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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 172 223 it is the complementary color RGB 3 83 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 172 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 172 223 shade: RGB 255 172 218, RGB 255 190 237, RGB 255 208 255, RGB 255 226 255 and RGB 255 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 172 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 172 223 shade: RGB 252 172 223, RGB 235 154 204, RGB 218 136 185, RGB 201 118 166 and RGB 184 100 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 172 223 shade: RGB 252 171 223, RGB 252 171 201, RGB 252 171 179 and RGB 252 171 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 172 223 shade: RGB 252 171 223, RGB 252 171 244, RGB 238 171 252, RGB 216 171 252 and RGB 194 171 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 172 223 shade matches the following richer shades: RGB 252 171 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 172 223 shade: RGB 252 171 223, RGB 245 178 221, RGB 238 185 219, RGB 231 192 217 and RGB 224 199 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 172 223 shade: RGB 237 171 252, RGB 252 171 245, RGB 252 171 224, RGB 252 171 202 and RGB 252 171 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 172 223 shade: RGB 249 92 192, RGB 251 132 207, RGB 252 171 223, RGB 253 211 238 and RGB 255 251 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 172 223 shade: RGB 252 172 223, RGB 252 216 171 and RGB 171 252 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 172 223 shade: RGB 252 172 223, RGB 224 252 171 and RGB 171 224 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 172 223 shade: RGB 252 172 223, RGB 252 216 171, RGB 171 252 200 and RGB 171 208 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 172 223 shade: RGB 252 172 223, RGB 252 240 171, RGB 171 252 200 and RGB 171 183 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 12 / 1

HEX #FCACDF

RGB 252 172 223

HSL 321.75, 0.93%, 0.83%

LAB 79.34, 36.7, -13.75

 

Complementary color

CMYK 96 / 0 / 61 / 67

HEX #035320

RGB 3 83 32

HSL 141.75, 0.93%, 0.17%

LAB 30.18, -34.45, 23.5

 

CMYK 0 / 33 / 15 / 0

HEX #FFACDA

RGB 255 172 218

HSL 326.75, 1%, 0.84%

LAB 79.52, 36.9, -10.75

 

CMYK 0 / 25 / 7 / 0

HEX #FFBEED

RGB 255 190 237

HSL 316.62, 1%, 0.87%

LAB 84.07, 30.58, -14.16

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 32 / 12 / 1

HEX #FCACDF

RGB 252 172 223

HSL 321.75, 0.93%, 0.83%

LAB 79.34, 36.7, -13.75

 

CMYK 0 / 34 / 13 / 8

HEX #EB9ACC

RGB 235 154 204

HSL 322.96, 0.67%, 0.76%

LAB 72.98, 37.41, -13.11

 

CMYK 0 / 38 / 15 / 15

HEX #DA88B9

RGB 218 136 185

HSL 324.15, 0.53%, 0.69%

LAB 66.53, 38.16, -12.41

 

CMYK 0 / 41 / 17 / 21

HEX #C976A6

RGB 201 118 166

HSL 325.3, 0.43%, 0.63%

LAB 60, 38.95, -11.64

 

CMYK 0 / 46 / 20 / 28

HEX #B86493

RGB 184 100 147

HSL 326.43, 0.37%, 0.56%

LAB 53.4, 39.75, -10.75

 

CMYK 0 / 32 / 12 / 1

HEX #FCABDF

RGB 252 171 223

HSL 321.48, 0.93%, 0.83%

LAB 79.13, 37.22, -14.07

 

CMYK 0 / 32 / 20 / 1

HEX #FCABC9

RGB 252 171 201

HSL 337.78, 0.93%, 0.83%

LAB 78.48, 33.82, -3.09

 

CMYK 0 / 32 / 29 / 1

HEX #FCABB3

RGB 252 171 179

HSL 354.07, 0.93%, 0.83%

LAB 77.92, 30.76, 8.06

 

CMYK 0 / 32 / 32 / 1

HEX #FCABAB

RGB 252 171 171

HSL 0, 0.93%, 0.83%

LAB 77.73, 29.74, 12.15

 

CMYK 0 / 32 / 12 / 1

HEX #FCABDF

RGB 252 171 223

HSL 321.48, 0.93%, 0.83%

LAB 79.13, 37.22, -14.07

 

CMYK 0 / 32 / 3 / 1

HEX #FCABF4

RGB 252 171 244

HSL 305.93, 0.93%, 0.83%

LAB 79.81, 40.76, -24.37

 

CMYK 6 / 32 / 0 / 1

HEX #EEABFC

RGB 238 171 252

HSL 289.63, 0.93%, 0.83%

LAB 78.65, 37.86, -30.58

 

CMYK 14 / 32 / 0 / 1

HEX #D8ABFC

RGB 216 171 252

HSL 273.33, 0.93%, 0.83%

LAB 76.53, 31.16, -34.03

 

CMYK 23 / 32 / 0 / 1

HEX #C2ABFC

RGB 194 171 252

HSL 257.04, 0.93%, 0.83%

LAB 74.59, 24.63, -37.19

 

CMYK 0 / 32 / 12 / 1

HEX #FCABDF

RGB 252 171 223

HSL 321.48, 0.93%, 0.83%

LAB 79.13, 37.22, -14.07

 

CMYK 0 / 32 / 12 / 1

HEX #FCABDF

RGB 252 171 223

HSL 321.48, 0.93%, 0.83%

LAB 79.13, 37.22, -14.07

 

CMYK 0 / 27 / 10 / 4

HEX #F5B2DD

RGB 245 178 221

HSL 321.49, 0.77%, 0.83%

LAB 79.88, 30.88, -11.94

 

