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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248.5 219 162 it is the complementary color RGB 6.5 36 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248.5 219 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248.5 219 162 shade: RGB 253.5 219 157, RGB 255 237 176, RGB 255 255 195, RGB 255 255 214 and RGB 255 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248.5 219 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248.5 219 162 shade: RGB 248.5 219 162, RGB 231.5 201 143, RGB 214.5 183 124, RGB 197.5 165 105 and RGB 180.5 147 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248.5 219 162 shade: RGB 248 218 160, RGB 248 194 160, RGB 248 170 160 and RGB 248 160 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248.5 219 162 shade: RGB 248 218 160, RGB 248 242 160, RGB 231 248 160, RGB 207 248 160 and RGB 183 248 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248.5 219 162 shade matches the following richer shades: RGB 248 218 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248.5 219 162 shade: RGB 248 218 160, RGB 240 215 168, RGB 232 213 176, RGB 224 210 184 and RGB 215 208 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248.5 219 162 shade: RGB 248 170 160, RGB 248 194 160, RGB 248 217 160, RGB 248 241 160 and RGB 232 248 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248.5 219 162 shade: RGB 243 188 82, RGB 246 203 121, RGB 248 218 160, RGB 251 233 198 and RGB 254 248 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248.5 219 162 shade: RGB 248.5 219 162, RGB 173 248 160 and RGB 182 160 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248.5 219 162 shade: RGB 248.5 219 162, RGB 160 248 217 and RGB 217 160 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248.5 219 162 shade: RGB 248.5 219 162, RGB 173 248 160, RGB 160 191 248 and RGB 235 160 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248.5 219 162 shade: RGB 248.5 219 162, RGB 160 248 173, RGB 160 191 248 and RGB 248 160 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 35 / 3

HEX #F8DBA2

RGB 248.5 219 162

HSL 39.54, 0.87%, 0.8%

LAB 88.6, 2.26, 31.81

 

Complementary color

CMYK 93 / 61 / 0 / 64

HEX #06245D

RGB 6.5 36 93

HSL 219.54, 0.87%, 0.2%

LAB 15.97, 14.52, -36.93

 

CMYK 0 / 14 / 38 / 1

HEX #FDDB9D

RGB 253.5 219 157

HSL 38.55, 0.97%, 0.8%

LAB 88.96, 3.62, 34.92

 

CMYK 0 / 7 / 31 / 0

HEX #FFEDB0

RGB 255 237 176

HSL 46.33, 1%, 0.85%

LAB 93.87, -2.74, 31.81

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 12 / 35 / 3

HEX #F8DBA2

RGB 248.5 219 162

HSL 39.54, 0.87%, 0.8%

LAB 88.6, 2.26, 31.81

 

CMYK 0 / 13 / 38 / 9

HEX #E7C98F

RGB 231.5 201 143

HSL 39.32, 0.65%, 0.73%

LAB 82.29, 2.78, 32.95

 

CMYK 0 / 15 / 42 / 16

HEX #D6B77C

RGB 214.5 183 124

HSL 39.12, 0.53%, 0.66%

LAB 75.88, 3.37, 34.17

 

CMYK 0 / 16 / 47 / 23

HEX #C5A569

RGB 197.5 165 105

HSL 38.92, 0.45%, 0.59%

LAB 69.38, 4.06, 35.45

 

CMYK 0 / 19 / 52 / 29

HEX #B49356

RGB 180.5 147 86

HSL 38.73, 0.39%, 0.52%

LAB 62.76, 4.87, 36.79

 

CMYK 0 / 12 / 35 / 3

HEX #F8DAA0

RGB 248 218 160

HSL 39.55, 0.86%, 0.8%

LAB 88.27, 2.35, 32.39

 

CMYK 0 / 22 / 35 / 3

HEX #F8C2A0

RGB 248 194 160

HSL 23.18, 0.86%, 0.8%

LAB 82.42, 14.81, 24.5

 

CMYK 0 / 31 / 35 / 3

HEX #F8AAA0

RGB 248 170 160

HSL 6.82, 0.86%, 0.8%

LAB 76.83, 27.44, 16.79

 

CMYK 0 / 35 / 35 / 3

HEX #F8A0A0

RGB 248 160 160

HSL 0, 0.86%, 0.8%

LAB 74.59, 32.69, 13.66

 

CMYK 0 / 12 / 35 / 3

HEX #F8DAA0

RGB 248 218 160

HSL 39.55, 0.86%, 0.8%

LAB 88.27, 2.35, 32.39

 

CMYK 0 / 2 / 35 / 3

HEX #F8F2A0

RGB 248 242 160

HSL 55.91, 0.86%, 0.8%

LAB 94.31, -9.76, 40.33

 

CMYK 7 / 0 / 35 / 3

HEX #E7F8A0

RGB 231 248 160

HSL 71.59, 0.86%, 0.8%

LAB 94.59, -19.08, 40.45

 

CMYK 17 / 0 / 35 / 3

HEX #CFF8A0

RGB 207 248 160

HSL 87.95, 0.86%, 0.8%

LAB 92.99, -27.81, 38.05

 

CMYK 26 / 0 / 35 / 3

HEX #B7F8A0

RGB 183 248 160

HSL 104.32, 0.86%, 0.8%

LAB 91.57, -36.07, 35.92

 

CMYK 0 / 12 / 35 / 3

HEX #F8DAA0

RGB 248 218 160

HSL 39.55, 0.86%, 0.8%

LAB 88.27, 2.35, 32.39

 

CMYK 0 / 12 / 35 / 3

HEX #F8DAA0

RGB 248 218 160

HSL 39.55, 0.86%, 0.8%

LAB 88.27, 2.35, 32.39

 

