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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 202 80 it is the complementary color RGB 4 53 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 202 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 202 80 shade: RGB 255 202 75, RGB 255 220 94, RGB 255 238 113, RGB 255 255 132 and RGB 255 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 202 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 234 184 61, RGB 217 166 42, RGB 200 148 23 and RGB 183 130 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 251 156 80, RGB 251 110 80 and RGB 251 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 251 249 80, RGB 208 251 80, RGB 162 251 80 and RGB 116 251 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 202 80 shade matches the following richer shades: RGB 251 202 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 237 196 95, RGB 223 190 109, RGB 208 184 123 and RGB 194 178 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 202 80 shade: RGB 251 109 80, RGB 251 154 80, RGB 251 200 80, RGB 251 246 80 and RGB 211 251 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 202 80 shade: RGB 244 176 5, RGB 251 190 40, RGB 251 202 80, RGB 252 215 121 and RGB 253 227 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 97 251 80 and RGB 131 80 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 80 251 200 and RGB 200 80 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 97 251 80, RGB 80 131 251 and RGB 234 80 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 202 80 shade: RGB 251 202 80, RGB 80 251 114, RGB 80 131 251 and RGB 251 80 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

Complementary color

CMYK 98 / 70 / 0 / 31

HEX #0435AF

RGB 4 53 175

HSL 222.81, 0.96%, 0.35%

LAB 28.56, 36.36, -67.81

 

CMYK 0 / 21 / 71 / 0

HEX #FFCA4B

RGB 255 202 75

HSL 42.33, 1%, 0.65%

LAB 83.97, 6.49, 67.58

 

CMYK 0 / 14 / 63 / 0

HEX #FFDC5E

RGB 255 220 94

HSL 46.96, 1%, 0.68%

LAB 88.57, -1.67, 64.55

 

CMYK 0 / 7 / 56 / 0

HEX #FFEE71

RGB 255 238 113

HSL 52.82, 1%, 0.72%

LAB 93.28, -9.4, 61.5

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 0 / 21 / 74 / 8

HEX #EAB83D

RGB 234 184 61

HSL 42.66, 0.8%, 0.58%

LAB 77.35, 6.36, 65.76

 

CMYK 0 / 24 / 81 / 15

HEX #D9A62A

RGB 217 166 42

HSL 42.51, 0.7%, 0.51%

LAB 71, 7.84, 65.94

 

CMYK 0 / 26 / 89 / 22

HEX #C89417

RGB 200 148 23

HSL 42.37, 0.79%, 0.44%

LAB 64.58, 9.56, 65.18

 

CMYK 0 / 29 / 98 / 28

HEX #B78204

RGB 183 130 4

HSL 42.23, 0.96%, 0.37%

LAB 58.08, 11.54, 62.99

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 0 / 38 / 68 / 2

HEX #FB9C50

RGB 251 156 80

HSL 26.67, 0.96%, 0.65%

LAB 72.8, 29.08, 53.5

 

CMYK 0 / 56 / 68 / 2

HEX #FB6E50

RGB 251 110 80

HSL 10.53, 0.96%, 0.65%

LAB 63.54, 52, 43.03

 

CMYK 0 / 68 / 68 / 2

HEX #FB5050

RGB 251 80 80

HSL 0, 0.96%, 0.65%

LAB 58.81, 64.61, 37.44

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 0 / 1 / 68 / 2

HEX #FBF950

RGB 251 249 80

HSL 59.3, 0.96%, 0.65%

LAB 95.51, -18.4, 77.12

 

CMYK 17 / 0 / 68 / 2

HEX #D0FB50

RGB 208 251 80

HSL 75.09, 0.96%, 0.65%

LAB 93.01, -36.33, 73.61

 

CMYK 35 / 0 / 68 / 2

HEX #A2FB50

RGB 162 251 80

HSL 91.23, 0.96%, 0.65%

LAB 90.44, -52.9, 70.17

 

CMYK 54 / 0 / 68 / 2

HEX #74FB50

RGB 116 251 80

HSL 107.37, 0.96%, 0.65%

LAB 88.58, -66.52, 67.66

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 0 / 17 / 60 / 7

HEX #EDC45F

RGB 237 196 95

HSL 42.68, 0.8%, 0.65%

LAB 80.91, 3.26, 55.15

 

CMYK 0 / 15 / 51 / 13

HEX #DFBE6D

RGB 223 190 109

HSL 42.63, 0.64%, 0.65%

LAB 78.24, 1.7, 44.95

 

