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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248.7 110.6 100 it is the complementary color RGB 6.3 144.4 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248.7 110.6 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248.7 110.6 100 shade: RGB 253.7 110.6 95, RGB 255 128.6 114, RGB 255 146.6 133, RGB 255 164.6 152 and RGB 255 182.6 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248.7 110.6 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248.7 110.6 100 shade: RGB 248.7 110.6 100, RGB 231.7 92.6 81, RGB 214.7 74.6 62, RGB 197.7 56.6 43 and RGB 180.7 38.6 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248.7 110.6 100 shade: RGB 248 109 98 and RGB 248 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248.7 110.6 100 shade: RGB 248 109 98, RGB 248 150 98, RGB 248 190 98, RGB 248 231 98 and RGB 226 248 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248.7 110.6 100 shade matches the following richer shades: RGB 248 109 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248.7 110.6 100 shade: RGB 248 109 98, RGB 235 120 112, RGB 222 132 125, RGB 209 143 138 and RGB 196 154 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248.7 110.6 100 shade: RGB 248 98 168, RGB 248 98 128, RGB 248 108 98, RGB 248 148 98 and RGB 248 188 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248.7 110.6 100 shade: RGB 245 35 19, RGB 247 72 59, RGB 248 109 98, RGB 250 146 138 and RGB 252 183 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248.7 110.6 100 shade: RGB 248.7 110.6 100, RGB 208 248 98 and RGB 98 148 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248.7 110.6 100 shade: RGB 248.7 110.6 100, RGB 98 248 108 and RGB 108 98 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248.7 110.6 100 shade: RGB 248.7 110.6 100, RGB 208 248 98, RGB 98 238 248 and RGB 138 98 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248.7 110.6 100 shade: RGB 248.7 110.6 100, RGB 163 248 98, RGB 98 238 248 and RGB 183 98 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 60 / 2

HEX #F86E64

RGB 248.7 110.6 100

HSL 4.28, 0.92%, 0.68%

LAB 63.58, 52.1, 32.07

 

Complementary color

CMYK 96 / 7 / 0 / 39

HEX #06909B

RGB 6.3 144.4 155

HSL 184.28, 0.92%, 0.32%

LAB 54.53, -27.75, -14.75

 

CMYK 0 / 56 / 63 / 1

HEX #FD6E5F

RGB 253.7 110.6 95

HSL 5.9, 0.98%, 0.68%

LAB 64.26, 53.52, 35.86

 

CMYK 0 / 50 / 55 / 0

HEX #FF8072

RGB 255 128.6 114

HSL 6.21, 1%, 0.72%

LAB 68.07, 46.75, 30.28

 

CMYK 0 / 43 / 48 / 0

HEX #FF9285

RGB 255 146.6 133

HSL 6.69, 1%, 0.76%

LAB 72.03, 39.36, 25.07

 

CMYK 0 / 35 / 40 / 0

HEX #FFA498

RGB 255 164.6 152

HSL 7.34, 1%, 0.8%

LAB 76.25, 31.98, 20.45

 

CMYK 0 / 28 / 33 / 0

HEX #FFB6AB

RGB 255 182.6 171

HSL 8.29, 1%, 0.84%

LAB 80.68, 24.77, 16.35

 

CMYK 0 / 56 / 60 / 2

HEX #F86E64

RGB 248.7 110.6 100

HSL 4.28, 0.92%, 0.68%

LAB 63.58, 52.1, 32.07

 

CMYK 0 / 60 / 65 / 9

HEX #E75C51

RGB 231.7 92.6 81

HSL 4.62, 0.76%, 0.61%

LAB 57.52, 53.2, 34.56

 

CMYK 0 / 65 / 71 / 16

HEX #D64A3E

RGB 214.7 74.6 62

HSL 4.95, 0.65%, 0.54%

LAB 51.53, 54.19, 37.41

 

