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Color name
RGB 253 103 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 103 23 it is the complementary color RGB 2 152 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 103 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 103 23 shade: RGB 255 103 18, RGB 255 121 37, RGB 255 139 56, RGB 255 157 75 and RGB 255 175 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 103 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 236 85 4, RGB 219 67 0, RGB 202 49 0 and RGB 185 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 253 41 23 and RGB 253 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 253 165 23, RGB 253 227 23, RGB 217 253 23 and RGB 155 253 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 103 23 shade matches the following richer shades: RGB 253 103 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 234 108 42, RGB 215 114 61, RGB 196 120 80 and RGB 177 126 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 103 23 shade: RGB 253 23 69, RGB 253 38 23, RGB 253 99 23, RGB 253 161 23 and RGB 253 222 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 103 23 shade: RGB 191 68 2, RGB 232 82 2, RGB 253 103 23, RGB 253 129 64 and RGB 253 156 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 130 253 23 and RGB 23 38 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 23 253 99 and RGB 99 23 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 130 253 23, RGB 23 176 253 and RGB 145 23 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 103 23 shade: RGB 253 103 23, RGB 61 253 23, RGB 23 176 253 and RGB 214 23 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

Complementary color

CMYK 99 / 34 / 0 / 9

HEX #0298E8

RGB 2 152 232

HSL 200.87, 0.98%, 0.46%

LAB 60.15, -4.43, -49.5

 

CMYK 0 / 60 / 93 / 0

HEX #FF6712

RGB 255 103 18

HSL 21.52, 1%, 0.54%

LAB 62.51, 54.72, 68.21

 

CMYK 0 / 53 / 85 / 0

HEX #FF7925

RGB 255 121 37

HSL 23.12, 1%, 0.57%

LAB 65.8, 46.71, 65.07

 

CMYK 0 / 45 / 78 / 0

HEX #FF8B38

RGB 255 139 56

HSL 25.03, 1%, 0.61%

LAB 69.48, 38.36, 61.01

 

CMYK 0 / 38 / 71 / 0

HEX #FF9D4B

RGB 255 157 75

HSL 27.33, 1%, 0.65%

LAB 73.47, 29.92, 56.7

 

CMYK 0 / 31 / 63 / 0

HEX #FFAF5E

RGB 255 175 94

HSL 30.19, 1%, 0.68%

LAB 77.71, 21.59, 52.47

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 0 / 64 / 98 / 7

HEX #EC5504

RGB 236 85 4

HSL 20.95, 0.97%, 0.47%

LAB 56.43, 55.72, 65.72

 

CMYK 0 / 69 / 100 / 14

HEX #DB4300

RGB 219 67 0

HSL 18.36, 1%, 0.43%

LAB 50.77, 57.17, 62.04

 

CMYK 0 / 76 / 100 / 21

HEX #CA3100

RGB 202 49 0

HSL 14.55, 1%, 0.4%

LAB 45.29, 58.09, 57.67

 

CMYK 0 / 83 / 100 / 27

HEX #B91F00

RGB 185 31 0

HSL 10.05, 1%, 0.36%

LAB 40.07, 58.15, 53.44

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 0 / 84 / 91 / 1

HEX #FD2917

RGB 253 41 23

HSL 4.7, 0.98%, 0.54%

LAB 54.59, 74.94, 61.46

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 0 / 35 / 91 / 1

HEX #FDA517

RGB 253 165 23

HSL 37.04, 0.98%, 0.54%

LAB 74.73, 23.33, 75.58

 

CMYK 0 / 10 / 91 / 1

HEX #FDE317

RGB 253 227 23

HSL 53.22, 0.98%, 0.54%

LAB 89.8, -8.58, 86.89

 

CMYK 14 / 0 / 91 / 1

HEX #D9FD17

RGB 217 253 23

HSL 69.39, 0.98%, 0.54%

LAB 93.91, -35.75, 88.89

 

CMYK 39 / 0 / 91 / 1

HEX #9BFD17

RGB 155 253 23

HSL 85.57, 0.98%, 0.54%

LAB 90.45, -58.47, 84.66

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 0 / 54 / 82 / 8

HEX #EA6C2A

RGB 234 108 42

HSL 20.63, 0.82%, 0.54%

LAB 60.23, 45.2, 57.17

 

CMYK 0 / 47 / 72 / 16

HEX #D7723D

RGB 215 114 61

HSL 20.65, 0.66%, 0.54%

LAB 58.81, 35.55, 46.08

 

