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Color name
RGB 252 172 11

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 172 11 it is the complementary color RGB 3 83 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 172 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 172 11 shade: RGB 255 172 6, RGB 255 190 25, RGB 255 208 44, RGB 255 226 63 and RGB 255 244 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 172 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 172 11 shade: RGB 252 172 11, RGB 235 154 0, RGB 218 136 0, RGB 201 118 0 and RGB 184 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 172 11 shade: RGB 253 173 13, RGB 253 108 13, RGB 253 44 13 and RGB 253 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 172 11 shade: RGB 253 173 13, RGB 253 238 13, RGB 203 253 13, RGB 138 253 13 and RGB 73 253 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 172 11 shade matches the following richer shades: RGB 253 173 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 172 11 shade: RGB 253 173 13, RGB 233 166 32, RGB 213 160 52, RGB 193 153 72 and RGB 173 146 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 172 11 shade: RGB 253 45 13, RGB 253 109 13, RGB 253 173 13, RGB 253 237 13 and RGB 205 253 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 172 11 shade: RGB 181 121 2, RGB 222 149 2, RGB 253 173 13, RGB 253 187 53 and RGB 253 201 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 172 11 shade: RGB 252 172 11, RGB 45 253 13 and RGB 77 13 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 172 11 shade: RGB 252 172 11, RGB 13 253 173 and RGB 173 13 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 172 11 shade: RGB 252 172 11, RGB 45 253 13, RGB 13 93 253 and RGB 221 13 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 172 11 shade: RGB 252 172 11, RGB 13 253 53, RGB 13 93 253 and RGB 253 13 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 96 / 1

HEX #FCAC0B

RGB 252 172 11

HSL 40.08, 0.98%, 0.52%

LAB 76.21, 19.11, 78.42

 

Complementary color

CMYK 99 / 66 / 0 / 4

HEX #0353F4

RGB 3 83 244

HSL 220.08, 0.98%, 0.48%

LAB 42.37, 43.12, -84.97

 

CMYK 0 / 33 / 98 / 0

HEX #FFAC06

RGB 255 172 6

HSL 40, 1%, 0.51%

LAB 76.54, 20.33, 79.36

 

CMYK 0 / 25 / 90 / 0

HEX #FFBE19

RGB 255 190 25

HSL 43.04, 1%, 0.55%

LAB 80.83, 11.16, 79.85

 

CMYK 0 / 18 / 83 / 0

HEX #FFD02C

RGB 255 208 44

HSL 46.64, 1%, 0.59%

LAB 85.28, 2.27, 79.15

 

CMYK 0 / 11 / 75 / 0

HEX #FFE23F

RGB 255 226 63

HSL 50.94, 1%, 0.62%

LAB 89.86, -6.22, 77.6

 

CMYK 0 / 4 / 68 / 0

HEX #FFF452

RGB 255 244 82

HSL 56.18, 1%, 0.66%

LAB 94.56, -14.26, 75.55

 

CMYK 0 / 32 / 96 / 1

HEX #FCAC0B

RGB 252 172 11

HSL 40.08, 0.98%, 0.52%

LAB 76.21, 19.11, 78.42

 

CMYK 0 / 34 / 100 / 8

HEX #EB9A00

RGB 235 154 0

HSL 39.32, 1%, 0.46%

LAB 70.02, 21.28, 74.57

 

CMYK 0 / 38 / 100 / 15

HEX #DA8800

RGB 218 136 0

HSL 37.43, 1%, 0.43%

LAB 63.77, 23.61, 69.48

 

CMYK 0 / 41 / 100 / 21

HEX #C97600

RGB 201 118 0

HSL 35.22, 1%, 0.39%

LAB 57.44, 26.01, 64.35

 

CMYK 0 / 46 / 100 / 28

HEX #B86400

RGB 184 100 0

HSL 32.61, 1%, 0.36%

LAB 51.04, 28.47, 59.17

 

CMYK 0 / 32 / 95 / 1

HEX #FDAD0D

RGB 253 173 13

HSL 40, 0.98%, 0.52%

LAB 76.56, 19.02, 78.48

 

CMYK 0 / 57 / 95 / 1

HEX #FD6C0D

RGB 253 108 13

HSL 23.75, 0.98%, 0.52%

LAB 63.04, 51.71, 69.43

 

CMYK 0 / 83 / 95 / 1

HEX #FD2C0D

RGB 253 44 13

HSL 7.75, 0.98%, 0.52%

LAB 54.78, 74.2, 64.59

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 32 / 95 / 1

HEX #FDAD0D

RGB 253 173 13

HSL 40, 0.98%, 0.52%

LAB 76.56, 19.02, 78.48

 

CMYK 0 / 6 / 95 / 1

HEX #FDEE0D

RGB 253 238 13

HSL 56.25, 0.98%, 0.52%

LAB 92.6, -14.11, 90.12

 

CMYK 20 / 0 / 95 / 1

HEX #CBFD0D

RGB 203 253 13

HSL 72.5, 0.98%, 0.52%

LAB 93, -41.34, 88.84

 

CMYK 45 / 0 / 95 / 1

HEX #8AFD0D

RGB 138 253 13

HSL 88.75, 0.98%, 0.52%

LAB 89.71, -64.01, 84.85

 

CMYK 71 / 0 / 95 / 1

HEX #49FD0D

RGB 73 253 13

HSL 105, 0.98%, 0.52%

LAB 87.82, -79.34, 82.53

 

CMYK 0 / 32 / 95 / 1

HEX #FDAD0D

RGB 253 173 13

HSL 40, 0.98%, 0.52%

LAB 76.56, 19.02, 78.48

 