CMYK 0 / 71 / 78 / 22

HEX #C5382B

RGB 197.7 56.6 43

HSL 5.27, 0.64%, 0.47%

LAB 45.67, 54.92, 40.61

 

CMYK 0 / 79 / 87 / 29

HEX #B42618

RGB 180.7 38.6 24

HSL 5.59, 0.77%, 0.4%

LAB 40.05, 55.14, 43.91

 

CMYK 0 / 56 / 60 / 3

HEX #F86D62

RGB 248 109 98

HSL 4.4, 0.91%, 0.68%

LAB 63.16, 52.46, 32.63

 

CMYK 0 / 60 / 60 / 3

HEX #F86262

RGB 248 98 98

HSL 0, 0.91%, 0.68%

LAB 61.28, 57.39, 30.24

 

CMYK 0 / 56 / 60 / 3

HEX #F86D62

RGB 248 109 98

HSL 4.4, 0.91%, 0.68%

LAB 63.16, 52.46, 32.63

 

CMYK 0 / 40 / 60 / 3

HEX #F89662

RGB 248 150 98

HSL 20.8, 0.91%, 0.68%

LAB 71.32, 32.1, 42.73

 

CMYK 0 / 23 / 60 / 3

HEX #F8BE62

RGB 248 190 98

HSL 36.8, 0.91%, 0.68%

LAB 80.55, 11.14, 53.62

 

CMYK 0 / 7 / 60 / 3

HEX #F8E762

RGB 248 231 98

HSL 53.2, 0.91%, 0.68%

LAB 90.78, -9.8, 65.08

 

CMYK 9 / 0 / 60 / 3

HEX #E2F862

RGB 226 248 98

HSL 68.8, 0.91%, 0.68%

LAB 93.53, -26.83, 67.59

 

CMYK 0 / 56 / 60 / 3

HEX #F86D62

RGB 248 109 98

HSL 4.4, 0.91%, 0.68%

LAB 63.16, 52.46, 32.63

 

CMYK 0 / 56 / 60 / 3

HEX #F86D62

RGB 248 109 98

HSL 4.4, 0.91%, 0.68%

LAB 63.16, 52.46, 32.63

 

CMYK 0 / 49 / 52 / 8

HEX #EB7870

RGB 235 120 112

HSL 3.9, 0.75%, 0.68%

LAB 63.56, 43.57, 24.94

 

CMYK 0 / 41 / 44 / 13

HEX #DE847D

RGB 222 132 125

HSL 4.33, 0.6%, 0.68%

LAB 64.57, 33.77, 18.69

 

CMYK 0 / 32 / 34 / 18

HEX #D18F8A

RGB 209 143 138

HSL 4.23, 0.44%, 0.68%

LAB 65.78, 24.4, 12.82

 

CMYK 0 / 21 / 23 / 23

HEX #C49A97

RGB 196 154 151

HSL 4, 0.28%, 0.68%

LAB 67.34, 15.19, 7.56

 

CMYK 0 / 60 / 32 / 3

HEX #F862A8

RGB 248 98 168

HSL 332, 0.91%, 0.68%

LAB 62.94, 63.75, -7.71

 

CMYK 0 / 60 / 48 / 3

HEX #F86280

RGB 248 98 128

HSL 348, 0.91%, 0.68%

LAB 61.87, 59.67, 13.81

 

CMYK 0 / 56 / 60 / 3

HEX #F86C62

RGB 248 108 98

HSL 4, 0.91%, 0.68%

LAB 62.98, 52.92, 32.4

 

CMYK 0 / 40 / 60 / 3

HEX #F89462

RGB 248 148 98

HSL 20, 0.91%, 0.68%

LAB 70.88, 33.14, 42.21

 

CMYK 0 / 24 / 60 / 3

HEX #F8BC62

RGB 248 188 98

HSL 36, 0.91%, 0.68%

LAB 80.07, 12.19, 53.07

 

