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Color name
RGB 250 103 168

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 103 168 it is the complementary color RGB 5 152 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 103 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 103 168 shade: RGB 255 103 163, RGB 255 121 182, RGB 255 139 201, RGB 255 157 220 and RGB 255 175 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 103 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 103 168 shade: RGB 250 103 168, RGB 233 85 149, RGB 216 67 130, RGB 199 49 111 and RGB 182 31 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 103 168 shade: RGB 250 102 167, RGB 250 102 127 and RGB 250 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 103 168 shade: RGB 250 102 167, RGB 250 102 207, RGB 250 102 248, RGB 213 102 250 and RGB 173 102 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 103 168 shade matches the following richer shades: RGB 250 102 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 103 168 shade: RGB 250 102 167, RGB 237 114 169, RGB 225 127 170, RGB 212 140 172 and RGB 199 153 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 103 168 shade: RGB 250 102 248, RGB 250 102 208, RGB 250 102 169, RGB 250 102 129 and RGB 250 114 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 103 168 shade: RGB 248 22 122, RGB 249 62 144, RGB 250 102 167, RGB 251 142 190 and RGB 253 182 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 103 168 shade: RGB 250 103 168, RGB 250 213 102 and RGB 102 228 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 103 168 shade: RGB 250 103 168, RGB 169 250 102 and RGB 102 169 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 103 168 shade: RGB 250 103 168, RGB 250 213 102, RGB 102 250 183 and RGB 102 139 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 103 168 shade: RGB 250 103 168, RGB 243 250 102, RGB 102 250 183 and RGB 109 102 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 33 / 2

HEX #FA67A8

RGB 250 103 168

HSL 333.47, 0.94%, 0.69%

LAB 64.04, 62.21, -6.05

 

Complementary color

CMYK 97 / 0 / 43 / 40

HEX #059857

RGB 5 152 87

HSL 153.47, 0.94%, 0.31%

LAB 55.25, -49.44, 24.87

 

CMYK 0 / 60 / 36 / 0

HEX #FF67A3

RGB 255 103 163

HSL 336.32, 1%, 0.7%

LAB 64.65, 63.15, -2.21

 

CMYK 0 / 53 / 29 / 0

HEX #FF79B6

RGB 255 121 182

HSL 332.69, 1%, 0.74%

LAB 68.25, 57.32, -7.66

 

CMYK 0 / 45 / 21 / 0

HEX #FF8BC9

RGB 255 139 201

HSL 327.93, 1%, 0.77%

LAB 72.19, 51.19, -12.39

 

CMYK 0 / 38 / 14 / 0

HEX #FF9DDC

RGB 255 157 220

HSL 321.43, 1%, 0.81%

LAB 76.4, 44.97, -16.51

 

CMYK 0 / 31 / 6 / 0

HEX #FFAFEF

RGB 255 175 239

HSL 312, 1%, 0.84%

LAB 80.82, 38.77, -20.12

 

CMYK 0 / 59 / 33 / 2

HEX #FA67A8

RGB 250 103 168

HSL 333.47, 0.94%, 0.69%

LAB 64.04, 62.21, -6.05

 

CMYK 0 / 64 / 36 / 9

HEX #E95595

RGB 233 85 149

HSL 334.05, 0.77%, 0.62%

LAB 58.03, 62.59, -4.25

 

CMYK 0 / 69 / 40 / 15

HEX #D84382

RGB 216 67 130

HSL 334.63, 0.66%, 0.55%

LAB 52.09, 62.67, -2.08

 

CMYK 0 / 75 / 44 / 22

HEX #C7316F

RGB 199 49 111

HSL 335.2, 0.6%, 0.49%

LAB 46.29, 62.28, 0.61

 

CMYK 0 / 83 / 49 / 29

HEX #B61F5C

RGB 182 31 92

HSL 335.76, 0.71%, 0.42%

LAB 40.73, 61.12, 4

 

