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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 129 170 it is the complementary color RGB 231 126 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 129 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 129 170 shade: RGB 29 129 165, RGB 46 147 184, RGB 63 165 203, RGB 80 183 222 and RGB 97 201 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 129 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 129 170 shade: RGB 24 129 170, RGB 7 111 151, RGB 0 93 132, RGB 0 75 113 and RGB 0 57 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 129 170 shade: RGB 24 128 169, RGB 24 89 169, RGB 24 50 169, RGB 37 24 169 and RGB 76 24 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 129 170 shade: RGB 24 128 169, RGB 24 89 169, RGB 24 50 169 and RGB 24 24 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 129 170 shade matches the following richer shades: RGB 24 128 169 and RGB 8 135 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 129 170 shade: RGB 24 128 169, RGB 39 121 153, RGB 55 115 138, RGB 71 108 122 and RGB 86 101 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 129 170 shade: RGB 24 169 130, RGB 24 169 169, RGB 24 130 169, RGB 24 92 169 and RGB 24 53 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 129 170 shade: RGB 13 73 97, RGB 19 101 133, RGB 24 128 169, RGB 29 156 205 and RGB 50 176 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 129 170 shade: RGB 24 129 170, RGB 92 24 169 and RGB 169 150 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 129 170 shade: RGB 24 129 170, RGB 169 24 130 and RGB 130 169 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 129 170 shade: RGB 24 129 170, RGB 92 24 169, RGB 169 62 24 and RGB 101 169 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 129 170 shade: RGB 24 129 170, RGB 135 24 169, RGB 169 62 24 and RGB 58 169 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 24 / 0 / 33

HEX #1881AA

RGB 24 129 170

HSL 196.85, 0.75%, 0.38%

LAB 50.45, -13.35, -29.67

 

Complementary color

CMYK 0 / 45 / 63 / 9

HEX #E77E55

RGB 231 126 85

HSL 16.85, 0.75%, 0.62%

LAB 63.81, 37, 39.98

 

CMYK 82 / 22 / 0 / 35

HEX #1D81A5

RGB 29 129 165

HSL 195.88, 0.7%, 0.38%

LAB 50.31, -14.72, -26.98

 

CMYK 75 / 20 / 0 / 28

HEX #2E93B8

RGB 46 147 184

HSL 196.09, 0.6%, 0.45%

LAB 56.99, -16.15, -27.52

 

CMYK 69 / 19 / 0 / 20

HEX #3FA5CB

RGB 63 165 203

HSL 196.29, 0.57%, 0.52%

LAB 63.57, -17.23, -27.99

 

CMYK 64 / 18 / 0 / 13

HEX #50B7DE

RGB 80 183 222

HSL 196.48, 0.68%, 0.59%

LAB 70.07, -18.05, -28.42

 

CMYK 60 / 17 / 0 / 5

HEX #61C9F1

RGB 97 201 241

HSL 196.67, 0.84%, 0.66%

LAB 76.48, -18.69, -28.81

 

CMYK 86 / 24 / 0 / 33

HEX #1881AA

RGB 24 129 170

HSL 196.85, 0.75%, 0.38%

LAB 50.45, -13.35, -29.67

 

CMYK 95 / 26 / 0 / 41

HEX #076F97

RGB 7 111 151

HSL 196.67, 0.91%, 0.31%

LAB 43.72, -11.16, -29.04

 

CMYK 100 / 30 / 0 / 48

HEX #005D84

RGB 0 93 132

HSL 197.73, 1%, 0.26%

LAB 36.92, -8.26, -28.28

 

CMYK 100 / 34 / 0 / 56

HEX #004B71

RGB 0 75 113

HSL 200.18, 1%, 0.22%

LAB 29.97, -4.8, -27.44

 

CMYK 100 / 39 / 0 / 63

HEX #00395E

RGB 0 57 94

HSL 203.62, 1%, 0.18%

LAB 22.77, -1.04, -26.65

 