CMYK 0 / 12 / 41 / 18

HEX #D0B87B

RGB 208 184 123

HSL 43.06, 0.47%, 0.65%

LAB 75.53, 0.11, 34.11

 

CMYK 0 / 8 / 29 / 24

HEX #C2B28A

RGB 194 178 138

HSL 42.86, 0.31%, 0.65%

LAB 72.99, -0.46, 22.56

 

CMYK 0 / 57 / 68 / 2

HEX #FB6D50

RGB 251 109 80

HSL 10.18, 0.96%, 0.65%

LAB 63.36, 52.46, 42.82

 

CMYK 0 / 39 / 68 / 2

HEX #FB9A50

RGB 251 154 80

HSL 25.96, 0.96%, 0.65%

LAB 72.36, 30.12, 53.02

 

CMYK 0 / 20 / 68 / 2

HEX #FBC850

RGB 251 200 80

HSL 42.11, 0.96%, 0.65%

LAB 83.12, 6.11, 64.55

 

CMYK 0 / 2 / 68 / 2

HEX #FBF650

RGB 251 246 80

HSL 58.25, 0.96%, 0.65%

LAB 94.74, -16.96, 76.35

 

CMYK 16 / 0 / 68 / 2

HEX #D3FB50

RGB 211 251 80

HSL 74.04, 0.96%, 0.65%

LAB 93.2, -35.18, 73.87

 

CMYK 0 / 28 / 98 / 4

HEX #F4B005

RGB 244 176 5

HSL 42.93, 0.96%, 0.49%

LAB 76.25, 13.55, 78.68

 

CMYK 0 / 24 / 84 / 2

HEX #FBBE28

RGB 251 190 40

HSL 42.65, 0.96%, 0.57%

LAB 80.45, 9.76, 76.02

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 0 / 15 / 52 / 1

HEX #FCD779

RGB 252 215 121

HSL 43.05, 0.96%, 0.73%

LAB 87.33, 1.59, 50.74

 

CMYK 0 / 10 / 36 / 1

HEX #FDE3A1

RGB 253 227 161

HSL 43.04, 0.96%, 0.81%

LAB 90.96, -0.21, 35.52

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 61 / 0 / 68 / 2

HEX #61FB50

RGB 97 251 80

HSL 114.04, 0.96%, 0.65%

LAB 88.02, -70.97, 66.9

 

CMYK 48 / 68 / 0 / 2

HEX #8350FB

RGB 131 80 251

HSL 257.89, 0.96%, 0.65%

LAB 48.92, 59.25, -77.89

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 68 / 0 / 20 / 2

HEX #50FBC8

RGB 80 251 200

HSL 162.11, 0.96%, 0.65%

LAB 89.33, -55.21, 11.87

 

CMYK 20 / 68 / 0 / 2

HEX #C850FB

RGB 200 80 251

HSL 282.11, 0.96%, 0.65%

LAB 57.06, 72.18, -64.32

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 61 / 0 / 68 / 2

HEX #61FB50

RGB 97 251 80

HSL 114.04, 0.96%, 0.65%

LAB 88.02, -70.97, 66.9

 

CMYK 68 / 48 / 0 / 2

HEX #5083FB

RGB 80 131 251

HSL 222.11, 0.96%, 0.65%

LAB 56.98, 21.4, -64.98

 

CMYK 7 / 68 / 0 / 2

HEX #EA50FB

RGB 234 80 251

HSL 294.04, 0.96%, 0.65%

LAB 61.82, 79.22, -56.42

 

CMYK 0 / 20 / 68 / 2

HEX #FBCA50

RGB 251 202 80

HSL 42.81, 0.96%, 0.65%

LAB 83.62, 5.07, 65.06

 

CMYK 68 / 0 / 55 / 2

HEX #50FB72

RGB 80 251 114

HSL 131.93, 0.96%, 0.65%

LAB 87.93, -70.66, 52.54

 

CMYK 68 / 48 / 0 / 2

HEX #5083FB

RGB 80 131 251

HSL 222.11, 0.96%, 0.65%

LAB 56.98, 21.4, -64.98

 

CMYK 0 / 68 / 14 / 2

HEX #FB50D9

RGB 251 80 217

HSL 311.93, 0.96%, 0.65%

LAB 62.72, 77.78, -35.87

 

Description

Color code: RGB 251 202 80 | qconv.com Color code: RGB 251 202 80 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 202 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 202 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 68 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 68% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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