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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 119 8 it is the complementary color RGB 2 136 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 119 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 119 8 shade: RGB 255 119 3, RGB 255 137 22, RGB 255 155 41, RGB 255 173 60 and RGB 255 191 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 119 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 119 8 shade: RGB 253 119 8, RGB 236 101 0, RGB 219 83 0, RGB 202 65 0 and RGB 185 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 119 8 shade: RGB 252 118 7, RGB 252 52 7 and RGB 252 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 119 8 shade: RGB 252 118 7, RGB 252 184 7, RGB 252 250 7, RGB 188 252 7 and RGB 122 252 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 119 8 shade matches the following richer shades: RGB 252 118 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 119 8 shade: RGB 252 118 7, RGB 232 120 27, RGB 212 122 48, RGB 191 124 68 and RGB 171 126 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 119 8 shade: RGB 252 7 28, RGB 252 52 7, RGB 252 117 7, RGB 252 183 7 and RGB 252 248 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 119 8 shade: RGB 175 80 1, RGB 216 99 2, RGB 252 118 7, RGB 252 141 48 and RGB 253 163 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 119 8 shade: RGB 253 119 8, RGB 93 252 7 and RGB 19 7 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 119 8 shade: RGB 253 119 8, RGB 7 252 117 and RGB 117 7 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 119 8 shade: RGB 253 119 8, RGB 93 252 7, RGB 7 142 252 and RGB 166 7 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 119 8 shade: RGB 253 119 8, RGB 19 252 7, RGB 7 142 252 and RGB 240 7 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 97 / 1

HEX #FD7708

RGB 253 119 8

HSL 27.18, 0.98%, 0.51%

LAB 65.04, 46.51, 71.48

 

Complementary color

CMYK 99 / 45 / 0 / 3

HEX #0288F7

RGB 2 136 247

HSL 207.18, 0.98%, 0.49%

LAB 56.42, 10.81, -63.76

 

CMYK 0 / 53 / 99 / 0

HEX #FF7703

RGB 255 119 3

HSL 27.62, 1%, 0.51%

LAB 65.33, 47.22, 72.56

 

CMYK 0 / 46 / 91 / 0

HEX #FF8916

RGB 255 137 22

HSL 29.61, 1%, 0.54%

LAB 68.9, 38.56, 71.68

 

CMYK 0 / 39 / 84 / 0

HEX #FF9B29

RGB 255 155 41

HSL 31.96, 1%, 0.58%

LAB 72.8, 29.71, 69.53

 

CMYK 0 / 32 / 76 / 0

HEX #FFAD3C

RGB 255 173 60

HSL 34.77, 1%, 0.62%

LAB 76.96, 20.93, 66.56

 

CMYK 0 / 25 / 69 / 0

HEX #FFBF4F

RGB 255 191 79

HSL 38.18, 1%, 0.65%

LAB 81.34, 12.39, 63.24

 

CMYK 0 / 53 / 97 / 1

HEX #FD7708

RGB 253 119 8

HSL 27.18, 0.98%, 0.51%

LAB 65.04, 46.51, 71.48

 

CMYK 0 / 57 / 100 / 7

HEX #EC6500

RGB 236 101 0

HSL 25.68, 1%, 0.46%

LAB 59.1, 48.6, 67.96

 

CMYK 0 / 62 / 100 / 14

HEX #DB5300

RGB 219 83 0

HSL 22.74, 1%, 0.43%

LAB 53.22, 50.59, 63.28

 

CMYK 0 / 68 / 100 / 21

HEX #CA4100

RGB 202 65 0

HSL 19.31, 1%, 0.4%

LAB 47.41, 52.27, 58.67

 

CMYK 0 / 75 / 100 / 27

HEX #B92F00

RGB 185 47 0

HSL 15.24, 1%, 0.36%

LAB 41.76, 53.41, 54.17

 

CMYK 0 / 53 / 97 / 1

HEX #FC7607

RGB 252 118 7

HSL 27.18, 0.98%, 0.51%

LAB 64.7, 46.6, 71.34

 

CMYK 0 / 79 / 97 / 1

HEX #FC3407

RGB 252 52 7

HSL 11.02, 0.98%, 0.51%

LAB 55.24, 71.97, 66.06

 

CMYK 0 / 97 / 97 / 1

HEX #FC0707

RGB 252 7 7

HSL 0, 0.98%, 0.51%

LAB 52.8, 78.95, 64.93

 

CMYK 0 / 53 / 97 / 1

HEX #FC7607

RGB 252 118 7

HSL 27.18, 0.98%, 0.51%

LAB 64.7, 46.6, 71.34

 

CMYK 0 / 27 / 97 / 1

HEX #FCB807

RGB 252 184 7

HSL 43.35, 0.98%, 0.51%

LAB 79.04, 12.8, 80.81

 

CMYK 0 / 1 / 97 / 1

HEX #FCFA07

RGB 252 250 7

HSL 59.51, 0.98%, 0.51%

LAB 95.61, -20.36, 92.77

 

CMYK 25 / 0 / 97 / 1

HEX #BCFC07

RGB 188 252 7

HSL 75.67, 0.98%, 0.51%

LAB 91.83, -46.66, 88

 

CMYK 52 / 0 / 97 / 1

HEX #7AFC07

RGB 122 252 7

HSL 91.84, 0.98%, 0.51%

LAB 88.82, -68.33, 84.35

 

CMYK 0 / 53 / 97 / 1

HEX #FC7607

RGB 252 118 7

HSL 27.18, 0.98%, 0.51%

LAB 64.7, 46.6, 71.34

 

CMYK 0 / 53 / 97 / 1

HEX #FC7607

RGB 252 118 7

HSL 27.18, 0.98%, 0.51%

LAB 64.7, 46.6, 71.34

 

