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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249.14 162 137 it is the complementary color RGB 5.86 93 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249.14 162 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249.14 162 137 shade: RGB 254.14 162 132, RGB 255 180 151, RGB 255 198 170, RGB 255 216 189 and RGB 255 234 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249.14 162 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249.14 162 137 shade: RGB 249.14 162 137, RGB 232.14 144 118, RGB 215.14 126 99, RGB 198.14 108 80 and RGB 181.14 90 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249.14 162 137 shade: RGB 249 163 138 and RGB 249 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249.14 162 137 shade: RGB 249 163 138, RGB 249 193 138, RGB 249 223 138, RGB 246 249 138 and RGB 216 249 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249.14 162 137 shade matches the following richer shades: RGB 249 163 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249.14 162 137 shade: RGB 249 163 138, RGB 240 168 148, RGB 230 174 158, RGB 220 179 168 and RGB 210 185 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249.14 162 137 shade: RGB 249 138 173, RGB 249 138 144, RGB 249 162 138, RGB 249 192 138 and RGB 249 222 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249.14 162 137 shade: RGB 246 101 59, RGB 248 132 99, RGB 249 163 138, RGB 251 194 178 and RGB 253 225 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249.14 162 137 shade: RGB 249.14 162 137, RGB 203 249 138 and RGB 138 159 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249.14 162 137 shade: RGB 249.14 162 137, RGB 138 249 162 and RGB 162 138 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249.14 162 137 shade: RGB 249.14 162 137, RGB 203 249 138, RGB 138 225 249 and RGB 185 138 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249.14 162 137 shade: RGB 249.14 162 137, RGB 170 249 138, RGB 138 225 249 and RGB 218 138 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 45 / 2

HEX #F9A289

RGB 249.14 162 137

HSL 13.38, 0.91%, 0.76%

LAB 74.71, 29.56, 26.37

 

Complementary color

CMYK 95 / 21 / 0 / 54

HEX #055D76

RGB 5.86 93 118

HSL 193.38, 0.91%, 0.24%

LAB 36.32, -13.38, -20.62

 

CMYK 0 / 36 / 48 / 0

HEX #FEA284

RGB 254.14 162 132

HSL 14.74, 0.99%, 0.76%

LAB 75.2, 31, 29.83

 

CMYK 0 / 29 / 41 / 0

HEX #FFB497

RGB 255 180 151

HSL 16.73, 1%, 0.8%

LAB 79.69, 23.83, 25.69

 

CMYK 0 / 22 / 33 / 0

HEX #FFC6AA

RGB 255 198 170

HSL 19.76, 1%, 0.83%

LAB 84.25, 16.58, 21.84

 

CMYK 0 / 15 / 26 / 0

HEX #FFD8BD

RGB 255 216 189

HSL 24.55, 1%, 0.87%

LAB 88.94, 9.65, 18.36

 

CMYK 0 / 8 / 18 / 0

HEX #FFEAD0

RGB 255 234 208

HSL 33.19, 1%, 0.91%

LAB 93.74, 3.08, 15.21

 

CMYK 0 / 35 / 45 / 2

HEX #F9A289

RGB 249.14 162 137

HSL 13.38, 0.91%, 0.76%

LAB 74.71, 29.56, 26.37

 

CMYK 0 / 38 / 49 / 9

HEX #E89076

RGB 232.14 144 118

HSL 13.67, 0.71%, 0.69%

LAB 68.34, 30.64, 27.87

 

CMYK 0 / 41 / 54 / 16

HEX #D77E63

RGB 215.14 126 99

HSL 13.95, 0.59%, 0.62%

LAB 61.9, 31.83, 29.53

 

CMYK 0 / 45 / 60 / 22

HEX #C66C50

RGB 198.14 108 80

HSL 14.22, 0.51%, 0.55%

LAB 55.41, 33.15, 31.39

 

