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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 103 37 it is the complementary color RGB 2 152 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 103 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 103 37 shade: RGB 255 103 32, RGB 255 121 51, RGB 255 139 70, RGB 255 157 89 and RGB 255 175 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 103 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 103 37 shade: RGB 253 103 37, RGB 236 85 18, RGB 219 67 0, RGB 202 49 0 and RGB 185 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 103 37 shade: RGB 252 103 37, RGB 252 45 37 and RGB 252 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 103 37 shade: RGB 252 103 37, RGB 252 161 37, RGB 252 219 37, RGB 228 252 37 and RGB 170 252 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 103 37 shade matches the following richer shades: RGB 252 103 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 103 37 shade: RGB 252 103 37, RGB 235 110 55, RGB 217 117 73, RGB 199 124 91 and RGB 181 131 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 103 37 shade: RGB 252 37 88, RGB 252 45 37, RGB 252 102 37, RGB 252 159 37 and RGB 252 216 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 103 37 shade: RGB 206 64 2, RGB 246 77 2, RGB 252 103 37, RGB 253 132 78 and RGB 253 160 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 103 37 shade: RGB 253 103 37, RGB 145 252 37 and RGB 37 59 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 103 37 shade: RGB 253 103 37, RGB 37 252 102 and RGB 102 37 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 103 37 shade: RGB 253 103 37, RGB 145 252 37, RGB 37 188 252 and RGB 145 37 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 103 37 shade: RGB 253 103 37, RGB 80 252 37, RGB 37 188 252 and RGB 209 37 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 85 / 1

HEX #FD6725

RGB 253 103 37

HSL 18.33, 0.98%, 0.57%

LAB 62.27, 54.32, 62.05

 

Complementary color

CMYK 99 / 30 / 0 / 15

HEX #0298DA

RGB 2 152 218

HSL 198.33, 0.98%, 0.43%

LAB 59.46, -9.65, -42.82

 

CMYK 0 / 60 / 87 / 0

HEX #FF6720

RGB 255 103 32

HSL 19.1, 1%, 0.56%

LAB 62.56, 54.93, 64.22

 

CMYK 0 / 53 / 80 / 0

HEX #FF7933

RGB 255 121 51

HSL 20.59, 1%, 0.6%

LAB 65.88, 47.08, 59.72

 

CMYK 0 / 45 / 73 / 0

HEX #FF8B46

RGB 255 139 70

HSL 22.38, 1%, 0.64%

LAB 69.59, 38.91, 54.9

 

CMYK 0 / 38 / 65 / 0

HEX #FF9D59

RGB 255 157 89

HSL 24.58, 1%, 0.67%

LAB 73.61, 30.67, 50.19

 

CMYK 0 / 31 / 58 / 0

HEX #FFAF6C

RGB 255 175 108

HSL 27.35, 1%, 0.71%

LAB 77.88, 22.55, 45.77

 

CMYK 0 / 59 / 85 / 1

HEX #FD6725

RGB 253 103 37

HSL 18.33, 0.98%, 0.57%

LAB 62.27, 54.32, 62.05

 

CMYK 0 / 64 / 92 / 7

HEX #EC5512

RGB 236 85 18

HSL 18.44, 0.86%, 0.5%

LAB 56.46, 55.85, 62.72

 

CMYK 0 / 69 / 100 / 14

HEX #DB4300

RGB 219 67 0

HSL 18.36, 1%, 0.43%

LAB 50.77, 57.17, 62.04

 

CMYK 0 / 76 / 100 / 21

HEX #CA3100

RGB 202 49 0

HSL 14.55, 1%, 0.4%

LAB 45.29, 58.09, 57.67

 

CMYK 0 / 83 / 100 / 27

HEX #B91F00

RGB 185 31 0

HSL 10.05, 1%, 0.36%

LAB 40.07, 58.15, 53.44

 

CMYK 0 / 59 / 85 / 1

HEX #FC6725

RGB 252 103 37

HSL 18.42, 0.97%, 0.57%

LAB 62.11, 53.97, 61.86

 

CMYK 0 / 82 / 85 / 1

HEX #FC2D25

RGB 252 45 37

HSL 2.23, 0.97%, 0.57%

LAB 54.77, 74.03, 55.81

 

CMYK 0 / 85 / 85 / 1

HEX #FC2525

RGB 252 37 37

HSL 0, 0.97%, 0.57%

LAB 54.19, 75.69, 55.33

 

CMYK 0 / 59 / 85 / 1

HEX #FC6725

RGB 252 103 37

HSL 18.42, 0.97%, 0.57%

LAB 62.11, 53.97, 61.86

 

CMYK 0 / 36 / 85 / 1

HEX #FCA125

RGB 252 161 37

HSL 34.6, 0.97%, 0.57%

LAB 73.75, 25.26, 71.38

 

CMYK 0 / 13 / 85 / 1

HEX #FCDB25

RGB 252 219 37

HSL 50.79, 0.97%, 0.57%

LAB 87.72, -4.75, 82.73

 

CMYK 10 / 0 / 85 / 1

HEX #E4FC25

RGB 228 252 37

HSL 66.7, 0.97%, 0.57%

LAB 94.42, -30.64, 87.41

 

CMYK 33 / 0 / 85 / 1

HEX #AAFC25

RGB 170 252 37

HSL 82.88, 0.97%, 0.57%

LAB 90.92, -52.64, 83.06

 

CMYK 0 / 59 / 85 / 1

HEX #FC6725

RGB 252 103 37

HSL 18.42, 0.97%, 0.57%

LAB 62.11, 53.97, 61.86

 

CMYK 0 / 59 / 85 / 1

HEX #FC6725

RGB 252 103 37

HSL 18.42, 0.97%, 0.57%

LAB 62.11, 53.97, 61.86

 