CMYK 0 / 48 / 88 / 9

HEX #E8781B

RGB 232 120 27

HSL 27.22, 0.82%, 0.51%

LAB 62.23, 38.11, 64.04

 

CMYK 0 / 42 / 77 / 17

HEX #D47A30

RGB 212 122 48

HSL 27.07, 0.66%, 0.51%

LAB 60.01, 29.55, 53.28

 

CMYK 0 / 35 / 64 / 25

HEX #BF7C44

RGB 191 124 68

HSL 27.32, 0.49%, 0.51%

LAB 57.95, 20.68, 40.7

 

CMYK 0 / 26 / 49 / 33

HEX #AB7E58

RGB 171 126 88

HSL 27.47, 0.33%, 0.51%

LAB 56.37, 12.7, 27.45

 

CMYK 0 / 97 / 89 / 1

HEX #FC071C

RGB 252 7 28

HSL 354.86, 0.98%, 0.51%

LAB 52.87, 79.16, 58.29

 

CMYK 0 / 79 / 97 / 1

HEX #FC3407

RGB 252 52 7

HSL 11.02, 0.98%, 0.51%

LAB 55.24, 71.97, 66.06

 

CMYK 0 / 54 / 97 / 1

HEX #FC7507

RGB 252 117 7

HSL 26.94, 0.98%, 0.51%

LAB 64.51, 47.08, 71.23

 

CMYK 0 / 27 / 97 / 1

HEX #FCB707

RGB 252 183 7

HSL 43.1, 0.98%, 0.51%

LAB 78.8, 13.32, 80.65

 

CMYK 0 / 2 / 97 / 1

HEX #FCF807

RGB 252 248 7

HSL 59.02, 0.98%, 0.51%

LAB 95.1, -19.4, 92.39

 

CMYK 0 / 54 / 99 / 31

HEX #AF5001

RGB 175 80 1

HSL 27.24, 0.99%, 0.35%

LAB 45.43, 35.32, 54.85

 

CMYK 0 / 54 / 99 / 15

HEX #D86302

RGB 216 99 2

HSL 27.2, 0.98%, 0.43%

LAB 55.61, 42.01, 63.94

 

CMYK 0 / 53 / 97 / 1

HEX #FC7607

RGB 252 118 7

HSL 27.18, 0.98%, 0.51%

LAB 64.7, 46.6, 71.34

 

CMYK 0 / 44 / 81 / 1

HEX #FC8D30

RGB 252 141 48

HSL 27.35, 0.97%, 0.59%

LAB 69.44, 35.9, 64.02

 

CMYK 0 / 36 / 65 / 1

HEX #FDA359

RGB 253 163 89

HSL 27.07, 0.98%, 0.67%

LAB 74.7, 26.75, 51.37

 

CMYK 0 / 53 / 97 / 1

HEX #FD7708

RGB 253 119 8

HSL 27.18, 0.98%, 0.51%

LAB 65.04, 46.51, 71.48

 

CMYK 63 / 0 / 97 / 1

HEX #5DFC07

RGB 93 252 7

HSL 98.94, 0.98%, 0.51%

LAB 87.95, -75.37, 83.29

 

CMYK 92 / 97 / 0 / 1

HEX #1307FC

RGB 19 7 252

HSL 242.94, 0.98%, 0.51%

LAB 32.52, 77.54, -105.8

 

CMYK 0 / 53 / 97 / 1

HEX #FD7708

RGB 253 119 8

HSL 27.18, 0.98%, 0.51%

LAB 65.04, 46.51, 71.48

 

CMYK 97 / 0 / 54 / 1

HEX #07FC75

RGB 7 252 117

HSL 146.94, 0.98%, 0.51%

LAB 87.46, -77.26, 50.42

 

CMYK 54 / 97 / 0 / 1

HEX #7507FC

RGB 117 7 252

HSL 266.94, 0.98%, 0.51%

LAB 39.52, 80.99, -93.97

 

CMYK 0 / 53 / 97 / 1

HEX #FD7708

RGB 253 119 8

HSL 27.18, 0.98%, 0.51%

LAB 65.04, 46.51, 71.48

 

CMYK 63 / 0 / 97 / 1

HEX #5DFC07

RGB 93 252 7

HSL 98.94, 0.98%, 0.51%

LAB 87.95, -75.37, 83.29

 

CMYK 97 / 44 / 0 / 1

HEX #078EFC

RGB 7 142 252

HSL 206.94, 0.98%, 0.51%

LAB 58.43, 9.19, -63.28

 

CMYK 34 / 97 / 0 / 1

HEX #A607FC

RGB 166 7 252

HSL 278.94, 0.98%, 0.51%

LAB 46.03, 85.39, -83.02

 

CMYK 0 / 53 / 97 / 1

HEX #FD7708

RGB 253 119 8

HSL 27.18, 0.98%, 0.51%

LAB 65.04, 46.51, 71.48

 

CMYK 92 / 0 / 97 / 1

HEX #13FC07

RGB 19 252 7

HSL 117.06, 0.98%, 0.51%

LAB 86.89, -84.69, 81.99

 

CMYK 97 / 44 / 0 / 1

HEX #078EFC

RGB 7 142 252

HSL 206.94, 0.98%, 0.51%

LAB 58.43, 9.19, -63.28

 

CMYK 5 / 97 / 0 / 1

HEX #F007FC

RGB 240 7 252

HSL 297.06, 0.98%, 0.51%

LAB 57.76, 95.13, -63.43

 

Description

Color code: RGB 253 119 8 | qconv.com Color code: RGB 253 119 8 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 119 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 119 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 97 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 97% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

58% - Free classifieds in ...
Link: http://olx.com.pk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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