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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 240 24 it is the complementary color RGB 3 15 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 240 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 240 24 shade: RGB 255 240 19, RGB 255 255 38, RGB 255 255 57, RGB 255 255 76 and RGB 255 255 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 240 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 240 24 shade: RGB 252 240 24, RGB 235 222 5, RGB 218 204 0, RGB 201 186 0 and RGB 184 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 240 24 shade: RGB 251 239 24, RGB 251 178 24, RGB 251 117 24, RGB 251 55 24 and RGB 251 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 240 24 shade: RGB 251 239 24, RGB 202 251 24, RGB 141 251 24, RGB 79 251 24 and RGB 24 251 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 240 24 shade matches the following richer shades: RGB 251 239 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 240 24 shade: RGB 251 239 24, RGB 233 223 43, RGB 214 206 62, RGB 195 189 81 and RGB 176 172 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 240 24 shade: RGB 251 115 24, RGB 251 176 24, RGB 251 236 24, RGB 206 251 24 and RGB 145 251 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 240 24 shade: RGB 190 180 3, RGB 231 219 4, RGB 251 239 24, RGB 252 242 65 and RGB 253 245 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 240 24 shade: RGB 252 240 24, RGB 24 251 54 and RGB 145 24 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 240 24 shade: RGB 252 240 24, RGB 24 251 236 and RGB 236 24 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 240 24 shade: RGB 252 240 24, RGB 24 251 54, RGB 24 39 251 and RGB 251 24 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 240 24 shade: RGB 252 240 24, RGB 24 251 123, RGB 24 39 251 and RGB 251 24 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 90 / 1

HEX #FCF018

RGB 252 240 24

HSL 56.84, 0.97%, 0.54%

LAB 93.05, -15.37, 89.2

 

Complementary color

CMYK 99 / 94 / 0 / 9

HEX #030FE7

RGB 3 15 231

HSL 236.84, 0.97%, 0.46%

LAB 29.74, 70.82, -98.56

 

CMYK 0 / 6 / 93 / 0

HEX #FFF013

RGB 255 240 19

HSL 56.19, 1%, 0.54%

LAB 93.29, -14.19, 90.11

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF26

RGB 255 255 38

HSL 60, 1%, 0.57%

LAB 97.2, -21.1, 90.31

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 5 / 90 / 1

HEX #FCF018

RGB 252 240 24

HSL 56.84, 0.97%, 0.54%

LAB 93.05, -15.37, 89.2

 

CMYK 0 / 6 / 98 / 8

HEX #EBDE05

RGB 235 222 5

HSL 56.61, 0.96%, 0.47%

LAB 86.96, -13.88, 85.93

 

CMYK 0 / 6 / 100 / 15

HEX #DACC00

RGB 218 204 0

HSL 56.15, 1%, 0.43%

LAB 80.79, -12.21, 81.23

 

CMYK 0 / 7 / 100 / 21

HEX #C9BA00

RGB 201 186 0

HSL 55.52, 1%, 0.39%

LAB 74.53, -10.45, 76.04

 

CMYK 0 / 9 / 100 / 28

HEX #B8A800

RGB 184 168 0

HSL 54.78, 1%, 0.36%

LAB 68.16, -8.64, 70.77

 

CMYK 0 / 5 / 90 / 2

HEX #FBEF18

RGB 251 239 24

HSL 56.83, 0.97%, 0.54%

LAB 92.71, -15.3, 88.9

 

CMYK 0 / 29 / 90 / 2

HEX #FBB218

RGB 251 178 24

HSL 40.7, 0.97%, 0.54%

LAB 77.53, 15.7, 77.36

 

CMYK 0 / 53 / 90 / 2

HEX #FB7518

RGB 251 117 24

HSL 24.58, 0.97%, 0.54%

LAB 64.4, 46.89, 67.72

 

CMYK 0 / 78 / 90 / 2

HEX #FB3718

RGB 251 55 24

HSL 8.19, 0.97%, 0.54%

LAB 55.39, 71.05, 61.46

 

CMYK 0 / 90 / 90 / 2

HEX #FB1818

RGB 251 24 24

HSL 0, 0.97%, 0.54%

LAB 53.2, 77.28, 60

 

CMYK 0 / 5 / 90 / 2

HEX #FBEF18

RGB 251 239 24

HSL 56.83, 0.97%, 0.54%

LAB 92.71, -15.3, 88.9

 

CMYK 20 / 0 / 90 / 2

HEX #CAFB18

RGB 202 251 24

HSL 72.95, 0.97%, 0.54%

LAB 92.41, -40.7, 87.16

 

CMYK 44 / 0 / 90 / 2

HEX #8DFB18

RGB 141 251 24

HSL 89.07, 0.97%, 0.54%

LAB 89.26, -62.16, 83.31

 

CMYK 69 / 0 / 90 / 2

HEX #4FFB18

RGB 79 251 24

HSL 105.46, 0.97%, 0.54%

LAB 87.35, -77.5, 80.94

 

CMYK 90 / 0 / 88 / 2

HEX #18FB1E

RGB 24 251 30

HSL 121.59, 0.97%, 0.54%

LAB 86.64, -83.68, 79.12

 

CMYK 0 / 5 / 90 / 2

HEX #FBEF18

RGB 251 239 24

HSL 56.83, 0.97%, 0.54%

LAB 92.71, -15.3, 88.9

 

CMYK 0 / 5 / 90 / 2

HEX #FBEF18

RGB 251 239 24

HSL 56.83, 0.97%, 0.54%

LAB 92.71, -15.3, 88.9

 

