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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248.7 200.6 171 it is the complementary color RGB 6.3 54.4 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248.7 200.6 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248.7 200.6 171 shade: RGB 253.7 200.6 166, RGB 255 218.6 185, RGB 255 236.6 204, RGB 255 254.6 223 and RGB 255 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248.7 200.6 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248.7 200.6 171 shade: RGB 248.7 200.6 171, RGB 231.7 182.6 152, RGB 214.7 164.6 133, RGB 197.7 146.6 114 and RGB 180.7 128.6 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248.7 200.6 171 shade: RGB 249 200 170, RGB 249 178 170 and RGB 249 170 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248.7 200.6 171 shade: RGB 249 200 170, RGB 249 221 170, RGB 249 242 170, RGB 234 249 170 and RGB 212 249 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248.7 200.6 171 shade matches the following richer shades: RGB 249 200 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248.7 200.6 171 shade: RGB 249 200 170, RGB 241 201 177, RGB 234 203 184, RGB 226 205 192 and RGB 219 207 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248.7 200.6 171 shade: RGB 249 170 183, RGB 249 178 170, RGB 249 199 170, RGB 249 220 170 and RGB 249 241 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248.7 200.6 171 shade: RGB 243 150 93, RGB 246 175 131, RGB 249 200 170, RGB 251 225 208 and RGB 254 249 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248.7 200.6 171 shade: RGB 248.7 200.6 171, RGB 204 249 170 and RGB 170 172 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248.7 200.6 171 shade: RGB 248.7 200.6 171, RGB 170 249 199 and RGB 199 170 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248.7 200.6 171 shade: RGB 248.7 200.6 171, RGB 204 249 170, RGB 170 220 249 and RGB 214 170 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248.7 200.6 171 shade: RGB 248.7 200.6 171, RGB 180 249 170, RGB 170 220 249 and RGB 238 170 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 31 / 2

HEX #F8C8AB

RGB 248.7 200.6 171

HSL 22.86, 0.86%, 0.82%

LAB 84.28, 12.96, 21.26

 

Complementary color

CMYK 93 / 35 / 0 / 67

HEX #063654

RGB 6.3 54.4 84

HSL 202.86, 0.86%, 0.18%

LAB 21.42, -2.97, -22.21

 

CMYK 0 / 21 / 35 / 1

HEX #FDC8A6

RGB 253.7 200.6 166

HSL 23.67, 0.97%, 0.82%

LAB 84.67, 14.25, 24.49

 

CMYK 0 / 14 / 27 / 0

HEX #FFDAB9

RGB 255 218.6 185

HSL 28.8, 1%, 0.86%

LAB 89.49, 7.78, 21.22

 

CMYK 0 / 7 / 20 / 0

HEX #FFECCC

RGB 255 236.6 204

HSL 38.35, 1%, 0.9%

LAB 94.29, 1.18, 18.06

 

CMYK 0 / 0 / 13 / 0

HEX #FFFEDF

RGB 255 254.6 223

HSL 59.25, 1%, 0.94%

LAB 99.16, -5.06, 15.17

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 19 / 31 / 2

HEX #F8C8AB

RGB 248.7 200.6 171

HSL 22.86, 0.86%, 0.82%

LAB 84.28, 12.96, 21.26

 

CMYK 0 / 21 / 34 / 9

HEX #E7B698

RGB 231.7 182.6 152

HSL 23.04, 0.63%, 0.75%

LAB 77.92, 13.59, 22.35

 

CMYK 0 / 23 / 38 / 16

HEX #D6A485

RGB 214.7 164.6 133

HSL 23.21, 0.5%, 0.68%

LAB 71.46, 14.3, 23.52

 

CMYK 0 / 26 / 42 / 22

HEX #C59272

RGB 197.7 146.6 114

HSL 23.37, 0.42%, 0.61%

LAB 64.9, 15.11, 24.79

 

