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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 59 206 it is the complementary color RGB 3 196 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 59 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 59 206 shade: RGB 255 59 201, RGB 255 77 220, RGB 255 95 239, RGB 255 113 255 and RGB 255 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 59 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 235 41 187, RGB 218 23 168, RGB 201 5 149 and RGB 184 0 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 252 59 154, RGB 252 59 102 and RGB 252 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 246 59 252, RGB 194 59 252, RGB 142 59 252 and RGB 90 59 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 59 206 shade matches the following richer shades: RGB 252 59 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 236 75 198, RGB 220 91 189, RGB 204 107 181 and RGB 188 123 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 59 206 shade: RGB 194 59 252, RGB 246 59 252, RGB 252 59 207, RGB 252 59 156 and RGB 252 59 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 59 206 shade: RGB 225 3 172, RGB 251 18 196, RGB 252 59 206, RGB 253 100 216 and RGB 253 140 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 252 143 59 and RGB 59 252 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 207 252 59 and RGB 59 207 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 252 143 59, RGB 59 252 104 and RGB 59 168 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 59 206 shade: RGB 252 59 206, RGB 252 201 59, RGB 59 252 104 and RGB 59 111 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

Complementary color

CMYK 98 / 0 / 75 / 23

HEX #03C431

RGB 3 196 49

HSL 134.3, 0.97%, 0.39%

LAB 69.27, -68.51, 58.31

 

CMYK 0 / 77 / 21 / 0

HEX #FF3BC9

RGB 255 59 201

HSL 316.53, 1%, 0.62%

LAB 60.43, 82.99, -30.32

 

CMYK 0 / 70 / 14 / 0

HEX #FF4DDC

RGB 255 77 220

HSL 311.8, 1%, 0.65%

LAB 63.12, 80.13, -36.88

 

CMYK 0 / 63 / 6 / 0

HEX #FF5FEF

RGB 255 95 239

HSL 306, 1%, 0.69%

LAB 66.27, 76.46, -42.55

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 83 / 20 / 8

HEX #EB29BB

RGB 235 41 187

HSL 314.85, 0.83%, 0.54%

LAB 54.9, 81.24, -31.12

 

CMYK 0 / 89 / 23 / 15

HEX #DA17A8

RGB 218 23 168

HSL 315.38, 0.81%, 0.47%

LAB 49.91, 78.62, -28

 

CMYK 0 / 98 / 26 / 21

HEX #C90595

RGB 201 5 149

HSL 315.92, 0.95%, 0.4%

LAB 45.21, 74.93, -24.18

 

CMYK 0 / 100 / 29 / 28

HEX #B80082

RGB 184 0 130

HSL 317.61, 1%, 0.36%

LAB 40.9, 69.88, -19.51

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 77 / 39 / 1

HEX #FC3B9A

RGB 252 59 154

HSL 330.47, 0.97%, 0.61%

LAB 58.19, 77.14, -6.59

 

CMYK 0 / 77 / 60 / 1

HEX #FC3B66

RGB 252 59 102

HSL 346.63, 0.97%, 0.61%

LAB 56.86, 73.04, 22.27

 

CMYK 0 / 77 / 77 / 1

HEX #FC3B3B

RGB 252 59 59

HSL 0, 0.97%, 0.61%

LAB 56.23, 71.02, 46.14

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 2 / 77 / 0 / 1

HEX #F63BFC

RGB 246 59 252

HSL 298.13, 0.97%, 0.61%

LAB 61.44, 88.21, -57.48

 

CMYK 23 / 77 / 0 / 1

HEX #C23BFC

RGB 194 59 252

HSL 281.97, 0.97%, 0.61%

LAB 53.63, 78.85, -70.45

 

CMYK 44 / 77 / 0 / 1

HEX #8E3BFC

RGB 142 59 252

HSL 265.8, 0.97%, 0.61%

LAB 46.85, 70.61, -81.78

 

CMYK 64 / 77 / 0 / 1

HEX #5A3BFC

RGB 90 59 252

HSL 249.64, 0.97%, 0.61%

LAB 41.74, 64.29, -90.38

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 68 / 16 / 7

HEX #EC4BC6

RGB 236 75 198

HSL 314.16, 0.81%, 0.61%

LAB 58.92, 73.3, -31.19

 

CMYK 0 / 59 / 14 / 14

HEX #DC5BBD

RGB 220 91 189

HSL 314.42, 0.65%, 0.61%

LAB 58.39, 61.53, -27.06

 

