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Color name
RGB 253 103 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 103 58 it is the complementary color RGB 2 152 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 103 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 103 58 shade: RGB 255 103 53, RGB 255 121 72, RGB 255 139 91, RGB 255 157 110 and RGB 255 175 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 103 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 103 58 shade: RGB 253 103 58, RGB 236 85 39, RGB 219 67 20, RGB 202 49 1 and RGB 185 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 103 58 shade: RGB 253 103 58 and RGB 253 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 103 58 shade: RGB 253 103 58, RGB 253 155 58, RGB 253 208 58, RGB 245 253 58 and RGB 192 253 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 103 58 shade matches the following richer shades: RGB 253 103 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 103 58 shade: RGB 253 103 58, RGB 236 111 74, RGB 220 120 90, RGB 204 129 106 and RGB 188 137 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 103 58 shade: RGB 253 58 119, RGB 253 58 67, RGB 253 100 58, RGB 253 152 58 and RGB 253 204 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 103 58 shade: RGB 226 53 2, RGB 252 71 17, RGB 253 103 58, RGB 253 134 98 and RGB 253 166 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 103 58 shade: RGB 253 103 58, RGB 171 253 58 and RGB 58 93 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 103 58 shade: RGB 253 103 58, RGB 58 253 100 and RGB 100 58 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 103 58 shade: RGB 253 103 58, RGB 171 253 58, RGB 58 210 253 and RGB 139 58 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 103 58 shade: RGB 253 103 58, RGB 113 253 58, RGB 58 210 253 and RGB 197 58 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

Complementary color

CMYK 99 / 23 / 0 / 23

HEX #0298C5

RGB 2 152 197

HSL 193.85, 0.98%, 0.39%

LAB 58.51, -17.31, -32.55

 

CMYK 0 / 60 / 79 / 0

HEX #FF6735

RGB 255 103 53

HSL 14.85, 1%, 0.6%

LAB 62.69, 55.45, 55.82

 

CMYK 0 / 53 / 72 / 0

HEX #FF7948

RGB 255 121 72

HSL 16.07, 1%, 0.64%

LAB 66.06, 47.88, 50.15

 

CMYK 0 / 45 / 64 / 0

HEX #FF8B5B

RGB 255 139 91

HSL 17.56, 1%, 0.68%

LAB 69.81, 40.01, 44.77

 

CMYK 0 / 38 / 57 / 0

HEX #FF9D6E

RGB 255 157 110

HSL 19.45, 1%, 0.72%

LAB 73.87, 32.08, 39.82

RGB 255 157 110

CMYK 0 / 31 / 49 / 0

HEX #FFAF81

RGB 255 175 129

HSL 21.9, 1%, 0.75%

LAB 78.17, 24.27, 35.33

RGB 255 175 129

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 0 / 64 / 83 / 7

HEX #EC5527

RGB 236 85 39

HSL 14.01, 0.84%, 0.54%

LAB 56.56, 56.24, 55.3

 

CMYK 0 / 69 / 91 / 14

HEX #DB4314

RGB 219 67 20

HSL 14.17, 0.83%, 0.47%

LAB 50.83, 57.38, 56.9

 

CMYK 0 / 76 / 100 / 21

HEX #CA3101

RGB 202 49 1

HSL 14.33, 0.99%, 0.4%

LAB 45.3, 58.1, 57.37

 

CMYK 0 / 83 / 100 / 27

HEX #B91F00

RGB 185 31 0

HSL 10.05, 1%, 0.36%

LAB 40.07, 58.15, 53.44

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 0 / 39 / 77 / 1

HEX #FD9B3A

RGB 253 155 58

HSL 29.85, 0.98%, 0.61%

LAB 72.65, 29.42, 63.14

 

CMYK 0 / 18 / 77 / 1

HEX #FDD03A

RGB 253 208 58

HSL 46.15, 0.98%, 0.61%

LAB 85.15, 1.86, 74.82

 

CMYK 3 / 0 / 77 / 1

HEX #F5FD3A

RGB 245 253 58

HSL 62.46, 0.98%, 0.61%

LAB 95.98, -23.66, 84.35

 

CMYK 24 / 0 / 77 / 1

HEX #C0FD3A

RGB 192 253 58

HSL 78.77, 0.98%, 0.61%

LAB 92.47, -44.36, 79.86

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 0 / 53 / 69 / 7

HEX #EC6F4A

RGB 236 111 74

HSL 13.7, 0.81%, 0.61%

LAB 61.39, 45.78, 43.13

 

