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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253.3 162.4 149 it is the complementary color RGB 1.7 92.6 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253.3 162.4 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253.3 162.4 149 shade: RGB 255 162.4 144, RGB 255 180.4 163, RGB 255 198.4 182, RGB 255 216.4 201 and RGB 255 234.4 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253.3 162.4 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253.3 162.4 149 shade: RGB 253.3 162.4 149, RGB 236.3 144.4 130, RGB 219.3 126.4 111, RGB 202.3 108.4 92 and RGB 185.3 90.4 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253.3 162.4 149 shade: RGB 253 163 150 and RGB 253 150 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253.3 162.4 149 shade: RGB 253 163 150, RGB 253 191 150, RGB 253 219 150, RGB 253 247 150 and RGB 232 253 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253.3 162.4 149 shade matches the following richer shades: RGB 253 163 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253.3 162.4 149 shade: RGB 253 163 150, RGB 245 169 158, RGB 236 176 167, RGB 227 182 175 and RGB 219 189 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253.3 162.4 149 shade: RGB 253 150 193, RGB 253 150 165, RGB 253 162 150, RGB 253 189 150 and RGB 253 217 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253.3 162.4 149 shade: RGB 252 92 68, RGB 253 127 109, RGB 253 163 150, RGB 254 198 190 and RGB 255 234 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253.3 162.4 149 shade: RGB 253.3 162.4 149, RGB 220 253 150 and RGB 150 179 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253.3 162.4 149 shade: RGB 253.3 162.4 149, RGB 150 253 162 and RGB 162 150 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253.3 162.4 149 shade: RGB 253.3 162.4 149, RGB 220 253 150, RGB 150 241 253 and RGB 182 150 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253.3 162.4 149 shade: RGB 253.3 162.4 149, RGB 189 253 150, RGB 150 241 253 and RGB 214 150 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 41 / 1

HEX #FDA295

RGB 253.3 162.4 149

HSL 7.71, 0.97%, 0.79%

LAB 75.51, 32.17, 21.03

 

Complementary color

CMYK 98 / 13 / 0 / 58

HEX #015C6A

RGB 1.7 92.6 106

HSL 187.71, 0.97%, 0.21%

LAB 35.62, -17.99, -14.29

 

CMYK 0 / 36 / 44 / 0

HEX #FFA290

RGB 255 162.4 144

HSL 9.95, 1%, 0.78%

LAB 75.61, 32.29, 23.92

 

CMYK 0 / 29 / 36 / 0

HEX #FFB4A3

RGB 255 180.4 163

HSL 11.35, 1%, 0.82%

LAB 80.02, 24.96, 19.71

 

CMYK 0 / 22 / 29 / 0

HEX #FFC6B6

RGB 255 198.4 182

HSL 13.48, 1%, 0.86%

LAB 84.59, 17.88, 15.95

 

CMYK 0 / 15 / 21 / 0

HEX #FFD8C9

RGB 255 216.4 201

HSL 17.11, 1%, 0.89%

LAB 89.3, 11.11, 12.57

 

CMYK 0 / 8 / 14 / 0

HEX #FFEADC

RGB 255 234.4 220

HSL 24.69, 1%, 0.93%

LAB 94.1, 4.68, 9.5

 

CMYK 0 / 36 / 41 / 1

HEX #FDA295

RGB 253.3 162.4 149

HSL 7.71, 0.97%, 0.79%

LAB 75.51, 32.17, 21.03

 

CMYK 0 / 39 / 45 / 7

HEX #EC9082

RGB 236.3 144.4 130

HSL 8.13, 0.74%, 0.72%

LAB 69.16, 33.19, 22.45

 

CMYK 0 / 42 / 49 / 14

HEX #DB7E6F

RGB 219.3 126.4 111

HSL 8.53, 0.6%, 0.65%

LAB 62.74, 34.3, 24.03

 

