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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 225 68 it is the complementary color RGB 3 30 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 225 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 225 68 shade: RGB 255 225 63, RGB 255 243 82, RGB 255 255 101, RGB 255 255 120 and RGB 255 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 225 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 225 68 shade: RGB 252 225 68, RGB 235 207 49, RGB 218 189 30, RGB 201 171 11 and RGB 184 153 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 225 68 shade: RGB 252 225 69, RGB 252 175 69, RGB 252 126 69, RGB 252 77 69 and RGB 252 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 225 68 shade: RGB 252 225 69, RGB 229 252 69, RGB 180 252 69, RGB 130 252 69 and RGB 81 252 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 225 68 shade matches the following richer shades: RGB 252 225 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 225 68 shade: RGB 252 225 69, RGB 236 214 84, RGB 221 203 99, RGB 206 192 114 and RGB 191 182 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 225 68 shade: RGB 252 127 69, RGB 252 175 69, RGB 252 224 69, RGB 230 252 69 and RGB 182 252 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 225 68 shade: RGB 235 201 3, RGB 251 218 28, RGB 252 225 69, RGB 252 231 109 and RGB 253 238 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 225 68 shade: RGB 252 225 68, RGB 69 252 78 and RGB 151 69 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 225 68 shade: RGB 252 225 68, RGB 69 252 224 and RGB 224 69 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 225 68 shade: RGB 252 225 68, RGB 69 252 78, RGB 69 96 252 and RGB 252 69 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 225 68 shade: RGB 252 225 68, RGB 69 252 133, RGB 69 96 252 and RGB 252 69 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 73 / 1

HEX #FCE144

RGB 252 225 68

HSL 51.2, 0.97%, 0.63%

LAB 89.38, -6.77, 75.38

 

Complementary color

CMYK 98 / 84 / 0 / 27

HEX #031EBB

RGB 3 30 187

HSL 231.2, 0.97%, 0.37%

LAB 25.37, 53.49, -80.24

 

CMYK 0 / 12 / 75 / 0

HEX #FFE13F

RGB 255 225 63

HSL 50.63, 1%, 0.62%

LAB 89.61, -5.72, 77.37

 

CMYK 0 / 5 / 68 / 0

HEX #FFF352

RGB 255 243 82

HSL 55.84, 1%, 0.66%

LAB 94.3, -13.77, 75.29

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 11 / 73 / 1

HEX #FCE144

RGB 252 225 68

HSL 51.2, 0.97%, 0.63%

LAB 89.38, -6.77, 75.38

 

CMYK 0 / 12 / 79 / 8

HEX #EBCF31

RGB 235 207 49

HSL 50.97, 0.82%, 0.56%

LAB 83.18, -5.55, 75.22

 

CMYK 0 / 13 / 86 / 15

HEX #DABD1E

RGB 218 189 30

HSL 50.74, 0.76%, 0.49%

LAB 76.92, -4.15, 74.22

 

CMYK 0 / 15 / 95 / 21

HEX #C9AB0B

RGB 201 171 11

HSL 50.53, 0.9%, 0.42%

LAB 70.57, -2.53, 71.91

 

CMYK 0 / 17 / 100 / 28

HEX #B89900

RGB 184 153 0

HSL 49.89, 1%, 0.36%

LAB 64.14, -0.67, 67.9

 

CMYK 0 / 11 / 73 / 1

HEX #FCE145

RGB 252 225 69

HSL 51.15, 0.97%, 0.63%

LAB 89.38, -6.72, 75.04

 

CMYK 0 / 31 / 73 / 1

HEX #FCAF45

RGB 252 175 69

HSL 34.75, 0.97%, 0.63%

LAB 77.15, 19.01, 63.03

 

CMYK 0 / 50 / 73 / 1

HEX #FC7E45

RGB 252 126 69

HSL 18.69, 0.97%, 0.63%

LAB 66.56, 44.2, 52.04

 

CMYK 0 / 69 / 73 / 1

HEX #FC4D45

RGB 252 77 69

HSL 2.62, 0.97%, 0.63%

LAB 58.45, 65.53, 43.15

 

CMYK 0 / 73 / 73 / 1

HEX #FC4545

RGB 252 69 69

HSL 0, 0.97%, 0.63%

LAB 57.45, 68.29, 42.02

 

CMYK 0 / 11 / 73 / 1

HEX #FCE145

RGB 252 225 69

HSL 51.15, 0.97%, 0.63%

LAB 89.38, -6.72, 75.04

 

CMYK 9 / 0 / 73 / 1

HEX #E5FC45

RGB 229 252 69

HSL 67.54, 0.97%, 0.63%

LAB 94.61, -29.16, 79.4

 

CMYK 29 / 0 / 73 / 1

HEX #B4FC45

RGB 180 252 69

HSL 83.61, 0.97%, 0.63%

LAB 91.57, -47.77, 75.42

 

CMYK 48 / 0 / 73 / 1

HEX #82FC45

RGB 130 252 69

HSL 100, 0.97%, 0.63%

LAB 89.3, -63.91, 72.41

 

CMYK 68 / 0 / 73 / 1

HEX #51FC45

RGB 81 252 69

HSL 116.07, 0.97%, 0.63%

LAB 87.87, -75.3, 70.52

 

CMYK 0 / 11 / 73 / 1

HEX #FCE145

RGB 252 225 69

HSL 51.15, 0.97%, 0.63%

LAB 89.38, -6.72, 75.04

 

CMYK 0 / 11 / 73 / 1

HEX #FCE145

RGB 252 225 69

HSL 51.15, 0.97%, 0.63%

LAB 89.38, -6.72, 75.04

 