CMYK 0 / 59 / 33 / 2

HEX #FA66A7

RGB 250 102 167

HSL 333.65, 0.94%, 0.69%

LAB 63.85, 62.52, -5.76

 

CMYK 0 / 59 / 49 / 2

HEX #FA667F

RGB 250 102 127

HSL 349.86, 0.94%, 0.69%

LAB 62.81, 58.49, 15.74

 

CMYK 0 / 59 / 59 / 2

HEX #FA6666

RGB 250 102 102

HSL 0, 0.94%, 0.69%

LAB 62.33, 56.57, 29.38

 

CMYK 0 / 59 / 33 / 2

HEX #FA66A7

RGB 250 102 167

HSL 333.65, 0.94%, 0.69%

LAB 63.85, 62.52, -5.76

 

CMYK 0 / 59 / 17 / 2

HEX #FA66CF

RGB 250 102 207

HSL 317.43, 0.94%, 0.69%

LAB 65.23, 67.65, -26.38

 

CMYK 0 / 59 / 1 / 2

HEX #FA66F8

RGB 250 102 248

HSL 300.81, 0.94%, 0.69%

LAB 66.98, 73.9, -46.46

 

CMYK 15 / 59 / 0 / 2

HEX #D566FA

RGB 213 102 250

HSL 285, 0.94%, 0.69%

LAB 62.13, 65.38, -55.56

 

CMYK 31 / 59 / 0 / 2

HEX #AD66FA

RGB 173 102 250

HSL 268.78, 0.94%, 0.69%

LAB 57.36, 56.12, -63.46

 

CMYK 0 / 59 / 33 / 2

HEX #FA66A7

RGB 250 102 167

HSL 333.65, 0.94%, 0.69%

LAB 63.85, 62.52, -5.76

 

CMYK 0 / 59 / 33 / 2

HEX #FA66A7

RGB 250 102 167

HSL 333.65, 0.94%, 0.69%

LAB 63.85, 62.52, -5.76

 

CMYK 0 / 52 / 29 / 7

HEX #ED72A9

RGB 237 114 169

HSL 333.17, 0.77%, 0.69%

LAB 64.08, 53.27, -6.76

 

CMYK 0 / 44 / 24 / 12

HEX #E17FAA

RGB 225 127 170

HSL 333.67, 0.62%, 0.69%

LAB 65.03, 42.99, -6.1

 

CMYK 0 / 34 / 19 / 17

HEX #D48CAC

RGB 212 140 172

HSL 333.33, 0.46%, 0.69%

LAB 66.31, 31.92, -5.5

 

CMYK 0 / 23 / 13 / 22

HEX #C799AD

RGB 199 153 173

HSL 333.91, 0.29%, 0.69%

LAB 67.98, 20.33, -3.76

 

CMYK 0 / 59 / 1 / 2

HEX #FA66F8

RGB 250 102 248

HSL 300.81, 0.94%, 0.69%

LAB 66.98, 73.9, -46.46

 

CMYK 0 / 59 / 17 / 2

HEX #FA66D0

RGB 250 102 208

HSL 317.03, 0.94%, 0.69%

LAB 65.26, 67.79, -26.88

 

CMYK 0 / 59 / 32 / 2

HEX #FA66A9

RGB 250 102 169

HSL 332.84, 0.94%, 0.69%

LAB 63.91, 62.75, -6.81

 

CMYK 0 / 59 / 48 / 2

HEX #FA6681

RGB 250 102 129

HSL 349.05, 0.94%, 0.69%

LAB 62.85, 58.67, 14.65

 

CMYK 0 / 54 / 59 / 2

HEX #FA7266

RGB 250 114 102

HSL 4.86, 0.94%, 0.69%

LAB 64.42, 51.1, 32.07

 

