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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253.7 110.6 41 it is the complementary color RGB 1.3 144.4 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253.7 110.6 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253.7 110.6 41 shade: RGB 255 110.6 36, RGB 255 128.6 55, RGB 255 146.6 74, RGB 255 164.6 93 and RGB 255 182.6 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253.7 110.6 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253.7 110.6 41 shade: RGB 253.7 110.6 41, RGB 236.7 92.6 22, RGB 219.7 74.6 3, RGB 202.7 56.6 0 and RGB 185.7 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253.7 110.6 41 shade: RGB 254 111 42, RGB 254 54 42 and RGB 254 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253.7 110.6 41 shade: RGB 254 111 42, RGB 254 168 42, RGB 254 226 42, RGB 225 254 42 and RGB 168 254 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253.7 110.6 41 shade matches the following richer shades: RGB 254 111 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253.7 110.6 41 shade: RGB 254 111 42, RGB 237 117 59, RGB 219 123 77, RGB 202 129 94 and RGB 185 135 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253.7 110.6 41 shade: RGB 254 42 88, RGB 254 52 42, RGB 254 109 42, RGB 254 166 42 and RGB 254 222 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253.7 110.6 41 shade: RGB 212 70 1, RGB 253 84 1, RGB 254 111 42, RGB 254 139 83 and RGB 254 167 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253.7 110.6 41 shade: RGB 253.7 110.6 41, RGB 144 254 42 and RGB 42 60 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253.7 110.6 41 shade: RGB 253.7 110.6 41, RGB 42 254 109 and RGB 109 42 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253.7 110.6 41 shade: RGB 253.7 110.6 41, RGB 144 254 42, RGB 42 187 254 and RGB 151 42 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253.7 110.6 41 shade: RGB 253.7 110.6 41, RGB 81 254 42, RGB 42 187 254 and RGB 215 42 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 84 / 1

HEX #FD6E29

RGB 253.7 110.6 41

HSL 19.63, 0.99%, 0.58%

LAB 63.72, 51.23, 61.78

 

Complementary color

CMYK 99 / 33 / 0 / 16

HEX #0190D6

RGB 1.3 144.4 214

HSL 199.63, 0.99%, 0.42%

LAB 57.01, -6.83, -44.46

 

CMYK 0 / 57 / 86 / 0

HEX #FF6E24

RGB 255 110.6 36

HSL 20.44, 1%, 0.57%

LAB 63.89, 51.58, 63.87

 

CMYK 0 / 50 / 78 / 0

HEX #FF8037

RGB 255 128.6 55

HSL 22.08, 1%, 0.61%

LAB 67.38, 43.52, 59.43

 

CMYK 0 / 43 / 71 / 0

HEX #FF924A

RGB 255 146.6 74

HSL 24.07, 1%, 0.65%

LAB 71.21, 35.23, 54.76

 

CMYK 0 / 35 / 64 / 0

HEX #FFA45D

RGB 255 164.6 93

HSL 26.52, 1%, 0.68%

LAB 75.34, 26.96, 50.22

 

CMYK 0 / 28 / 56 / 0

HEX #FFB670

RGB 255 182.6 112

HSL 29.62, 1%, 0.72%

LAB 79.69, 18.87, 45.96

 

CMYK 0 / 56 / 84 / 1

HEX #FD6E29

RGB 253.7 110.6 41

HSL 19.63, 0.99%, 0.58%

LAB 63.72, 51.23, 61.78

 

CMYK 0 / 61 / 91 / 7

HEX #EC5C16

RGB 236.7 92.6 22

HSL 19.73, 0.85%, 0.51%

LAB 57.82, 52.89, 62.58

 

CMYK 0 / 66 / 99 / 14

HEX #DB4A03

RGB 219.7 74.6 3

HSL 19.82, 0.97%, 0.44%

LAB 52.01, 54.43, 62.03

 

CMYK 0 / 72 / 100 / 21

HEX #CA3800

RGB 202.7 56.6 0

HSL 16.75, 1%, 0.4%

LAB 46.37, 55.71, 58.24

 