CMYK 0 / 48 / 11 / 20

HEX #CC6BB5

RGB 204 107 181

HSL 314.23, 0.49%, 0.61%

LAB 58.69, 48.03, -22.21

 

CMYK 0 / 35 / 9 / 26

HEX #BC7BAC

RGB 188 123 172

HSL 314.77, 0.33%, 0.61%

LAB 59.74, 32.83, -15.63

 

CMYK 23 / 77 / 0 / 1

HEX #C23BFC

RGB 194 59 252

HSL 281.97, 0.97%, 0.61%

LAB 53.63, 78.85, -70.45

 

CMYK 2 / 77 / 0 / 1

HEX #F63BFC

RGB 246 59 252

HSL 298.13, 0.97%, 0.61%

LAB 61.44, 88.21, -57.48

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCF

RGB 252 59 207

HSL 313.99, 0.97%, 0.61%

LAB 60.18, 83.09, -34.16

 

CMYK 0 / 77 / 38 / 1

HEX #FC3B9C

RGB 252 59 156

HSL 329.84, 0.97%, 0.61%

LAB 58.25, 77.33, -7.67

 

CMYK 0 / 77 / 59 / 1

HEX #FC3B68

RGB 252 59 104

HSL 346.01, 0.97%, 0.61%

LAB 56.9, 73.16, 21.13

 

CMYK 0 / 99 / 24 / 12

HEX #E103AC

RGB 225 3 172

HSL 314.32, 0.97%, 0.45%

LAB 50.75, 82.34, -28.96

 

CMYK 0 / 93 / 22 / 2

HEX #FB12C4

RGB 251 18 196

HSL 314.16, 0.97%, 0.53%

LAB 57, 88.85, -32.83

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 60 / 15 / 1

HEX #FD64D8

RGB 253 100 216

HSL 314.51, 0.97%, 0.69%

LAB 65.71, 70.56, -30.64

 

CMYK 0 / 45 / 11 / 1

HEX #FD8CE2

RGB 253 140 226

HSL 314.34, 0.97%, 0.77%

LAB 72.98, 53.84, -25.02

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 43 / 77 / 1

HEX #FC8F3B

RGB 252 143 59

HSL 26.11, 0.97%, 0.61%

LAB 69.93, 35.25, 60.05

 

CMYK 77 / 0 / 13 / 1

HEX #3BFCDC

RGB 59 252 220

HSL 170.05, 0.97%, 0.61%

LAB 89.73, -53.36, 2.03

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 18 / 0 / 77 / 1

HEX #CFFC3B

RGB 207 252 59

HSL 73.99, 0.97%, 0.61%

LAB 93.1, -38.2, 80.49

 

CMYK 77 / 18 / 0 / 1

HEX #3BCFFC

RGB 59 207 252

HSL 193.99, 0.97%, 0.61%

LAB 77.63, -23.68, -33.01

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 43 / 77 / 1

HEX #FC8F3B

RGB 252 143 59

HSL 26.11, 0.97%, 0.61%

LAB 69.93, 35.25, 60.05

 

CMYK 77 / 0 / 59 / 1

HEX #3BFC68

RGB 59 252 104

HSL 133.99, 0.97%, 0.61%

LAB 87.75, -75.3, 56.67

 

CMYK 77 / 33 / 0 / 1

HEX #3BA8FC

RGB 59 168 252

HSL 206.11, 0.97%, 0.61%

LAB 66.49, -2.81, -50.4

 

CMYK 0 / 77 / 18 / 1

HEX #FC3BCE

RGB 252 59 206

HSL 314.3, 0.97%, 0.61%

LAB 60.14, 82.96, -33.66

 

CMYK 0 / 20 / 77 / 1

HEX #FCC93B

RGB 252 201 59

HSL 44.15, 0.97%, 0.61%

LAB 83.33, 5.07, 72.78

 

CMYK 77 / 0 / 59 / 1

HEX #3BFC68

RGB 59 252 104

HSL 133.99, 0.97%, 0.61%

LAB 87.75, -75.3, 56.67

 

CMYK 77 / 56 / 0 / 1

HEX #3B6FFC

RGB 59 111 252

HSL 223.83, 0.97%, 0.61%

LAB 51.07, 31.53, -75.14

 

Description

Color code: RGB 252 59 206 | qconv.com Color code: RGB 252 59 206 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 59 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 59 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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