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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 255 34 it is the complementary color RGB 3 0 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 255 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 255 34 shade: RGB 255 255 29, RGB 255 255 48, RGB 255 255 67, RGB 255 255 86 and RGB 255 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 255 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 255 34 shade: RGB 252 255 34, RGB 235 237 15, RGB 218 219 0, RGB 201 201 0 and RGB 184 183 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 255 34 shade: RGB 252 255 36, RGB 255 199 36, RGB 255 140 36, RGB 255 81 36 and RGB 255 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 255 34 shade: RGB 252 255 36, RGB 193 255 36, RGB 134 255 36, RGB 75 255 36 and RGB 36 255 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 255 34 shade matches the following richer shades: RGB 252 255 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 255 34 shade: RGB 252 255 36, RGB 235 237 53, RGB 218 220 71, RGB 200 202 89 and RGB 183 184 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 255 34 shade: RGB 255 138 36, RGB 255 197 36, RGB 255 255 36, RGB 197 255 36 and RGB 138 255 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 255 34 shade: RGB 205 208 0, RGB 246 249 0, RGB 252 255 36, RGB 253 255 77 and RGB 253 255 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 255 34 shade: RGB 252 255 34, RGB 36 255 80 and RGB 167 36 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 255 34 shade: RGB 252 255 34, RGB 36 255 255 and RGB 255 36 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 255 34 shade: RGB 252 255 34, RGB 36 255 80, RGB 36 36 255 and RGB 255 36 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 255 34 shade: RGB 252 255 34, RGB 36 255 145, RGB 36 36 255 and RGB 255 36 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 87 / 0

HEX #FCFF22

RGB 252 255 34

HSL 60.81, 1%, 0.57%

LAB 96.96, -22.4, 90.73

 

Complementary color

CMYK 99 / 100 / 0 / 13

HEX #0300DD

RGB 3 0 221

HSL 240.81, 1%, 0.43%

LAB 27.41, 71.1, -96.72

 

CMYK 0 / 0 / 89 / 0

HEX #FFFF1D

RGB 255 255 29

HSL 60, 1%, 0.56%

LAB 97.17, -21.26, 91.79

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF30

RGB 255 255 48

HSL 60, 1%, 0.59%

LAB 97.22, -20.86, 88.25

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 1 / 0 / 87 / 0

HEX #FCFF22

RGB 252 255 34

HSL 60.81, 1%, 0.57%

LAB 96.96, -22.4, 90.73

 

CMYK 1 / 0 / 94 / 7

HEX #EBED0F

RGB 235 237 15

HSL 60.54, 0.88%, 0.49%

LAB 90.9, -21.1, 88.02

 

CMYK 0 / 0 / 100 / 14

HEX #DADB00

RGB 218 219 0

HSL 60.27, 1%, 0.43%

LAB 84.78, -19.64, 84.13

 

CMYK 0 / 0 / 100 / 21

HEX #C9C900

RGB 201 201 0

HSL 60, 1%, 0.39%

LAB 78.57, -18.02, 78.98

 

CMYK 0 / 1 / 100 / 28

HEX #B8B700

RGB 184 183 0

HSL 59.67, 1%, 0.36%

LAB 72.27, -16.36, 73.74

 

CMYK 1 / 0 / 86 / 0

HEX #FCFF24

RGB 252 255 36

HSL 60.82, 1%, 0.57%

LAB 96.96, -22.36, 90.39

 

CMYK 0 / 22 / 86 / 0

HEX #FFC724

RGB 255 199 36

HSL 44.66, 1%, 0.57%

LAB 83.04, 6.7, 79.29

 

CMYK 0 / 45 / 86 / 0

HEX #FF8C24

RGB 255 140 36

HSL 28.49, 1%, 0.57%

LAB 69.57, 37.29, 68.45

 

CMYK 0 / 68 / 86 / 0

HEX #FF5124

RGB 255 81 36

HSL 12.33, 1%, 0.57%

LAB 59.23, 64, 60.1

 

CMYK 0 / 86 / 86 / 0

HEX #FF2424

RGB 255 36 36

HSL 0, 1%, 0.57%

LAB 54.71, 76.63, 56.46

 

CMYK 1 / 0 / 86 / 0

HEX #FCFF24

RGB 252 255 36

HSL 60.82, 1%, 0.57%

LAB 96.96, -22.36, 90.39

 

CMYK 24 / 0 / 86 / 0

HEX #C1FF24

RGB 193 255 36

HSL 76.99, 1%, 0.57%

LAB 93.01, -45.59, 85.52

 

CMYK 47 / 0 / 86 / 0

HEX #86FF24

RGB 134 255 36

HSL 93.15, 1%, 0.57%

LAB 90.19, -65.41, 82.01

 

CMYK 71 / 0 / 86 / 0

HEX #4BFF24

RGB 75 255 36

HSL 109.32, 1%, 0.57%

LAB 88.52, -79.02, 79.9

 

CMYK 86 / 0 / 78 / 0

HEX #24FF38

RGB 36 255 56

HSL 125.48, 1%, 0.57%

LAB 88.06, -82.77, 74.5

 

CMYK 1 / 0 / 86 / 0

HEX #FCFF24

RGB 252 255 36

HSL 60.82, 1%, 0.57%

LAB 96.96, -22.36, 90.39

 

CMYK 1 / 0 / 86 / 0

HEX #FCFF24

RGB 252 255 36

HSL 60.82, 1%, 0.57%

LAB 96.96, -22.36, 90.39

 