CMYK 0 / 10 / 30 / 6

HEX #F0D7A8

RGB 240 215 168

HSL 39.17, 0.71%, 0.8%

LAB 86.97, 1.81, 26.39

 

CMYK 0 / 8 / 24 / 9

HEX #E8D5B0

RGB 232 213 176

HSL 39.64, 0.55%, 0.8%

LAB 85.95, 0.89, 20.7

 

CMYK 0 / 6 / 18 / 12

HEX #E0D2B8

RGB 224 210 184

HSL 39, 0.39%, 0.8%

LAB 84.69, 0.64, 14.63

 

CMYK 0 / 3 / 10 / 16

HEX #D7D0C1

RGB 215 208 193

HSL 40.91, 0.22%, 0.8%

LAB 83.66, -0.15, 8.29

 

CMYK 0 / 31 / 35 / 3

HEX #F8AAA0

RGB 248 170 160

HSL 6.82, 0.86%, 0.8%

LAB 76.83, 27.44, 16.79

 

CMYK 0 / 22 / 35 / 3

HEX #F8C2A0

RGB 248 194 160

HSL 23.18, 0.86%, 0.8%

LAB 82.42, 14.81, 24.5

 

CMYK 0 / 13 / 35 / 3

HEX #F8D9A0

RGB 248 217 160

HSL 38.86, 0.86%, 0.8%

LAB 88.03, 2.86, 32.06

 

CMYK 0 / 3 / 35 / 3

HEX #F8F1A0

RGB 248 241 160

HSL 55.23, 0.86%, 0.8%

LAB 94.06, -9.26, 40

 

CMYK 6 / 0 / 35 / 3

HEX #E8F8A0

RGB 232 248 160

HSL 70.91, 0.86%, 0.8%

LAB 94.67, -18.71, 40.56

 

CMYK 0 / 23 / 66 / 5

HEX #F3BC52

RGB 243 188 82

HSL 39.5, 0.87%, 0.64%

LAB 79.4, 9.11, 59.51

 

CMYK 0 / 17 / 51 / 4

HEX #F6CB79

RGB 246 203 121

HSL 39.36, 0.87%, 0.72%

LAB 83.8, 5.34, 46.31

 

CMYK 0 / 12 / 35 / 3

HEX #F8DAA0

RGB 248 218 160

HSL 39.55, 0.86%, 0.8%

LAB 88.27, 2.35, 32.39

 

CMYK 0 / 7 / 21 / 2

HEX #FBE9C6

RGB 251 233 198

HSL 39.62, 0.87%, 0.88%

LAB 92.95, 0.71, 19.24

 

CMYK 0 / 2 / 7 / 0

HEX #FEF8ED

RGB 254 248 237

HSL 38.82, 0.89%, 0.96%

LAB 97.76, 0.14, 5.97

 

CMYK 0 / 12 / 35 / 3

HEX #F8DBA2

RGB 248.5 219 162

HSL 39.54, 0.87%, 0.8%

LAB 88.6, 2.26, 31.81

 

CMYK 30 / 0 / 35 / 3

HEX #ADF8A0

RGB 173 248 160

HSL 111.14, 0.86%, 0.8%

LAB 91.03, -39.34, 35.12

 

CMYK 27 / 35 / 0 / 3

HEX #B6A0F8

RGB 182 160 248

HSL 255, 0.86%, 0.8%

LAB 70.78, 26.35, -41.03

 

CMYK 0 / 12 / 35 / 3

HEX #F8DBA2

RGB 248.5 219 162

HSL 39.54, 0.87%, 0.8%

LAB 88.6, 2.26, 31.81

 

CMYK 35 / 0 / 13 / 3

HEX #A0F8D9

RGB 160 248 217

HSL 158.86, 0.86%, 0.8%

LAB 91.51, -33.1, 6.55

 

CMYK 13 / 35 / 0 / 3

HEX #D9A0F8

RGB 217 160 248

HSL 278.86, 0.86%, 0.8%

LAB 73.98, 36.57, -35.81

 

CMYK 0 / 12 / 35 / 3

HEX #F8DBA2

RGB 248.5 219 162

HSL 39.54, 0.87%, 0.8%

LAB 88.6, 2.26, 31.81

 

CMYK 30 / 0 / 35 / 3

HEX #ADF8A0

RGB 173 248 160

HSL 111.14, 0.86%, 0.8%

LAB 91.03, -39.34, 35.12

 

CMYK 35 / 23 / 0 / 3

HEX #A0BFF8

RGB 160 191 248

HSL 218.86, 0.86%, 0.8%

LAB 76.99, 3.01, -31.53

 

CMYK 5 / 35 / 0 / 3

HEX #EBA0F8

RGB 235 160 248

HSL 291.14, 0.86%, 0.8%

LAB 75.81, 41.99, -32.83

 

CMYK 0 / 12 / 35 / 3

HEX #F8DBA2

RGB 248.5 219 162

HSL 39.54, 0.87%, 0.8%

LAB 88.6, 2.26, 31.81

 

CMYK 35 / 0 / 30 / 3

HEX #A0F8AD

RGB 160 248 173

HSL 128.86, 0.86%, 0.8%

LAB 90.61, -41.34, 27.89

 

CMYK 35 / 23 / 0 / 3

HEX #A0BFF8

RGB 160 191 248

HSL 218.86, 0.86%, 0.8%

LAB 76.99, 3.01, -31.53

 

CMYK 0 / 35 / 5 / 3

HEX #F8A0EB

RGB 248 160 235

HSL 308.86, 0.86%, 0.8%

LAB 76.74, 43.65, -24.24

 

Description

Color code: RGB 248.5 219 162 | qconv.com Color code: RGB 248.5 219 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248.5 red, 219 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248.5 219 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 35 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 35% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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