CMYK 0 / 22 / 8 / 7

HEX #EEB9DB

RGB 238 185 219

HSL 321.51, 0.61%, 0.83%

LAB 80.73, 24.45, -9.66

 

CMYK 0 / 17 / 6 / 9

HEX #E7C0D9

RGB 231 192 217

HSL 321.54, 0.45%, 0.83%

LAB 81.67, 17.99, -7.26

 

CMYK 0 / 11 / 4 / 12

HEX #E0C7D7

RGB 224 199 215

HSL 321.6, 0.29%, 0.83%

LAB 82.7, 11.51, -4.74

 

CMYK 6 / 32 / 0 / 1

HEX #EDABFC

RGB 237 171 252

HSL 288.89, 0.93%, 0.83%

LAB 78.55, 37.56, -30.74

 

CMYK 0 / 32 / 3 / 1

HEX #FCABF5

RGB 252 171 245

HSL 305.19, 0.93%, 0.83%

LAB 79.85, 40.93, -24.86

 

CMYK 0 / 32 / 11 / 1

HEX #FCABE0

RGB 252 171 224

HSL 320.74, 0.93%, 0.83%

LAB 79.16, 37.38, -14.57

 

CMYK 0 / 32 / 20 / 1

HEX #FCABCA

RGB 252 171 202

HSL 337.04, 0.93%, 0.83%

LAB 78.51, 33.97, -3.59

 

CMYK 0 / 32 / 28 / 1

HEX #FCABB5

RGB 252 171 181

HSL 352.59, 0.93%, 0.83%

LAB 77.97, 31.03, 7.04

 

CMYK 0 / 63 / 23 / 2

HEX #F95CC0

RGB 249 92 192

HSL 321.78, 0.93%, 0.67%

LAB 63.01, 69.44, -21.3

 

CMYK 0 / 47 / 18 / 2

HEX #FB84CF

RGB 251 132 207

HSL 322.18, 0.94%, 0.75%

LAB 70.54, 54.24, -18.26

 

CMYK 0 / 32 / 12 / 1

HEX #FCABDF

RGB 252 171 223

HSL 321.48, 0.93%, 0.83%

LAB 79.13, 37.22, -14.07

 

CMYK 0 / 17 / 6 / 1

HEX #FDD3EE

RGB 253 211 238

HSL 321.43, 0.91%, 0.91%

LAB 88.75, 19.05, -7.73

 

CMYK 0 / 2 / 1 / 0

HEX #FFFBFD

RGB 255 251 253

HSL 330, 1%, 0.99%

LAB 98.96, 1.68, -0.5

 

CMYK 0 / 32 / 12 / 1

HEX #FCACDF

RGB 252 172 223

HSL 321.75, 0.93%, 0.83%

LAB 79.34, 36.7, -13.75

 

CMYK 0 / 14 / 32 / 1

HEX #FCD8AB

RGB 252 216 171

HSL 33.33, 0.93%, 0.83%

LAB 88.33, 6.22, 26.85

 

CMYK 32 / 0 / 2 / 1

HEX #ABFCF8

RGB 171 252 248

HSL 177.04, 0.93%, 0.83%

LAB 93.91, -25.35, -5.95

 

CMYK 0 / 32 / 12 / 1

HEX #FCACDF

RGB 252 172 223

HSL 321.75, 0.93%, 0.83%

LAB 79.34, 36.7, -13.75

 

CMYK 11 / 0 / 32 / 1

HEX #E0FCAB

RGB 224 252 171

HSL 80.74, 0.93%, 0.83%

LAB 95.33, -22.19, 35.87

 

CMYK 32 / 11 / 0 / 1

HEX #ABE0FC

RGB 171 224 252

HSL 200.74, 0.93%, 0.83%

LAB 86.5, -10.49, -19.09

 

CMYK 0 / 32 / 12 / 1

HEX #FCACDF

RGB 252 172 223

HSL 321.75, 0.93%, 0.83%

LAB 79.34, 36.7, -13.75

 

CMYK 0 / 14 / 32 / 1

HEX #FCD8AB

RGB 252 216 171

HSL 33.33, 0.93%, 0.83%

LAB 88.33, 6.22, 26.85

 

CMYK 32 / 0 / 21 / 1

HEX #ABFCC8

RGB 171 252 200

HSL 141.48, 0.93%, 0.83%

LAB 92.77, -35.15, 17.18

 

CMYK 32 / 17 / 0 / 1

HEX #ABD0FC

RGB 171 208 252

HSL 212.59, 0.93%, 0.83%

LAB 82.27, -2.13, -25.51

 

CMYK 0 / 32 / 12 / 1

HEX #FCACDF

RGB 252 172 223

HSL 321.75, 0.93%, 0.83%

LAB 79.34, 36.7, -13.75

 

CMYK 0 / 5 / 32 / 1

HEX #FCF0AB

RGB 252 240 171

HSL 51.11, 0.93%, 0.83%

LAB 94.29, -5.98, 34.87

 

CMYK 32 / 0 / 21 / 1

HEX #ABFCC8

RGB 171 252 200

HSL 141.48, 0.93%, 0.83%

LAB 92.77, -35.15, 17.18

 

CMYK 32 / 27 / 0 / 1

HEX #ABB7FC

RGB 171 183 252

HSL 231.11, 0.93%, 0.83%

LAB 75.79, 11.43, -35.46

 

Description

Color code: RGB 252 172 223 | qconv.com Color code: RGB 252 172 223 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 172 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 172 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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