CMYK 0 / 29 / 47 / 29

HEX #B4805F

RGB 180.7 128.6 95

HSL 23.52, 0.37%, 0.54%

LAB 58.23, 16.04, 26.18

 

CMYK 0 / 20 / 32 / 2

HEX #F9C8AA

RGB 249 200 170

HSL 22.78, 0.87%, 0.82%

LAB 84.15, 13.27, 21.6

 

CMYK 0 / 29 / 32 / 2

HEX #F9B2AA

RGB 249 178 170

HSL 6.08, 0.87%, 0.82%

LAB 78.97, 24.83, 14.39

 

CMYK 0 / 32 / 32 / 2

HEX #F9AAAA

RGB 249 170 170

HSL 0, 0.87%, 0.82%

LAB 77.16, 29.04, 11.83

 

CMYK 0 / 20 / 32 / 2

HEX #F9C8AA

RGB 249 200 170

HSL 22.78, 0.87%, 0.82%

LAB 84.15, 13.27, 21.6

 

CMYK 0 / 11 / 32 / 2

HEX #F9DDAA

RGB 249 221 170

HSL 38.73, 0.87%, 0.82%

LAB 89.28, 2.39, 28.61

 

CMYK 0 / 3 / 32 / 2

HEX #F9F2AA

RGB 249 242 170

HSL 54.68, 0.87%, 0.82%

LAB 94.55, -8.22, 35.66

 

CMYK 6 / 0 / 32 / 2

HEX #EAF9AA

RGB 234 249 170

HSL 71.39, 0.87%, 0.82%

LAB 95.22, -17.24, 36.35

 

CMYK 15 / 0 / 32 / 2

HEX #D4F9AA

RGB 212 249 170

HSL 88.1, 0.87%, 0.82%

LAB 93.73, -25.17, 34.1

 

CMYK 0 / 20 / 32 / 2

HEX #F9C8AA

RGB 249 200 170

HSL 22.78, 0.87%, 0.82%

LAB 84.15, 13.27, 21.6

 

CMYK 0 / 20 / 32 / 2

HEX #F9C8AA

RGB 249 200 170

HSL 22.78, 0.87%, 0.82%

LAB 84.15, 13.27, 21.6

 

CMYK 0 / 17 / 27 / 5

HEX #F1C9B1

RGB 241 201 177

HSL 22.5, 0.7%, 0.82%

LAB 83.78, 10.64, 17.28

 

CMYK 0 / 13 / 21 / 8

HEX #EACBB8

RGB 234 203 184

HSL 22.8, 0.54%, 0.82%

LAB 83.79, 7.97, 13.48

 

CMYK 0 / 9 / 15 / 11

HEX #E2CDC0

RGB 226 205 192

HSL 22.94, 0.37%, 0.82%

LAB 83.78, 5.21, 9.12

 

CMYK 0 / 5 / 9 / 14

HEX #DBCFC7

RGB 219 207 199

HSL 24, 0.22%, 0.82%

LAB 83.87, 2.79, 5.45

 

CMYK 0 / 32 / 27 / 2

HEX #F9AAB7

RGB 249 170 183

HSL 350.13, 0.87%, 0.82%

LAB 77.46, 30.74, 5.19

 

CMYK 0 / 29 / 32 / 2

HEX #F9B2AA

RGB 249 178 170

HSL 6.08, 0.87%, 0.82%

LAB 78.97, 24.83, 14.39

 

CMYK 0 / 20 / 32 / 2

HEX #F9C7AA

RGB 249 199 170

HSL 22.03, 0.87%, 0.82%

LAB 83.91, 13.79, 21.27

 

CMYK 0 / 12 / 32 / 2

HEX #F9DCAA

RGB 249 220 170

HSL 37.97, 0.87%, 0.82%

LAB 89.03, 2.9, 28.27

 

CMYK 0 / 3 / 32 / 2

HEX #F9F1AA

RGB 249 241 170

HSL 53.92, 0.87%, 0.82%

LAB 94.29, -7.72, 35.32

 

