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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253.7 110.6 179 it is the complementary color RGB 1.3 144.4 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253.7 110.6 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253.7 110.6 179 shade: RGB 255 110.6 174, RGB 255 128.6 193, RGB 255 146.6 212, RGB 255 164.6 231 and RGB 255 182.6 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253.7 110.6 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253.7 110.6 179 shade: RGB 253.7 110.6 179, RGB 236.7 92.6 160, RGB 219.7 74.6 141, RGB 202.7 56.6 122 and RGB 185.7 38.6 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253.7 110.6 179 shade: RGB 254 109 178, RGB 254 109 139 and RGB 254 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253.7 110.6 179 shade: RGB 254 109 178, RGB 254 109 217, RGB 251 109 254, RGB 212 109 254 and RGB 173 109 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253.7 110.6 179 shade matches the following richer shades: RGB 254 109 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253.7 110.6 179 shade: RGB 254 109 178, RGB 242 121 178, RGB 230 133 179, RGB 218 144 179 and RGB 206 156 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253.7 110.6 179 shade: RGB 251 109 254, RGB 254 109 217, RGB 254 109 179, RGB 254 109 140 and RGB 254 116 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253.7 110.6 179 shade: RGB 253 27 135, RGB 253 68 156, RGB 254 109 178, RGB 254 149 199 and RGB 254 190 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253.7 110.6 179 shade: RGB 253.7 110.6 179, RGB 254 212 109 and RGB 109 237 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253.7 110.6 179 shade: RGB 253.7 110.6 179, RGB 179 254 109 and RGB 109 179 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253.7 110.6 179 shade: RGB 253.7 110.6 179, RGB 254 212 109, RGB 109 254 183 and RGB 109 150 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253.7 110.6 179 shade: RGB 253.7 110.6 179, RGB 251 254 109, RGB 109 254 183 and RGB 111 109 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 29 / 1

HEX #FD6EB3

RGB 253.7 110.6 179

HSL 331.32, 0.98%, 0.71%

LAB 66.18, 61.29, -9.08

 

Complementary color

CMYK 99 / 0 / 47 / 43

HEX #01904C

RGB 1.3 144.4 76

HSL 151.32, 0.98%, 0.29%

LAB 52.51, -49.03, 27.24

 

CMYK 0 / 57 / 32 / 0

HEX #FF6EAE

RGB 255 110.6 174

HSL 333.66, 1%, 0.72%

LAB 66.21, 61.08, -6.17

 

CMYK 0 / 50 / 24 / 0

HEX #FF80C1

RGB 255 128.6 193

HSL 329.43, 1%, 0.75%

LAB 69.97, 55.15, -11.27

 

CMYK 0 / 43 / 17 / 0

HEX #FF92D4

RGB 255 146.6 212

HSL 323.8, 1%, 0.79%

LAB 74.03, 49.01, -15.69

 

CMYK 0 / 35 / 9 / 0

HEX #FFA4E7

RGB 255 164.6 231

HSL 315.93, 1%, 0.82%

LAB 78.34, 42.83, -19.56

 

CMYK 0 / 28 / 2 / 0

HEX #FFB6FA

RGB 255 182.6 250

HSL 304.14, 1%, 0.86%

LAB 82.84, 36.71, -22.96

 

CMYK 0 / 56 / 29 / 1

HEX #FD6EB3

RGB 253.7 110.6 179

HSL 331.32, 0.98%, 0.71%

LAB 66.18, 61.29, -9.08

 

CMYK 0 / 61 / 32 / 7

HEX #EC5CA0

RGB 236.7 92.6 160

HSL 331.94, 0.8%, 0.65%

LAB 60.11, 61.76, -7.5

 

CMYK 0 / 66 / 36 / 14

HEX #DB4A8D

RGB 219.7 74.6 141

HSL 332.54, 0.67%, 0.58%

LAB 54.1, 62, -5.59

 

CMYK 0 / 72 / 40 / 21

HEX #CA387A

RGB 202.7 56.6 122

HSL 333.14, 0.58%, 0.51%

LAB 48.19, 61.85, -3.26

 

