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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 20 16 it is the complementary color RGB 231 235 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 20 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 24 20 16: RGB 29 20 11, RGB 46 38 30, RGB 63 56 49, RGB 80 74 68 and RGB 97 92 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 20 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 24 20 16: RGB 24 20 16, RGB 7 2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

Complementary color

CMYK 3 / 2 / 0 / 6

HEX #E7EBEF

RGB 231 235 239

HSL 210, 0.2%, 0.92%

LAB 92.86, -0.6, -2.41

 

CMYK 0 / 31 / 62 / 89

HEX #1D140B

RGB 29 20 11

HSL 30, 0.45%, 0.08%

LAB 7.1, 2.89, 6.15

 

CMYK 0 / 17 / 35 / 82

HEX #2E261E

RGB 46 38 30

HSL 30, 0.21%, 0.15%

LAB 15.8, 2.19, 6.7

 

CMYK 0 / 11 / 22 / 75

HEX #3F3831

RGB 63 56 49

HSL 30, 0.13%, 0.22%

LAB 24.02, 1.68, 5.49

 

CMYK 0 / 7 / 15 / 69

HEX #504A44

RGB 80 74 68

HSL 30, 0.08%, 0.29%

LAB 31.85, 1.31, 4.48

 

CMYK 0 / 5 / 10 / 62

HEX #615C57

RGB 97 92 87

HSL 30, 0.05%, 0.36%

LAB 39.38, 1.01, 3.58

 

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

CMYK 0 / 71 / 100 / 97

HEX #070200

RGB 7 2 0

HSL 17.14, 1%, 0.01%

LAB 0.8, 1.03, 1.22

 

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

CMYK 0 / 13 / 33 / 91

HEX #181510

RGB 24 21 16

HSL 37.5, 0.2%, 0.08%

LAB 6.94, 0.35, 3.38

 

CMYK 0 / 4 / 33 / 91

HEX #181710

RGB 24 23 16

HSL 52.5, 0.2%, 0.08%

LAB 7.63, -1.06, 4.39

 

CMYK 0 / 0 / 33 / 91

HEX #181810

RGB 24 24 16

HSL 60, 0.2%, 0.08%

LAB 7.99, -1.81, 4.93

 

CMYK 4 / 0 / 33 / 91

HEX #171810

RGB 23 24 16

HSL 67.5, 0.2%, 0.08%

LAB 7.88, -2.3, 4.76

 

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

CMYK 0 / 16 / 33 / 71

HEX #4B3F32

RGB 75 63 50

HSL 31.2, 0.2%, 0.25%

LAB 27.52, 2.89, 9.91

 

CMYK 0 / 17 / 33 / 51

HEX #7E6954

RGB 126 105 84

HSL 30, 0.2%, 0.41%

LAB 45.88, 5.01, 14.93

 

CMYK 0 / 16 / 33 / 31

HEX #B19476

RGB 177 148 118

HSL 30.51, 0.27%, 0.58%

LAB 63.21, 6.4, 19.92

 

CMYK 0 / 17 / 33 / 11

HEX #E4BE98

RGB 228 190 152

HSL 30, 0.58%, 0.75%

LAB 79.38, 8.24, 24.28

 

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

CMYK 25 / 0 / 33 / 91

HEX #121810

RGB 18 24 16

HSL 105, 0.2%, 0.08%

LAB 7.4, -4.47, 3.99

 

CMYK 29 / 33 / 0 / 91

HEX #111018

RGB 17 16 24

HSL 247.5, 0.2%, 0.08%

LAB 5.02, 2.18, -4.8

 

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

CMYK 33 / 0 / 17 / 91

HEX #101814

RGB 16 24 20

HSL 150, 0.2%, 0.08%

LAB 7.35, -4.38, 1.47

 

CMYK 17 / 33 / 0 / 91

HEX #141018

RGB 20 16 24

HSL 270, 0.2%, 0.08%

LAB 5.29, 3.37, -4.38

 

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

CMYK 25 / 0 / 33 / 91

HEX #121810

RGB 18 24 16

HSL 105, 0.2%, 0.08%

LAB 7.4, -4.47, 3.99

 

CMYK 33 / 17 / 0 / 91

HEX #101418

RGB 16 20 24

HSL 210, 0.2%, 0.08%

LAB 6.11, -0.58, -3.22

 

CMYK 8 / 33 / 0 / 91

HEX #161018

RGB 22 16 24

HSL 285, 0.2%, 0.08%

LAB 5.48, 4.26, -4.07

 

CMYK 0 / 17 / 33 / 91

HEX #181410

RGB 24 20 16

HSL 30, 0.2%, 0.08%

LAB 6.61, 1.01, 2.91

 

CMYK 33 / 0 / 33 / 91

HEX #101810

RGB 16 24 16

HSL 120, 0.2%, 0.08%

LAB 7.23, -5.22, 3.73

 

CMYK 33 / 17 / 0 / 91

HEX #101418

RGB 16 20 24

HSL 210, 0.2%, 0.08%

LAB 6.11, -0.58, -3.22

 

CMYK 0 / 33 / 0 / 91

HEX #181018

RGB 24 16 24

HSL 300, 0.2%, 0.08%

LAB 5.7, 5.22, -3.73

 

Description

Color code: RGB 24 20 16 | qconv.com Color code: RGB 24 20 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 20 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 20 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 33 yellow and 91 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 33% 91% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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