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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 75 147 it is the complementary color RGB 3 180 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 75 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 75 147 shade: RGB 255 75 142, RGB 255 93 161, RGB 255 111 180, RGB 255 129 199 and RGB 255 147 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 75 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 75 147 shade: RGB 252 75 147, RGB 235 57 128, RGB 218 39 109, RGB 201 21 90 and RGB 184 3 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 75 147 shade: RGB 252 74 147, RGB 252 74 99 and RGB 252 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 75 147 shade: RGB 252 74 147, RGB 252 74 195, RGB 252 74 243, RGB 214 74 252 and RGB 166 74 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 75 147 shade matches the following richer shades: RGB 252 74 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 75 147 shade: RGB 252 74 147, RGB 237 89 149, RGB 223 104 152, RGB 208 119 155 and RGB 193 134 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 75 147 shade: RGB 252 74 243, RGB 252 74 196, RGB 252 74 148, RGB 252 74 101 and RGB 252 95 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 75 147 shade: RGB 240 4 100, RGB 252 34 122, RGB 252 74 147, RGB 253 115 171 and RGB 253 155 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 75 147 shade: RGB 252 75 147, RGB 252 214 74 and RGB 74 220 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 75 147 shade: RGB 252 75 147, RGB 148 252 74 and RGB 74 148 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 75 147 shade: RGB 252 75 147, RGB 252 214 74, RGB 74 252 178 and RGB 74 113 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 75 147 shade: RGB 252 75 147, RGB 237 252 74, RGB 74 252 178 and RGB 89 74 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 42 / 1

HEX #FC4B93

RGB 252 75 147

HSL 335.59, 0.97%, 0.64%

LAB 59.74, 71.51, -0.21

 

Complementary color

CMYK 98 / 0 / 40 / 29

HEX #03B46C

RGB 3 180 108

HSL 155.59, 0.97%, 0.36%

LAB 64.76, -55.41, 26.13

 

CMYK 0 / 71 / 44 / 0

HEX #FF4B8E

RGB 255 75 142

HSL 337.67, 1%, 0.65%

LAB 60.11, 71.87, 3.32

 

CMYK 0 / 64 / 37 / 0

HEX #FF5DA1

RGB 255 93 161

HSL 334.81, 1%, 0.68%

LAB 63.06, 67.07, -3.39

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB4

RGB 255 111 180

HSL 331.25, 1%, 0.72%

LAB 66.46, 61.63, -9.2

 

CMYK 0 / 49 / 22 / 0

HEX #FF81C7

RGB 255 129 199

HSL 326.67, 1%, 0.75%

LAB 70.23, 55.78, -14.22

 

CMYK 0 / 42 / 15 / 0

HEX #FF93DA

RGB 255 147 218

HSL 320.56, 1%, 0.79%

LAB 74.31, 49.72, -18.57

 

CMYK 0 / 70 / 42 / 1

HEX #FC4B93

RGB 252 75 147

HSL 335.59, 0.97%, 0.64%

LAB 59.74, 71.51, -0.21

 

CMYK 0 / 76 / 46 / 8

HEX #EB3980

RGB 235 57 128

HSL 336.07, 0.82%, 0.57%

LAB 54.18, 70.99, 2.57

 

CMYK 0 / 82 / 50 / 15

HEX #DA276D

RGB 218 39 109

HSL 336.54, 0.71%, 0.5%

LAB 48.84, 69.81, 5.96

 

CMYK 0 / 90 / 55 / 21

HEX #C9155A

RGB 201 21 90

HSL 337, 0.81%, 0.44%

LAB 43.79, 67.7, 10.12

 

CMYK 0 / 98 / 61 / 28

HEX #B80347

RGB 184 3 71

HSL 337.46, 0.97%, 0.37%

LAB 39.09, 64.52, 15.15

 

CMYK 0 / 71 / 42 / 1

HEX #FC4A93

RGB 252 74 147

HSL 335.39, 0.97%, 0.64%

LAB 59.62, 71.85, -0.38

 

CMYK 0 / 71 / 61 / 1

HEX #FC4A63

RGB 252 74 99

HSL 351.57, 0.97%, 0.64%

LAB 58.5, 68.12, 26.19

 

CMYK 0 / 71 / 71 / 1

HEX #FC4A4A

RGB 252 74 74

HSL 0, 0.97%, 0.64%

LAB 58.12, 66.81, 40.02

 

CMYK 0 / 71 / 42 / 1

HEX #FC4A93

RGB 252 74 147

HSL 335.39, 0.97%, 0.64%

LAB 59.62, 71.85, -0.38

 

CMYK 0 / 71 / 23 / 1

HEX #FC4AC3

RGB 252 74 195

HSL 319.21, 0.97%, 0.64%

LAB 61.25, 77.13, -25.67

 

CMYK 0 / 71 / 4 / 1

HEX #FC4AF3

RGB 252 74 243

HSL 303.03, 0.97%, 0.64%

LAB 63.4, 83.75, -49.33

 

CMYK 15 / 71 / 0 / 1

HEX #D64AFC

RGB 214 74 252

HSL 287.19, 0.97%, 0.64%

LAB 58.25, 77.45, -62.86

 

CMYK 34 / 71 / 0 / 1

HEX #A64AFC

RGB 166 74 252

HSL 271.01, 0.97%, 0.64%

LAB 51.87, 68.35, -73.47

 

CMYK 0 / 71 / 42 / 1

HEX #FC4A93

RGB 252 74 147

HSL 335.39, 0.97%, 0.64%

LAB 59.62, 71.85, -0.38

 

CMYK 0 / 71 / 42 / 1

HEX #FC4A93

RGB 252 74 147

HSL 335.39, 0.97%, 0.64%

LAB 59.62, 71.85, -0.38

 