CMYK 86 / 24 / 0 / 34

HEX #1880A9

RGB 24 128 169

HSL 196.97, 0.75%, 0.38%

LAB 50.09, -13.15, -29.65

 

CMYK 86 / 47 / 0 / 34

HEX #1859A9

RGB 24 89 169

HSL 213.1, 0.75%, 0.38%

LAB 38.21, 10.83, -48.48

 

CMYK 86 / 70 / 0 / 34

HEX #1832A9

RGB 24 50 169

HSL 229.24, 0.75%, 0.38%

LAB 27.68, 36.87, -65.63

 

CMYK 78 / 86 / 0 / 34

HEX #2518A9

RGB 37 24 169

HSL 245.38, 0.75%, 0.38%

LAB 23.38, 51.67, -72.74

 

CMYK 55 / 86 / 0 / 34

HEX #4C18A9

RGB 76 24 169

HSL 261.52, 0.75%, 0.38%

LAB 26.89, 54.81, -66.82

 

CMYK 86 / 24 / 0 / 34

HEX #1880A9

RGB 24 128 169

HSL 196.97, 0.75%, 0.38%

LAB 50.09, -13.15, -29.65

 

CMYK 86 / 47 / 0 / 34

HEX #1859A9

RGB 24 89 169

HSL 213.1, 0.75%, 0.38%

LAB 38.21, 10.83, -48.48

 

CMYK 86 / 70 / 0 / 34

HEX #1832A9

RGB 24 50 169

HSL 229.24, 0.75%, 0.38%

LAB 27.68, 36.87, -65.63

 

CMYK 86 / 86 / 0 / 34

HEX #1818A9

RGB 24 24 169

HSL 240, 0.75%, 0.38%

LAB 22.7, 51.09, -73.89

 

CMYK 86 / 24 / 0 / 34

HEX #1880A9

RGB 24 128 169

HSL 196.97, 0.75%, 0.38%

LAB 50.09, -13.15, -29.65

 

CMYK 96 / 27 / 0 / 27

HEX #0887B9

RGB 8 135 185

HSL 196.95, 0.92%, 0.38%

LAB 52.82, -12.08, -34.62

 

CMYK 86 / 24 / 0 / 34

HEX #1880A9

RGB 24 128 169

HSL 196.97, 0.75%, 0.38%

LAB 50.09, -13.15, -29.65

 

CMYK 75 / 21 / 0 / 40

HEX #277999

RGB 39 121 153

HSL 196.84, 0.59%, 0.38%

LAB 47.5, -13.33, -24.31

 

CMYK 60 / 17 / 0 / 46

HEX #37738A

RGB 55 115 138

HSL 196.63, 0.43%, 0.38%

LAB 45.51, -12.26, -18.47

 

CMYK 42 / 11 / 0 / 52

HEX #476C7A

RGB 71 108 122

HSL 196.47, 0.26%, 0.38%

LAB 43.46, -9.19, -11.93

 

CMYK 19 / 5 / 0 / 58

HEX #56656A

RGB 86 101 106

HSL 195, 0.1%, 0.38%

LAB 41.73, -4.49, -4.74

 

CMYK 86 / 0 / 23 / 34

HEX #18A982

RGB 24 169 130

HSL 163.86, 0.75%, 0.38%

LAB 61.81, -45.14, 10.13

 

CMYK 86 / 0 / 0 / 34

HEX #18A9A9

RGB 24 169 169

HSL 180, 0.75%, 0.38%

LAB 62.87, -34.25, -10.13

 

CMYK 86 / 23 / 0 / 34

HEX #1882A9

RGB 24 130 169

HSL 196.14, 0.75%, 0.38%

LAB 50.72, -14.27, -28.68

 

CMYK 86 / 46 / 0 / 34

HEX #185CA9

RGB 24 92 169

HSL 211.86, 0.75%, 0.38%

LAB 39.09, 8.86, -47.05

 

