0.7%

LAB 93.01, -40.02, 63.97

 

CMYK 59 / 11 / 0 / 1

HEX #68E1FD

RGB 104 225 253

HSL 191.28, 0.97%, 0.7%

LAB 83.91, -26.03, -23.83

 

CMYK 36 / 59 / 0 / 1

HEX #A168FD

RGB 161 104 253

HSL 262.95, 0.97%, 0.7%

LAB 56.65, 53.16, -66.31

 

CMYK 0 / 47 / 58 / 1

HEX #FD8669

RGB 253 134 105

HSL 11.76, 0.97%, 0.7%

LAB 68.72, 42.68, 35.96

 

CMYK 40 / 0 / 59 / 1

HEX #97FD68

RGB 151 253 104

HSL 101.07, 0.97%, 0.7%

LAB 90.7, -55.26, 60.75

 

CMYK 59 / 11 / 0 / 1

HEX #68E1FD

RGB 104 225 253

HSL 191.28, 0.97%, 0.7%

LAB 83.91, -26.03, -23.83

 

CMYK 19 / 59 / 0 / 1

HEX #CE68FD

RGB 206 104 253

HSL 281.07, 0.97%, 0.7%

LAB 61.75, 63.4, -57.86

 

Description

Color code: RGB 253 134 105 | qconv.com Color code: RGB 253 134 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 134 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 134 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 58 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 58% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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