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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 116 142 it is the complementary color RGB 231 139 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 116 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 24 116 142: RGB 29 116 137, RGB 46 134 156, RGB 63 152 175, RGB 80 170 194 and RGB 97 188 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 116 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 24 116 142: RGB 24 116 142, RGB 7 98 123, RGB 0 80 104, RGB 0 62 85 and RGB 0 44 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

Complementary color

CMYK 0 / 40 / 51 / 9

HEX #E78B71

RGB 231 139 113

HSL 13.22, 0.71%, 0.67%

LAB 67.01, 32.38, 28.84

 

CMYK 79 / 15 / 0 / 46

HEX #1D7489

RGB 29 116 137

HSL 191.67, 0.65%, 0.33%

LAB 45.02, -17.41, -18.68

 

CMYK 71 / 14 / 0 / 39

HEX #2E869C

RGB 46 134 156

HSL 192, 0.54%, 0.4%

LAB 51.87, -18.49, -19.32

 

CMYK 64 / 13 / 0 / 31

HEX #3F98AF

RGB 63 152 175

HSL 192.32, 0.47%, 0.47%

LAB 58.61, -19.25, -19.88

 

CMYK 59 / 12 / 0 / 24

HEX #50AAC2

RGB 80 170 194

HSL 192.63, 0.48%, 0.54%

LAB 65.24, -19.79, -20.39

 

CMYK 54 / 12 / 0 / 16

HEX #61BCD5

RGB 97 188 213

HSL 192.93, 0.58%, 0.61%

LAB 71.77, -20.18, -20.86

 

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

CMYK 94 / 20 / 0 / 52

HEX #07627B

RGB 7 98 123

HSL 192.93, 0.89%, 0.25%

LAB 38.22, -14.3, -20.75

 

CMYK 100 / 23 / 0 / 59

HEX #005068

RGB 0 80 104

HSL 193.85, 1%, 0.2%

LAB 31.2, -11.62, -19.84

 

CMYK 100 / 27 / 0 / 67

HEX #003E55

RGB 0 62 85

HSL 196.24, 1%, 0.17%

LAB 24, -8.29, -18.82

 

CMYK 100 / 33 / 0 / 74

HEX #002C42

RGB 0 44 66

HSL 200, 1%, 0.13%

LAB 16.48, -4.67, -17.84

 

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

CMYK 83 / 31 / 0 / 44

HEX #18628F

RGB 24 98 143

HSL 202.69, 0.71%, 0.33%

LAB 39.43, -5.26, -30.97

 

CMYK 83 / 45 / 0 / 44

HEX #184E8F

RGB 24 78 143

HSL 212.77, 0.71%, 0.33%

LAB 33.19, 7.63, -40.89

 

CMYK 83 / 59 / 0 / 44

HEX #183A8F

RGB 24 58 143

HSL 222.86, 0.71%, 0.33%

LAB 27.31, 21.38, -50.41

 

CMYK 83 / 73 / 0 / 44

HEX #18268F

RGB 24 38 143

HSL 232.94, 0.71%, 0.33%

LAB 22.17, 34.85, -58.83

 

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

CMYK 83 / 18 / 0 / 24

HEX #219EC1

RGB 33 158 193

HSL 193.13, 0.71%, 0.44%

LAB 60.45, -20.32, -27.27

 

CMYK 83 / 18 / 0 / 4

HEX #29C7F4

RGB 41 199 244

HSL 193.3, 0.9%, 0.56%

LAB 74.73, -23.81, -33.22

 

CMYK 83 / 18 / 0 / 84

HEX #072128

RGB 7 33 40

HSL 192.73, 0.7%, 0.09%

LAB 11.18, -7.06, -7.63

 

CMYK 84 / 19 / 0 / 64

HEX #0F4A5B

RGB 15 74 91

HSL 193.42, 0.72%, 0.21%

LAB 28.78, -11.7, -15.28

 

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

CMYK 48 / 83 / 0 / 44

HEX #4A188F

RGB 74 24 143

HSL 265.21, 0.71%, 0.33%

LAB 23.97, 47.81, -55.71

 

CMYK 0 / 15 / 83 / 44

HEX #8F7918

RGB 143 121 24

HSL 48.91, 0.71%, 0.33%

LAB 51.36, -1.47, 51.49

 

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

CMYK 0 / 83 / 17 / 44

HEX #8F1876

RGB 143 24 118

HSL 312.61, 0.71%, 0.33%

LAB 33.56, 56.11, -24.02

 

CMYK 17 / 0 / 83 / 44

HEX #768F18

RGB 118 143 24

HSL 72.61, 0.71%, 0.33%

LAB 55.65, -24.6, 54.42

 

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

CMYK 48 / 83 / 0 / 44

HEX #4A188F

RGB 74 24 143

HSL 265.21, 0.71%, 0.33%

LAB 23.97, 47.81, -55.71

 

CMYK 0 / 65 / 83 / 44

HEX #8F3218

RGB 143 50 24

HSL 13.11, 0.71%, 0.33%

LAB 34.37, 38.06, 36.1

 

CMYK 34 / 0 / 83 / 44

HEX #5E8F18

RGB 94 143 24

HSL 84.71, 0.71%, 0.33%

LAB 54.12, -34.46, 52.49

 

CMYK 83 / 18 / 0 / 44

HEX #18748E

RGB 24 116 142

HSL 193.22, 0.71%, 0.33%

LAB 45.13, -16.18, -21.49

 

CMYK 23 / 83 / 0 / 44

HEX #6E188F

RGB 110 24 143

HSL 283.36, 0.71%, 0.33%

LAB 29.29, 53.62, -46.81

 

CMYK 0 / 65 / 83 / 44

HEX #8F3218

RGB 143 50 24

HSL 13.11, 0.71%, 0.33%

LAB 34.37, 38.06, 36.1

 

CMYK 59 / 0 / 83 / 44

HEX #3A8F18

RGB 58 143 24

HSL 102.86, 0.71%, 0.33%

LAB 52.52, -46.39, 50.43

 

Description

Color code: RGB 24 116 142 | qconv.com Color code: RGB 24 116 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 116 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 116 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 18 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 18% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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