CMYK 0 / 79 / 45 / 27

HEX #B92667

RGB 185.7 38.6 103

HSL 333.73, 0.66%, 0.44%

LAB 42.47, 61.07, -0.31

 

CMYK 0 / 57 / 30 / 0

HEX #FE6DB2

RGB 254 109 178

HSL 331.45, 0.99%, 0.71%

LAB 65.92, 61.97, -8.88

 

CMYK 0 / 57 / 45 / 0

HEX #FE6D8B

RGB 254 109 139

HSL 347.59, 0.99%, 0.71%

LAB 64.86, 57.77, 11.82

 

CMYK 0 / 57 / 57 / 0

HEX #FE6D6D

RGB 254 109 109

HSL 0, 0.99%, 0.71%

LAB 64.25, 55.28, 28.05

 

CMYK 0 / 57 / 30 / 0

HEX #FE6DB2

RGB 254 109 178

HSL 331.45, 0.99%, 0.71%

LAB 65.92, 61.97, -8.88

 

CMYK 0 / 57 / 15 / 0

HEX #FE6DD9

RGB 254 109 217

HSL 315.31, 0.99%, 0.71%

LAB 67.29, 67.19, -28.75

 

CMYK 1 / 57 / 0 / 0

HEX #FB6DFE

RGB 251 109 254

HSL 298.76, 0.99%, 0.71%

LAB 68.46, 72.22, -47.4

 

CMYK 17 / 57 / 0 / 0

HEX #D46DFE

RGB 212 109 254

HSL 282.62, 0.99%, 0.71%

LAB 63.42, 62.68, -55.71

 

CMYK 32 / 57 / 0 / 0

HEX #AD6DFE

RGB 173 109 254

HSL 266.48, 0.99%, 0.71%

LAB 58.95, 53.46, -63.1

 

CMYK 0 / 57 / 30 / 0

HEX #FE6DB2

RGB 254 109 178

HSL 331.45, 0.99%, 0.71%

LAB 65.92, 61.97, -8.88

 

CMYK 0 / 57 / 30 / 0

HEX #FE6DB2

RGB 254 109 178

HSL 331.45, 0.99%, 0.71%

LAB 65.92, 61.97, -8.88

 

CMYK 0 / 50 / 26 / 5

HEX #F279B2

RGB 242 121 178

HSL 331.74, 0.82%, 0.71%

LAB 66.34, 52.68, -8.44

 

CMYK 0 / 42 / 22 / 10

HEX #E685B3

RGB 230 133 179

HSL 331.55, 0.66%, 0.71%

LAB 67.17, 42.87, -7.94

 

CMYK 0 / 34 / 18 / 15

HEX #DA90B3

RGB 218 144 179

HSL 331.62, 0.5%, 0.71%

LAB 68.1, 32.96, -6.71

 

CMYK 0 / 24 / 13 / 19

HEX #CE9CB4

RGB 206 156 180

HSL 331.2, 0.34%, 0.71%

LAB 69.61, 22.37, -5.18

 

CMYK 1 / 57 / 0 / 0

HEX #FB6DFE

RGB 251 109 254

HSL 298.76, 0.99%, 0.71%

LAB 68.46, 72.22, -47.4

 

CMYK 0 / 57 / 15 / 0

HEX #FE6DD9

RGB 254 109 217

HSL 315.31, 0.99%, 0.71%

LAB 67.29, 67.19, -28.75

 

CMYK 0 / 57 / 30 / 0

HEX #FE6DB3

RGB 254 109 179

HSL 331.03, 0.99%, 0.71%

LAB 65.95, 62.09, -9.4

 

CMYK 0 / 57 / 45 / 0

HEX #FE6D8C

RGB 254 109 140

HSL 347.17, 0.99%, 0.71%

LAB 64.88, 57.86, 11.28

 

CMYK 0 / 54 / 57 / 0

HEX #FE746D

RGB 254 116 109

HSL 2.9, 0.99%, 0.71%

LAB 65.49, 52.06, 29.66

 

