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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 161 82 it is the complementary color RGB 7 94 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 161 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 161 82 shade: RGB 253 161 77, RGB 255 179 96, RGB 255 197 115, RGB 255 215 134 and RGB 255 233 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 161 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 161 82 shade: RGB 248 161 82, RGB 231 143 63, RGB 214 125 44, RGB 197 107 25 and RGB 180 89 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 161 82 shade: RGB 248 162 84, RGB 248 117 84 and RGB 248 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 161 82 shade: RGB 248 162 84, RGB 248 206 84, RGB 245 248 84, RGB 201 248 84 and RGB 157 248 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 161 82 shade matches the following richer shades: RGB 248 162 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 161 82 shade: RGB 248 162 84, RGB 233 162 98, RGB 219 163 113, RGB 205 164 127 and RGB 190 165 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 161 82 shade: RGB 248 84 95, RGB 248 116 84, RGB 248 160 84, RGB 248 204 84 and RGB 248 248 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 161 82 shade: RGB 239 119 10, RGB 246 140 44, RGB 248 162 84, RGB 250 183 123 and RGB 251 205 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 161 82 shade: RGB 248 161 82, RGB 138 248 84 and RGB 95 84 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 161 82 shade: RGB 248 161 82, RGB 84 248 160 and RGB 160 84 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 161 82 shade: RGB 248 161 82, RGB 138 248 84, RGB 84 171 248 and RGB 193 84 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 161 82 shade: RGB 248 161 82, RGB 89 248 84, RGB 84 171 248 and RGB 242 84 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 67 / 3

HEX #F8A152

RGB 248 161 82

HSL 28.55, 0.92%, 0.65%

LAB 73.58, 25.36, 53.31

 

Complementary color

CMYK 96 / 46 / 0 / 32

HEX #075EAD

RGB 7 94 173

HSL 208.55, 0.92%, 0.35%

LAB 39.69, 8.19, -48.47

 

CMYK 0 / 36 / 70 / 1

HEX #FDA14D

RGB 253 161 77

HSL 28.64, 0.98%, 0.65%

LAB 74.13, 27.13, 56.42

 

CMYK 0 / 30 / 62 / 0

HEX #FFB360

RGB 255 179 96

HSL 31.32, 1%, 0.69%

LAB 78.66, 19.63, 52.59

 

CMYK 0 / 23 / 55 / 0

HEX #FFC573

RGB 255 197 115

HSL 35.14, 1%, 0.73%

LAB 83.14, 11.6, 48.66

 

CMYK 0 / 16 / 47 / 0

HEX #FFD786

RGB 255 215 134

HSL 40.17, 1%, 0.76%

LAB 87.77, 3.92, 44.99

 

CMYK 0 / 9 / 40 / 0

HEX #FFE999

RGB 255 233 153

HSL 47.06, 1%, 0.8%

LAB 92.5, -3.34, 41.58

 

CMYK 0 / 35 / 67 / 3

HEX #F8A152

RGB 248 161 82

HSL 28.55, 0.92%, 0.65%

LAB 73.58, 25.36, 53.31

 

CMYK 0 / 38 / 73 / 9

HEX #E78F3F

RGB 231 143 63

HSL 28.57, 0.78%, 0.58%

LAB 67.27, 26.9, 54.74

 

CMYK 0 / 42 / 79 / 16

HEX #D67D2C

RGB 214 125 44

HSL 28.59, 0.67%, 0.51%

LAB 60.91, 28.64, 55.92

 

CMYK 0 / 46 / 87 / 23

HEX #C56B19

RGB 197 107 25

HSL 28.6, 0.77%, 0.44%

LAB 54.51, 30.59, 56.47

 

CMYK 0 / 51 / 97 / 29

HEX #B45906

RGB 180 89 6

HSL 28.62, 0.94%, 0.36%

LAB 48.08, 32.74, 55.65

 

CMYK 0 / 35 / 66 / 3

HEX #F8A254

RGB 248 162 84

HSL 28.54, 0.92%, 0.65%

LAB 73.83, 24.95, 52.64

 

CMYK 0 / 53 / 66 / 3

HEX #F87554

RGB 248 117 84

HSL 12.07, 0.92%, 0.65%

LAB 64.42, 47.84, 41.82

 

CMYK 0 / 66 / 66 / 3

HEX #F85454

RGB 248 84 84

HSL 0, 0.92%, 0.65%

LAB 58.92, 62.35, 35.19

 

CMYK 0 / 35 / 66 / 3

HEX #F8A254

RGB 248 162 84

HSL 28.54, 0.92%, 0.65%

LAB 73.83, 24.95, 52.64

 

CMYK 0 / 17 / 66 / 3

HEX #F8CE54

RGB 248 206 84

HSL 44.63, 0.92%, 0.65%

LAB 84.35, 1.98, 64.08

 

CMYK 1 / 0 / 66 / 3

HEX #F5F854

RGB 245 248 84

HSL 61.1, 0.92%, 0.65%

LAB 94.82, -20.14, 74.82

 

CMYK 19 / 0 / 66 / 3

HEX #C9F854

RGB 201 248 84

HSL 77.2, 0.92%, 0.65%

LAB 91.77, -37.4, 70.73

 

CMYK 37 / 0 / 66 / 3

HEX #9DF854

RGB 157 248 84

HSL 93.29, 0.92%, 0.65%

LAB 89.37, -53.05, 67.47

 

CMYK 0 / 35 / 66 / 3

HEX #F8A254

RGB 248 162 84

HSL 28.54, 0.92%, 0.65%

LAB 73.83, 24.95, 52.64

 

CMYK 0 / 35 / 66 / 3

HEX #F8A254

RGB 248 162 84

HSL 28.54, 0.92%, 0.65%

LAB 73.83, 24.95, 52.64

 

