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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 245 151 it is the complementary color RGB 3 10 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 245 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 245 151 shade: RGB 255 245 146, RGB 255 255 165, RGB 255 255 184, RGB 255 255 203 and RGB 255 255 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 245 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 235 227 132, RGB 218 209 113, RGB 201 191 94 and RGB 184 173 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 252 218 151, RGB 252 191 151, RGB 252 163 151 and RGB 252 151 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 232 252 151, RGB 204 252 151, RGB 177 252 151 and RGB 151 252 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 245 151 shade matches the following richer shades: RGB 252 245 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 243 237 160, RGB 234 230 168, RGB 226 222 177 and RGB 217 215 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 245 151 shade: RGB 252 190 151, RGB 252 217 151, RGB 252 243 151, RGB 233 252 151 and RGB 206 252 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 245 151 shade: RGB 249 237 71, RGB 251 241 111, RGB 252 245 151, RGB 253 249 191 and RGB 254 253 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 151 252 163 and RGB 203 151 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 151 252 243 and RGB 243 151 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 151 252 163, RGB 151 160 252 and RGB 252 151 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 245 151 shade: RGB 252 245 151, RGB 151 252 193, RGB 151 160 252 and RGB 252 151 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

Complementary color

CMYK 97 / 90 / 0 / 59

HEX #030A68

RGB 3 10 104

HSL 235.84, 0.94%, 0.21%

LAB 10.82, 35.91, -52.73

 

CMYK 0 / 4 / 43 / 0

HEX #FFF592

RGB 255 245 146

HSL 54.5, 1%, 0.79%

LAB 95.43, -10.03, 48.72

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 0 / 3 / 44 / 8

HEX #EBE384

RGB 235 227 132

HSL 55.34, 0.72%, 0.72%

LAB 89.05, -10.27, 47.19

 

CMYK 0 / 4 / 48 / 15

HEX #DAD171

RGB 218 209 113

HSL 54.86, 0.59%, 0.65%

LAB 82.75, -9.78, 48.37

 

CMYK 0 / 5 / 53 / 21

HEX #C9BF5E

RGB 201 191 94

HSL 54.39, 0.5%, 0.58%

LAB 76.37, -9.19, 49.54

 

CMYK 0 / 6 / 59 / 28

HEX #B8AD4B

RGB 184 173 75

HSL 53.94, 0.43%, 0.51%

LAB 69.88, -8.49, 50.63

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 0 / 13 / 40 / 1

HEX #FCDA97

RGB 252 218 151

HSL 39.8, 0.94%, 0.79%

LAB 88.48, 2.9, 37.32

 

CMYK 0 / 24 / 40 / 1

HEX #FCBF97

RGB 252 191 151

HSL 23.76, 0.94%, 0.79%

LAB 81.94, 16.9, 28.67

 

CMYK 0 / 35 / 40 / 1

HEX #FCA397

RGB 252 163 151

HSL 7.13, 0.94%, 0.79%

LAB 75.53, 31.59, 19.95

 

CMYK 0 / 40 / 40 / 1

HEX #FC9797

RGB 252 151 151

HSL 0, 0.94%, 0.79%

LAB 72.93, 37.81, 16.35

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 8 / 0 / 40 / 1

HEX #E8FC97

RGB 232 252 151

HSL 71.88, 0.94%, 0.79%

LAB 95.59, -21.67, 46.14

 

CMYK 19 / 0 / 40 / 1

HEX #CCFC97

RGB 204 252 151

HSL 88.51, 0.94%, 0.79%

LAB 93.75, -31.87, 43.42

 

CMYK 30 / 0 / 40 / 1

HEX #B1FC97

RGB 177 252 151

HSL 104.55, 0.94%, 0.79%

LAB 92.22, -41.09, 41.15

 

CMYK 40 / 0 / 40 / 1

HEX #97FC98

RGB 151 252 152

HSL 120.59, 0.94%, 0.79%

LAB 90.99, -49.01, 38.83

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 0 / 2 / 34 / 5

HEX #F3EDA0

RGB 243 237 160

HSL 55.66, 0.78%, 0.79%

LAB 92.65, -9.17, 38.08

 

CMYK 0 / 2 / 28 / 8

HEX #EAE6A8

RGB 234 230 168

HSL 56.36, 0.61%, 0.79%

LAB 90.28, -8.1, 30.78

 

