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Color name
RGB 252.1 144.8 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252.1 144.8 23 it is the complementary color RGB 2.9 110.2 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252.1 144.8 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252.1 144.8 23 shade: RGB 255 144.8 18, RGB 255 162.8 37, RGB 255 180.8 56, RGB 255 198.8 75 and RGB 255 216.8 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252.1 144.8 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252.1 144.8 23 shade: RGB 252.1 144.8 23, RGB 235.1 126.8 4, RGB 218.1 108.8 0, RGB 201.1 90.8 0 and RGB 184.1 72.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252.1 144.8 23 shade: RGB 253 145 23, RGB 253 83 23 and RGB 253 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252.1 144.8 23 shade: RGB 253 145 23, RGB 253 207 23, RGB 236 253 23, RGB 174 253 23 and RGB 112 253 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252.1 144.8 23 shade matches the following richer shades: RGB 253 145 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252.1 144.8 23 shade: RGB 253 145 23, RGB 234 144 42, RGB 215 143 61, RGB 196 141 80 and RGB 177 140 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252.1 144.8 23 shade: RGB 253 23 27, RGB 253 80 23, RGB 253 142 23, RGB 253 203 23 and RGB 241 253 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252.1 144.8 23 shade: RGB 191 102 2, RGB 232 124 2, RGB 253 145 23, RGB 253 164 64 and RGB 253 184 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252.1 144.8 23 shade: RGB 252.1 144.8 23, RGB 88 253 23 and RGB 50 23 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252.1 144.8 23 shade: RGB 252.1 144.8 23, RGB 23 253 142 and RGB 142 23 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252.1 144.8 23 shade: RGB 252.1 144.8 23, RGB 88 253 23, RGB 23 134 253 and RGB 188 23 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252.1 144.8 23 shade: RGB 252.1 144.8 23, RGB 23 253 27, RGB 23 134 253 and RGB 253 23 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 91 / 1

HEX #FC9017

RGB 252.1 144.8 23

HSL 31.9, 0.98%, 0.54%

LAB 70.15, 33.44, 72.18

 

Complementary color

CMYK 99 / 53 / 0 / 9

HEX #026EE8

RGB 2.9 110.2 232

HSL 211.9, 0.98%, 0.46%

LAB 48.31, 21.18, -68.51

 

CMYK 0 / 43 / 93 / 0

HEX #FF9012

RGB 255 144.8 18

HSL 32.1, 1%, 0.54%

LAB 70.52, 34.54, 73.62

 

CMYK 0 / 36 / 85 / 0

HEX #FFA225

RGB 255 162.8 37

HSL 34.62, 1%, 0.57%

LAB 74.52, 25.57, 72.15

 

CMYK 0 / 29 / 78 / 0

HEX #FFB438

RGB 255 180.8 56

HSL 37.63, 1%, 0.61%

LAB 78.76, 16.72, 69.72

 

CMYK 0 / 22 / 71 / 0

HEX #FFC64B

RGB 255 198.8 75

HSL 41.27, 1%, 0.65%

LAB 83.19, 8.14, 66.79

 

CMYK 0 / 15 / 63 / 0

HEX #FFD85E

RGB 255 216.8 94

HSL 45.76, 1%, 0.68%

LAB 87.77, -0.05, 63.69

 

CMYK 0 / 43 / 91 / 1

HEX #FC9017

RGB 252.1 144.8 23

HSL 31.9, 0.98%, 0.54%

LAB 70.15, 33.44, 72.18

 

CMYK 0 / 46 / 98 / 8

HEX #EB7E04

RGB 235.1 126.8 4

HSL 31.88, 0.97%, 0.47%

LAB 64.01, 35.6, 70.15

 

CMYK 0 / 50 / 100 / 14

HEX #DA6C00

RGB 218.1 108.8 0

HSL 29.93, 1%, 0.43%

LAB 57.86, 37.92, 65.82

 

