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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 48 240 it is the complementary color RGB 8 207 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 48 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 48 240 shade: RGB 252 48 235, RGB 255 66 254, RGB 255 84 255, RGB 255 102 255 and RGB 255 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 48 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 48 240 shade: RGB 247 48 240, RGB 230 30 221, RGB 213 12 202, RGB 196 0 183 and RGB 179 0 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 48 240 shade: RGB 248 48 240, RGB 248 48 187, RGB 248 48 133, RGB 248 48 79 and RGB 248 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 48 240 shade: RGB 248 48 240, RGB 201 48 248, RGB 147 48 248, RGB 93 48 248 and RGB 48 48 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 48 240 shade matches the following richer shades: RGB 248 48 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 48 240 shade: RGB 248 48 240, RGB 230 66 224, RGB 213 83 208, RGB 196 100 192 and RGB 178 118 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 48 240 shade: RGB 148 48 248, RGB 201 48 248, RGB 248 48 241, RGB 248 48 188 and RGB 248 48 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 48 240 shade: RGB 206 7 199, RGB 246 9 237, RGB 248 48 240, RGB 249 88 243 and RGB 250 128 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 48 240 shade: RGB 247 48 240, RGB 248 95 48 and RGB 48 248 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 48 240 shade: RGB 247 48 240, RGB 241 248 48 and RGB 48 241 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 48 240 shade: RGB 247 48 240, RGB 248 95 48, RGB 48 248 55 and RGB 48 201 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 48 240 shade: RGB 247 48 240, RGB 248 155 48, RGB 48 248 55 and RGB 48 141 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

Complementary color

CMYK 96 / 0 / 93 / 19

HEX #08CF0F

RGB 8 207 15

HSL 122.11, 0.93%, 0.42%

LAB 72.7, -73.04, 69.53

 

CMYK 0 / 81 / 7 / 1

HEX #FC30EB

RGB 252 48 235

HSL 305, 0.97%, 0.59%

LAB 60.61, 89.44, -49.28

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FE

RGB 255 66 254

HSL 300.32, 1%, 0.63%

LAB 63.6, 88.37, -55.06

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 87 / 4 / 10

HEX #E61EDD

RGB 230 30 221

HSL 302.7, 0.8%, 0.51%

LAB 55.04, 86.76, -50.46

 

CMYK 0 / 94 / 5 / 16

HEX #D50CCA

RGB 213 12 202

HSL 303.28, 0.89%, 0.44%

LAB 50.3, 83.3, -47.31

 

CMYK 0 / 100 / 7 / 23

HEX #C400B7

RGB 196 0 183

HSL 303.98, 1%, 0.38%

LAB 45.85, 78.75, -43.52

 

CMYK 0 / 100 / 8 / 30

HEX #B300A4

RGB 179 0 164

HSL 305.03, 1%, 0.35%

LAB 41.63, 73.18, -39.13

 

CMYK 0 / 81 / 3 / 3

HEX #F830F0

RGB 248 48 240

HSL 302.4, 0.93%, 0.58%

LAB 60.21, 89.4, -52.74

 

CMYK 0 / 81 / 25 / 3

HEX #F830BB

RGB 248 48 187

HSL 318.3, 0.93%, 0.58%

LAB 57.71, 82.48, -26.59

 

CMYK 0 / 81 / 46 / 3

HEX #F83085

RGB 248 48 133

HSL 334.5, 0.93%, 0.58%

LAB 55.85, 77.09, 2.3

 

CMYK 0 / 81 / 68 / 3

HEX #F8304F

RGB 248 48 79

HSL 350.7, 0.93%, 0.58%

LAB 54.69, 73.63, 32.88

 

CMYK 0 / 81 / 81 / 3

HEX #F83030

RGB 248 48 48

HSL 0, 0.93%, 0.58%

LAB 54.33, 72.5, 49.76

 

CMYK 0 / 81 / 3 / 3

HEX #F830F0

RGB 248 48 240

HSL 302.4, 0.93%, 0.58%

LAB 60.21, 89.4, -52.74

 

CMYK 19 / 81 / 0 / 3

HEX #C930F8

RGB 201 48 248

HSL 285.9, 0.93%, 0.58%

LAB 53.29, 82.46, -68.73

 

CMYK 41 / 81 / 0 / 3

HEX #9330F8

RGB 147 48 248

HSL 269.7, 0.93%, 0.58%

LAB 45.76, 74.34, -81.3

 

CMYK 63 / 81 / 0 / 3

HEX #5D30F8

RGB 93 48 248

HSL 253.5, 0.93%, 0.58%

LAB 39.95, 68.22, -91.09

 

CMYK 81 / 81 / 0 / 3

HEX #3030F8

RGB 48 48 248

HSL 240, 0.93%, 0.58%

LAB 36.97, 65.17, -96.12

 

CMYK 0 / 81 / 3 / 3

HEX #F830F0

RGB 248 48 240

HSL 302.4, 0.93%, 0.58%

LAB 60.21, 89.4, -52.74

 