CMYK 0 / 9 / 64 / 7

HEX #ECD654

RGB 236 214 84

HSL 51.32, 0.8%, 0.63%

LAB 85.28, -7.08, 64.74

 

CMYK 0 / 8 / 55 / 13

HEX #DDCB63

RGB 221 203 99

HSL 51.15, 0.64%, 0.63%

LAB 81.28, -6.68, 53.34

 

CMYK 0 / 7 / 45 / 19

HEX #CEC072

RGB 206 192 114

HSL 50.87, 0.48%, 0.63%

LAB 77.3, -5.83, 40.95

 

CMYK 0 / 5 / 32 / 25

HEX #BFB682

RGB 191 182 130

HSL 51.15, 0.32%, 0.63%

LAB 73.64, -4.8, 27.67

 

CMYK 0 / 50 / 73 / 1

HEX #FC7F45

RGB 252 127 69

HSL 19.02, 0.97%, 0.63%

LAB 66.75, 43.71, 52.24

 

CMYK 0 / 31 / 73 / 1

HEX #FCAF45

RGB 252 175 69

HSL 34.75, 0.97%, 0.63%

LAB 77.15, 19.01, 63.03

 

CMYK 0 / 11 / 73 / 1

HEX #FCE045

RGB 252 224 69

HSL 50.82, 0.97%, 0.63%

LAB 89.13, -6.22, 74.8

 

CMYK 9 / 0 / 73 / 1

HEX #E6FC45

RGB 230 252 69

HSL 67.21, 0.97%, 0.63%

LAB 94.68, -28.77, 79.49

 

CMYK 28 / 0 / 73 / 1

HEX #B6FC45

RGB 182 252 69

HSL 82.95, 0.97%, 0.63%

LAB 91.68, -47.05, 75.56

 

CMYK 0 / 14 / 99 / 8

HEX #EBC903

RGB 235 201 3

HSL 51.21, 0.97%, 0.47%

LAB 81.53, -3.33, 82.18

 

CMYK 0 / 13 / 89 / 2

HEX #FBDA1C

RGB 251 218 28

HSL 51.12, 0.97%, 0.55%

LAB 87.36, -4.84, 84.15

 

CMYK 0 / 11 / 73 / 1

HEX #FCE145

RGB 252 225 69

HSL 51.15, 0.97%, 0.63%

LAB 89.38, -6.72, 75.04

 

CMYK 0 / 8 / 57 / 1

HEX #FCE76D

RGB 252 231 109

HSL 51.19, 0.96%, 0.71%

LAB 91.21, -7.43, 60.87

 

CMYK 0 / 6 / 41 / 1

HEX #FDEE96

RGB 253 238 150

HSL 51.26, 0.96%, 0.79%

LAB 93.55, -6.93, 44.37

 

CMYK 0 / 11 / 73 / 1

HEX #FCE144

RGB 252 225 68

HSL 51.2, 0.97%, 0.63%

LAB 89.38, -6.77, 75.38

 

CMYK 73 / 0 / 69 / 1

HEX #45FC4E

RGB 69 252 78

HSL 122.95, 0.97%, 0.63%

LAB 87.7, -76.57, 67.1

 

CMYK 40 / 73 / 0 / 1

HEX #9745FC

RGB 151 69 252

HSL 266.89, 0.97%, 0.63%

LAB 49.33, 67.9, -77.69

 

CMYK 0 / 11 / 73 / 1

HEX #FCE144

RGB 252 225 68

HSL 51.2, 0.97%, 0.63%

LAB 89.38, -6.77, 75.38

 

CMYK 73 / 0 / 11 / 1

HEX #45FCE0

RGB 69 252 224

HSL 170.82, 0.97%, 0.63%

LAB 89.98, -51.27, 0.35

 

CMYK 11 / 73 / 0 / 1

HEX #E045FC

RGB 224 69 252

HSL 290.82, 0.97%, 0.63%

LAB 59.1, 81.12, -61.42

 

CMYK 0 / 11 / 73 / 1

HEX #FCE144

RGB 252 225 68

HSL 51.2, 0.97%, 0.63%

LAB 89.38, -6.77, 75.38

 

CMYK 73 / 0 / 69 / 1

HEX #45FC4E

RGB 69 252 78

HSL 122.95, 0.97%, 0.63%

LAB 87.7, -76.57, 67.1

 

CMYK 73 / 62 / 0 / 1

HEX #4560FC

RGB 69 96 252

HSL 231.15, 0.97%, 0.63%

LAB 47.83, 41.82, -80.41

 

CMYK 0 / 73 / 4 / 1

HEX #FC45F3

RGB 252 69 243

HSL 302.95, 0.97%, 0.63%

LAB 62.86, 85.27, -50.17

 

CMYK 0 / 11 / 73 / 1

HEX #FCE144

RGB 252 225 68

HSL 51.2, 0.97%, 0.63%

LAB 89.38, -6.77, 75.38

 

CMYK 73 / 0 / 47 / 1

HEX #45FC85

RGB 69 252 133

HSL 140.98, 0.97%, 0.63%

LAB 88.25, -70.02, 44.03

 

CMYK 73 / 62 / 0 / 1

HEX #4560FC

RGB 69 96 252

HSL 231.15, 0.97%, 0.63%

LAB 47.83, 41.82, -80.41

 

CMYK 0 / 73 / 25 / 1

HEX #FC45BC

RGB 252 69 188

HSL 320.98, 0.97%, 0.63%

LAB 60.41, 77.87, -22.95

 

Description

Color code: RGB 252 225 68 | qconv.com Color code: RGB 252 225 68 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 225 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 225 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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