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Color name
RGB 252 108 15

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 108 15 it is the complementary color RGB 3 147 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 108 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 108 15 shade: RGB 255 108 10, RGB 255 126 29, RGB 255 144 48, RGB 255 162 67 and RGB 255 180 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 108 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 108 15 shade: RGB 252 108 15, RGB 235 90 0, RGB 218 72 0, RGB 201 54 0 and RGB 184 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 108 15 shade: RGB 253 107 13, RGB 253 42 13 and RGB 253 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 108 15 shade: RGB 253 107 13, RGB 253 171 13, RGB 253 236 13, RGB 204 253 13 and RGB 140 253 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 108 15 shade matches the following richer shades: RGB 253 107 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 108 15 shade: RGB 253 107 13, RGB 233 111 32, RGB 213 115 52, RGB 193 120 72 and RGB 173 124 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 108 15 shade: RGB 253 13 49, RGB 253 41 13, RGB 253 105 13, RGB 253 169 13 and RGB 253 233 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 108 15 shade: RGB 181 72 2, RGB 222 88 2, RGB 253 107 13, RGB 253 132 53 and RGB 253 157 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 108 15 shade: RGB 252 108 15, RGB 113 253 13 and RGB 13 17 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 108 15 shade: RGB 252 108 15, RGB 13 253 105 and RGB 105 13 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 108 15 shade: RGB 252 108 15, RGB 113 253 13, RGB 13 161 253 and RGB 153 13 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 108 15 shade: RGB 252 108 15, RGB 41 253 13, RGB 13 161 253 and RGB 225 13 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 94 / 1

HEX #FC6C0F

RGB 252 108 15

HSL 23.54, 0.98%, 0.52%

LAB 62.89, 51.36, 68.87

 

Complementary color

CMYK 99 / 39 / 0 / 6

HEX #0393F0

RGB 3 147 240

HSL 203.54, 0.98%, 0.48%

LAB 59.14, 1.53, -55.54

 

CMYK 0 / 58 / 96 / 0

HEX #FF6C0A

RGB 255 108 10

HSL 24, 1%, 0.52%

LAB 63.35, 52.4, 70.29

 

CMYK 0 / 51 / 89 / 0

HEX #FF7E1D

RGB 255 126 29

HSL 25.75, 1%, 0.56%

LAB 66.73, 44.13, 68.32

 

CMYK 0 / 44 / 81 / 0

HEX #FF9030

RGB 255 144 48

HSL 27.83, 1%, 0.59%

LAB 70.47, 35.56, 65.1

 

CMYK 0 / 36 / 74 / 0

HEX #FFA243

RGB 255 162 67

HSL 30.32, 1%, 0.63%

LAB 74.51, 26.96, 61.32

 

CMYK 0 / 29 / 66 / 0

HEX #FFB456

RGB 255 180 86

HSL 33.37, 1%, 0.67%

LAB 78.8, 18.5, 57.43

 

CMYK 0 / 57 / 94 / 1

HEX #FC6C0F

RGB 252 108 15

HSL 23.54, 0.98%, 0.52%

LAB 62.89, 51.36, 68.87

 

CMYK 0 / 62 / 100 / 8

HEX #EB5A00

RGB 235 90 0

HSL 22.98, 1%, 0.46%

LAB 57.05, 53.2, 66.76

 

CMYK 0 / 67 / 100 / 15

HEX #DA4800

RGB 218 72 0

HSL 19.82, 1%, 0.43%

LAB 51.31, 54.88, 62.21

 

CMYK 0 / 73 / 100 / 21

HEX #C93600

RGB 201 54 0

HSL 16.12, 1%, 0.39%

LAB 45.71, 56.09, 57.75

 

CMYK 0 / 80 / 100 / 28

HEX #B82400

RGB 184 36 0

HSL 11.74, 1%, 0.36%

LAB 40.33, 56.55, 53.43

 

CMYK 0 / 58 / 95 / 1

HEX #FD6B0D

RGB 253 107 13

HSL 23.5, 0.98%, 0.52%

LAB 62.87, 52.16, 69.32

 

CMYK 0 / 83 / 95 / 1

HEX #FD2A0D

RGB 253 42 13

HSL 7.25, 0.98%, 0.52%

LAB 54.62, 74.63, 64.51

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 58 / 95 / 1

HEX #FD6B0D

RGB 253 107 13

HSL 23.5, 0.98%, 0.52%

LAB 62.87, 52.16, 69.32

 

CMYK 0 / 32 / 95 / 1

HEX #FDAB0D

RGB 253 171 13

HSL 39.5, 0.98%, 0.52%

LAB 76.09, 20.07, 78.16

 

CMYK 0 / 7 / 95 / 1

HEX #FDEC0D

RGB 253 236 13

HSL 55.75, 0.98%, 0.52%

LAB 92.09, -13.13, 89.74

 

CMYK 19 / 0 / 95 / 1

HEX #CCFD0D

RGB 204 253 13

HSL 72.25, 0.98%, 0.52%

LAB 93.07, -40.95, 88.92

 

CMYK 45 / 0 / 95 / 1

HEX #8CFD0D

RGB 140 253 13

HSL 88.25, 0.98%, 0.52%

LAB 89.79, -63.4, 84.95

 

CMYK 0 / 58 / 95 / 1

HEX #FD6B0D

RGB 253 107 13

HSL 23.5, 0.98%, 0.52%

LAB 62.87, 52.16, 69.32

 

CMYK 0 / 58 / 95 / 1

HEX #FD6B0D

RGB 253 107 13

HSL 23.5, 0.98%, 0.52%

LAB 62.87, 52.16, 69.32

 

