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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 28 235 it is the complementary color RGB 3 227 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 28 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 28 235 shade: RGB 255 28 230, RGB 255 46 249, RGB 255 64 255, RGB 255 82 255 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 28 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 28 235 shade: RGB 252 28 235, RGB 235 10 216, RGB 218 0 197, RGB 201 0 178 and RGB 184 0 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 28 235 shade: RGB 252 29 235, RGB 252 29 175, RGB 252 29 115, RGB 252 29 55 and RGB 252 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 28 235 shade: RGB 252 29 235, RGB 208 29 252, RGB 148 29 252, RGB 88 29 252 and RGB 29 29 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 28 235 shade matches the following richer shades: RGB 252 29 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 28 235 shade: RGB 252 29 235, RGB 233 48 219, RGB 214 66 203, RGB 196 85 187 and RGB 177 103 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 28 235 shade: RGB 148 29 252, RGB 207 29 252, RGB 252 29 237, RGB 252 29 177 and RGB 252 29 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 28 235 shade: RGB 195 3 180, RGB 236 4 218, RGB 252 29 235, RGB 252 70 238 and RGB 253 110 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 28 235 shade: RGB 252 28 235, RGB 252 88 29 and RGB 29 252 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 28 235 shade: RGB 252 28 235, RGB 237 252 29 and RGB 29 237 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 28 235 shade: RGB 252 28 235, RGB 252 88 29, RGB 29 252 44 and RGB 29 192 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 28 235 shade: RGB 252 28 235, RGB 252 155 29, RGB 29 252 44 and RGB 29 125 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 7 / 1

HEX #FC1CEB

RGB 252 28 235

HSL 304.55, 0.97%, 0.55%

LAB 59.46, 92.81, -51.11

 

Complementary color

CMYK 99 / 0 / 91 / 11

HEX #03E314

RGB 3 227 20

HSL 124.55, 0.97%, 0.45%

LAB 79.05, -78.45, 74.17

 

CMYK 0 / 89 / 10 / 0

HEX #FF1CE6

RGB 255 28 230

HSL 306.61, 1%, 0.55%

LAB 59.71, 92.67, -47.87

 

CMYK 0 / 82 / 2 / 0

HEX #FF2EF9

RGB 255 46 249

HSL 301.72, 1%, 0.59%

LAB 61.7, 92.37, -55.31

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 89 / 7 / 1

HEX #FC1CEB

RGB 252 28 235

HSL 304.55, 0.97%, 0.55%

LAB 59.46, 92.81, -51.11

 

CMYK 0 / 96 / 8 / 8

HEX #EB0AD8

RGB 235 10 216

HSL 305.07, 0.92%, 0.48%

LAB 54.9, 89.1, -47.79

 

CMYK 0 / 100 / 10 / 15

HEX #DA00C5

RGB 218 0 197

HSL 305.78, 1%, 0.43%

LAB 50.61, 84.39, -43.87

 

CMYK 0 / 100 / 11 / 21

HEX #C900B2

RGB 201 0 178

HSL 306.87, 1%, 0.39%

LAB 46.49, 78.94, -39.5

 

CMYK 0 / 100 / 14 / 28

HEX #B8009F

RGB 184 0 159

HSL 308.15, 1%, 0.36%

LAB 42.3, 73.4, -35.01

 

CMYK 0 / 88 / 7 / 1

HEX #FC1DEB

RGB 252 29 235

HSL 304.57, 0.97%, 0.55%

LAB 59.5, 92.68, -51.04

 

CMYK 0 / 88 / 31 / 1

HEX #FC1DAF

RGB 252 29 175

HSL 320.72, 0.97%, 0.55%

LAB 56.75, 85.48, -21.04

 

CMYK 0 / 88 / 54 / 1

HEX #FC1D73

RGB 252 29 115

HSL 336.86, 0.97%, 0.55%

LAB 54.88, 80.34, 11.79

 

CMYK 0 / 88 / 78 / 1

HEX #FC1D37

RGB 252 29 55

HSL 353, 0.97%, 0.55%

LAB 53.87, 77.48, 45.83

 

CMYK 0 / 88 / 88 / 1

HEX #FC1D1D

RGB 252 29 29

HSL 0, 0.97%, 0.55%

LAB 53.67, 76.9, 58.44

 

CMYK 0 / 88 / 7 / 1

HEX #FC1DEB

RGB 252 29 235

HSL 304.57, 0.97%, 0.55%

LAB 59.5, 92.68, -51.04

 

CMYK 17 / 88 / 0 / 1

HEX #D01DFC

RGB 208 29 252

HSL 288.16, 0.97%, 0.55%

LAB 53.29, 88.17, -70.89

 

CMYK 41 / 88 / 0 / 1

HEX #941DFC

RGB 148 29 252

HSL 272.02, 0.97%, 0.55%

LAB 44.52, 80.4, -85.58

 

CMYK 65 / 88 / 0 / 1

HEX #581DFC

RGB 88 29 252

HSL 255.87, 0.97%, 0.55%

LAB 37.81, 75.22, -96.89

 

CMYK 88 / 88 / 0 / 1

HEX #1D1DFC

RGB 29 29 252

HSL 240, 0.97%, 0.55%

LAB 34.33, 72.91, -102.78

 

CMYK 0 / 88 / 7 / 1

HEX #FC1DEB

RGB 252 29 235

HSL 304.57, 0.97%, 0.55%

LAB 59.5, 92.68, -51.04

 

CMYK 0 / 88 / 7 / 1

HEX #FC1DEB

RGB 252 29 235

HSL 304.57, 0.97%, 0.55%

LAB 59.5, 92.68, -51.04

 