CMYK 1 / 0 / 78 / 7

HEX #EBED35

RGB 235 237 53

HSL 60.65, 0.84%, 0.57%

LAB 91, -20.28, 81

 

CMYK 1 / 0 / 68 / 14

HEX #DADC47

RGB 218 220 71

HSL 60.81, 0.68%, 0.57%

LAB 85.27, -18.25, 69.35

 

CMYK 1 / 0 / 56 / 21

HEX #C8CA59

RGB 200 202 89

HSL 61.06, 0.52%, 0.57%

LAB 79.18, -15.59, 55.05

 

CMYK 1 / 0 / 42 / 28

HEX #B7B86B

RGB 183 184 107

HSL 60.78, 0.35%, 0.57%

LAB 73.16, -11.75, 38.91

 

CMYK 0 / 46 / 86 / 0

HEX #FF8A24

RGB 255 138 36

HSL 27.95, 1%, 0.57%

LAB 69.16, 38.3, 68.12

 

CMYK 0 / 23 / 86 / 0

HEX #FFC524

RGB 255 197 36

HSL 44.11, 1%, 0.57%

LAB 82.55, 7.73, 78.9

 

CMYK 0 / 0 / 86 / 0

HEX #FFFF24

RGB 255 255 36

HSL 60, 1%, 0.57%

LAB 97.19, -21.14, 90.67

 

CMYK 23 / 0 / 86 / 0

HEX #C5FF24

RGB 197 255 36

HSL 75.89, 1%, 0.57%

LAB 93.24, -44.09, 85.8

 

CMYK 46 / 0 / 86 / 0

HEX #8AFF24

RGB 138 255 36

HSL 92.05, 1%, 0.57%

LAB 90.34, -64.23, 82.2

 

CMYK 1 / 0 / 100 / 18

HEX #CDD000

RGB 205 208 0

HSL 60.87, 1%, 0.41%

LAB 80.79, -19.76, 80.75

 

CMYK 1 / 0 / 100 / 2

HEX #F6F900

RGB 246 249 0

HSL 60.72, 1%, 0.49%

LAB 94.88, -22.41, 92.52

 

CMYK 1 / 0 / 86 / 0

HEX #FCFF24

RGB 252 255 36

HSL 60.82, 1%, 0.57%

LAB 96.96, -22.36, 90.39

 

CMYK 1 / 0 / 70 / 0

HEX #FDFF4D

RGB 253 255 77

HSL 60.67, 1%, 0.65%

LAB 97.2, -20.61, 79.86

 

CMYK 1 / 0 / 54 / 0

HEX #FDFF76

RGB 253 255 118

HSL 60.88, 1%, 0.73%

LAB 97.52, -18.12, 64.09

 

CMYK 1 / 0 / 87 / 0

HEX #FCFF22

RGB 252 255 34

HSL 60.81, 1%, 0.57%

LAB 96.96, -22.4, 90.73

 

CMYK 86 / 0 / 69 / 0

HEX #24FF50

RGB 36 255 80

HSL 132.05, 1%, 0.57%

LAB 88.2, -80.99, 66.76

 

CMYK 35 / 86 / 0 / 0

HEX #A724FF

RGB 167 36 255

HSL 275.89, 1%, 0.57%

LAB 47.88, 81.74, -81.65

 

CMYK 1 / 0 / 87 / 0

HEX #FCFF22

RGB 252 255 34

HSL 60.81, 1%, 0.57%

LAB 96.96, -22.4, 90.73

 

CMYK 86 / 0 / 0 / 0

HEX #24FFFF

RGB 36 255 255

HSL 180, 1%, 0.57%

LAB 91.29, -46.96, -13.87

 

CMYK 0 / 86 / 0 / 0

HEX #FF24FF

RGB 255 36 255

HSL 300, 1%, 0.57%

LAB 61.43, 94.98, -59.07

 

CMYK 1 / 0 / 87 / 0

HEX #FCFF22

RGB 252 255 34

HSL 60.81, 1%, 0.57%

LAB 96.96, -22.4, 90.73

 

CMYK 86 / 0 / 69 / 0

HEX #24FF50

RGB 36 255 80

HSL 132.05, 1%, 0.57%

LAB 88.2, -80.99, 66.76

 

CMYK 86 / 86 / 0 / 0

HEX #2424FF

RGB 36 36 255

HSL 240, 1%, 0.57%

LAB 35.71, 71.56, -102.16

 

CMYK 0 / 86 / 17 / 0

HEX #FF24D3

RGB 255 36 211

HSL 312.05, 1%, 0.57%

LAB 59.18, 89.1, -37.96

 

CMYK 1 / 0 / 87 / 0

HEX #FCFF22

RGB 252 255 34

HSL 60.81, 1%, 0.57%

LAB 96.96, -22.4, 90.73

 

CMYK 86 / 0 / 43 / 0

HEX #24FF91

RGB 36 255 145

HSL 149.86, 1%, 0.57%

LAB 88.89, -72.51, 38.98

 

CMYK 86 / 86 / 0 / 0

HEX #2424FF

RGB 36 36 255

HSL 240, 1%, 0.57%

LAB 35.71, 71.56, -102.16

 

CMYK 0 / 86 / 43 / 0

HEX #FF2491

RGB 255 36 145

HSL 330.14, 1%, 0.57%

LAB 56.65, 82.19, -3.5

 

Description

Color code: RGB 252 255 34 | qconv.com Color code: RGB 252 255 34 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 255 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 255 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 87 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 87% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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