CMYK 0 / 45 / 59 / 14

HEX #DC785A

RGB 220 120 90

HSL 13.85, 0.65%, 0.61%

LAB 61.12, 36.17, 33.64

 

CMYK 0 / 37 / 48 / 20

HEX #CC816A

RGB 204 129 106

HSL 14.08, 0.49%, 0.61%

LAB 61.29, 26.44, 24.55

 

CMYK 0 / 27 / 35 / 26

HEX #BC897A

RGB 188 137 122

HSL 13.64, 0.33%, 0.61%

LAB 61.64, 17.45, 15.71

 

CMYK 0 / 77 / 53 / 1

HEX #FD3A77

RGB 253 58 119

HSL 341.23, 0.98%, 0.61%

LAB 57.31, 74.72, 12.83

 

CMYK 0 / 77 / 74 / 1

HEX #FD3A43

RGB 253 58 67

HSL 357.23, 0.98%, 0.61%

LAB 56.4, 71.87, 42

 

CMYK 0 / 60 / 77 / 1

HEX #FD643A

RGB 253 100 58

HSL 12.92, 0.98%, 0.61%

LAB 61.91, 56.24, 52.58

 

CMYK 0 / 40 / 77 / 1

HEX #FD983A

RGB 253 152 58

HSL 28.92, 0.98%, 0.61%

LAB 71.99, 30.98, 62.51

 

CMYK 0 / 19 / 77 / 1

HEX #FDCC3A

RGB 253 204 58

HSL 44.92, 0.98%, 0.61%

LAB 84.16, 3.91, 73.92

 

CMYK 0 / 77 / 99 / 11

HEX #E23502

RGB 226 53 2

HSL 13.66, 0.98%, 0.45%

LAB 50.36, 64.15, 62.08

 

CMYK 0 / 72 / 93 / 1

HEX #FC4711

RGB 252 71 17

HSL 13.79, 0.98%, 0.53%

LAB 57.31, 66.35, 64.92

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 0 / 47 / 61 / 1

HEX #FD8662

RGB 253 134 98

HSL 13.94, 0.97%, 0.69%

LAB 68.62, 42.2, 39.59

 

CMYK 0 / 34 / 45 / 1

HEX #FDA68B

RGB 253 166 139

HSL 14.21, 0.97%, 0.77%

LAB 76.08, 29.15, 27.21

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 32 / 0 / 77 / 1

HEX #ABFD3A

RGB 171 253 58

HSL 85.23, 0.98%, 0.61%

LAB 91.33, -51.91, 78.39

 

CMYK 77 / 63 / 0 / 1

HEX #3A5DFD

RGB 58 93 253

HSL 229.23, 0.98%, 0.61%

LAB 46.74, 42.9, -82.77

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 77 / 0 / 60 / 1

HEX #3AFD64

RGB 58 253 100

HSL 132.92, 0.98%, 0.61%

LAB 88, -76.2, 58.66

 

CMYK 60 / 77 / 0 / 1

HEX #643AFD

RGB 100 58 253

HSL 252.92, 0.98%, 0.61%

LAB 42.5, 66.04, -89.65

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 32 / 0 / 77 / 1

HEX #ABFD3A

RGB 171 253 58

HSL 85.23, 0.98%, 0.61%

LAB 91.33, -51.91, 78.39

 

CMYK 77 / 17 / 0 / 1

HEX #3AD2FD

RGB 58 210 253

HSL 193.23, 0.98%, 0.61%

LAB 78.51, -24.97, -32.18

 

CMYK 45 / 77 / 0 / 1

HEX #8B3AFD

RGB 139 58 253

HSL 264.92, 0.98%, 0.61%

LAB 46.45, 70.82, -83

 

CMYK 0 / 59 / 77 / 1

HEX #FD673A

RGB 253 103 58

HSL 13.85, 0.98%, 0.61%

LAB 62.41, 54.92, 53.09

 

CMYK 55 / 0 / 77 / 1

HEX #71FD3A

RGB 113 253 58

HSL 103.08, 0.98%, 0.61%

LAB 88.95, -69.45, 75.31

 

CMYK 77 / 17 / 0 / 1

HEX #3AD2FD

RGB 58 210 253

HSL 193.23, 0.98%, 0.61%

LAB 78.51, -24.97, -32.18

 

CMYK 22 / 77 / 0 / 1

HEX #C53AFD

RGB 197 58 253

HSL 282.77, 0.98%, 0.61%

LAB 54.01, 79.86, -70.36

 

Description

Color code: RGB 253 103 58 | qconv.com Color code: RGB 253 103 58 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 103 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 103 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 77% 1% C M Y K

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