CMYK 86 / 69 / 0 / 34

HEX #1835A9

RGB 24 53 169

HSL 228, 0.75%, 0.38%

LAB 28.39, 34.94, -64.46

 

CMYK 87 / 25 / 0 / 62

HEX #0D4961

RGB 13 73 97

HSL 197.14, 0.76%, 0.22%

LAB 28.68, -8.98, -19.29

 

CMYK 86 / 24 / 0 / 48

HEX #136585

RGB 19 101 133

HSL 196.84, 0.75%, 0.3%

LAB 39.81, -11.37, -24.34

 

CMYK 86 / 24 / 0 / 34

HEX #1880A9

RGB 24 128 169

HSL 196.97, 0.75%, 0.38%

LAB 50.09, -13.15, -29.65

 

CMYK 86 / 24 / 0 / 20

HEX #1D9CCD

RGB 29 156 205

HSL 196.7, 0.75%, 0.46%

LAB 60.29, -15.4, -34.25

 

CMYK 78 / 22 / 0 / 12

HEX #32B0E1

RGB 50 176 225

HSL 196.8, 0.74%, 0.54%

LAB 67.4, -17.43, -34.24

 

CMYK 86 / 24 / 0 / 33

HEX #1881AA

RGB 24 129 170

HSL 196.85, 0.75%, 0.38%

LAB 50.45, -13.35, -29.67

 

CMYK 46 / 86 / 0 / 34

HEX #5C18A9

RGB 92 24 169

HSL 268.14, 0.75%, 0.38%

LAB 28.88, 56.68, -63.46

 

CMYK 0 / 11 / 86 / 34

HEX #A99618

RGB 169 150 24

HSL 52.14, 0.75%, 0.38%

LAB 61.92, -5.45, 61.47

 

CMYK 86 / 24 / 0 / 33

HEX #1881AA

RGB 24 129 170

HSL 196.85, 0.75%, 0.38%

LAB 50.45, -13.35, -29.67

 

CMYK 0 / 86 / 23 / 34

HEX #A91882

RGB 169 24 130

HSL 316.14, 0.75%, 0.38%

LAB 39.07, 63.54, -22.57

 

CMYK 23 / 0 / 86 / 34

HEX #82A918

RGB 130 169 24

HSL 76.14, 0.75%, 0.38%

LAB 64.31, -32.09, 62.24

 

CMYK 86 / 24 / 0 / 33

HEX #1881AA

RGB 24 129 170

HSL 196.85, 0.75%, 0.38%

LAB 50.45, -13.35, -29.67

 

CMYK 46 / 86 / 0 / 34

HEX #5C18A9

RGB 92 24 169

HSL 268.14, 0.75%, 0.38%

LAB 28.88, 56.68, -63.46

 

CMYK 0 / 63 / 86 / 34

HEX #A93E18

RGB 169 62 24

HSL 15.72, 0.75%, 0.38%

LAB 41.13, 42.2, 43.96

 

CMYK 40 / 0 / 86 / 34

HEX #65A918

RGB 101 169 24

HSL 88.14, 0.75%, 0.38%

LAB 62.68, -43.15, 60.2

 

CMYK 86 / 24 / 0 / 33

HEX #1881AA

RGB 24 129 170

HSL 196.85, 0.75%, 0.38%

LAB 50.45, -13.35, -29.67

 

CMYK 20 / 86 / 0 / 34

HEX #8718A9

RGB 135 24 169

HSL 285.93, 0.75%, 0.38%

LAB 35.34, 63.05, -52.65

 

CMYK 0 / 63 / 86 / 34

HEX #A93E18

RGB 169 62 24

HSL 15.72, 0.75%, 0.38%

LAB 41.13, 42.2, 43.96

 

CMYK 66 / 0 / 86 / 34

HEX #3AA918

RGB 58 169 24

HSL 105.93, 0.75%, 0.38%

LAB 61.08, -55.61, 58.17

 

Description

Color code: RGB 24 129 170 | qconv.com Color code: RGB 24 129 170 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 129 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 129 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 24 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 24% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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