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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 129 254 it is the complementary color RGB 4 126 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 129 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 129 254 shade: RGB 255 129 249, RGB 255 147 255, RGB 255 165 255, RGB 255 183 255 and RGB 255 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 129 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 129 254 shade: RGB 251 129 254, RGB 234 111 235, RGB 217 93 216, RGB 200 75 197 and RGB 183 57 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 129 254 shade: RGB 250 128 253, RGB 253 128 223, RGB 253 128 189, RGB 253 128 155 and RGB 253 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 129 254 shade: RGB 250 128 253, RGB 217 128 253, RGB 183 128 253, RGB 149 128 253 and RGB 128 128 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 129 254 shade matches the following richer shades: RGB 250 128 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 129 254 shade: RGB 250 128 253, RGB 240 139 243, RGB 231 149 233, RGB 221 159 222 and RGB 211 170 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 129 254 shade: RGB 182 128 253, RGB 216 128 253, RGB 249 128 253, RGB 253 128 224 and RGB 253 128 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 129 254 shade: RGB 247 47 252, RGB 249 87 253, RGB 250 128 253, RGB 252 169 254 and RGB 253 210 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 129 254 shade: RGB 251 129 254, RGB 253 149 128 and RGB 128 253 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 129 254 shade: RGB 251 129 254, RGB 253 249 128 and RGB 128 253 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 129 254 shade: RGB 251 129 254, RGB 253 149 128, RGB 132 253 128 and RGB 128 232 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 129 254 shade: RGB 251 129 254, RGB 253 187 128, RGB 132 253 128 and RGB 128 195 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 49 / 0 / 0

HEX #FB81FE

RGB 251 129 254

HSL 298.56, 0.98%, 0.75%

LAB 71.8, 63.24, -42.17

 

Complementary color

CMYK 97 / 0 / 99 / 51

HEX #047E01

RGB 4 126 1

HSL 118.56, 0.98%, 0.25%

LAB 45.57, -50.75, 49.17

 

CMYK 0 / 49 / 2 / 0

HEX #FF81F9

RGB 255 129 249

HSL 302.86, 1%, 0.75%

LAB 72.09, 63.47, -38.95

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 1 / 49 / 0 / 0

HEX #FB81FE

RGB 251 129 254

HSL 298.56, 0.98%, 0.75%

LAB 71.8, 63.24, -42.17

 

CMYK 0 / 53 / 0 / 8

HEX #EA6FEB

RGB 234 111 235

HSL 299.52, 0.76%, 0.68%

LAB 65.64, 63.78, -41.54

 

CMYK 0 / 57 / 0 / 15

HEX #D95DD8

RGB 217 93 216

HSL 300.48, 0.62%, 0.61%

LAB 59.47, 64.18, -40.76

 

CMYK 0 / 63 / 1 / 22

HEX #C84BC5

RGB 200 75 197

HSL 301.44, 0.53%, 0.54%

LAB 53.32, 64.34, -39.78

 

CMYK 0 / 69 / 3 / 28

HEX #B739B2

RGB 183 57 178

HSL 302.38, 0.53%, 0.47%

LAB 47.25, 64.1, -38.5

 

CMYK 1 / 49 / 0 / 1

HEX #FA80FD

RGB 250 128 253

HSL 298.56, 0.97%, 0.75%

LAB 71.46, 63.26, -42.17

 

CMYK 0 / 49 / 12 / 1

HEX #FD80DF

RGB 253 128 223

HSL 314.4, 0.97%, 0.75%

LAB 70.63, 59.18, -26.96

 

CMYK 0 / 49 / 25 / 1

HEX #FD80BD

RGB 253 128 189

HSL 330.72, 0.97%, 0.75%

LAB 69.47, 54.27, -9.81

 

CMYK 0 / 49 / 39 / 1

HEX #FD809B

RGB 253 128 155

HSL 347.04, 0.97%, 0.75%

LAB 68.52, 50.15, 7.92

 

CMYK 0 / 49 / 49 / 1

HEX #FD8080

RGB 253 128 128

HSL 0, 0.97%, 0.75%

LAB 67.93, 47.49, 22.26

 

CMYK 1 / 49 / 0 / 1

HEX #FA80FD

RGB 250 128 253

HSL 298.56, 0.97%, 0.75%

LAB 71.46, 63.26, -42.17

 

CMYK 14 / 49 / 0 / 1

HEX #D980FD

RGB 217 128 253

HSL 282.72, 0.97%, 0.75%

LAB 67.49, 54.42, -48.68

 

CMYK 28 / 49 / 0 / 1

HEX #B780FD

RGB 183 128 253

HSL 266.4, 0.97%, 0.75%

LAB 63.83, 45.52, -54.7

 

CMYK 41 / 49 / 0 / 1

HEX #9580FD

RGB 149 128 253

HSL 250.08, 0.97%, 0.75%

LAB 60.71, 37.19, -59.86

 

CMYK 49 / 49 / 0 / 1

HEX #8080FD

RGB 128 128 253

HSL 240, 0.97%, 0.75%

LAB 59.08, 32.51, -62.56

 

CMYK 1 / 49 / 0 / 1

HEX #FA80FD

RGB 250 128 253

HSL 298.56, 0.97%, 0.75%

LAB 71.46, 63.26, -42.17

 

CMYK 1 / 49 / 0 / 1

HEX #FA80FD

RGB 250 128 253

HSL 298.56, 0.97%, 0.75%

LAB 71.46, 63.26, -42.17

 