CMYK 0 / 50 / 66 / 29

HEX #B55A3D

RGB 181.14 90 61

HSL 14.48, 0.5%, 0.47%

LAB 48.87, 34.59, 33.49

 

CMYK 0 / 35 / 45 / 2

HEX #F9A38A

RGB 249 163 138

HSL 13.51, 0.9%, 0.76%

LAB 74.93, 29.09, 26.13

 

CMYK 0 / 45 / 45 / 2

HEX #F98A8A

RGB 249 138 138

HSL 0, 0.9%, 0.76%

LAB 69.58, 42.01, 18.85

 

CMYK 0 / 35 / 45 / 2

HEX #F9A38A

RGB 249 163 138

HSL 13.51, 0.9%, 0.76%

LAB 74.93, 29.09, 26.13

 

CMYK 0 / 22 / 45 / 2

HEX #F9C18A

RGB 249 193 138

HSL 29.73, 0.9%, 0.76%

LAB 81.9, 13.33, 35.35

 

CMYK 0 / 10 / 45 / 2

HEX #F9DF8A

RGB 249 223 138

HSL 45.95, 0.9%, 0.76%

LAB 89.28, -2.15, 44.79

 

CMYK 1 / 0 / 45 / 2

HEX #F6F98A

RGB 246 249 138

HSL 61.62, 0.9%, 0.76%

LAB 95.66, -16.24, 52.66

 

CMYK 13 / 0 / 45 / 2

HEX #D8F98A

RGB 216 249 138

HSL 77.84, 0.9%, 0.76%

LAB 93.53, -27.61, 49.57

 

CMYK 0 / 35 / 45 / 2

HEX #F9A38A

RGB 249 163 138

HSL 13.51, 0.9%, 0.76%

LAB 74.93, 29.09, 26.13

 

CMYK 0 / 35 / 45 / 2

HEX #F9A38A

RGB 249 163 138

HSL 13.51, 0.9%, 0.76%

LAB 74.93, 29.09, 26.13

 

CMYK 0 / 30 / 38 / 6

HEX #F0A894

RGB 240 168 148

HSL 13.04, 0.75%, 0.76%

LAB 75.24, 24.07, 20.97

 

CMYK 0 / 24 / 31 / 10

HEX #E6AE9E

RGB 230 174 158

HSL 13.33, 0.59%, 0.76%

LAB 75.8, 18.27, 16.15

 

CMYK 0 / 19 / 24 / 14

HEX #DCB3A8

RGB 220 179 168

HSL 12.69, 0.43%, 0.76%

LAB 76.24, 13.18, 11.21

 

CMYK 0 / 12 / 15 / 18

HEX #D2B9B2

RGB 210 185 178

HSL 13.13, 0.26%, 0.76%

LAB 77.05, 7.77, 6.81

 

CMYK 0 / 45 / 31 / 2

HEX #F98AAD

RGB 249 138 173

HSL 341.08, 0.9%, 0.76%

LAB 70.41, 45.96, 0.47

 

CMYK 0 / 45 / 42 / 2

HEX #F98A90

RGB 249 138 144

HSL 356.76, 0.9%, 0.76%

LAB 69.7, 42.62, 15.68

 

CMYK 0 / 35 / 45 / 2

HEX #F9A28A

RGB 249 162 138

HSL 12.97, 0.9%, 0.76%

LAB 74.71, 29.61, 25.83

 

CMYK 0 / 23 / 45 / 2

HEX #F9C08A

RGB 249 192 138

HSL 29.19, 0.9%, 0.76%

LAB 81.66, 13.85, 35.04

 

CMYK 0 / 11 / 45 / 2

HEX #F9DE8A

RGB 249 222 138

HSL 45.41, 0.9%, 0.76%

LAB 89.03, -1.64, 44.48

 

CMYK 0 / 59 / 76 / 4

HEX #F6653B

RGB 246 101 59

HSL 13.48, 0.91%, 0.6%

LAB 60.97, 53.39, 50.77

 