CMYK 0 / 62 / 37 / 7

HEX #ED5995

RGB 237 89 149

HSL 335.68, 0.8%, 0.64%

LAB 59.27, 62.13, -2.35

 

CMYK 0 / 53 / 32 / 13

HEX #DF6898

RGB 223 104 152

HSL 335.8, 0.65%, 0.64%

LAB 59.76, 51.4, -3.62

 

CMYK 0 / 43 / 25 / 18

HEX #D0779B

RGB 208 119 155

HSL 335.73, 0.49%, 0.64%

LAB 60.76, 39.19, -4.11

 

CMYK 0 / 31 / 18 / 24

HEX #C1869E

RGB 193 134 158

HSL 335.59, 0.32%, 0.64%

LAB 62.39, 26.19, -3.62

 

CMYK 0 / 71 / 4 / 1

HEX #FC4AF3

RGB 252 74 243

HSL 303.03, 0.97%, 0.64%

LAB 63.4, 83.75, -49.33

 

CMYK 0 / 71 / 22 / 1

HEX #FC4AC4

RGB 252 74 196

HSL 318.88, 0.97%, 0.64%

LAB 61.29, 77.25, -26.18

 

CMYK 0 / 71 / 41 / 1

HEX #FC4A94

RGB 252 74 148

HSL 335.06, 0.97%, 0.64%

LAB 59.65, 71.95, -0.93

 

CMYK 0 / 71 / 60 / 1

HEX #FC4A65

RGB 252 74 101

HSL 350.9, 0.97%, 0.64%

LAB 58.54, 68.24, 25.07

 

CMYK 0 / 62 / 71 / 1

HEX #FC5F4A

RGB 252 95 74

HSL 7.08, 0.97%, 0.64%

LAB 61.11, 58.69, 43.47

 

CMYK 0 / 98 / 58 / 6

HEX #F00464

RGB 240 4 100

HSL 335.59, 0.97%, 0.48%

LAB 51.3, 79.14, 15.56

 

CMYK 0 / 87 / 52 / 1

HEX #FC227A

RGB 252 34 122

HSL 335.78, 0.97%, 0.56%

LAB 55.32, 80.03, 8.22

 

CMYK 0 / 71 / 42 / 1

HEX #FC4A93

RGB 252 74 147

HSL 335.39, 0.97%, 0.64%

LAB 59.62, 71.85, -0.38

 

CMYK 0 / 55 / 32 / 1

HEX #FD73AB

RGB 253 115 171

HSL 335.65, 0.97%, 0.72%

LAB 66.58, 58.12, -3.95

 

CMYK 0 / 39 / 23 / 1

HEX #FD9BC3

RGB 253 155 195

HSL 335.51, 0.96%, 0.8%

LAB 74.99, 41.61, -4.94

 

CMYK 0 / 70 / 42 / 1

HEX #FC4B93

RGB 252 75 147

HSL 335.59, 0.97%, 0.64%

LAB 59.74, 71.51, -0.21

 

CMYK 0 / 15 / 71 / 1

HEX #FCD64A

RGB 252 214 74

HSL 47.19, 0.97%, 0.64%

LAB 86.64, -0.95, 70.55

 

CMYK 71 / 13 / 0 / 1

HEX #4ADCFC

RGB 74 220 252

HSL 190.79, 0.97%, 0.64%

LAB 81.66, -28.41, -26.8

 

CMYK 0 / 70 / 42 / 1

HEX #FC4B93

RGB 252 75 147

HSL 335.59, 0.97%, 0.64%

LAB 59.74, 71.51, -0.21

 

CMYK 41 / 0 / 71 / 1

HEX #94FC4A

RGB 148 252 74

HSL 95.06, 0.97%, 0.64%

LAB 90.05, -58.22, 71.71

 

CMYK 71 / 41 / 0 / 1

HEX #4A94FC

RGB 74 148 252

HSL 215.06, 0.97%, 0.64%

LAB 61.36, 10.65, -58.52

 

CMYK 0 / 70 / 42 / 1

HEX #FC4B93

RGB 252 75 147

HSL 335.59, 0.97%, 0.64%

LAB 59.74, 71.51, -0.21

 

CMYK 0 / 15 / 71 / 1

HEX #FCD64A

RGB 252 214 74

HSL 47.19, 0.97%, 0.64%

LAB 86.64, -0.95, 70.55

 

CMYK 71 / 0 / 29 / 1

HEX #4AFCB2

RGB 74 252 178

HSL 155.06, 0.97%, 0.64%

LAB 89.06, -61.22, 22.78

 

CMYK 71 / 55 / 0 / 1

HEX #4A71FC

RGB 74 113 252

HSL 226.85, 0.97%, 0.64%

LAB 52.17, 31.99, -73.33

 

CMYK 0 / 70 / 42 / 1

HEX #FC4B93

RGB 252 75 147

HSL 335.59, 0.97%, 0.64%

LAB 59.74, 71.51, -0.21

 

CMYK 6 / 0 / 71 / 1

HEX #EDFC4A

RGB 237 252 74

HSL 65.06, 0.97%, 0.64%

LAB 95.21, -25.75, 78.54

 

CMYK 71 / 0 / 29 / 1

HEX #4AFCB2

RGB 74 252 178

HSL 155.06, 0.97%, 0.64%

LAB 89.06, -61.22, 22.78

 

CMYK 65 / 71 / 0 / 1

HEX #594AFC

RGB 89 74 252

HSL 245.06, 0.97%, 0.64%

LAB 44.3, 56.71, -86.15

 

Description

Color code: RGB 252 75 147 | qconv.com Color code: RGB 252 75 147 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 75 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 75 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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