CMYK 0 / 38 / 62 / 5

HEX #F3965D

RGB 243 150 93

HSL 22.8, 0.86%, 0.66%

LAB 70.63, 29.78, 44.34

 

CMYK 0 / 29 / 47 / 4

HEX #F6AF83

RGB 246 175 131

HSL 22.96, 0.86%, 0.74%

LAB 77.22, 20.92, 32.84

 

CMYK 0 / 20 / 32 / 2

HEX #F9C8AA

RGB 249 200 170

HSL 22.78, 0.87%, 0.82%

LAB 84.15, 13.27, 21.6

 

CMYK 0 / 10 / 17 / 2

HEX #FBE1D0

RGB 251 225 208

HSL 23.72, 0.84%, 0.9%

LAB 91.2, 6.26, 11.56

 

CMYK 0 / 2 / 3 / 0

HEX #FEF9F6

RGB 254 249 246

HSL 22.5, 0.8%, 0.98%

LAB 98.22, 1.15, 2.01

 

CMYK 0 / 19 / 31 / 2

HEX #F8C8AB

RGB 248.7 200.6 171

HSL 22.86, 0.86%, 0.82%

LAB 84.28, 12.96, 21.26

 

CMYK 18 / 0 / 32 / 2

HEX #CCF9AA

RGB 204 249 170

HSL 94.18, 0.87%, 0.82%

LAB 93.23, -27.98, 33.34

 

CMYK 32 / 31 / 0 / 2

HEX #AAACF9

RGB 170 172 249

HSL 238.48, 0.87%, 0.82%

LAB 72.82, 16.51, -38.46

 

CMYK 0 / 19 / 31 / 2

HEX #F8C8AB

RGB 248.7 200.6 171

HSL 22.86, 0.86%, 0.82%

LAB 84.28, 12.96, 21.26

 

CMYK 32 / 0 / 20 / 2

HEX #AAF9C7

RGB 170 249 199

HSL 142.03, 0.87%, 0.82%

LAB 91.87, -34.25, 16.43

 

CMYK 20 / 32 / 0 / 2

HEX #C7AAF9

RGB 199 170 249

HSL 262.03, 0.87%, 0.82%

LAB 74.66, 25.97, -35.43

 

CMYK 0 / 19 / 31 / 2

HEX #F8C8AB

RGB 248.7 200.6 171

HSL 22.86, 0.86%, 0.82%

LAB 84.28, 12.96, 21.26

 

CMYK 18 / 0 / 32 / 2

HEX #CCF9AA

RGB 204 249 170

HSL 94.18, 0.87%, 0.82%

LAB 93.23, -27.98, 33.34

 

CMYK 32 / 12 / 0 / 2

HEX #AADCF9

RGB 170 220 249

HSL 202.03, 0.87%, 0.82%

LAB 85.29, -9.41, -19.35

 

CMYK 14 / 32 / 0 / 2

HEX #D6AAF9

RGB 214 170 249

HSL 273.42, 0.87%, 0.82%

LAB 76, 30.47, -33.25

 

CMYK 0 / 19 / 31 / 2

HEX #F8C8AB

RGB 248.7 200.6 171

HSL 22.86, 0.86%, 0.82%

LAB 84.28, 12.96, 21.26

 

CMYK 28 / 0 / 32 / 2

HEX #B4F9AA

RGB 180 249 170

HSL 112.41, 0.87%, 0.82%

LAB 91.84, -36.04, 31.25

 

CMYK 32 / 12 / 0 / 2

HEX #AADCF9

RGB 170 220 249

HSL 202.03, 0.87%, 0.82%

LAB 85.29, -9.41, -19.35

 

CMYK 4 / 32 / 0 / 2

HEX #EEAAF9

RGB 238 170 249

HSL 291.65, 0.87%, 0.82%

LAB 78.33, 37.82, -29.47

 

Description

Color code: RGB 248.7 200.6 171 | qconv.com Color code: RGB 248.7 200.6 171 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248.7 red, 200.6 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248.7 200.6 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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