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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 103 196 it is the complementary color RGB 2 152 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 103 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 103 196 shade: RGB 255 103 191, RGB 255 121 210, RGB 255 139 229, RGB 255 157 248 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 103 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 103 196 shade: RGB 253 103 196, RGB 236 85 177, RGB 219 67 158, RGB 202 49 139 and RGB 185 31 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 103 196 shade: RGB 253 104 196, RGB 253 104 156, RGB 253 104 116 and RGB 253 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 103 196 shade: RGB 253 104 196, RGB 253 104 236, RGB 229 104 253, RGB 189 104 253 and RGB 149 104 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 103 196 shade matches the following richer shades: RGB 253 104 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 103 196 shade: RGB 253 104 196, RGB 240 117 193, RGB 228 129 190, RGB 216 141 187 and RGB 203 154 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 103 196 shade: RGB 228 104 253, RGB 253 104 238, RGB 253 104 198, RGB 253 104 159 and RGB 253 104 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 103 196 shade: RGB 251 23 165, RGB 252 64 180, RGB 253 104 196, RGB 253 145 212 and RGB 254 186 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 103 196 shade: RGB 253 103 196, RGB 253 188 104 and RGB 104 253 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 103 196 shade: RGB 253 103 196, RGB 198 253 104 and RGB 104 198 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 103 196 shade: RGB 253 103 196, RGB 253 188 104, RGB 104 253 159 and RGB 104 169 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 103 196 shade: RGB 253 103 196, RGB 253 233 104, RGB 104 253 159 and RGB 104 124 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 23 / 1

HEX #FD67C4

RGB 253 103 196

HSL 322.8, 0.97%, 0.7%

LAB 65.41, 66.56, -19.86

 

Complementary color

CMYK 99 / 0 / 61 / 40

HEX #02983B

RGB 2 152 59

HSL 142.8, 0.97%, 0.3%

LAB 54.85, -54.26, 38.74

 

CMYK 0 / 60 / 25 / 0

HEX #FF67BF

RGB 255 103 191

HSL 325.26, 1%, 0.7%

LAB 65.53, 66.47, -16.82

 

CMYK 0 / 53 / 18 / 0

HEX #FF79D2

RGB 255 121 210

HSL 320.15, 1%, 0.74%

LAB 69.17, 61.09, -21.95

 

CMYK 0 / 45 / 10 / 0

HEX #FF8BE5

RGB 255 139 229

HSL 313.45, 1%, 0.77%

LAB 73.14, 55.41, -26.39

 

CMYK 0 / 38 / 3 / 0

HEX #FF9DF8

RGB 255 157 248

HSL 304.29, 1%, 0.81%

LAB 77.37, 49.59, -30.24

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 59 / 23 / 1

HEX #FD67C4

RGB 253 103 196

HSL 322.8, 0.97%, 0.7%

LAB 65.41, 66.56, -19.86

 

CMYK 0 / 64 / 25 / 7

HEX #EC55B1

RGB 236 85 177

HSL 323.44, 0.8%, 0.63%

LAB 59.44, 66.76, -18.35

 

CMYK 0 / 69 / 28 / 14

HEX #DB439E

RGB 219 67 158

HSL 324.08, 0.68%, 0.56%

LAB 53.54, 66.63, -16.5

 

CMYK 0 / 76 / 31 / 21

HEX #CA318B

RGB 202 49 139

HSL 324.71, 0.61%, 0.49%

LAB 47.77, 65.98, -14.2

 

CMYK 0 / 83 / 35 / 27

HEX #B91F78

RGB 185 31 120

HSL 325.32, 0.71%, 0.42%

LAB 42.23, 64.54, -11.27

 

CMYK 0 / 59 / 23 / 1

HEX #FD68C4

RGB 253 104 196

HSL 322.95, 0.97%, 0.7%

LAB 65.57, 66.13, -19.62

 

CMYK 0 / 59 / 38 / 1

HEX #FD689C

RGB 253 104 156

HSL 339.06, 0.97%, 0.7%

LAB 64.31, 61.36, 1.27

 

CMYK 0 / 59 / 54 / 1

HEX #FD6874

RGB 253 104 116

HSL 355.17, 0.97%, 0.7%

LAB 63.38, 57.7, 22.9

 

CMYK 0 / 59 / 59 / 1

HEX #FD6868

RGB 253 104 104

HSL 0, 0.97%, 0.7%

LAB 63.16, 56.83, 29.42

 

CMYK 0 / 59 / 23 / 1

HEX #FD68C4

RGB 253 104 196

HSL 322.95, 0.97%, 0.7%

LAB 65.57, 66.13, -19.62

 

CMYK 0 / 59 / 7 / 1

HEX #FD68EC

RGB 253 104 236

HSL 306.85, 0.97%, 0.7%

LAB 67.16, 71.91, -39.53

 

CMYK 9 / 59 / 0 / 1

HEX #E568FD

RGB 229 104 253

HSL 290.34, 0.97%, 0.7%

LAB 64.68, 68.86, -53.02

 

CMYK 25 / 59 / 0 / 1

HEX #BD68FD

RGB 189 104 253

HSL 274.23, 0.97%, 0.7%

LAB 59.72, 59.44, -61.23

 

CMYK 41 / 59 / 0 / 1

HEX #9568FD

RGB 149 104 253

HSL 258.12, 0.97%, 0.7%

LAB 55.46, 50.6, -68.29

 

CMYK 0 / 59 / 23 / 1

HEX #FD68C4

RGB 253 104 196

HSL 322.95, 0.97%, 0.7%

LAB 65.57, 66.13, -19.62

 

CMYK 0 / 59 / 23 / 1

HEX #FD68C4

RGB 253 104 196

HSL 322.95, 0.97%, 0.7%

LAB 65.57, 66.13, -19.62

 

