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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 103 149 it is the complementary color RGB 2 152 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 103 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 103 149 shade: RGB 255 103 144, RGB 255 121 163, RGB 255 139 182, RGB 255 157 201 and RGB 255 175 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 103 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 103 149 shade: RGB 253 103 149, RGB 236 85 130, RGB 219 67 111, RGB 202 49 92 and RGB 185 31 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 103 149 shade: RGB 252 104 149, RGB 252 104 109 and RGB 252 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 103 149 shade: RGB 252 104 149, RGB 252 104 189, RGB 252 104 229, RGB 235 104 252 and RGB 195 104 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 103 149 shade matches the following richer shades: RGB 252 104 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 103 149 shade: RGB 252 104 149, RGB 240 116 154, RGB 227 129 159, RGB 215 141 164 and RGB 203 153 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 103 149 shade: RGB 252 104 230, RGB 252 104 190, RGB 252 104 151, RGB 252 104 111 and RGB 252 136 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 103 149 shade: RGB 251 23 93, RGB 252 63 121, RGB 252 104 149, RGB 253 144 178 and RGB 253 185 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 103 149 shade: RGB 253 103 149, RGB 252 235 104 and RGB 104 210 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 103 149 shade: RGB 253 103 149, RGB 151 252 104 and RGB 104 151 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 103 149 shade: RGB 253 103 149, RGB 252 235 104, RGB 104 252 205 and RGB 104 121 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 103 149 shade: RGB 253 103 149, RGB 225 252 104, RGB 104 252 205 and RGB 131 104 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 41 / 1

HEX #FD6795

RGB 253 103 149

HSL 341.6, 0.97%, 0.7%

LAB 63.96, 61.07, 4.78

 

Complementary color

CMYK 99 / 0 / 30 / 40

HEX #02986A

RGB 2 152 106

HSL 161.6, 0.97%, 0.3%

LAB 55.59, -45.45, 14.82

 

CMYK 0 / 60 / 44 / 0

HEX #FF6790

RGB 255 103 144

HSL 343.82, 1%, 0.7%

LAB 64.14, 61.2, 7.95

 

CMYK 0 / 53 / 36 / 0

HEX #FF79A3

RGB 255 121 163

HSL 341.19, 1%, 0.74%

LAB 67.71, 55.05, 2.26

 

CMYK 0 / 45 / 29 / 0

HEX #FF8BB6

RGB 255 139 182

HSL 337.76, 1%, 0.77%

LAB 71.62, 48.63, -2.68

 

CMYK 0 / 38 / 21 / 0

HEX #FF9DC9

RGB 255 157 201

HSL 333.06, 1%, 0.81%

LAB 75.82, 42.11, -6.99

 

CMYK 0 / 31 / 14 / 0

HEX #FFAFDC

RGB 255 175 220

HSL 326.25, 1%, 0.84%

LAB 80.23, 35.65, -10.77

 

CMYK 0 / 59 / 41 / 1

HEX #FD6795

RGB 253 103 149

HSL 341.6, 0.97%, 0.7%

LAB 63.96, 61.07, 4.78

 

CMYK 0 / 64 / 45 / 7

HEX #EC5582

RGB 236 85 130

HSL 342.12, 0.8%, 0.63%

LAB 57.98, 61.56, 6.88

 

CMYK 0 / 69 / 49 / 14

HEX #DB436F

RGB 219 67 111

HSL 342.63, 0.68%, 0.56%

LAB 52.09, 61.77, 9.39

 

CMYK 0 / 76 / 54 / 21

HEX #CA315C

RGB 202 49 92

HSL 343.14, 0.61%, 0.49%

LAB 46.35, 61.51, 12.47

 

CMYK 0 / 83 / 61 / 27

HEX #B91F49

RGB 185 31 73

HSL 343.64, 0.71%, 0.42%

LAB 40.86, 60.52, 16.29

 

CMYK 0 / 59 / 41 / 1

HEX #FC6895

RGB 252 104 149

HSL 341.76, 0.96%, 0.7%

LAB 63.97, 60.32, 4.78

 

CMYK 0 / 59 / 57 / 1

HEX #FC686D

RGB 252 104 109

HSL 357.97, 0.96%, 0.7%

LAB 63.09, 56.85, 26.47

 

CMYK 0 / 59 / 59 / 1

HEX #FC6868

RGB 252 104 104

HSL 0, 0.96%, 0.7%

LAB 63.01, 56.5, 29.19

 

CMYK 0 / 59 / 41 / 1

HEX #FC6895

RGB 252 104 149

HSL 341.76, 0.96%, 0.7%

LAB 63.97, 60.32, 4.78

 

CMYK 0 / 59 / 25 / 1

HEX #FC68BD

RGB 252 104 189

HSL 325.54, 0.96%, 0.7%

LAB 65.18, 64.93, -16.27

 

CMYK 0 / 59 / 9 / 1

HEX #FC68E5

RGB 252 104 229

HSL 309.32, 0.96%, 0.7%

LAB 66.71, 70.57, -36.35

 

CMYK 7 / 59 / 0 / 1

HEX #EB68FC

RGB 235 104 252

HSL 293.11, 0.96%, 0.7%

LAB 65.43, 70.12, -51.24

 

CMYK 23 / 59 / 0 / 1

HEX #C368FC

RGB 195 104 252

HSL 276.89, 0.96%, 0.7%

LAB 60.37, 60.61, -59.6

 

CMYK 0 / 59 / 41 / 1

HEX #FC6895

RGB 252 104 149

HSL 341.76, 0.96%, 0.7%

LAB 63.97, 60.32, 4.78

 

CMYK 0 / 59 / 41 / 1

HEX #FC6895

RGB 252 104 149

HSL 341.76, 0.96%, 0.7%

LAB 63.97, 60.32, 4.78

 

