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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 99 69 it is the complementary color RGB 3 156 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 99 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 99 69 shade: RGB 255 99 64, RGB 255 117 83, RGB 255 135 102, RGB 255 153 121 and RGB 255 171 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 99 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 99 69 shade: RGB 252 99 69, RGB 235 81 50, RGB 218 63 31, RGB 201 45 12 and RGB 184 27 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 99 69 shade: RGB 252 99 69 and RGB 252 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 99 69 shade: RGB 252 99 69, RGB 252 149 69, RGB 252 198 69, RGB 252 247 69 and RGB 208 252 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 99 69 shade matches the following richer shades: RGB 252 99 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 99 69 shade: RGB 252 99 69, RGB 237 109 84, RGB 222 120 100, RGB 206 130 115 and RGB 191 140 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 99 69 shade: RGB 252 69 139, RGB 252 69 90, RGB 252 97 69, RGB 252 145 69 and RGB 252 194 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 99 69 shade: RGB 235 42 4, RGB 252 65 28, RGB 252 99 69, RGB 253 133 110 and RGB 253 167 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 99 69 shade: RGB 252 99 69, RGB 188 252 69 and RGB 69 115 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 99 69 shade: RGB 252 99 69, RGB 69 252 97 and RGB 97 69 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 99 69 shade: RGB 252 99 69, RGB 188 252 69, RGB 69 225 252 and RGB 133 69 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 99 69 shade: RGB 252 99 69, RGB 133 252 69, RGB 69 225 252 and RGB 188 69 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

Complementary color

CMYK 98 / 16 / 0 / 27

HEX #039CBA

RGB 3 156 186

HSL 189.84, 0.97%, 0.37%

LAB 59.29, -23.27, -25.14

 

CMYK 0 / 61 / 75 / 0

HEX #FF6340

RGB 255 99 64

HSL 10.99, 1%, 0.63%

LAB 62.13, 57.58, 49.94

 

CMYK 0 / 54 / 67 / 0

HEX #FF7553

RGB 255 117 83

HSL 11.86, 1%, 0.66%

LAB 65.44, 50.32, 43.81

 

CMYK 0 / 47 / 60 / 0

HEX #FF8766

RGB 255 135 102

HSL 12.94, 1%, 0.7%

LAB 69.15, 42.72, 38.17

 

CMYK 0 / 40 / 53 / 0

HEX #FF9979

RGB 255 153 121

HSL 14.33, 1%, 0.74%

LAB 73.17, 35.02, 33.09

 

CMYK 0 / 33 / 45 / 0

HEX #FFAB8C

RGB 255 171 140

HSL 16.17, 1%, 0.77%

LAB 77.45, 27.4, 28.55

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 0 / 66 / 79 / 8

HEX #EB5132

RGB 235 81 50

HSL 10.05, 0.82%, 0.56%

LAB 55.86, 57.87, 49.46

 

CMYK 0 / 71 / 86 / 15

HEX #DA3F1F

RGB 218 63 31

HSL 10.27, 0.75%, 0.49%

LAB 50.17, 58.74, 52.05

 

CMYK 0 / 78 / 94 / 21

HEX #C92D0C

RGB 201 45 12

HSL 10.48, 0.89%, 0.42%

LAB 44.69, 59.16, 53.79

 

CMYK 0 / 85 / 100 / 28

HEX #B81B00

RGB 184 27 0

HSL 8.8, 1%, 0.36%

LAB 39.54, 58.8, 53.11

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 0 / 73 / 73 / 1

HEX #FC4545

RGB 252 69 69

HSL 0, 0.97%, 0.63%

LAB 57.45, 68.29, 42.02

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 0 / 41 / 73 / 1

HEX #FC9545

RGB 252 149 69

HSL 26.23, 0.97%, 0.63%

LAB 71.3, 32.57, 57.03

 

CMYK 0 / 21 / 73 / 1

HEX #FCC645

RGB 252 198 69

HSL 42.3, 0.97%, 0.63%

LAB 82.65, 7.03, 68.51

 

CMYK 0 / 2 / 73 / 1

HEX #FCF745

RGB 252 247 69

HSL 58.36, 0.97%, 0.63%

LAB 95.01, -17.53, 80.38

 

CMYK 17 / 0 / 73 / 1

HEX #D0FC45

RGB 208 252 69

HSL 74.43, 0.97%, 0.63%

LAB 93.22, -37.37, 77.57

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 0 / 54 / 65 / 7

HEX #ED6D54

RGB 237 109 84

HSL 9.8, 0.81%, 0.63%

LAB 61.29, 47.67, 37.68

 

