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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 126 16 it is the complementary color RGB 3 129 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 126 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 126 16 shade: RGB 255 126 11, RGB 255 144 30, RGB 255 162 49, RGB 255 180 68 and RGB 255 198 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 126 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 126 16 shade: RGB 252 126 16, RGB 235 108 0, RGB 218 90 0, RGB 201 72 0 and RGB 184 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 126 16 shade: RGB 253 127 18, RGB 253 64 18 and RGB 253 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 126 16 shade: RGB 253 127 18, RGB 253 191 18, RGB 251 253 18, RGB 188 253 18 and RGB 125 253 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 126 16 shade matches the following richer shades: RGB 253 127 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 126 16 shade: RGB 253 127 18, RGB 233 129 37, RGB 214 130 56, RGB 194 131 76 and RGB 175 132 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 126 16 shade: RGB 253 18 37, RGB 253 61 18, RGB 253 123 18, RGB 253 186 18 and RGB 253 249 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 126 16 shade: RGB 186 88 2, RGB 227 107 2, RGB 253 127 18, RGB 253 149 59 and RGB 253 171 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 126 16 shade: RGB 252 126 16, RGB 100 253 18 and RGB 29 18 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 126 16 shade: RGB 252 126 16, RGB 18 253 123 and RGB 123 18 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 126 16 shade: RGB 252 126 16, RGB 100 253 18, RGB 18 147 253 and RGB 170 18 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 126 16 shade: RGB 252 126 16, RGB 29 253 18, RGB 18 147 253 and RGB 241 18 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 94 / 1

HEX #FC7E10

RGB 252 126 16

HSL 27.97, 0.98%, 0.53%

LAB 66.26, 42.79, 70.88

 

Complementary color

CMYK 99 / 46 / 0 / 6

HEX #0381EF

RGB 3 129 239

HSL 207.97, 0.98%, 0.47%

LAB 53.98, 12.06, -63.26

 

CMYK 0 / 51 / 96 / 0

HEX #FF7E0B

RGB 255 126 11

HSL 28.28, 1%, 0.52%

LAB 66.68, 43.9, 72.21

 

CMYK 0 / 44 / 88 / 0

HEX #FF901E

RGB 255 144 30

HSL 30.4, 1%, 0.56%

LAB 70.39, 35.13, 70.82

 

CMYK 0 / 36 / 81 / 0

HEX #FFA231

RGB 255 162 49

HSL 32.91, 1%, 0.6%

LAB 74.4, 26.3, 68.23

 

CMYK 0 / 29 / 73 / 0

HEX #FFB444

RGB 255 180 68

HSL 35.94, 1%, 0.63%

LAB 78.65, 17.6, 65.05

 

CMYK 0 / 22 / 66 / 0

HEX #FFC657

RGB 255 198 87

HSL 39.64, 1%, 0.67%

LAB 83.09, 9.19, 61.65

 

CMYK 0 / 50 / 94 / 1

HEX #FC7E10

RGB 252 126 16

HSL 27.97, 0.98%, 0.53%

LAB 66.26, 42.79, 70.88

 

CMYK 0 / 54 / 100 / 8

HEX #EB6C00

RGB 235 108 0

HSL 27.57, 1%, 0.46%

LAB 60.24, 44.91, 68.52

 

CMYK 0 / 59 / 100 / 15

HEX #DA5A00

RGB 218 90 0

HSL 24.77, 1%, 0.43%

LAB 54.26, 47.05, 63.75

 

CMYK 0 / 64 / 100 / 21

HEX #C94800

RGB 201 72 0

HSL 21.49, 1%, 0.39%

LAB 48.33, 48.98, 59.03

 

CMYK 0 / 71 / 100 / 28

HEX #B83600

RGB 184 54 0

HSL 17.61, 1%, 0.36%

LAB 42.5, 50.51, 54.41

 

CMYK 0 / 50 / 93 / 1

HEX #FD7F12

RGB 253 127 18

HSL 27.83, 0.98%, 0.53%

LAB 66.6, 42.71, 70.79

 

CMYK 0 / 75 / 93 / 1

HEX #FD4012

RGB 253 64 18

HSL 11.74, 0.98%, 0.53%

LAB 56.68, 68.93, 64.35

 

CMYK 0 / 93 / 93 / 1

HEX #FD1212

RGB 253 18 18

HSL 0, 0.98%, 0.53%

LAB 53.34, 78.4, 62.38

 

CMYK 0 / 50 / 93 / 1

HEX #FD7F12

RGB 253 127 18

HSL 27.83, 0.98%, 0.53%

LAB 66.6, 42.71, 70.79

 

CMYK 0 / 25 / 93 / 1

HEX #FDBF12

RGB 253 191 18

HSL 44.17, 0.98%, 0.53%

LAB 80.84, 9.69, 80.89

 

CMYK 1 / 0 / 93 / 1

HEX #FBFD12

RGB 251 253 18

HSL 60.51, 0.98%, 0.53%

LAB 96.33, -22.1, 92.38

 

CMYK 26 / 0 / 93 / 1

HEX #BCFD12

RGB 188 253 18

HSL 76.6, 0.98%, 0.53%

LAB 92.13, -46.96, 87.3

 

CMYK 51 / 0 / 93 / 1

HEX #7DFD12

RGB 125 253 18

HSL 92.68, 0.98%, 0.53%

LAB 89.23, -67.7, 83.77

 

CMYK 0 / 50 / 93 / 1

HEX #FD7F12

RGB 253 127 18

HSL 27.83, 0.98%, 0.53%

LAB 66.6, 42.71, 70.79

 

CMYK 0 / 50 / 93 / 1

HEX #FD7F12

RGB 253 127 18

HSL 27.83, 0.98%, 0.53%

LAB 66.6, 42.71, 70.79

 