CMYK 0 / 86 / 92 / 4

HEX #F52313

RGB 245 35 19

HSL 4.25, 0.92%, 0.52%

LAB 52.58, 73.96, 60.78

 

CMYK 0 / 71 / 76 / 3

HEX #F7483B

RGB 247 72 59

HSL 4.15, 0.92%, 0.6%

LAB 56.81, 65.39, 46.47

 

CMYK 0 / 56 / 60 / 3

HEX #F86D62

RGB 248 109 98

HSL 4.4, 0.91%, 0.68%

LAB 63.16, 52.46, 32.63

 

CMYK 0 / 42 / 45 / 2

HEX #FA928A

RGB 250 146 138

HSL 4.29, 0.92%, 0.76%

LAB 71.36, 38.3, 21.31

 

CMYK 0 / 27 / 29 / 1

HEX #FCB7B2

RGB 252 183 178

HSL 4.05, 0.93%, 0.84%

LAB 80.61, 24.33, 12.44

 

CMYK 0 / 56 / 60 / 2

HEX #F86E64

RGB 248.7 110.6 100

HSL 4.28, 0.92%, 0.68%

LAB 63.58, 52.1, 32.07

 

CMYK 16 / 0 / 60 / 3

HEX #D0F862

RGB 208 248 98

HSL 76, 0.91%, 0.68%

LAB 92.32, -33.77, 65.92

 

CMYK 60 / 40 / 0 / 3

HEX #6294F8

RGB 98 148 248

HSL 220, 0.91%, 0.68%

LAB 62.13, 13.13, -55.05

 

CMYK 0 / 56 / 60 / 2

HEX #F86E64

RGB 248.7 110.6 100

HSL 4.28, 0.92%, 0.68%

LAB 63.58, 52.1, 32.07

 

CMYK 60 / 0 / 56 / 3

HEX #62F86C

RGB 98 248 108

HSL 124, 0.91%, 0.68%

LAB 87.39, -66.92, 54.7

 

CMYK 56 / 60 / 0 / 3

HEX #6C62F8

RGB 108 98 248

HSL 244, 0.91%, 0.68%

LAB 50.34, 44.75, -74

 

CMYK 0 / 56 / 60 / 2

HEX #F86E64

RGB 248.7 110.6 100

HSL 4.28, 0.92%, 0.68%

LAB 63.58, 52.1, 32.07

 

CMYK 16 / 0 / 60 / 3

HEX #D0F862

RGB 208 248 98

HSL 76, 0.91%, 0.68%

LAB 92.32, -33.77, 65.92

 

CMYK 60 / 4 / 0 / 3

HEX #62EEF8

RGB 98 238 248

HSL 184, 0.91%, 0.68%

LAB 87.25, -34.67, -16.16

 

CMYK 44 / 60 / 0 / 3

HEX #8A62F8

RGB 138 98 248

HSL 256, 0.91%, 0.68%

LAB 52.86, 50.28, -69.79

 

CMYK 0 / 56 / 60 / 2

HEX #F86E64

RGB 248.7 110.6 100

HSL 4.28, 0.92%, 0.68%

LAB 63.58, 52.1, 32.07

 

CMYK 34 / 0 / 60 / 3

HEX #A3F862

RGB 163 248 98

HSL 94, 0.91%, 0.68%

LAB 89.77, -49.92, 62.38

 

CMYK 60 / 4 / 0 / 3

HEX #62EEF8

RGB 98 238 248

HSL 184, 0.91%, 0.68%

LAB 87.25, -34.67, -16.16

 

CMYK 26 / 60 / 0 / 3

HEX #B762F8

RGB 183 98 248

HSL 274, 0.91%, 0.68%

LAB 57.64, 59.9, -61.84

 

Description

Color code: RGB 248.7 110.6 100 | qconv.com Color code: RGB 248.7 110.6 100 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248.7 red, 110.6 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248.7 110.6 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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