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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251.5 237 191 it is the complementary color RGB 3.5 18 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251.5 237 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251.5 237 191 shade: RGB 255 237 186, RGB 255 255 205, RGB 255 255 224, RGB 255 255 243 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251.5 237 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251.5 237 191 shade: RGB 251.5 237 191, RGB 234.5 219 172, RGB 217.5 201 153, RGB 200.5 183 134 and RGB 183.5 165 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251.5 237 191 shade: RGB 252 237 192, RGB 252 221 192, RGB 252 205 192 and RGB 252 192 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251.5 237 191 shade: RGB 252 237 192, RGB 250 252 192, RGB 234 252 192, RGB 218 252 192 and RGB 202 252 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251.5 237 191 shade matches the following richer shades: RGB 252 237 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251.5 237 191 shade: RGB 252 237 192, RGB 246 235 197, RGB 241 232 203, RGB 236 229 208 and RGB 230 226 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251.5 237 191 shade: RGB 252 205 192, RGB 252 221 192, RGB 252 237 192, RGB 251 252 192 and RGB 235 252 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251.5 237 191 shade: RGB 248 215 114, RGB 250 226 153, RGB 252 237 192, RGB 254 248 231 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251.5 237 191 shade: RGB 251.5 237 191, RGB 195 252 192 and RGB 213 192 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251.5 237 191 shade: RGB 251.5 237 191, RGB 192 252 237 and RGB 237 192 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251.5 237 191 shade: RGB 251.5 237 191, RGB 195 252 192, RGB 192 207 252 and RGB 249 192 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251.5 237 191 shade: RGB 251.5 237 191, RGB 192 252 207, RGB 192 207 252 and RGB 252 192 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 24 / 1

HEX #FBEDBF

RGB 251.5 237 191

HSL 45.62, 0.9%, 0.87%

LAB 93.85, -2.11, 24.09

 

Complementary color

CMYK 95 / 72 / 0 / 75

HEX #031240

RGB 3.5 18 64

HSL 225.62, 0.9%, 0.13%

LAB 7.46, 14.86, -30.93

 

CMYK 0 / 7 / 27 / 0

HEX #FFEDBA

RGB 255 237 186

HSL 44.35, 1%, 0.86%

LAB 94.04, -1.48, 26.96

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 6 / 24 / 1

HEX #FBEDBF

RGB 251.5 237 191

HSL 45.62, 0.9%, 0.87%

LAB 93.85, -2.11, 24.09

 

CMYK 0 / 7 / 27 / 8

HEX #EADBAC

RGB 234.5 219 172

HSL 45.12, 0.6%, 0.8%

LAB 87.59, -1.8, 25.08

 

CMYK 0 / 8 / 30 / 15

HEX #D9C999

RGB 217.5 201 153

HSL 44.65, 0.46%, 0.73%

LAB 81.24, -1.46, 26.12

 

CMYK 0 / 9 / 33 / 21

HEX #C8B786

RGB 200.5 183 134

HSL 44.21, 0.38%, 0.66%

LAB 74.78, -1.07, 27.22

 

CMYK 0 / 10 / 37 / 28

HEX #B7A573

RGB 183.5 165 115

HSL 43.8, 0.32%, 0.59%

LAB 68.22, -0.61, 28.39

 

CMYK 0 / 6 / 24 / 1

HEX #FCEDC0

RGB 252 237 192

HSL 45, 0.91%, 0.87%

LAB 93.91, -1.79, 23.67

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 19 / 24 / 1

HEX #FCCDC0

RGB 252 205 192

HSL 13, 0.91%, 0.87%

LAB 86.09, 14.68, 12.72

 

CMYK 0 / 24 / 24 / 1

HEX #FCC0C0

RGB 252 192 192

HSL 0, 0.91%, 0.87%

LAB 83.02, 21.49, 8.35

 

CMYK 0 / 6 / 24 / 1

HEX #FCEDC0

RGB 252 237 192

HSL 45, 0.91%, 0.87%

LAB 93.91, -1.79, 23.67

 

CMYK 1 / 0 / 24 / 1

HEX #FAFCC0

RGB 250 252 192

HSL 62, 0.91%, 0.87%

LAB 97.53, -10.01, 28.6

 

CMYK 7 / 0 / 24 / 1

HEX #EAFCC0

RGB 234 252 192

HSL 78, 0.91%, 0.87%

LAB 96.38, -15.75, 26.84

 

CMYK 13 / 0 / 24 / 1

HEX #DAFCC0

RGB 218 252 192

HSL 94, 0.91%, 0.87%

LAB 95.3, -21.35, 25.19

 

CMYK 20 / 0 / 24 / 1

HEX #CAFCC0

RGB 202 252 192

HSL 110, 0.91%, 0.87%

LAB 94.31, -26.77, 23.66

 

CMYK 0 / 6 / 24 / 1

HEX #FCEDC0

RGB 252 237 192

HSL 45, 0.91%, 0.87%

LAB 93.91, -1.79, 23.67

 

CMYK 0 / 6 / 24 / 1

HEX #FCEDC0

RGB 252 237 192

HSL 45, 0.91%, 0.87%

LAB 93.91, -1.79, 23.67

 