CMYK 0 / 45 / 84 / 9

HEX #E98125

RGB 233 129 37

HSL 28.16, 0.82%, 0.53%

LAB 64.29, 34.13, 62.54

 

CMYK 0 / 39 / 74 / 16

HEX #D68238

RGB 214 130 56

HSL 28.1, 0.66%, 0.53%

LAB 62.12, 26.45, 51.93

 

CMYK 0 / 32 / 61 / 24

HEX #C2834C

RGB 194 131 76

HSL 27.97, 0.49%, 0.53%

LAB 60.09, 18.66, 39.14

 

CMYK 0 / 25 / 46 / 31

HEX #AF845F

RGB 175 132 95

HSL 27.75, 0.33%, 0.53%

LAB 58.45, 11.75, 26.34

 

CMYK 0 / 93 / 85 / 1

HEX #FD1225

RGB 253 18 37

HSL 355.15, 0.98%, 0.53%

LAB 53.44, 78.67, 54.79

 

CMYK 0 / 76 / 93 / 1

HEX #FD3D12

RGB 253 61 18

HSL 10.98, 0.98%, 0.53%

LAB 56.35, 69.84, 64.16

 

CMYK 0 / 51 / 93 / 1

HEX #FD7B12

RGB 253 123 18

HSL 26.81, 0.98%, 0.53%

LAB 65.82, 44.67, 70.26

 

CMYK 0 / 26 / 93 / 1

HEX #FDBA12

RGB 253 186 18

HSL 42.89, 0.98%, 0.53%

LAB 79.64, 12.29, 80.01

 

CMYK 0 / 2 / 93 / 1

HEX #FDF912

RGB 253 249 18

HSL 58.98, 0.98%, 0.53%

LAB 95.45, -19.37, 91.78

 

CMYK 0 / 53 / 99 / 27

HEX #BA5802

RGB 186 88 2

HSL 28.04, 0.98%, 0.37%

LAB 48.79, 35.67, 57.49

 

CMYK 0 / 53 / 99 / 11

HEX #E36B02

RGB 227 107 2

HSL 28, 0.98%, 0.45%

LAB 58.84, 42.34, 66.72

 

CMYK 0 / 50 / 93 / 1

HEX #FD7F12

RGB 253 127 18

HSL 27.83, 0.98%, 0.53%

LAB 66.6, 42.71, 70.79

 

CMYK 0 / 41 / 77 / 1

HEX #FD953B

RGB 253 149 59

HSL 27.84, 0.98%, 0.61%

LAB 71.35, 32.56, 61.47

 

CMYK 0 / 32 / 61 / 1

HEX #FDAB63

RGB 253 171 99

HSL 28.05, 0.97%, 0.69%

LAB 76.62, 23.2, 48.71

 

CMYK 0 / 50 / 94 / 1

HEX #FC7E10

RGB 252 126 16

HSL 27.97, 0.98%, 0.53%

LAB 66.26, 42.79, 70.88

 

CMYK 60 / 0 / 93 / 1

HEX #64FD12

RGB 100 253 18

HSL 99.06, 0.98%, 0.53%

LAB 88.45, -73.99, 82.81

 

CMYK 89 / 93 / 0 / 1

HEX #1D12FD

RGB 29 18 253

HSL 242.81, 0.98%, 0.53%

LAB 33.53, 76.02, -104.67

 

CMYK 0 / 50 / 94 / 1

HEX #FC7E10

RGB 252 126 16

HSL 27.97, 0.98%, 0.53%

LAB 66.26, 42.79, 70.88

 

CMYK 93 / 0 / 51 / 1

HEX #12FD7B

RGB 18 253 123

HSL 146.81, 0.98%, 0.53%

LAB 87.88, -76.36, 48.17

 

CMYK 51 / 93 / 0 / 1

HEX #7B12FD

RGB 123 18 253

HSL 266.81, 0.98%, 0.53%

LAB 40.79, 80.25, -92.4

 

CMYK 0 / 50 / 94 / 1

HEX #FC7E10

RGB 252 126 16

HSL 27.97, 0.98%, 0.53%

LAB 66.26, 42.79, 70.88

 

CMYK 60 / 0 / 93 / 1

HEX #64FD12

RGB 100 253 18

HSL 99.06, 0.98%, 0.53%

LAB 88.45, -73.99, 82.81

 

CMYK 93 / 42 / 0 / 1

HEX #1293FD

RGB 18 147 253

HSL 207.06, 0.98%, 0.53%

LAB 59.97, 6.87, -61.37

 

CMYK 33 / 93 / 0 / 1

HEX #AA12FD

RGB 170 18 253

HSL 278.81, 0.98%, 0.53%

LAB 47.07, 84.91, -81.84

 

CMYK 0 / 50 / 94 / 1

HEX #FC7E10

RGB 252 126 16

HSL 27.97, 0.98%, 0.53%

LAB 66.26, 42.79, 70.88

 

CMYK 89 / 0 / 93 / 1

HEX #1DFD12

RGB 29 253 18

HSL 117.19, 0.98%, 0.53%

LAB 87.27, -84.23, 81.35

 

CMYK 93 / 42 / 0 / 1

HEX #1293FD

RGB 18 147 253

HSL 207.06, 0.98%, 0.53%

LAB 59.97, 6.87, -61.37

 

CMYK 5 / 93 / 0 / 1

HEX #F112FD

RGB 241 18 253

HSL 296.94, 0.98%, 0.53%

LAB 58.25, 94.64, -63.18

 

Description

Color code: RGB 252 126 16 | qconv.com Color code: RGB 252 126 16 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 126 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 126 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 94% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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