CMYK 0 / 39 / 59 / 23

HEX #C47850

RGB 196 120 80

HSL 20.69, 0.5%, 0.54%

LAB 57.8, 25.82, 34.29

 

CMYK 0 / 29 / 44 / 31

HEX #B17E63

RGB 177 126 99

HSL 20.77, 0.33%, 0.54%

LAB 57.24, 16.38, 22.54

 

CMYK 0 / 91 / 73 / 1

HEX #FD1745

RGB 253 23 69

HSL 348, 0.98%, 0.54%

LAB 53.95, 79, 38.06

 

CMYK 0 / 85 / 91 / 1

HEX #FD2617

RGB 253 38 23

HSL 3.91, 0.98%, 0.54%

LAB 54.38, 75.54, 61.33

 

CMYK 0 / 61 / 91 / 1

HEX #FD6317

RGB 253 99 23

HSL 19.83, 0.98%, 0.54%

LAB 61.54, 55.83, 66.13

 

CMYK 0 / 36 / 91 / 1

HEX #FDA117

RGB 253 161 23

HSL 36, 0.98%, 0.54%

LAB 73.83, 25.41, 74.91

 

CMYK 0 / 12 / 91 / 1

HEX #FDDE17

RGB 253 222 23

HSL 51.91, 0.98%, 0.54%

LAB 88.54, -6.08, 85.92

 

CMYK 0 / 64 / 99 / 25

HEX #BF4402

RGB 191 68 2

HSL 20.95, 0.98%, 0.38%

LAB 45.93, 47.18, 56.28

 

CMYK 0 / 65 / 99 / 9

HEX #E85202

RGB 232 82 2

HSL 20.87, 0.98%, 0.46%

LAB 55.27, 55.58, 65.14

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 0 / 49 / 75 / 1

HEX #FD8140

RGB 253 129 64

HSL 20.63, 0.98%, 0.62%

LAB 67.24, 42.89, 55.17

 

CMYK 0 / 38 / 59 / 1

HEX #FD9C68

RGB 253 156 104

HSL 20.94, 0.97%, 0.7%

LAB 73.32, 31.38, 42.21

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 49 / 0 / 91 / 1

HEX #82FD17

RGB 130 253 23

HSL 92.09, 0.98%, 0.54%

LAB 89.42, -66.19, 83.39

 

CMYK 91 / 85 / 0 / 1

HEX #1726FD

RGB 23 38 253

HSL 236.09, 0.98%, 0.54%

LAB 35.32, 69.99, -101.69

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 91 / 0 / 61 / 1

HEX #17FD63

RGB 23 253 99

HSL 139.83, 0.98%, 0.54%

LAB 87.65, -79.28, 58.59

 

CMYK 61 / 91 / 0 / 1

HEX #6317FD

RGB 99 23 253

HSL 259.83, 0.98%, 0.54%

LAB 38.48, 77.58, -96.31

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 49 / 0 / 91 / 1

HEX #82FD17

RGB 130 253 23

HSL 92.09, 0.98%, 0.54%

LAB 89.42, -66.19, 83.39

 

CMYK 91 / 30 / 0 / 1

HEX #17B0FD

RGB 23 176 253

HSL 200.09, 0.98%, 0.54%

LAB 68.26, -9.62, -48.19

 

CMYK 43 / 91 / 0 / 1

HEX #9117FD

RGB 145 23 253

HSL 271.83, 0.98%, 0.54%

LAB 43.84, 81.43, -87.28

 

CMYK 0 / 59 / 91 / 1

HEX #FD6717

RGB 253 103 23

HSL 20.87, 0.98%, 0.54%

LAB 62.21, 54.07, 66.59

 

CMYK 76 / 0 / 91 / 1

HEX #3DFD17

RGB 61 253 23

HSL 110.09, 0.98%, 0.54%

LAB 87.63, -80.94, 81.18

 

CMYK 91 / 30 / 0 / 1

HEX #17B0FD

RGB 23 176 253

HSL 200.09, 0.98%, 0.54%

LAB 68.26, -9.62, -48.19

 

CMYK 15 / 91 / 0 / 1

HEX #D617FD

RGB 214 23 253

HSL 289.83, 0.98%, 0.54%

LAB 54.03, 90.06, -70.21

 

Description

Color code: RGB 253 103 23 | qconv.com Color code: RGB 253 103 23 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 103 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 103 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 91 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 91% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - ラ チッタデッラ | 川崎にあるイタリア...
Link: http://lacittadella.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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