CMYK 0 / 2 / 22 / 11

HEX #E2DEB1

RGB 226 222 177

HSL 55.1, 0.46%, 0.79%

LAB 87.77, -5.81, 22.62

 

CMYK 0 / 1 / 14 / 15

HEX #D9D7BA

RGB 217 215 186

HSL 56.13, 0.29%, 0.79%

LAB 85.45, -4.18, 14.57

 

CMYK 0 / 25 / 40 / 1

HEX #FCBE97

RGB 252 190 151

HSL 23.17, 0.94%, 0.79%

LAB 81.71, 17.43, 28.35

 

CMYK 0 / 14 / 40 / 1

HEX #FCD997

RGB 252 217 151

HSL 39.21, 0.94%, 0.79%

LAB 88.24, 3.41, 37

 

CMYK 0 / 4 / 40 / 1

HEX #FCF397

RGB 252 243 151

HSL 54.65, 0.94%, 0.79%

LAB 94.75, -9.7, 45.39

 

CMYK 8 / 0 / 40 / 1

HEX #E9FC97

RGB 233 252 151

HSL 71.29, 0.94%, 0.79%

LAB 95.66, -21.3, 46.24

 

CMYK 18 / 0 / 40 / 1

HEX #CEFC97

RGB 206 252 151

HSL 87.33, 0.94%, 0.79%

LAB 93.87, -31.16, 43.61

 

CMYK 0 / 5 / 71 / 2

HEX #F9ED47

RGB 249 237 71

HSL 55.96, 0.94%, 0.63%

LAB 92.2, -13.82, 76.97

 

CMYK 0 / 4 / 56 / 2

HEX #FBF16F

RGB 251 241 111

HSL 55.71, 0.95%, 0.71%

LAB 93.7, -12.63, 62.78

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 0 / 2 / 25 / 1

HEX #FDF9BF

RGB 253 249 191

HSL 56.13, 0.94%, 0.87%

LAB 96.98, -7.57, 28.4

 

CMYK 0 / 0 / 9 / 0

HEX #FEFDE7

RGB 254 253 231

HSL 57.39, 0.92%, 0.95%

LAB 98.86, -3.35, 10.64

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 40 / 0 / 35 / 1

HEX #97FCA3

RGB 151 252 163

HSL 127.13, 0.94%, 0.79%

LAB 91.16, -47.33, 33.6

 

CMYK 19 / 40 / 0 / 1

HEX #CB97FC

RGB 203 151 252

HSL 270.89, 0.94%, 0.79%

LAB 70.77, 38.21, -43.08

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 40 / 0 / 4 / 1

HEX #97FCF3

RGB 151 252 243

HSL 174.65, 0.94%, 0.79%

LAB 92.87, -31.59, -4.99

 

CMYK 4 / 40 / 0 / 1

HEX #F397FC

RGB 243 151 252

HSL 294.65, 0.94%, 0.79%

LAB 74.96, 49.79, -36.24

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 40 / 0 / 35 / 1

HEX #97FCA3

RGB 151 252 163

HSL 127.13, 0.94%, 0.79%

LAB 91.16, -47.33, 33.6

 

CMYK 40 / 37 / 0 / 1

HEX #97A0FC

RGB 151 160 252

HSL 234.65, 0.94%, 0.79%

LAB 68.57, 19.03, -46.84

 

CMYK 0 / 40 / 5 / 1

HEX #FC97F0

RGB 252 151 240

HSL 307.13, 0.94%, 0.79%

LAB 75.53, 50.35, -28.77

 

CMYK 0 / 3 / 40 / 1

HEX #FCF597

RGB 252 245 151

HSL 55.84, 0.94%, 0.79%

LAB 95.26, -10.68, 46.03

 

CMYK 40 / 0 / 23 / 1

HEX #97FCC1

RGB 151 252 193

HSL 144.95, 0.94%, 0.79%

LAB 91.71, -42.12, 19.14

 

CMYK 40 / 37 / 0 / 1

HEX #97A0FC

RGB 151 160 252

HSL 234.65, 0.94%, 0.79%

LAB 68.57, 19.03, -46.84

 

CMYK 0 / 40 / 17 / 1

HEX #FC97D2

RGB 252 151 210

HSL 324.95, 0.94%, 0.79%

LAB 74.5, 45.52, -13.93

 

Description

Color code: RGB 252 245 151 | qconv.com Color code: RGB 252 245 151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 245 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 245 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 40 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 40% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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