CMYK 0 / 79 / 100 / 27

HEX #B92600

RGB 185.7 38.6 0

HSL 12.47, 1%, 0.36%

LAB 40.94, 56.31, 53.89

 

CMYK 0 / 56 / 83 / 0

HEX #FE6F2A

RGB 254 111 42

HSL 19.53, 0.99%, 0.58%

LAB 63.84, 51.18, 61.51

 

CMYK 0 / 79 / 83 / 0

HEX #FE362A

RGB 254 54 42

HSL 3.4, 0.99%, 0.58%

LAB 55.96, 72.48, 54.66

 

CMYK 0 / 83 / 83 / 0

HEX #FE2A2A

RGB 254 42 42

HSL 0, 0.99%, 0.58%

LAB 54.96, 75.32, 53.77

 

CMYK 0 / 56 / 83 / 0

HEX #FE6F2A

RGB 254 111 42

HSL 19.53, 0.99%, 0.58%

LAB 63.84, 51.18, 61.51

 

CMYK 0 / 34 / 83 / 0

HEX #FEA82A

RGB 254 168 42

HSL 35.66, 0.99%, 0.58%

LAB 75.6, 22.56, 71.53

 

CMYK 0 / 11 / 83 / 0

HEX #FEE22A

RGB 254 226 42

HSL 52.08, 0.99%, 0.58%

LAB 89.69, -7.29, 83.29

 

CMYK 11 / 0 / 83 / 0

HEX #E1FE2A

RGB 225 254 42

HSL 68.21, 0.99%, 0.58%

LAB 94.76, -32.64, 86.61

 

CMYK 34 / 0 / 83 / 0

HEX #A8FE2A

RGB 168 254 42

HSL 84.34, 0.99%, 0.58%

LAB 91.4, -53.99, 82.42

 

CMYK 0 / 56 / 83 / 0

HEX #FE6F2A

RGB 254 111 42

HSL 19.53, 0.99%, 0.58%

LAB 63.84, 51.18, 61.51

 

CMYK 0 / 56 / 83 / 0

HEX #FE6F2A

RGB 254 111 42

HSL 19.53, 0.99%, 0.58%

LAB 63.84, 51.18, 61.51

 

CMYK 0 / 51 / 75 / 7

HEX #ED753B

RGB 237 117 59

HSL 19.55, 0.83%, 0.58%

LAB 62.54, 42.52, 51.96

 

CMYK 0 / 44 / 65 / 14

HEX #DB7B4D

RGB 219 123 77

HSL 19.44, 0.66%, 0.58%

LAB 61.45, 33.33, 41

 

CMYK 0 / 36 / 53 / 21

HEX #CA815E

RGB 202 129 94

HSL 19.44, 0.5%, 0.58%

LAB 60.84, 24.52, 30.59

 

CMYK 0 / 27 / 40 / 27

HEX #B9876F

RGB 185 135 111

HSL 19.46, 0.35%, 0.58%

LAB 60.6, 16.01, 20.43

 

CMYK 0 / 83 / 65 / 0

HEX #FE2A58

RGB 254 42 88

HSL 346.98, 0.99%, 0.58%

LAB 55.51, 76.96, 28.86

 

CMYK 0 / 80 / 83 / 0

HEX #FE342A

RGB 254 52 42

HSL 2.83, 0.99%, 0.58%

LAB 55.78, 73, 54.49

 

CMYK 0 / 57 / 83 / 0

HEX #FE6D2A

RGB 254 109 42

HSL 18.96, 0.99%, 0.58%

LAB 63.49, 52.09, 61.21

 

CMYK 0 / 35 / 83 / 0

HEX #FEA62A

RGB 254 166 42

HSL 35.09, 0.99%, 0.58%

LAB 75.15, 23.6, 71.14

 

CMYK 0 / 13 / 83 / 0

HEX #FEDE2A

RGB 254 222 42

HSL 50.94, 0.99%, 0.58%

LAB 88.68, -5.29, 82.45

 