CMYK 0 / 51 / 20 / 6

HEX #F075C1

RGB 240 117 193

HSL 322.93, 0.8%, 0.7%

LAB 65.82, 56.04, -17.71

 

CMYK 0 / 43 / 17 / 11

HEX #E481BE

RGB 228 129 190

HSL 323.03, 0.65%, 0.7%

LAB 66.45, 45.9, -15.22

 

CMYK 0 / 35 / 13 / 15

HEX #D88DBB

RGB 216 141 187

HSL 323.2, 0.49%, 0.7%

LAB 67.45, 35.15, -12.18

 

CMYK 0 / 24 / 9 / 20

HEX #CB9AB8

RGB 203 154 184

HSL 323.27, 0.32%, 0.7%

LAB 68.95, 23.08, -8.42

 

CMYK 10 / 59 / 0 / 1

HEX #E468FD

RGB 228 104 253

HSL 289.93, 0.97%, 0.7%

LAB 64.55, 68.62, -53.23

 

CMYK 0 / 59 / 6 / 1

HEX #FD68EE

RGB 253 104 238

HSL 306.04, 0.97%, 0.7%

LAB 67.24, 72.22, -40.49

 

CMYK 0 / 59 / 22 / 1

HEX #FD68C6

RGB 253 104 198

HSL 322.15, 0.97%, 0.7%

LAB 65.64, 66.4, -20.64

 

CMYK 0 / 59 / 37 / 1

HEX #FD689F

RGB 253 104 159

HSL 337.85, 0.97%, 0.7%

LAB 64.39, 61.68, -0.33

 

CMYK 0 / 59 / 53 / 1

HEX #FD6877

RGB 253 104 119

HSL 353.96, 0.97%, 0.7%

LAB 63.44, 57.93, 21.26

 

CMYK 0 / 91 / 34 / 2

HEX #FB17A5

RGB 251 23 165

HSL 322.63, 0.97%, 0.54%

LAB 55.93, 85.03, -16.46

 

CMYK 0 / 75 / 29 / 1

HEX #FC40B4

RGB 252 64 180

HSL 322.98, 0.97%, 0.62%

LAB 59.58, 78.44, -19.62

 

CMYK 0 / 59 / 23 / 1

HEX #FD68C4

RGB 253 104 196

HSL 322.95, 0.97%, 0.7%

LAB 65.57, 66.13, -19.62

 

CMYK 0 / 43 / 16 / 1

HEX #FD91D4

RGB 253 145 212

HSL 322.78, 0.96%, 0.78%

LAB 73.47, 49.18, -16.57

 

CMYK 0 / 27 / 10 / 0

HEX #FEBAE4

RGB 254 186 228

HSL 322.94, 0.97%, 0.86%

LAB 82.8, 30.84, -11.25

 

CMYK 0 / 59 / 23 / 1

HEX #FD67C4

RGB 253 103 196

HSL 322.8, 0.97%, 0.7%

LAB 65.41, 66.56, -19.86

 

CMYK 0 / 26 / 59 / 1

HEX #FDBC68

RGB 253 188 104

HSL 33.83, 0.97%, 0.7%

LAB 80.65, 14.65, 51

 

CMYK 59 / 0 / 2 / 1

HEX #68FDF8

RGB 104 253 248

HSL 177.99, 0.97%, 0.7%

LAB 91.67, -40.55, -9.54

 

CMYK 0 / 59 / 23 / 1

HEX #FD67C4

RGB 253 103 196

HSL 322.8, 0.97%, 0.7%

LAB 65.41, 66.56, -19.86

 

CMYK 22 / 0 / 59 / 1

HEX #C6FD68

RGB 198 253 104

HSL 82.15, 0.97%, 0.7%

LAB 93.13, -39.29, 64.14

 

CMYK 59 / 22 / 0 / 1

HEX #68C6FD

RGB 104 198 253

HSL 202.15, 0.97%, 0.7%

LAB 76.33, -12.26, -35.45

 

CMYK 0 / 59 / 23 / 1

HEX #FD67C4

RGB 253 103 196

HSL 322.8, 0.97%, 0.7%

LAB 65.41, 66.56, -19.86

 

CMYK 0 / 26 / 59 / 1

HEX #FDBC68

RGB 253 188 104

HSL 33.83, 0.97%, 0.7%

LAB 80.65, 14.65, 51

 

CMYK 59 / 0 / 37 / 1

HEX #68FD9F

RGB 104 253 159

HSL 142.15, 0.97%, 0.7%

LAB 89.72, -60.04, 33.38

 

CMYK 59 / 33 / 0 / 1

HEX #68A9FD

RGB 104 169 253

HSL 213.83, 0.97%, 0.7%

LAB 68.32, 3.67, -47.95

 

CMYK 0 / 59 / 23 / 1

HEX #FD67C4

RGB 253 103 196

HSL 322.8, 0.97%, 0.7%

LAB 65.41, 66.56, -19.86

 

CMYK 0 / 8 / 59 / 1

HEX #FDE968

RGB 253 233 104

HSL 51.95, 0.97%, 0.7%

LAB 91.76, -8.37, 63.7

 

CMYK 59 / 0 / 37 / 1

HEX #68FD9F

RGB 104 253 159

HSL 142.15, 0.97%, 0.7%

LAB 89.72, -60.04, 33.38

 

CMYK 59 / 51 / 0 / 1

HEX #687CFD

RGB 104 124 253

HSL 231.95, 0.97%, 0.7%

LAB 56.54, 30.21, -66.74

 

Description

Color code: RGB 253 103 196 | qconv.com Color code: RGB 253 103 196 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 103 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 103 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 23 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 23% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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