CMYK 1 / 43 / 0 / 5

HEX #F08BF3

RGB 240 139 243

HSL 298.27, 0.81%, 0.75%

LAB 71.87, 53.36, -36.17

 

CMYK 1 / 36 / 0 / 9

HEX #E795E9

RGB 231 149 233

HSL 298.57, 0.66%, 0.75%

LAB 72.47, 43.75, -29.85

 

CMYK 0 / 28 / 0 / 13

HEX #DD9FDE

RGB 221 159 222

HSL 299.05, 0.49%, 0.75%

LAB 73.18, 33.26, -22.83

 

CMYK 0 / 20 / 0 / 17

HEX #D3AAD4

RGB 211 170 212

HSL 298.57, 0.33%, 0.75%

LAB 74.41, 22.14, -15.59

 

CMYK 28 / 49 / 0 / 1

HEX #B680FD

RGB 182 128 253

HSL 265.92, 0.97%, 0.75%

LAB 63.73, 45.27, -54.86

 

CMYK 15 / 49 / 0 / 1

HEX #D880FD

RGB 216 128 253

HSL 282.24, 0.97%, 0.75%

LAB 67.37, 54.15, -48.87

 

CMYK 2 / 49 / 0 / 1

HEX #F980FD

RGB 249 128 253

HSL 298.08, 0.97%, 0.75%

LAB 71.33, 63, -42.38

 

CMYK 0 / 49 / 11 / 1

HEX #FD80E0

RGB 253 128 224

HSL 313.92, 0.97%, 0.75%

LAB 70.67, 59.33, -27.46

 

CMYK 0 / 49 / 25 / 1

HEX #FD80BF

RGB 253 128 191

HSL 329.76, 0.97%, 0.75%

LAB 69.53, 54.54, -10.84

 

CMYK 2 / 81 / 0 / 1

HEX #F72FFC

RGB 247 47 252

HSL 298.54, 0.97%, 0.59%

LAB 60.64, 91.18, -58.75

 

CMYK 2 / 66 / 0 / 1

HEX #F957FD

RGB 249 87 253

HSL 298.55, 0.98%, 0.67%

LAB 65, 80.26, -52.34

 

CMYK 1 / 49 / 0 / 1

HEX #FA80FD

RGB 250 128 253

HSL 298.56, 0.97%, 0.75%

LAB 71.46, 63.26, -42.17

 

CMYK 1 / 33 / 0 / 0

HEX #FCA9FE

RGB 252 169 254

HSL 298.59, 0.98%, 0.83%

LAB 79.74, 43.58, -29.86

 

CMYK 0 / 17 / 0 / 0

HEX #FDD2FE

RGB 253 210 254

HSL 298.64, 0.96%, 0.91%

LAB 88.98, 22.39, -15.82

 

CMYK 1 / 49 / 0 / 0

HEX #FB81FE

RGB 251 129 254

HSL 298.56, 0.98%, 0.75%

LAB 71.8, 63.24, -42.17

 

CMYK 0 / 41 / 49 / 1

HEX #FD9580

RGB 253 149 128

HSL 10.08, 0.97%, 0.75%

LAB 72.19, 36.93, 27.97

 

CMYK 49 / 0 / 21 / 1

HEX #80FDC7

RGB 128 253 199

HSL 154.08, 0.97%, 0.75%

LAB 91.22, -47.17, 15.25

 

CMYK 1 / 49 / 0 / 0

HEX #FB81FE

RGB 251 129 254

HSL 298.56, 0.98%, 0.75%

LAB 71.8, 63.24, -42.17

 

CMYK 0 / 2 / 49 / 1

HEX #FDF980

RGB 253 249 128

HSL 58.08, 0.97%, 0.75%

LAB 96.08, -14.41, 57.94

 

CMYK 49 / 0 / 2 / 1

HEX #80FDF9

RGB 128 253 249

HSL 178.08, 0.97%, 0.75%

LAB 92.43, -35.8, -8.85

 

CMYK 1 / 49 / 0 / 0

HEX #FB81FE

RGB 251 129 254

HSL 298.56, 0.98%, 0.75%

LAB 71.8, 63.24, -42.17

 

CMYK 0 / 41 / 49 / 1

HEX #FD9580

RGB 253 149 128

HSL 10.08, 0.97%, 0.75%

LAB 72.19, 36.93, 27.97

 

CMYK 48 / 0 / 49 / 1

HEX #84FD80

RGB 132 253 128

HSL 118.08, 0.97%, 0.75%

LAB 90.19, -58.06, 49.19

 

CMYK 49 / 8 / 0 / 1

HEX #80E8FD

RGB 128 232 253

HSL 190.08, 0.97%, 0.75%

LAB 86.7, -24.78, -19.52

 

CMYK 1 / 49 / 0 / 0

HEX #FB81FE

RGB 251 129 254

HSL 298.56, 0.98%, 0.75%

LAB 71.8, 63.24, -42.17

 

CMYK 0 / 26 / 49 / 1

HEX #FDBB80

RGB 253 187 128

HSL 28.32, 0.97%, 0.75%

LAB 80.73, 17.1, 39.08

 

CMYK 48 / 0 / 49 / 1

HEX #84FD80

RGB 132 253 128

HSL 118.08, 0.97%, 0.75%

LAB 90.19, -58.06, 49.19

 

CMYK 49 / 23 / 0 / 1

HEX #80C3FD

RGB 128 195 253

HSL 207.84, 0.97%, 0.75%

LAB 76.5, -5.74, -35.1

 

Description

Color code: RGB 251 129 254 | qconv.com Color code: RGB 251 129 254 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 129 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 129 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 49 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 49% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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