CMYK 0 / 55 / 100 / 21

HEX #C95A00

RGB 201.1 90.8 0

HSL 27.09, 1%, 0.39%

LAB 51.7, 40.24, 60.88

 

CMYK 0 / 60 / 100 / 28

HEX #B84800

RGB 184.1 72.8 0

HSL 23.73, 1%, 0.36%

LAB 45.55, 42.42, 55.98

 

CMYK 0 / 43 / 91 / 1

HEX #FD9117

RGB 253 145 23

HSL 31.83, 0.98%, 0.54%

LAB 70.31, 33.7, 72.35

 

CMYK 0 / 67 / 91 / 1

HEX #FD5317

RGB 253 83 23

HSL 15.65, 0.98%, 0.54%

LAB 59.1, 62.39, 64.45

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 43 / 91 / 1

HEX #FD9117

RGB 253 145 23

HSL 31.83, 0.98%, 0.54%

LAB 70.31, 33.7, 72.35

 

CMYK 0 / 18 / 91 / 1

HEX #FDCF17

RGB 253 207 23

HSL 48, 0.98%, 0.54%

LAB 84.78, 1.51, 83.08

 

CMYK 7 / 0 / 91 / 1

HEX #ECFD17

RGB 236 253 23

HSL 64.43, 0.98%, 0.54%

LAB 95.22, -28.15, 90.48

 

CMYK 31 / 0 / 91 / 1

HEX #AEFD17

RGB 174 253 23

HSL 80.61, 0.98%, 0.54%

LAB 91.37, -51.96, 85.8

 

CMYK 56 / 0 / 91 / 1

HEX #70FD17

RGB 112 253 23

HSL 96.78, 0.98%, 0.54%

LAB 88.81, -71.03, 82.64

 

CMYK 0 / 43 / 91 / 1

HEX #FD9117

RGB 253 145 23

HSL 31.83, 0.98%, 0.54%

LAB 70.31, 33.7, 72.35

 

CMYK 0 / 43 / 91 / 1

HEX #FD9117

RGB 253 145 23

HSL 31.83, 0.98%, 0.54%

LAB 70.31, 33.7, 72.35

 

CMYK 0 / 38 / 82 / 8

HEX #EA902A

RGB 234 144 42

HSL 31.88, 0.82%, 0.54%

LAB 67.73, 26.83, 63.81

 

CMYK 0 / 33 / 72 / 16

HEX #D78F3D

RGB 215 143 61

HSL 31.95, 0.66%, 0.54%

LAB 65.3, 20.12, 52.99

 

CMYK 0 / 28 / 59 / 23

HEX #C48D50

RGB 196 141 80

HSL 31.55, 0.5%, 0.54%

LAB 62.81, 14.3, 40.36

 

CMYK 0 / 21 / 44 / 31

HEX #B18C63

RGB 177 140 99

HSL 31.54, 0.33%, 0.54%

LAB 60.79, 8.56, 27.21

 

CMYK 0 / 91 / 89 / 1

HEX #FD171B

RGB 253 23 27

HSL 358.96, 0.98%, 0.54%

LAB 53.57, 77.95, 59.28

 

CMYK 0 / 68 / 91 / 1

HEX #FD5017

RGB 253 80 23

HSL 14.87, 0.98%, 0.54%

LAB 58.68, 63.52, 64.17

 

CMYK 0 / 44 / 91 / 1

HEX #FD8E17

RGB 253 142 23

HSL 31.04, 0.98%, 0.54%

LAB 69.68, 35.24, 71.89

 

CMYK 0 / 20 / 91 / 1

HEX #FDCB17

RGB 253 203 23

HSL 46.96, 0.98%, 0.54%

LAB 83.79, 3.56, 82.33

 

CMYK 5 / 0 / 91 / 1

HEX #F1FD17

RGB 241 253 23

HSL 63.13, 0.98%, 0.54%

LAB 95.59, -26.12, 90.92

 