CMYK 0 / 4 / 82 / 9

HEX #E9DF2B

RGB 233 223 43

HSL 56.84, 0.81%, 0.54%

LAB 87.13, -14.59, 80.18

 

CMYK 0 / 4 / 71 / 16

HEX #D6CE3E

RGB 214 206 62

HSL 56.84, 0.65%, 0.54%

LAB 81.17, -13.43, 68.47

 

CMYK 0 / 3 / 58 / 24

HEX #C3BD51

RGB 195 189 81

HSL 56.84, 0.49%, 0.54%

LAB 75.2, -11.68, 54.08

 

CMYK 0 / 2 / 43 / 31

HEX #B0AC64

RGB 176 172 100

HSL 56.84, 0.32%, 0.54%

LAB 69.22, -9.11, 37.44

 

CMYK 0 / 54 / 90 / 2

HEX #FB7318

RGB 251 115 24

HSL 24.05, 0.97%, 0.54%

LAB 64.03, 47.84, 67.46

 

CMYK 0 / 30 / 90 / 2

HEX #FBB018

RGB 251 176 24

HSL 40.18, 0.97%, 0.54%

LAB 77.06, 16.74, 77.01

 

CMYK 0 / 6 / 90 / 2

HEX #FBEC18

RGB 251 236 24

HSL 56.04, 0.97%, 0.54%

LAB 91.94, -13.84, 88.31

 

CMYK 18 / 0 / 90 / 2

HEX #CEFB18

RGB 206 251 24

HSL 71.89, 0.97%, 0.54%

LAB 92.66, -39.15, 87.46

 

CMYK 42 / 0 / 90 / 2

HEX #91FB18

RGB 145 251 24

HSL 88.02, 0.97%, 0.54%

LAB 89.43, -60.92, 83.51

 

CMYK 0 / 5 / 98 / 25

HEX #BEB403

RGB 190 180 3

HSL 56.79, 0.97%, 0.38%

LAB 71.96, -12.17, 73.4

 

CMYK 0 / 5 / 98 / 9

HEX #E7DB04

RGB 231 219 4

HSL 56.83, 0.97%, 0.46%

LAB 85.84, -14.1, 85.04

 

CMYK 0 / 5 / 90 / 2

HEX #FBEF18

RGB 251 239 24

HSL 56.83, 0.97%, 0.54%

LAB 92.71, -15.3, 88.9

 

CMYK 0 / 4 / 74 / 1

HEX #FCF241

RGB 252 242 65

HSL 56.79, 0.97%, 0.62%

LAB 93.7, -15.27, 80.43

 

CMYK 0 / 3 / 58 / 1

HEX #FDF569

RGB 253 245 105

HSL 56.76, 0.97%, 0.7%

LAB 94.83, -14.21, 66.67

 

CMYK 0 / 5 / 90 / 1

HEX #FCF018

RGB 252 240 24

HSL 56.84, 0.97%, 0.54%

LAB 93.05, -15.37, 89.2

 

CMYK 90 / 0 / 78 / 2

HEX #18FB36

RGB 24 251 54

HSL 127.93, 0.97%, 0.54%

LAB 86.73, -82.58, 73.77

 

CMYK 42 / 90 / 0 / 2

HEX #9118FB

RGB 145 24 251

HSL 271.98, 0.97%, 0.54%

LAB 43.71, 80.84, -86.37

 

CMYK 0 / 5 / 90 / 1

HEX #FCF018

RGB 252 240 24

HSL 56.84, 0.97%, 0.54%

LAB 93.05, -15.37, 89.2

 

CMYK 90 / 0 / 6 / 2

HEX #18FBEC

RGB 24 251 236

HSL 176.04, 0.97%, 0.54%

LAB 89.51, -51.11, -6.65

 

CMYK 6 / 90 / 0 / 2

HEX #EC18FB

RGB 236 24 251

HSL 296.04, 0.97%, 0.54%

LAB 57.51, 92.94, -63.3

 

CMYK 0 / 5 / 90 / 1

HEX #FCF018

RGB 252 240 24

HSL 56.84, 0.97%, 0.54%

LAB 93.05, -15.37, 89.2

 

CMYK 90 / 0 / 78 / 2

HEX #18FB36

RGB 24 251 54

HSL 127.93, 0.97%, 0.54%

LAB 86.73, -82.58, 73.77

 

CMYK 90 / 84 / 0 / 2

HEX #1827FB

RGB 24 39 251

HSL 236.04, 0.97%, 0.54%

LAB 35.22, 69.06, -100.73

 

CMYK 0 / 90 / 12 / 2

HEX #FB18DD

RGB 251 24 221

HSL 307.93, 0.97%, 0.54%

LAB 58.4, 91.28, -44.91

 

CMYK 0 / 5 / 90 / 1

HEX #FCF018

RGB 252 240 24

HSL 56.84, 0.97%, 0.54%

LAB 93.05, -15.37, 89.2

 

CMYK 90 / 0 / 51 / 2

HEX #18FB7B

RGB 24 251 123

HSL 146.17, 0.97%, 0.54%

LAB 87.3, -75.47, 47.47

 

CMYK 90 / 84 / 0 / 2

HEX #1827FB

RGB 24 39 251

HSL 236.04, 0.97%, 0.54%

LAB 35.22, 69.06, -100.73

 

CMYK 0 / 90 / 39 / 2

HEX #FB1899

RGB 251 24 153

HSL 325.9, 0.97%, 0.54%

LAB 55.55, 83.78, -9.96

 

Description

Color code: RGB 252 240 24 | qconv.com Color code: RGB 252 240 24 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 240 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 240 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 90 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 90% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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