CMYK 0 / 52 / 86 / 9

HEX #E96F20

RGB 233 111 32

HSL 23.58, 0.82%, 0.52%

LAB 60.6, 43.1, 61.22

 

CMYK 0 / 46 / 76 / 16

HEX #D57334

RGB 213 115 52

HSL 23.48, 0.66%, 0.52%

LAB 58.65, 33.81, 50.18

 

CMYK 0 / 38 / 63 / 24

HEX #C17848

RGB 193 120 72

HSL 23.8, 0.49%, 0.52%

LAB 57.31, 23.99, 37.91

 

CMYK 0 / 28 / 47 / 32

HEX #AD7C5C

RGB 173 124 92

HSL 23.7, 0.33%, 0.52%

LAB 56.16, 15.08, 24.98

 

CMYK 0 / 95 / 81 / 1

HEX #FD0D31

RGB 253 13 49

HSL 351, 0.98%, 0.52%

LAB 53.38, 79.39, 48.65

 

CMYK 0 / 84 / 95 / 1

HEX #FD290D

RGB 253 41 13

HSL 7, 0.98%, 0.52%

LAB 54.55, 74.84, 64.47

 

CMYK 0 / 58 / 95 / 1

HEX #FD690D

RGB 253 105 13

HSL 23, 0.98%, 0.52%

LAB 62.52, 53.07, 69.1

 

CMYK 0 / 33 / 95 / 1

HEX #FDA90D

RGB 253 169 13

HSL 39, 0.98%, 0.52%

LAB 75.63, 21.11, 77.83

 

CMYK 0 / 8 / 95 / 1

HEX #FDE90D

RGB 253 233 13

HSL 55, 0.98%, 0.52%

LAB 91.32, -11.66, 89.17

 

CMYK 0 / 60 / 99 / 29

HEX #B54802

RGB 181 72 2

HSL 23.46, 0.98%, 0.36%

LAB 44.89, 41.65, 54.78

 

CMYK 0 / 60 / 99 / 13

HEX #DE5802

RGB 222 88 2

HSL 23.45, 0.98%, 0.44%

LAB 54.57, 49.46, 63.85

 

CMYK 0 / 58 / 95 / 1

HEX #FD6B0D

RGB 253 107 13

HSL 23.5, 0.98%, 0.52%

LAB 62.87, 52.16, 69.32

 

CMYK 0 / 48 / 79 / 1

HEX #FD8435

RGB 253 132 53

HSL 23.7, 0.98%, 0.6%

LAB 67.76, 40.99, 60.54

 

CMYK 0 / 38 / 63 / 1

HEX #FD9D5E

RGB 253 157 94

HSL 23.77, 0.98%, 0.68%

LAB 73.42, 30.18, 47.43

 

CMYK 0 / 57 / 94 / 1

HEX #FC6C0F

RGB 252 108 15

HSL 23.54, 0.98%, 0.52%

LAB 62.89, 51.36, 68.87

 

CMYK 55 / 0 / 95 / 1

HEX #71FD0D

RGB 113 253 13

HSL 95, 0.98%, 0.52%

LAB 88.82, -70.96, 83.76

 

CMYK 95 / 93 / 0 / 1

HEX #0D11FD

RGB 13 17 253

HSL 239, 0.98%, 0.52%

LAB 33.09, 76.05, -105.42

 

CMYK 0 / 57 / 94 / 1

HEX #FC6C0F

RGB 252 108 15

HSL 23.54, 0.98%, 0.52%

LAB 62.89, 51.36, 68.87

 

CMYK 95 / 0 / 58 / 1

HEX #0DFD69

RGB 13 253 105

HSL 143, 0.98%, 0.52%

LAB 87.66, -78.97, 56.02

 

CMYK 58 / 95 / 0 / 1

HEX #690DFD

RGB 105 13 253

HSL 263, 0.98%, 0.52%

LAB 38.52, 79.7, -96.22

 

CMYK 0 / 57 / 94 / 1

HEX #FC6C0F

RGB 252 108 15

HSL 23.54, 0.98%, 0.52%

LAB 62.89, 51.36, 68.87

 

CMYK 55 / 0 / 95 / 1

HEX #71FD0D

RGB 113 253 13

HSL 95, 0.98%, 0.52%

LAB 88.82, -70.96, 83.76

 

CMYK 95 / 36 / 0 / 1

HEX #0DA1FD

RGB 13 161 253

HSL 203, 0.98%, 0.52%

LAB 63.89, -1.52, -55.11

 

CMYK 40 / 95 / 0 / 1

HEX #990DFD

RGB 153 13 253

HSL 275, 0.98%, 0.52%

LAB 44.45, 83.65, -86.23

 

CMYK 0 / 57 / 94 / 1

HEX #FC6C0F

RGB 252 108 15

HSL 23.54, 0.98%, 0.52%

LAB 62.89, 51.36, 68.87

 

CMYK 84 / 0 / 95 / 1

HEX #29FD0D

RGB 41 253 13

HSL 113, 0.98%, 0.52%

LAB 87.36, -83.39, 81.97

 

CMYK 95 / 36 / 0 / 1

HEX #0DA1FD

RGB 13 161 253

HSL 203, 0.98%, 0.52%

LAB 63.89, -1.52, -55.11

 

CMYK 11 / 95 / 0 / 1

HEX #E10DFD

RGB 225 13 253

HSL 293, 0.98%, 0.52%

LAB 55.47, 92.66, -67.8

 

Description

Color code: RGB 252 108 15 | qconv.com Color code: RGB 252 108 15 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 108 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 108 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 94% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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