CMYK 0 / 47 / 99 / 25

HEX #BF6602

RGB 191 102 2

HSL 31.75, 0.98%, 0.38%

LAB 52.49, 30.39, 60.15

 

CMYK 0 / 47 / 99 / 9

HEX #E87C02

RGB 232 124 2

HSL 31.83, 0.98%, 0.46%

LAB 62.99, 35.76, 69.61

 

CMYK 0 / 43 / 91 / 1

HEX #FD9117

RGB 253 145 23

HSL 31.83, 0.98%, 0.54%

LAB 70.31, 33.7, 72.35

 

CMYK 0 / 35 / 75 / 1

HEX #FDA440

RGB 253 164 64

HSL 31.75, 0.98%, 0.62%

LAB 74.7, 24.97, 62.69

 

CMYK 0 / 27 / 59 / 1

HEX #FDB868

RGB 253 184 104

HSL 32.21, 0.97%, 0.7%

LAB 79.71, 16.74, 49.89

 

CMYK 0 / 43 / 91 / 1

HEX #FC9017

RGB 252.1 144.8 23

HSL 31.9, 0.98%, 0.54%

LAB 70.15, 33.44, 72.18

 

CMYK 65 / 0 / 91 / 1

HEX #58FD17

RGB 88 253 23

HSL 103.04, 0.98%, 0.54%

LAB 88.15, -76.43, 81.83

 

CMYK 80 / 91 / 0 / 1

HEX #3217FD

RGB 50 23 253

HSL 247.04, 0.98%, 0.54%

LAB 34.77, 75.32, -102.59

 

CMYK 0 / 43 / 91 / 1

HEX #FC9017

RGB 252.1 144.8 23

HSL 31.9, 0.98%, 0.54%

LAB 70.15, 33.44, 72.18

 

CMYK 91 / 0 / 44 / 1

HEX #17FD8E

RGB 23 253 142

HSL 151.04, 0.98%, 0.54%

LAB 88.15, -73.12, 39.46

 

CMYK 44 / 91 / 0 / 1

HEX #8E17FD

RGB 142 23 253

HSL 271.04, 0.98%, 0.54%

LAB 43.44, 81.13, -87.94

 

CMYK 0 / 43 / 91 / 1

HEX #FC9017

RGB 252.1 144.8 23

HSL 31.9, 0.98%, 0.54%

LAB 70.15, 33.44, 72.18

 

CMYK 65 / 0 / 91 / 1

HEX #58FD17

RGB 88 253 23

HSL 103.04, 0.98%, 0.54%

LAB 88.15, -76.43, 81.83

 

CMYK 91 / 47 / 0 / 1

HEX #1786FD

RGB 23 134 253

HSL 211.04, 0.98%, 0.54%

LAB 56.41, 14.97, -67.08

 

CMYK 26 / 91 / 0 / 1

HEX #BC17FD

RGB 188 23 253

HSL 283.04, 0.98%, 0.54%

LAB 49.97, 86.46, -76.98

 

CMYK 0 / 43 / 91 / 1

HEX #FC9017

RGB 252.1 144.8 23

HSL 31.9, 0.98%, 0.54%

LAB 70.15, 33.44, 72.18

 

CMYK 91 / 0 / 89 / 1

HEX #17FD1B

RGB 23 253 27

HSL 121.04, 0.98%, 0.54%

LAB 87.25, -84.36, 80.12

 

CMYK 91 / 47 / 0 / 1

HEX #1786FD

RGB 23 134 253

HSL 211.04, 0.98%, 0.54%

LAB 56.41, 14.97, -67.08

 

CMYK 0 / 91 / 2 / 1

HEX #FD17F9

RGB 253 23 249

HSL 301.04, 0.98%, 0.54%

LAB 60.19, 95.48, -57.74

 

Description

Color code: RGB 252.1 144.8 23 | qconv.com Color code: RGB 252.1 144.8 23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252.1 red, 144.8 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252.1 144.8 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 91 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 91% 1% C M Y K

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