CMYK 0 / 46 / 55 / 21

HEX #CA6C5C

RGB 202.3 108.4 92

HSL 8.92, 0.51%, 0.58%

LAB 56.27, 35.52, 25.82

 

CMYK 0 / 51 / 61 / 27

HEX #B95A49

RGB 185.3 90.4 73

HSL 9.3, 0.45%, 0.51%

LAB 49.75, 36.82, 27.88

 

CMYK 0 / 36 / 41 / 1

HEX #FDA396

RGB 253 163 150

HSL 7.57, 0.96%, 0.79%

LAB 75.62, 31.85, 20.64

 

CMYK 0 / 41 / 41 / 1

HEX #FD9696

RGB 253 150 150

HSL 0, 0.96%, 0.79%

LAB 72.82, 38.58, 16.77

 

CMYK 0 / 36 / 41 / 1

HEX #FDA396

RGB 253 163 150

HSL 7.57, 0.96%, 0.79%

LAB 75.62, 31.85, 20.64

 

CMYK 0 / 25 / 41 / 1

HEX #FDBF96

RGB 253 191 150

HSL 23.88, 0.96%, 0.79%

LAB 82.03, 17.18, 29.33

 

CMYK 0 / 13 / 41 / 1

HEX #FDDB96

RGB 253 219 150

HSL 40.19, 0.96%, 0.79%

LAB 88.8, 2.67, 38.26

 

CMYK 0 / 2 / 41 / 1

HEX #FDF796

RGB 253 247 150

HSL 56.5, 0.96%, 0.79%

LAB 95.83, -11.39, 47.26

 

CMYK 8 / 0 / 41 / 1

HEX #E8FD96

RGB 232 253 150

HSL 72.23, 0.96%, 0.79%

LAB 95.83, -22.26, 46.94

 

CMYK 0 / 36 / 41 / 1

HEX #FDA396

RGB 253 163 150

HSL 7.57, 0.96%, 0.79%

LAB 75.62, 31.85, 20.64

 

CMYK 0 / 36 / 41 / 1

HEX #FDA396

RGB 253 163 150

HSL 7.57, 0.96%, 0.79%

LAB 75.62, 31.85, 20.64

 

CMYK 0 / 31 / 36 / 4

HEX #F5A99E

RGB 245 169 158

HSL 7.59, 0.81%, 0.79%

LAB 76.23, 26.61, 16.99

 

CMYK 0 / 25 / 29 / 7

HEX #ECB0A7

RGB 236 176 167

HSL 7.83, 0.64%, 0.79%

LAB 77.09, 20.65, 13.16

 

CMYK 0 / 20 / 23 / 11

HEX #E3B6AF

RGB 227 182 175

HSL 8.08, 0.48%, 0.79%

LAB 77.81, 15.19, 9.72

 

CMYK 0 / 14 / 16 / 14

HEX #DBBDB8

RGB 219 189 184

HSL 8.57, 0.33%, 0.79%

LAB 78.99, 9.87, 6.46

 

CMYK 0 / 41 / 24 / 1

HEX #FD96C1

RGB 253 150 193

HSL 334.95, 0.96%, 0.79%

LAB 73.9, 43.89, -5.45

 

CMYK 0 / 41 / 35 / 1

HEX #FD96A5

RGB 253 150 165

HSL 351.26, 0.96%, 0.79%

LAB 73.16, 40.28, 8.96

 

CMYK 0 / 36 / 41 / 1

HEX #FDA296

RGB 253 162 150

HSL 6.99, 0.96%, 0.79%

LAB 75.4, 32.37, 20.34

 

CMYK 0 / 25 / 41 / 1

HEX #FDBD96

RGB 253 189 150

HSL 22.72, 0.96%, 0.79%

LAB 81.55, 18.23, 28.69

 

CMYK 0 / 14 / 41 / 1

HEX #FDD996

RGB 253 217 150

HSL 39.03, 0.96%, 0.79%

LAB 88.31, 3.69, 37.62

 