CMYK 0 / 47 / 60 / 3

HEX #F88463

RGB 248 132 99

HSL 13.29, 0.91%, 0.68%

LAB 67.55, 41.39, 37.59

 

CMYK 0 / 35 / 45 / 2

HEX #F9A38A

RGB 249 163 138

HSL 13.51, 0.9%, 0.76%

LAB 74.93, 29.09, 26.13

 

CMYK 0 / 23 / 29 / 2

HEX #FBC2B2

RGB 251 194 178

HSL 13.15, 0.9%, 0.84%

LAB 83.08, 18.18, 15.9

 

CMYK 0 / 11 / 14 / 1

HEX #FDE1D9

RGB 253 225 217

HSL 13.33, 0.9%, 0.92%

LAB 91.57, 8.34, 7.41

 

CMYK 0 / 35 / 45 / 2

HEX #F9A289

RGB 249.14 162 137

HSL 13.38, 0.91%, 0.76%

LAB 74.71, 29.56, 26.37

 

CMYK 18 / 0 / 45 / 2

HEX #CBF98A

RGB 203 249 138

HSL 84.86, 0.9%, 0.76%

LAB 92.7, -32.37, 48.35

 

CMYK 45 / 36 / 0 / 2

HEX #8A9FF9

RGB 138 159 249

HSL 228.65, 0.9%, 0.76%

LAB 67.31, 15.55, -47.25

 

CMYK 0 / 35 / 45 / 2

HEX #F9A289

RGB 249.14 162 137

HSL 13.38, 0.91%, 0.76%

LAB 74.71, 29.56, 26.37

 

CMYK 45 / 0 / 35 / 2

HEX #8AF9A2

RGB 138 249 162

HSL 132.97, 0.9%, 0.76%

LAB 89.75, -49.84, 32.12

 

CMYK 35 / 45 / 0 / 2

HEX #A28AF9

RGB 162 138 249

HSL 252.97, 0.9%, 0.76%

LAB 63.92, 33.6, -52.5

 

CMYK 0 / 35 / 45 / 2

HEX #F9A289

RGB 249.14 162 137

HSL 13.38, 0.91%, 0.76%

LAB 74.71, 29.56, 26.37

 

CMYK 18 / 0 / 45 / 2

HEX #CBF98A

RGB 203 249 138

HSL 84.86, 0.9%, 0.76%

LAB 92.7, -32.37, 48.35

 

CMYK 45 / 10 / 0 / 2

HEX #8AE1F9

RGB 138 225 249

HSL 192.97, 0.9%, 0.76%

LAB 85.04, -20.13, -19.87

 

CMYK 26 / 45 / 0 / 2

HEX #B98AF9

RGB 185 138 249

HSL 265.41, 0.9%, 0.76%

LAB 66.01, 39.65, -49.05

 

CMYK 0 / 35 / 45 / 2

HEX #F9A289

RGB 249.14 162 137

HSL 13.38, 0.91%, 0.76%

LAB 74.71, 29.56, 26.37

 

CMYK 32 / 0 / 45 / 2

HEX #AAF98A

RGB 170 249 138

HSL 102.7, 0.9%, 0.76%

LAB 90.84, -43.76, 45.62

 

CMYK 45 / 10 / 0 / 2

HEX #8AE1F9

RGB 138 225 249

HSL 192.97, 0.9%, 0.76%

LAB 85.04, -20.13, -19.87

 

CMYK 12 / 45 / 0 / 2

HEX #DA8AF9

RGB 218 138 249

HSL 283.24, 0.9%, 0.76%

LAB 69.41, 48.75, -43.46

 

Description

Color code: RGB 249.14 162 137 | qconv.com Color code: RGB 249.14 162 137 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249.14 red, 162 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249.14 162 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 45 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 45% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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