CMYK 0 / 91 / 51 / 3

HEX #F8167A

RGB 248 22 122

HSL 333.45, 0.94%, 0.53%

LAB 53.96, 80.83, 6.16

 

CMYK 0 / 75 / 42 / 2

HEX #F93E90

RGB 249 62 144

HSL 333.69, 0.94%, 0.61%

LAB 57.65, 74.59, -1.56

 

CMYK 0 / 59 / 33 / 2

HEX #FA66A7

RGB 250 102 167

HSL 333.65, 0.94%, 0.69%

LAB 63.85, 62.52, -5.76

 

CMYK 0 / 43 / 24 / 2

HEX #FB8EBE

RGB 251 142 190

HSL 333.58, 0.93%, 0.77%

LAB 71.94, 46.86, -6.71

 

CMYK 0 / 28 / 16 / 1

HEX #FDB6D5

RGB 253 182 213

HSL 333.8, 0.95%, 0.85%

LAB 81.37, 30.21, -5.32

 

CMYK 0 / 59 / 33 / 2

HEX #FA67A8

RGB 250 103 168

HSL 333.47, 0.94%, 0.69%

LAB 64.04, 62.21, -6.05

 

CMYK 0 / 15 / 59 / 2

HEX #FAD566

RGB 250 213 102

HSL 45, 0.94%, 0.69%

LAB 86.44, 0.35, 58.55

 

CMYK 59 / 9 / 0 / 2

HEX #66E4FA

RGB 102 228 250

HSL 188.92, 0.94%, 0.69%

LAB 84.59, -28.68, -21.21

 

CMYK 0 / 59 / 33 / 2

HEX #FA67A8

RGB 250 103 168

HSL 333.47, 0.94%, 0.69%

LAB 64.04, 62.21, -6.05

 

CMYK 32 / 0 / 59 / 2

HEX #A9FA66

RGB 169 250 102

HSL 92.84, 0.94%, 0.69%

LAB 90.67, -48.39, 61.79

 

CMYK 59 / 32 / 0 / 2

HEX #66A9FA

RGB 102 169 250

HSL 212.84, 0.94%, 0.69%

LAB 68.1, 2.34, -46.69

 

CMYK 0 / 59 / 33 / 2

HEX #FA67A8

RGB 250 103 168

HSL 333.47, 0.94%, 0.69%

LAB 64.04, 62.21, -6.05

 

CMYK 0 / 15 / 59 / 2

HEX #FAD566

RGB 250 213 102

HSL 45, 0.94%, 0.69%

LAB 86.44, 0.35, 58.55

 

CMYK 59 / 0 / 27 / 2

HEX #66FAB7

RGB 102 250 183

HSL 152.84, 0.94%, 0.69%

LAB 89.21, -54.74, 20.53

 

CMYK 59 / 44 / 0 / 2

HEX #668BFA

RGB 102 139 250

HSL 225, 0.94%, 0.69%

LAB 60.06, 19.86, -59.43

 

CMYK 0 / 59 / 33 / 2

HEX #FA67A8

RGB 250 103 168

HSL 333.47, 0.94%, 0.69%

LAB 64.04, 62.21, -6.05

 

CMYK 3 / 0 / 59 / 2

HEX #F3FA66

RGB 243 250 102

HSL 62.84, 0.94%, 0.69%

LAB 95.32, -20.81, 68.25

 

CMYK 59 / 0 / 27 / 2

HEX #66FAB7

RGB 102 250 183

HSL 152.84, 0.94%, 0.69%

LAB 89.21, -54.74, 20.53

 

CMYK 56 / 59 / 0 / 2

HEX #6D66FA

RGB 109 102 250

HSL 242.84, 0.94%, 0.69%

LAB 51.45, 43.21, -73.3

 

Description

Color code: RGB 250 103 168 | qconv.com Color code: RGB 250 103 168 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 103 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 103 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 33% 2% C M Y K

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Provide designers and agencies with accurate color values.

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