CMYK 0 / 89 / 47 / 1

HEX #FD1B87

RGB 253 27 135

HSL 331.33, 0.98%, 0.55%

LAB 55.5, 82.3, 0.71

 

CMYK 0 / 73 / 38 / 1

HEX #FD449C

RGB 253 68 156

HSL 331.46, 0.98%, 0.63%

LAB 59.36, 74.94, -6

 

CMYK 0 / 57 / 30 / 0

HEX #FE6DB2

RGB 254 109 178

HSL 331.45, 0.99%, 0.71%

LAB 65.92, 61.97, -8.88

 

CMYK 0 / 41 / 22 / 0

HEX #FE95C7

RGB 254 149 199

HSL 331.43, 0.98%, 0.79%

LAB 73.99, 45.58, -8.61

 

CMYK 0 / 25 / 13 / 0

HEX #FEBEDD

RGB 254 190 221

HSL 330.94, 0.97%, 0.87%

LAB 83.5, 27.61, -6.45

 

CMYK 0 / 56 / 29 / 1

HEX #FD6EB3

RGB 253.7 110.6 179

HSL 331.32, 0.98%, 0.71%

LAB 66.18, 61.29, -9.08

 

CMYK 0 / 17 / 57 / 0

HEX #FED46D

RGB 254 212 109

HSL 42.62, 0.99%, 0.71%

LAB 86.63, 2.99, 55.65

 

CMYK 57 / 7 / 0 / 0

HEX #6DEDFE

RGB 109 237 254

HSL 187.03, 0.99%, 0.71%

LAB 87.47, -30.66, -18.94

 

CMYK 0 / 56 / 29 / 1

HEX #FD6EB3

RGB 253.7 110.6 179

HSL 331.32, 0.98%, 0.71%

LAB 66.18, 61.29, -9.08

 

CMYK 30 / 0 / 57 / 0

HEX #B3FE6D

RGB 179 254 109

HSL 91.03, 0.99%, 0.71%

LAB 92.39, -46.04, 60.88

 

CMYK 57 / 30 / 0 / 0

HEX #6DB3FE

RGB 109 179 254

HSL 211.03, 0.99%, 0.71%

LAB 71.31, -0.68, -43.78

 

CMYK 0 / 56 / 29 / 1

HEX #FD6EB3

RGB 253.7 110.6 179

HSL 331.32, 0.98%, 0.71%

LAB 66.18, 61.29, -9.08

 

CMYK 0 / 17 / 57 / 0

HEX #FED46D

RGB 254 212 109

HSL 42.62, 0.99%, 0.71%

LAB 86.63, 2.99, 55.65

 

CMYK 57 / 0 / 28 / 0

HEX #6DFEB7

RGB 109 254 183

HSL 150.62, 0.99%, 0.71%

LAB 90.58, -54.96, 22.45

 

CMYK 57 / 41 / 0 / 0

HEX #6D96FE

RGB 109 150 254

HSL 223.03, 0.99%, 0.71%

LAB 63.52, 15.96, -56.08

 

CMYK 0 / 56 / 29 / 1

HEX #FD6EB3

RGB 253.7 110.6 179

HSL 331.32, 0.98%, 0.71%

LAB 66.18, 61.29, -9.08

 

CMYK 1 / 0 / 57 / 0

HEX #FBFE6D

RGB 251 254 109

HSL 61.24, 0.99%, 0.71%

LAB 97.02, -19.08, 67.37

 

CMYK 57 / 0 / 28 / 0

HEX #6DFEB7

RGB 109 254 183

HSL 150.62, 0.99%, 0.71%

LAB 90.58, -54.96, 22.45

 

CMYK 56 / 57 / 0 / 0

HEX #6F6DFE

RGB 111 109 254

HSL 240.83, 0.99%, 0.71%

LAB 53.46, 40.7, -72.24

 

Description

Color code: RGB 253.7 110.6 179 | qconv.com Color code: RGB 253.7 110.6 179 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253.7 red, 110.6 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253.7 110.6 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 29 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 29% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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