CMYK 0 / 81 / 3 / 3

HEX #F830F0

RGB 248 48 240

HSL 302.4, 0.93%, 0.58%

LAB 60.21, 89.4, -52.74

 

CMYK 0 / 71 / 3 / 10

HEX #E642E0

RGB 230 66 224

HSL 302.2, 0.77%, 0.58%

LAB 58.13, 78.73, -47.25

 

CMYK 0 / 61 / 2 / 16

HEX #D553D0

RGB 213 83 208

HSL 302.31, 0.61%, 0.58%

LAB 56.96, 66.09, -40.21

 

CMYK 0 / 49 / 2 / 23

HEX #C464C0

RGB 196 100 192

HSL 302.5, 0.45%, 0.58%

LAB 56.74, 51.02, -31.6

 

CMYK 0 / 34 / 1 / 30

HEX #B276B0

RGB 178 118 176

HSL 302, 0.28%, 0.58%

LAB 57.61, 32.96, -21.26

 

CMYK 40 / 81 / 0 / 3

HEX #9430F8

RGB 148 48 248

HSL 270, 0.93%, 0.58%

LAB 45.89, 74.47, -81.09

 

CMYK 19 / 81 / 0 / 3

HEX #C930F8

RGB 201 48 248

HSL 285.9, 0.93%, 0.58%

LAB 53.29, 82.46, -68.73

 

CMYK 0 / 81 / 3 / 3

HEX #F830F1

RGB 248 48 241

HSL 302.1, 0.93%, 0.58%

LAB 60.27, 89.54, -53.22

 

CMYK 0 / 81 / 24 / 3

HEX #F830BC

RGB 248 48 188

HSL 318, 0.93%, 0.58%

LAB 57.75, 82.6, -27.1

 

CMYK 0 / 81 / 46 / 3

HEX #F83087

RGB 248 48 135

HSL 333.9, 0.93%, 0.58%

LAB 55.91, 77.26, 1.19

 

CMYK 0 / 97 / 3 / 19

HEX #CE07C7

RGB 206 7 199

HSL 302.11, 0.93%, 0.42%

LAB 48.76, 82.1, -48.11

 

CMYK 0 / 96 / 4 / 4

HEX #F609ED

RGB 246 9 237

HSL 302.28, 0.93%, 0.5%

LAB 57.94, 93.82, -54.7

 

CMYK 0 / 81 / 3 / 3

HEX #F830F0

RGB 248 48 240

HSL 302.4, 0.93%, 0.58%

LAB 60.21, 89.4, -52.74

 

CMYK 0 / 65 / 2 / 2

HEX #F958F3

RGB 249 88 243

HSL 302.24, 0.93%, 0.66%

LAB 64.64, 78.31, -47.4

 

CMYK 0 / 49 / 2 / 2

HEX #FA80F6

RGB 250 128 246

HSL 301.97, 0.92%, 0.74%

LAB 71.16, 62.06, -38.82

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 62 / 81 / 3

HEX #F85F30

RGB 248 95 48

HSL 14.1, 0.93%, 0.58%

LAB 60.21, 56.36, 55.35

 

CMYK 81 / 0 / 30 / 3

HEX #30F8AE

RGB 48 248 174

HSL 157.8, 0.93%, 0.58%

LAB 87.4, -63.55, 22.47

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 3 / 0 / 81 / 3

HEX #F1F830

RGB 241 248 48

HSL 62.1, 0.93%, 0.58%

LAB 94.33, -23.23, 85.36

 

CMYK 81 / 3 / 0 / 3

HEX #30F1F8

RGB 48 241 248

HSL 182.1, 0.93%, 0.58%

LAB 87.15, -42.02, -16.41

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 62 / 81 / 3

HEX #F85F30

RGB 248 95 48

HSL 14.1, 0.93%, 0.58%

LAB 60.21, 56.36, 55.35

 

CMYK 81 / 0 / 78 / 3

HEX #30F837

RGB 48 248 55

HSL 122.1, 0.93%, 0.58%

LAB 86.03, -79.77, 72.9

 

CMYK 81 / 19 / 0 / 3

HEX #30C9F8

RGB 48 201 248

HSL 194.1, 0.93%, 0.58%

LAB 75.56, -22.97, -34.07

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 38 / 81 / 3

HEX #F89B30

RGB 248 155 48

HSL 32.1, 0.93%, 0.58%

LAB 71.97, 27.04, 66.1

 

CMYK 81 / 0 / 78 / 3

HEX #30F837

RGB 48 248 55

HSL 122.1, 0.93%, 0.58%

LAB 86.03, -79.77, 72.9

 

CMYK 81 / 43 / 0 / 3

HEX #308DF8

RGB 48 141 248

HSL 212.1, 0.93%, 0.58%

LAB 58.47, 10.47, -61

 

Description

Color code: RGB 247 48 240 | qconv.com Color code: RGB 247 48 240 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 48 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 48 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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