CMYK 0 / 46 / 55 / 13

HEX #DE7864

RGB 222 120 100

HSL 9.84, 0.65%, 0.63%

LAB 61.55, 37.71, 28.7

 

CMYK 0 / 37 / 44 / 19

HEX #CE8273

RGB 206 130 115

HSL 9.89, 0.48%, 0.63%

LAB 61.93, 27.61, 20.4

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C82

RGB 191 140 130

HSL 9.84, 0.32%, 0.63%

LAB 62.88, 18.01, 12.97

 

CMYK 0 / 73 / 45 / 1

HEX #FC458B

RGB 252 69 139

HSL 337.05, 0.97%, 0.63%

LAB 58.8, 72.77, 3.12

 

CMYK 0 / 73 / 64 / 1

HEX #FC455A

RGB 252 69 90

HSL 353.11, 0.97%, 0.63%

LAB 57.74, 69.29, 30.44

 

CMYK 0 / 62 / 73 / 1

HEX #FC6145

RGB 252 97 69

HSL 9.18, 0.97%, 0.63%

LAB 61.37, 57.62, 46.41

 

CMYK 0 / 42 / 73 / 1

HEX #FC9145

RGB 252 145 69

HSL 24.92, 0.97%, 0.63%

LAB 70.44, 34.63, 56.14

 

CMYK 0 / 23 / 73 / 1

HEX #FCC245

RGB 252 194 69

HSL 40.98, 0.97%, 0.63%

LAB 81.68, 9.1, 67.55

 

CMYK 0 / 82 / 98 / 8

HEX #EB2A04

RGB 235 42 4

HSL 9.87, 0.97%, 0.47%

LAB 51.07, 69.68, 62.91

 

CMYK 0 / 74 / 89 / 1

HEX #FC411C

RGB 252 65 28

HSL 9.91, 0.97%, 0.55%

LAB 56.64, 68.46, 60.98

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 0 / 47 / 57 / 1

HEX #FD856E

RGB 253 133 110

HSL 9.65, 0.97%, 0.71%

LAB 68.59, 43.55, 33.09

 

CMYK 0 / 34 / 41 / 1

HEX #FDA796

RGB 253 167 150

HSL 9.9, 0.96%, 0.79%

LAB 76.51, 29.77, 21.86

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC45

RGB 188 252 69

HSL 80.98, 0.97%, 0.63%

LAB 92.02, -44.87, 76

 

CMYK 73 / 54 / 0 / 1

HEX #4573FC

RGB 69 115 252

HSL 224.92, 0.97%, 0.63%

LAB 52.46, 30.14, -72.87

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 73 / 0 / 62 / 1

HEX #45FC61

RGB 69 252 97

HSL 129.18, 0.97%, 0.63%

LAB 87.85, -74.74, 59.8

 

CMYK 62 / 73 / 0 / 1

HEX #6145FC

RGB 97 69 252

HSL 249.18, 0.97%, 0.63%

LAB 43.98, 60.22, -86.66

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 25 / 0 / 73 / 1

HEX #BCFC45

RGB 188 252 69

HSL 80.98, 0.97%, 0.63%

LAB 92.02, -44.87, 76

 

CMYK 73 / 11 / 0 / 1

HEX #45E1FC

RGB 69 225 252

HSL 188.85, 0.97%, 0.63%

LAB 82.99, -31.43, -24.78

 

CMYK 47 / 73 / 0 / 1

HEX #8545FC

RGB 133 69 252

HSL 260.98, 0.97%, 0.63%

LAB 47.33, 65.07, -81.04

 

CMYK 0 / 61 / 73 / 1

HEX #FC6345

RGB 252 99 69

HSL 9.84, 0.97%, 0.63%

LAB 61.7, 56.76, 46.77

 

CMYK 47 / 0 / 73 / 1

HEX #85FC45

RGB 133 252 69

HSL 99.02, 0.97%, 0.63%

LAB 89.41, -63.05, 72.56

 

CMYK 73 / 11 / 0 / 1

HEX #45E1FC

RGB 69 225 252

HSL 188.85, 0.97%, 0.63%

LAB 82.99, -31.43, -24.78

 

CMYK 25 / 73 / 0 / 1

HEX #BC45FC

RGB 188 69 252

HSL 279.02, 0.97%, 0.63%

LAB 54, 74.33, -69.88

 

Description

Color code: RGB 252 99 69 | qconv.com Color code: RGB 252 99 69 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 99 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 99 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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