CMYK 0 / 67 / 100 / 17

HEX #D44601

RGB 212 70 1

HSL 19.62, 0.99%, 0.42%

LAB 49.95, 53.66, 60.68

 

CMYK 0 / 67 / 100 / 1

HEX #FD5401

RGB 253 84 1

HSL 19.76, 0.99%, 0.5%

LAB 59.18, 61.8, 69.34

 

CMYK 0 / 56 / 83 / 0

HEX #FE6F2A

RGB 254 111 42

HSL 19.53, 0.99%, 0.58%

LAB 63.84, 51.18, 61.51

 

CMYK 0 / 45 / 67 / 0

HEX #FE8B53

RGB 254 139 83

HSL 19.65, 0.99%, 0.66%

LAB 69.58, 39.17, 48.54

 

CMYK 0 / 34 / 51 / 0

HEX #FEA77C

RGB 254 167 124

HSL 19.85, 0.98%, 0.74%

LAB 76.17, 27.62, 35.35

 

CMYK 0 / 56 / 84 / 1

HEX #FD6E29

RGB 253.7 110.6 41

HSL 19.63, 0.99%, 0.58%

LAB 63.72, 51.23, 61.78

 

CMYK 43 / 0 / 83 / 0

HEX #90FE2A

RGB 144 254 42

HSL 91.13, 0.99%, 0.58%

LAB 90.31, -61.84, 81.04

 

CMYK 83 / 76 / 0 / 0

HEX #2A3CFE

RGB 42 60 254

HSL 234.91, 0.99%, 0.58%

LAB 39.38, 60.96, -95.49

 

CMYK 0 / 56 / 84 / 1

HEX #FD6E29

RGB 253.7 110.6 41

HSL 19.63, 0.99%, 0.58%

LAB 63.72, 51.23, 61.78

 

CMYK 83 / 0 / 57 / 0

HEX #2AFE6D

RGB 42 254 109

HSL 138.96, 0.99%, 0.58%

LAB 88.2, -77.09, 54.95

 

CMYK 57 / 83 / 0 / 0

HEX #6D2AFE

RGB 109 42 254

HSL 258.96, 0.99%, 0.58%

LAB 41.32, 73.41, -92.14

 

CMYK 0 / 56 / 84 / 1

HEX #FD6E29

RGB 253.7 110.6 41

HSL 19.63, 0.99%, 0.58%

LAB 63.72, 51.23, 61.78

 

CMYK 43 / 0 / 83 / 0

HEX #90FE2A

RGB 144 254 42

HSL 91.13, 0.99%, 0.58%

LAB 90.31, -61.84, 81.04

 

CMYK 83 / 26 / 0 / 0

HEX #2ABBFE

RGB 42 187 254

HSL 198.96, 0.99%, 0.58%

LAB 71.68, -14.13, -43.34

 

CMYK 41 / 83 / 0 / 0

HEX #972AFE

RGB 151 42 254

HSL 270.85, 0.99%, 0.58%

LAB 46.17, 77.99, -83.98

 

CMYK 0 / 56 / 84 / 1

HEX #FD6E29

RGB 253.7 110.6 41

HSL 19.63, 0.99%, 0.58%

LAB 63.72, 51.23, 61.78

 

CMYK 68 / 0 / 83 / 0

HEX #51FE2A

RGB 81 254 42

HSL 108.96, 0.99%, 0.58%

LAB 88.35, -77.45, 78.56

 

CMYK 83 / 26 / 0 / 0

HEX #2ABBFE

RGB 42 187 254

HSL 198.96, 0.99%, 0.58%

LAB 71.68, -14.13, -43.34

 

CMYK 15 / 83 / 0 / 0

HEX #D72AFE

RGB 215 42 254

HSL 288.96, 0.99%, 0.58%

LAB 55.34, 87.17, -68.64

 

Description

Color code: RGB 253.7 110.6 41 | qconv.com Color code: RGB 253.7 110.6 41 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253.7 red, 110.6 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253.7 110.6 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 84 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 84% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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