CMYK 0 / 63 / 73 / 1

HEX #FC5C44

RGB 252 92 68

HSL 7.83, 0.97%, 0.63%

LAB 60.58, 59.68, 46.05

 

CMYK 0 / 50 / 57 / 1

HEX #FD7F6D

RGB 253 127 109

HSL 7.5, 0.97%, 0.71%

LAB 67.4, 46.44, 32.11

 

CMYK 0 / 36 / 41 / 1

HEX #FDA396

RGB 253 163 150

HSL 7.57, 0.96%, 0.79%

LAB 75.62, 31.85, 20.64

 

CMYK 0 / 22 / 25 / 0

HEX #FEC6BE

RGB 254 198 190

HSL 7.5, 0.97%, 0.87%

LAB 84.57, 18.8, 11.66

 

CMYK 0 / 8 / 9 / 0

HEX #FFEAE7

RGB 255 234 231

HSL 7.5, 1%, 0.95%

LAB 94.26, 6.63, 4.02

 

CMYK 0 / 36 / 41 / 1

HEX #FDA295

RGB 253.3 162.4 149

HSL 7.71, 0.97%, 0.79%

LAB 75.51, 32.17, 21.03

 

CMYK 13 / 0 / 41 / 1

HEX #DCFD96

RGB 220 253 150

HSL 79.22, 0.96%, 0.79%

LAB 95.02, -26.69, 45.74

 

CMYK 41 / 29 / 0 / 1

HEX #96B3FD

RGB 150 179 253

HSL 223.11, 0.96%, 0.79%

LAB 73.43, 8.32, -39.78

 

CMYK 0 / 36 / 41 / 1

HEX #FDA295

RGB 253.3 162.4 149

HSL 7.71, 0.97%, 0.79%

LAB 75.51, 32.17, 21.03

 

CMYK 41 / 0 / 36 / 1

HEX #96FDA2

RGB 150 253 162

HSL 126.99, 0.96%, 0.79%

LAB 91.39, -48.2, 34.39

 

CMYK 36 / 41 / 0 / 1

HEX #A296FD

RGB 162 150 253

HSL 246.99, 0.96%, 0.79%

LAB 66.97, 27.82, -49.86

 

CMYK 0 / 36 / 41 / 1

HEX #FDA295

RGB 253.3 162.4 149

HSL 7.71, 0.97%, 0.79%

LAB 75.51, 32.17, 21.03

 

CMYK 13 / 0 / 41 / 1

HEX #DCFD96

RGB 220 253 150

HSL 79.22, 0.96%, 0.79%

LAB 95.02, -26.69, 45.74

 

CMYK 41 / 5 / 0 / 1

HEX #96F1FD

RGB 150 241 253

HSL 186.99, 0.96%, 0.79%

LAB 90.08, -24.18, -14.33

 

CMYK 28 / 41 / 0 / 1

HEX #B696FD

RGB 182 150 253

HSL 258.64, 0.96%, 0.79%

LAB 68.64, 33.13, -47.1

 

CMYK 0 / 36 / 41 / 1

HEX #FDA295

RGB 253.3 162.4 149

HSL 7.71, 0.97%, 0.79%

LAB 75.51, 32.17, 21.03

 

CMYK 25 / 0 / 41 / 1

HEX #BDFD96

RGB 189 253 150

HSL 97.28, 0.96%, 0.79%

LAB 93.13, -37.67, 42.94

 

CMYK 41 / 5 / 0 / 1

HEX #96F1FD

RGB 150 241 253

HSL 186.99, 0.96%, 0.79%

LAB 90.08, -24.18, -14.33

 

CMYK 15 / 41 / 0 / 1

HEX #D696FD

RGB 214 150 253

HSL 277.28, 0.96%, 0.79%

LAB 71.69, 42.1, -42.1

 

Description

Color code: RGB 253.3 162.4 149 | qconv.com Color code: RGB 253.3 162.4 149 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253.3 red, 162.4 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253.3 162.4 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 41 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 41% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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