CMYK 0 / 32 / 95 / 1

HEX #FDAD0D

RGB 253 173 13

HSL 40, 0.98%, 0.52%

LAB 76.56, 19.02, 78.48

 

CMYK 0 / 29 / 86 / 9

HEX #E9A620

RGB 233 166 32

HSL 40, 0.82%, 0.52%

LAB 72.69, 14.49, 70.97

 

CMYK 0 / 25 / 76 / 16

HEX #D5A034

RGB 213 160 52

HSL 40.25, 0.66%, 0.52%

LAB 69.14, 9.68, 60.52

 

CMYK 0 / 21 / 63 / 24

HEX #C19948

RGB 193 153 72

HSL 40.17, 0.49%, 0.52%

LAB 65.43, 5.87, 47.28

 

CMYK 0 / 16 / 47 / 32

HEX #AD925C

RGB 173 146 92

HSL 40, 0.33%, 0.52%

LAB 61.84, 2.8, 32.29

 

CMYK 0 / 82 / 95 / 1

HEX #FD2D0D

RGB 253 45 13

HSL 8, 0.98%, 0.52%

LAB 54.85, 73.97, 64.63

 

CMYK 0 / 57 / 95 / 1

HEX #FD6D0D

RGB 253 109 13

HSL 24, 0.98%, 0.52%

LAB 63.22, 51.25, 69.54

 

CMYK 0 / 32 / 95 / 1

HEX #FDAD0D

RGB 253 173 13

HSL 40, 0.98%, 0.52%

LAB 76.56, 19.02, 78.48

 

CMYK 0 / 6 / 95 / 1

HEX #FDED0D

RGB 253 237 13

HSL 56, 0.98%, 0.52%

LAB 92.34, -13.62, 89.93

 

CMYK 19 / 0 / 95 / 1

HEX #CDFD0D

RGB 205 253 13

HSL 72, 0.98%, 0.52%

LAB 93.13, -40.57, 88.99

 

CMYK 0 / 33 / 99 / 29

HEX #B57902

RGB 181 121 2

HSL 39.89, 0.98%, 0.36%

LAB 55.59, 15.61, 61.52

 

CMYK 0 / 33 / 99 / 13

HEX #DE9502

RGB 222 149 2

HSL 40.09, 0.98%, 0.44%

LAB 67.3, 18.38, 71.76

 

CMYK 0 / 32 / 95 / 1

HEX #FDAD0D

RGB 253 173 13

HSL 40, 0.98%, 0.52%

LAB 76.56, 19.02, 78.48

 

CMYK 0 / 26 / 79 / 1

HEX #FDBB35

RGB 253 187 53

HSL 40.2, 0.98%, 0.6%

LAB 80, 12.54, 71.8

 

CMYK 0 / 21 / 63 / 1

HEX #FDC95E

RGB 253 201 94

HSL 40.38, 0.98%, 0.68%

LAB 83.69, 7.23, 59.14

 

CMYK 0 / 32 / 96 / 1

HEX #FCAC0B

RGB 252 172 11

HSL 40.08, 0.98%, 0.52%

LAB 76.21, 19.11, 78.42

 

CMYK 82 / 0 / 95 / 1

HEX #2DFD0D

RGB 45 253 13

HSL 112, 0.98%, 0.52%

LAB 87.41, -83.02, 82.02

 

CMYK 70 / 95 / 0 / 1

HEX #4D0DFD

RGB 77 13 253

HSL 256, 0.98%, 0.52%

LAB 35.9, 78.24, -100.65

 

CMYK 0 / 32 / 96 / 1

HEX #FCAC0B

RGB 252 172 11

HSL 40.08, 0.98%, 0.52%

LAB 76.21, 19.11, 78.42

 

CMYK 95 / 0 / 32 / 1

HEX #0DFDAD

RGB 13 253 173

HSL 160, 0.98%, 0.52%

LAB 88.62, -67.59, 24.61

 

CMYK 32 / 95 / 0 / 1

HEX #AD0DFD

RGB 173 13 253

HSL 280, 0.98%, 0.52%

LAB 47.32, 85.82, -81.41

 

CMYK 0 / 32 / 96 / 1

HEX #FCAC0B

RGB 252 172 11

HSL 40.08, 0.98%, 0.52%

LAB 76.21, 19.11, 78.42

 

CMYK 82 / 0 / 95 / 1

HEX #2DFD0D

RGB 45 253 13

HSL 112, 0.98%, 0.52%

LAB 87.41, -83.02, 82.02

 

CMYK 95 / 63 / 0 / 1

HEX #0D5DFD

RGB 13 93 253

HSL 220, 0.98%, 0.52%

LAB 45.64, 40.41, -84.61

 

CMYK 13 / 95 / 0 / 1

HEX #DD0DFD

RGB 221 13 253

HSL 292, 0.98%, 0.52%

LAB 54.82, 92.08, -68.88

 

CMYK 0 / 32 / 96 / 1

HEX #FCAC0B

RGB 252 172 11

HSL 40.08, 0.98%, 0.52%

LAB 76.21, 19.11, 78.42

 

CMYK 95 / 0 / 79 / 1

HEX #0DFD35

RGB 13 253 53

HSL 130, 0.98%, 0.52%

LAB 87.29, -83.66, 74.56

 

CMYK 95 / 63 / 0 / 1

HEX #0D5DFD

RGB 13 93 253

HSL 220, 0.98%, 0.52%

LAB 45.64, 40.41, -84.61

 

CMYK 0 / 95 / 16 / 1

HEX #FD0DD5

RGB 253 13 213

HSL 310, 0.98%, 0.52%

LAB 58.01, 91.65, -40.96

 

Description

Color code: RGB 252 172 11 | qconv.com Color code: RGB 252 172 11 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 172 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 172 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 96 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 96% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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