CMYK 0 / 52 / 36 / 6

HEX #F0749A

RGB 240 116 154

HSL 341.61, 0.81%, 0.7%

LAB 64.44, 51.47, 2.37

 

CMYK 0 / 43 / 30 / 11

HEX #E3819F

RGB 227 129 159

HSL 341.63, 0.64%, 0.7%

LAB 65.38, 41.16, 0.69

 

CMYK 0 / 34 / 24 / 16

HEX #D78DA4

RGB 215 141 164

HSL 341.35, 0.48%, 0.7%

LAB 66.66, 31.25, -0.46

 

CMYK 0 / 25 / 17 / 20

HEX #CB99A8

RGB 203 153 168

HSL 342, 0.32%, 0.7%

LAB 68.25, 20.97, -0.53

 

CMYK 0 / 59 / 9 / 1

HEX #FC68E6

RGB 252 104 230

HSL 308.92, 0.96%, 0.7%

LAB 66.76, 70.73, -36.84

 

CMYK 0 / 59 / 25 / 1

HEX #FC68BE

RGB 252 104 190

HSL 325.14, 0.96%, 0.7%

LAB 65.21, 65.06, -16.78

 

CMYK 0 / 59 / 40 / 1

HEX #FC6897

RGB 252 104 151

HSL 340.95, 0.96%, 0.7%

LAB 64.02, 60.52, 3.7

 

CMYK 0 / 59 / 56 / 1

HEX #FC686F

RGB 252 104 111

HSL 357.16, 0.96%, 0.7%

LAB 63.13, 56.99, 25.38

 

CMYK 0 / 46 / 59 / 1

HEX #FC8868

RGB 252 136 104

HSL 12.97, 0.96%, 0.7%

LAB 68.97, 41.23, 36.79

 

CMYK 0 / 91 / 63 / 2

HEX #FB175D

RGB 251 23 93

HSL 341.58, 0.97%, 0.54%

LAB 53.93, 79.6, 23.72

 

CMYK 0 / 75 / 52 / 1

HEX #FC3F79

RGB 252 63 121

HSL 341.59, 0.97%, 0.62%

LAB 57.69, 73.17, 12.14

 

CMYK 0 / 59 / 41 / 1

HEX #FC6895

RGB 252 104 149

HSL 341.76, 0.96%, 0.7%

LAB 63.97, 60.32, 4.78

 

CMYK 0 / 43 / 30 / 1

HEX #FD90B2

RGB 253 144 178

HSL 341.28, 0.96%, 0.78%

LAB 72.26, 44.93, 0.44

 

CMYK 0 / 27 / 19 / 1

HEX #FDB9CE

RGB 253 185 206

HSL 341.47, 0.94%, 0.86%

LAB 81.86, 27.57, -0.83

 

CMYK 0 / 59 / 41 / 1

HEX #FD6795

RGB 253 103 149

HSL 341.6, 0.97%, 0.7%

LAB 63.96, 61.07, 4.78

 

CMYK 0 / 7 / 59 / 1

HEX #FCEB68

RGB 252 235 104

HSL 53.11, 0.96%, 0.7%

LAB 92.18, -9.76, 64.15

 

CMYK 59 / 17 / 0 / 1

HEX #68D2FC

RGB 104 210 252

HSL 197.03, 0.96%, 0.7%

LAB 79.65, -18.8, -29.8

 

CMYK 0 / 59 / 41 / 1

HEX #FD6795

RGB 253 103 149

HSL 341.6, 0.97%, 0.7%

LAB 63.96, 61.07, 4.78

 

CMYK 40 / 0 / 59 / 1

HEX #97FC68

RGB 151 252 104

HSL 100.95, 0.96%, 0.7%

LAB 90.41, -54.86, 60.42

 

CMYK 59 / 40 / 0 / 1

HEX #6897FC

RGB 104 151 252

HSL 220.95, 0.96%, 0.7%

LAB 63.43, 13.77, -55.15

 

CMYK 0 / 59 / 41 / 1

HEX #FD6795

RGB 253 103 149

HSL 341.6, 0.97%, 0.7%

LAB 63.96, 61.07, 4.78

 

CMYK 0 / 7 / 59 / 1

HEX #FCEB68

RGB 252 235 104

HSL 53.11, 0.96%, 0.7%

LAB 92.18, -9.76, 64.15

 

CMYK 59 / 0 / 19 / 1

HEX #68FCCD

RGB 104 252 205

HSL 160.95, 0.96%, 0.7%

LAB 90.31, -50.5, 10.76

 

CMYK 59 / 52 / 0 / 1

HEX #6879FC

RGB 104 121 252

HSL 233.11, 0.96%, 0.7%

LAB 55.73, 31.69, -67.48

 

CMYK 0 / 59 / 41 / 1

HEX #FD6795

RGB 253 103 149

HSL 341.6, 0.97%, 0.7%

LAB 63.96, 61.07, 4.78

 

CMYK 11 / 0 / 59 / 1

HEX #E1FC68

RGB 225 252 104

HSL 70.95, 0.96%, 0.7%

LAB 94.58, -28.66, 66.24

 

CMYK 59 / 0 / 19 / 1

HEX #68FCCD

RGB 104 252 205

HSL 160.95, 0.96%, 0.7%

LAB 90.31, -50.5, 10.76

 

CMYK 48 / 59 / 0 / 1

HEX #8368FC

RGB 131 104 252

HSL 250.95, 0.96%, 0.7%

LAB 53.77, 46.69, -70.57

 

Description

Color code: RGB 253 103 149 | qconv.com Color code: RGB 253 103 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 103 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 103 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 41 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 41% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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