CMYK 0 / 4 / 20 / 4

HEX #F6EBC5

RGB 246 235 197

HSL 46.53, 0.73%, 0.87%

LAB 93.03, -2.26, 19.8

 

CMYK 0 / 4 / 16 / 5

HEX #F1E8CB

RGB 241 232 203

HSL 45.79, 0.58%, 0.87%

LAB 92.01, -1.66, 15.2

 

CMYK 0 / 3 / 12 / 7

HEX #ECE5D0

RGB 236 229 208

HSL 45, 0.42%, 0.87%

LAB 90.97, -1.13, 11.08

 

CMYK 0 / 2 / 7 / 10

HEX #E6E2D5

RGB 230 226 213

HSL 45.88, 0.25%, 0.87%

LAB 89.87, -0.87, 6.82

 

CMYK 0 / 19 / 24 / 1

HEX #FCCDC0

RGB 252 205 192

HSL 13, 0.91%, 0.87%

LAB 86.09, 14.68, 12.72

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 6 / 24 / 1

HEX #FCEDC0

RGB 252 237 192

HSL 45, 0.91%, 0.87%

LAB 93.91, -1.79, 23.67

 

CMYK 0 / 0 / 24 / 1

HEX #FBFCC0

RGB 251 252 192

HSL 61, 0.91%, 0.87%

LAB 97.61, -9.65, 28.72

 

CMYK 7 / 0 / 24 / 1

HEX #EBFCC0

RGB 235 252 192

HSL 77, 0.91%, 0.87%

LAB 96.45, -15.4, 26.94

 

CMYK 0 / 13 / 54 / 3

HEX #F8D772

RGB 248 215 114

HSL 45.22, 0.91%, 0.71%

LAB 86.89, -0.6, 53.46

 

CMYK 0 / 10 / 39 / 2

HEX #FAE299

RGB 250 226 153

HSL 45.15, 0.91%, 0.79%

LAB 90.33, -1.74, 38.68

 

CMYK 0 / 6 / 24 / 1

HEX #FCEDC0

RGB 252 237 192

HSL 45, 0.91%, 0.87%

LAB 93.91, -1.79, 23.67

 

CMYK 0 / 2 / 9 / 0

HEX #FEF8E7

RGB 254 248 231

HSL 44.35, 0.92%, 0.95%

LAB 97.62, -0.84, 8.86

 

CMYK 0 / 6 / 24 / 1

HEX #FBEDBF

RGB 251.5 237 191

HSL 45.62, 0.9%, 0.87%

LAB 93.85, -2.11, 24.09

 

CMYK 23 / 0 / 24 / 1

HEX #C3FCC0

RGB 195 252 192

HSL 117, 0.91%, 0.87%

LAB 93.9, -29.07, 23.03

 

CMYK 15 / 24 / 0 / 1

HEX #D5C0FC

RGB 213 192 252

HSL 261, 0.91%, 0.87%

LAB 81.22, 18.87, -26.84

 

CMYK 0 / 6 / 24 / 1

HEX #FBEDBF

RGB 251.5 237 191

HSL 45.62, 0.9%, 0.87%

LAB 93.85, -2.11, 24.09

 

CMYK 24 / 0 / 6 / 1

HEX #C0FCED

RGB 192 252 237

HSL 165, 0.91%, 0.87%

LAB 94.71, -21.77, 1.05

 

CMYK 6 / 24 / 0 / 1

HEX #EDC0FC

RGB 237 192 252

HSL 285, 0.91%, 0.87%

LAB 83.3, 26.39, -23.48

 

CMYK 0 / 6 / 24 / 1

HEX #FBEDBF

RGB 251.5 237 191

HSL 45.62, 0.9%, 0.87%

LAB 93.85, -2.11, 24.09

 

CMYK 23 / 0 / 24 / 1

HEX #C3FCC0

RGB 195 252 192

HSL 117, 0.91%, 0.87%

LAB 93.9, -29.07, 23.03

 

CMYK 24 / 18 / 0 / 1

HEX #C0CFFC

RGB 192 207 252

HSL 225, 0.91%, 0.87%

LAB 83.37, 4.43, -23.71

 

CMYK 1 / 24 / 0 / 1

HEX #F9C0FC

RGB 249 192 252

HSL 297, 0.91%, 0.87%

LAB 84.42, 30.21, -21.69

 

CMYK 0 / 6 / 24 / 1

HEX #FBEDBF

RGB 251.5 237 191

HSL 45.62, 0.9%, 0.87%

LAB 93.85, -2.11, 24.09

 

CMYK 24 / 0 / 18 / 1

HEX #C0FCCF

RGB 192 252 207

HSL 135, 0.91%, 0.87%

LAB 94.03, -27.47, 15.52

 

CMYK 24 / 18 / 0 / 1

HEX #C0CFFC

RGB 192 207 252

HSL 225, 0.91%, 0.87%

LAB 83.37, 4.43, -23.71

 

CMYK 0 / 24 / 6 / 1

HEX #FCC0ED

RGB 252 192 237

HSL 315, 0.91%, 0.87%

LAB 84.23, 28.53, -13.95

 

Description

Color code: RGB 251.5 237 191 | qconv.com Color code: RGB 251.5 237 191 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251.5 red, 237 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251.5 237 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 24 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 24% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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