CMYK 0 / 53 / 77 / 8

HEX #EB6E37

RGB 235 110 55

HSL 18.33, 0.82%, 0.57%

LAB 60.86, 45.03, 52.04

 

CMYK 0 / 46 / 66 / 15

HEX #D97549

RGB 217 117 73

HSL 18.33, 0.65%, 0.57%

LAB 59.85, 35.43, 41.17

 

CMYK 0 / 38 / 54 / 22

HEX #C77C5B

RGB 199 124 91

HSL 18.33, 0.49%, 0.57%

LAB 59.26, 25.76, 30.16

 

CMYK 0 / 28 / 40 / 29

HEX #B5836C

RGB 181 131 108

HSL 18.9, 0.33%, 0.57%

LAB 59.1, 16.26, 20.03

 

CMYK 0 / 85 / 65 / 1

HEX #FC2558

RGB 252 37 88

HSL 345.77, 0.97%, 0.57%

LAB 54.79, 77.43, 27.85

 

CMYK 0 / 82 / 85 / 1

HEX #FC2D25

RGB 252 45 37

HSL 2.23, 0.97%, 0.57%

LAB 54.77, 74.03, 55.81

 

CMYK 0 / 60 / 85 / 1

HEX #FC6625

RGB 252 102 37

HSL 18.14, 0.97%, 0.57%

LAB 61.94, 54.42, 61.72

 

CMYK 0 / 37 / 85 / 1

HEX #FC9F25

RGB 252 159 37

HSL 34.05, 0.97%, 0.57%

LAB 73.3, 26.3, 71.01

 

CMYK 0 / 14 / 85 / 1

HEX #FCD825

RGB 252 216 37

HSL 49.95, 0.97%, 0.57%

LAB 86.97, -3.23, 82.12

 

CMYK 0 / 69 / 99 / 19

HEX #CE4002

RGB 206 64 2

HSL 18.24, 0.98%, 0.41%

LAB 48, 54.03, 58.83

 

CMYK 0 / 69 / 99 / 4

HEX #F64D02

RGB 246 77 2

HSL 18.44, 0.98%, 0.49%

LAB 56.98, 62.2, 67.36

 

CMYK 0 / 59 / 85 / 1

HEX #FC6725

RGB 252 103 37

HSL 18.42, 0.97%, 0.57%

LAB 62.11, 53.97, 61.86

 

CMYK 0 / 48 / 69 / 1

HEX #FD844E

RGB 253 132 78

HSL 18.51, 0.98%, 0.65%

LAB 67.97, 42.04, 49.19

 

CMYK 0 / 37 / 53 / 1

HEX #FDA077

RGB 253 160 119

HSL 18.36, 0.97%, 0.73%

LAB 74.42, 30.45, 35.72

 

CMYK 0 / 59 / 85 / 1

HEX #FD6725

RGB 253 103 37

HSL 18.33, 0.98%, 0.57%

LAB 62.27, 54.32, 62.05

 

CMYK 42 / 0 / 85 / 1

HEX #91FC25

RGB 145 252 37

HSL 89.86, 0.97%, 0.57%

LAB 89.75, -60.95, 81.61

 

CMYK 85 / 77 / 0 / 1

HEX #253BFC

RGB 37 59 252

HSL 233.86, 0.97%, 0.57%

LAB 38.81, 60.63, -95.31

 

CMYK 0 / 59 / 85 / 1

HEX #FD6725

RGB 253 103 37

HSL 18.33, 0.98%, 0.57%

LAB 62.27, 54.32, 62.05

 

CMYK 85 / 0 / 60 / 1

HEX #25FC66

RGB 37 252 102

HSL 138.14, 0.97%, 0.57%

LAB 87.47, -77.75, 57.14

 

CMYK 60 / 85 / 0 / 1

HEX #6625FC

RGB 102 37 252

HSL 258.14, 0.97%, 0.57%

LAB 39.88, 73.92, -93.42

 

CMYK 0 / 59 / 85 / 1

HEX #FD6725

RGB 253 103 37

HSL 18.33, 0.98%, 0.57%

LAB 62.27, 54.32, 62.05

 

CMYK 42 / 0 / 85 / 1

HEX #91FC25

RGB 145 252 37

HSL 89.86, 0.97%, 0.57%

LAB 89.75, -60.95, 81.61

 

CMYK 85 / 25 / 0 / 1

HEX #25BCFC

RGB 37 188 252

HSL 197.86, 0.97%, 0.57%

LAB 71.82, -15.7, -42.06

 

CMYK 42 / 85 / 0 / 1

HEX #9125FC

RGB 145 37 252

HSL 270.14, 0.97%, 0.57%

LAB 44.76, 78.19, -85.2

 

CMYK 0 / 59 / 85 / 1

HEX #FD6725

RGB 253 103 37

HSL 18.33, 0.98%, 0.57%

LAB 62.27, 54.32, 62.05

 

CMYK 68 / 0 / 85 / 1

HEX #50FC25

RGB 80 252 37

HSL 108, 0.97%, 0.57%

LAB 87.71, -77.22, 79.04

 

CMYK 85 / 25 / 0 / 1

HEX #25BCFC

RGB 37 188 252

HSL 197.86, 0.97%, 0.57%

LAB 71.82, -15.7, -42.06

 

CMYK 17 / 85 / 0 / 1

HEX #D125FC

RGB 209 37 252

HSL 288, 0.97%, 0.57%

LAB 53.93, 86.91, -69.86

 

Description

Color code: RGB 253 103 37 | qconv.com Color code: RGB 253 103 37 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 103 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 103 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 85 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 85% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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