CMYK 0 / 30 / 58 / 9

HEX #E9A262

RGB 233 162 98

HSL 28.44, 0.75%, 0.65%

LAB 72.26, 19.75, 43.45

 

CMYK 0 / 26 / 48 / 14

HEX #DBA371

RGB 219 163 113

HSL 28.3, 0.6%, 0.65%

LAB 71.18, 14.77, 33.97

 

CMYK 0 / 20 / 38 / 20

HEX #CDA47F

RGB 205 164 127

HSL 28.46, 0.44%, 0.65%

LAB 70.22, 10.06, 24.93

 

CMYK 0 / 13 / 26 / 25

HEX #BEA58D

RGB 190 165 141

HSL 29.39, 0.27%, 0.65%

LAB 69.31, 5.39, 15.81

 

CMYK 0 / 66 / 62 / 3

HEX #F8545F

RGB 248 84 95

HSL 355.98, 0.92%, 0.65%

LAB 59.09, 62.98, 29.13

 

CMYK 0 / 53 / 66 / 3

HEX #F87454

RGB 248 116 84

HSL 11.71, 0.92%, 0.65%

LAB 64.23, 48.32, 41.6

 

CMYK 0 / 35 / 66 / 3

HEX #F8A054

RGB 248 160 84

HSL 27.8, 0.92%, 0.65%

LAB 73.38, 26, 52.13

 

CMYK 0 / 18 / 66 / 3

HEX #F8CC54

RGB 248 204 84

HSL 43.9, 0.92%, 0.65%

LAB 83.85, 3.01, 63.55

 

CMYK 0 / 0 / 66 / 3

HEX #F8F854

RGB 248 248 84

HSL 60, 0.92%, 0.65%

LAB 95.05, -18.93, 75.13

 

CMYK 0 / 50 / 96 / 6

HEX #EF770A

RGB 239 119 10

HSL 28.56, 0.92%, 0.49%

LAB 62.98, 41.14, 68.85

 

CMYK 0 / 43 / 82 / 4

HEX #F68C2C

RGB 246 140 44

HSL 28.51, 0.92%, 0.57%

LAB 68.41, 33.89, 64.29

 

CMYK 0 / 35 / 66 / 3

HEX #F8A254

RGB 248 162 84

HSL 28.54, 0.92%, 0.65%

LAB 73.83, 24.95, 52.64

 

CMYK 0 / 27 / 51 / 2

HEX #FAB77B

RGB 250 183 123

HSL 28.35, 0.93%, 0.73%

LAB 79.4, 17.56, 39.9

 

CMYK 0 / 18 / 35 / 2

HEX #FBCDA3

RGB 251 205 163

HSL 28.64, 0.92%, 0.81%

LAB 85.41, 10.57, 27.04

 

CMYK 0 / 35 / 67 / 3

HEX #F8A152

RGB 248 161 82

HSL 28.55, 0.92%, 0.65%

LAB 73.58, 25.36, 53.31

 

CMYK 44 / 0 / 66 / 3

HEX #8AF854

RGB 138 248 84

HSL 100.24, 0.92%, 0.65%

LAB 88.53, -59.01, 66.34

 

CMYK 62 / 66 / 0 / 3

HEX #5F54F8

RGB 95 84 248

HSL 244.02, 0.92%, 0.65%

LAB 46.38, 50.77, -80.49

 

CMYK 0 / 35 / 67 / 3

HEX #F8A152

RGB 248 161 82

HSL 28.55, 0.92%, 0.65%

LAB 73.58, 25.36, 53.31

 

CMYK 66 / 0 / 35 / 3

HEX #54F8A0

RGB 84 248 160

HSL 147.8, 0.92%, 0.65%

LAB 87.76, -61.7, 30.16

 

CMYK 35 / 66 / 0 / 3

HEX #A054F8

RGB 160 84 248

HSL 267.8, 0.92%, 0.65%

LAB 52.5, 61.79, -70.26

 

CMYK 0 / 35 / 67 / 3

HEX #F8A152

RGB 248 161 82

HSL 28.55, 0.92%, 0.65%

LAB 73.58, 25.36, 53.31

 

CMYK 44 / 0 / 66 / 3

HEX #8AF854

RGB 138 248 84

HSL 100.24, 0.92%, 0.65%

LAB 88.53, -59.01, 66.34

 

CMYK 66 / 31 / 0 / 3

HEX #54ABF8

RGB 84 171 248

HSL 208.17, 0.92%, 0.65%

LAB 67.86, -2.55, -46.01

 

CMYK 22 / 66 / 0 / 3

HEX #C154F8

RGB 193 84 248

HSL 279.88, 0.92%, 0.65%

LAB 56.54, 68.48, -63.53

 

CMYK 0 / 35 / 67 / 3

HEX #F8A152

RGB 248 161 82

HSL 28.55, 0.92%, 0.65%

LAB 73.58, 25.36, 53.31

 

CMYK 64 / 0 / 66 / 3

HEX #59F854

RGB 89 248 84

HSL 118.17, 0.92%, 0.65%

LAB 86.95, -71.28, 64.17

 

CMYK 66 / 31 / 0 / 3

HEX #54ABF8

RGB 84 171 248

HSL 208.17, 0.92%, 0.65%

LAB 67.86, -2.55, -46.01

 

CMYK 2 / 66 / 0 / 3

HEX #F254F8

RGB 242 84 248

HSL 297.8, 0.92%, 0.65%

LAB 63.34, 79.01, -52.28

 

Description

Color code: RGB 248 161 82 | qconv.com Color code: RGB 248 161 82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 161 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 161 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 67% 3% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - AURA CANDLE | アウラキャン...
Link: http://aura-candle.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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