CMYK 0 / 79 / 6 / 9

HEX #E930DB

RGB 233 48 219

HSL 304.54, 0.81%, 0.55%

LAB 56.64, 83.55, -46.77

 

CMYK 0 / 69 / 5 / 16

HEX #D642CB

RGB 214 66 203

HSL 304.46, 0.64%, 0.55%

LAB 54.56, 71.99, -41.13

 

CMYK 0 / 57 / 5 / 23

HEX #C455BB

RGB 196 85 187

HSL 304.86, 0.48%, 0.55%

LAB 53.84, 57.31, -33.25

 

CMYK 0 / 42 / 3 / 31

HEX #B167AC

RGB 177 103 172

HSL 304.05, 0.32%, 0.55%

LAB 54.05, 40.08, -24.43

 

CMYK 41 / 88 / 0 / 1

HEX #941DFC

RGB 148 29 252

HSL 272.02, 0.97%, 0.55%

LAB 44.52, 80.4, -85.58

 

CMYK 18 / 88 / 0 / 1

HEX #CF1DFC

RGB 207 29 252

HSL 287.89, 0.97%, 0.55%

LAB 53.14, 88.03, -71.15

 

CMYK 0 / 88 / 6 / 1

HEX #FC1DED

RGB 252 29 237

HSL 304.04, 0.97%, 0.55%

LAB 59.61, 92.95, -51.99

 

CMYK 0 / 88 / 30 / 1

HEX #FC1DB1

RGB 252 29 177

HSL 320.18, 0.97%, 0.55%

LAB 56.83, 85.68, -22.09

 

CMYK 0 / 88 / 53 / 1

HEX #FC1D76

RGB 252 29 118

HSL 336.05, 0.97%, 0.55%

LAB 54.95, 80.54, 10.09

 

CMYK 0 / 98 / 8 / 24

HEX #C303B4

RGB 195 3 180

HSL 304.69, 0.97%, 0.39%

LAB 45.58, 77.9, -42.18

 

CMYK 0 / 98 / 8 / 7

HEX #EC04DA

RGB 236 4 218

HSL 304.66, 0.97%, 0.47%

LAB 55.05, 89.94, -48.68

 

CMYK 0 / 88 / 7 / 1

HEX #FC1DEB

RGB 252 29 235

HSL 304.57, 0.97%, 0.55%

LAB 59.5, 92.68, -51.04

 

CMYK 0 / 72 / 6 / 1

HEX #FC46EE

RGB 252 70 238

HSL 304.62, 0.97%, 0.63%

LAB 62.72, 84.23, -47.62

 

CMYK 0 / 57 / 4 / 1

HEX #FD6EF2

RGB 253 110 242

HSL 304.62, 0.97%, 0.71%

LAB 68.35, 70.32, -40.98

 

CMYK 0 / 89 / 7 / 1

HEX #FC1CEB

RGB 252 28 235

HSL 304.55, 0.97%, 0.55%

LAB 59.46, 92.81, -51.11

 

CMYK 0 / 65 / 88 / 1

HEX #FC581D

RGB 252 88 29

HSL 15.87, 0.97%, 0.55%

LAB 59.67, 60.18, 62.84

 

CMYK 88 / 0 / 30 / 1

HEX #1DFCB1

RGB 29 252 177

HSL 159.82, 0.97%, 0.55%

LAB 88.47, -65.73, 22.39

 

CMYK 0 / 89 / 7 / 1

HEX #FC1CEB

RGB 252 28 235

HSL 304.55, 0.97%, 0.55%

LAB 59.46, 92.81, -51.11

 

CMYK 6 / 0 / 88 / 1

HEX #EDFC1D

RGB 237 252 29

HSL 64.04, 0.97%, 0.55%

LAB 95.04, -27.18, 89.54

 

CMYK 88 / 6 / 0 / 1

HEX #1DEDFC

RGB 29 237 252

HSL 184.04, 0.97%, 0.55%

LAB 85.94, -40.21, -20.35

 

CMYK 0 / 89 / 7 / 1

HEX #FC1CEB

RGB 252 28 235

HSL 304.55, 0.97%, 0.55%

LAB 59.46, 92.81, -51.11

 

CMYK 0 / 65 / 88 / 1

HEX #FC581D

RGB 252 88 29

HSL 15.87, 0.97%, 0.55%

LAB 59.67, 60.18, 62.84

 

CMYK 88 / 0 / 83 / 1

HEX #1DFC2C

RGB 29 252 44

HSL 124.04, 0.97%, 0.55%

LAB 87.03, -83.09, 76.64

 

CMYK 88 / 24 / 0 / 1

HEX #1DC0FC

RGB 29 192 252

HSL 196.14, 0.97%, 0.55%

LAB 72.88, -18.28, -40.4

 

CMYK 0 / 89 / 7 / 1

HEX #FC1CEB

RGB 252 28 235

HSL 304.55, 0.97%, 0.55%

LAB 59.46, 92.81, -51.11

 

CMYK 0 / 38 / 88 / 1

HEX #FC9B1D

RGB 252 155 29

HSL 33.9, 0.97%, 0.55%

LAB 72.38, 28.22, 72.44

 

CMYK 88 / 0 / 83 / 1

HEX #1DFC2C

RGB 29 252 44

HSL 124.04, 0.97%, 0.55%

LAB 87.03, -83.09, 76.64

 

CMYK 88 / 50 / 0 / 1

HEX #1D7DFC

RGB 29 125 252

HSL 214.17, 0.97%, 0.55%

LAB 53.98, 20.46, -70.45

 

Description

Color code: RGB 252 28 235 | qconv.com Color code: RGB 252 28 235 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 28 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 28 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 7% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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