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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 188 179 it is the complementary color RGB 8 67 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 188 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 247 188 179: RGB 252 188 174, RGB 255 206 193, RGB 255 224 212, RGB 255 242 231 and RGB 255 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 188 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 247 188 179: RGB 247 188 179, RGB 230 170 160, RGB 213 152 141, RGB 196 134 122 and RGB 179 116 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

Complementary color

CMYK 89 / 12 / 0 / 70

HEX #08434C

RGB 8 67 76

HSL 187.94, 0.81%, 0.16%

LAB 25.53, -14.06, -10.54

 

CMYK 0 / 25 / 31 / 1

HEX #FCBCAE

RGB 252 188 174

HSL 10.77, 0.93%, 0.84%

LAB 81.68, 21.19, 16.1

 

CMYK 0 / 19 / 24 / 0

HEX #FFCEC1

RGB 255 206 193

HSL 12.58, 1%, 0.88%

LAB 86.63, 15.4, 13

 

CMYK 0 / 12 / 17 / 0

HEX #FFE0D4

RGB 255 224 212

HSL 16.74, 1%, 0.92%

LAB 91.38, 8.8, 9.78

 

CMYK 0 / 5 / 9 / 0

HEX #FFF2E7

RGB 255 242 231

HSL 27.5, 1%, 0.95%

LAB 96.22, 2.55, 6.85

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

CMYK 0 / 26 / 30 / 10

HEX #E6AAA0

RGB 230 170 160

HSL 8.57, 0.58%, 0.76%

LAB 74.89, 20.67, 13.8

 

CMYK 0 / 29 / 34 / 16

HEX #D5988D

RGB 213 152 141

HSL 9.17, 0.46%, 0.69%

LAB 68.41, 21.43, 14.89

 

CMYK 0 / 32 / 38 / 23

HEX #C4867A

RGB 196 134 122

HSL 9.73, 0.39%, 0.62%

LAB 61.82, 22.28, 16.09

 

CMYK 0 / 35 / 42 / 30

HEX #B37467

RGB 179 116 103

HSL 10.26, 0.33%, 0.55%

LAB 55.13, 23.25, 17.44

 

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

CMYK 0 / 19 / 27 / 3

HEX #F7C7B5

RGB 247 199 181

HSL 16.36, 0.8%, 0.84%

LAB 83.94, 14.47, 15.46

 

CMYK 0 / 15 / 27 / 3

HEX #F7D2B5

RGB 247 210 181

HSL 26.36, 0.8%, 0.84%

LAB 86.6, 8.72, 19.19

 

CMYK 0 / 11 / 27 / 3

HEX #F7DDB5

RGB 247 221 181

HSL 36.36, 0.8%, 0.84%

LAB 89.31, 3.04, 22.93

 

CMYK 0 / 6 / 27 / 3

HEX #F7E8B5

RGB 247 232 181

HSL 46.36, 0.8%, 0.84%

LAB 92.05, -2.57, 26.7

 

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

CMYK 0 / 23 / 28 / 83

HEX #2B211F

RGB 43 33 31

HSL 10, 0.16%, 0.15%

LAB 13.83, 4.39, 3.16

 

CMYK 0 / 23 / 28 / 63

HEX #5E4844

RGB 94 72 68

HSL 9.23, 0.16%, 0.32%

LAB 32.77, 8.69, 5.99

 

CMYK 0 / 24 / 28 / 43

HEX #916E69

RGB 145 110 105

HSL 7.5, 0.16%, 0.49%

LAB 49.73, 13.11, 8.15

 

CMYK 0 / 24 / 28 / 23

HEX #C4958E

RGB 196 149 142

HSL 7.78, 0.31%, 0.66%

LAB 65.89, 16.63, 10.53

 

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

CMYK 9 / 0 / 27 / 3

HEX #E2F7B5

RGB 226 247 181

HSL 79.09, 0.8%, 0.84%

LAB 94.32, -17.71, 29.52

 

CMYK 27 / 19 / 0 / 3

HEX #B5C7F7

RGB 181 199 247

HSL 223.64, 0.8%, 0.84%

LAB 80.4, 4.33, -25.65

 

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

CMYK 27 / 0 / 24 / 3

HEX #B5F7BC

RGB 181 247 188

HSL 126.36, 0.8%, 0.84%

LAB 91.67, -31.9, 21.88

 

CMYK 24 / 27 / 0 / 3

HEX #BCB5F7

RGB 188 181 247

HSL 246.36, 0.8%, 0.84%

LAB 76.35, 16.2, -31.81

 

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

CMYK 9 / 0 / 27 / 3

HEX #E2F7B5

RGB 226 247 181

HSL 79.09, 0.8%, 0.84%

LAB 94.32, -17.71, 29.52

 

CMYK 27 / 3 / 0 / 3

HEX #B5EFF7

RGB 181 239 247

HSL 187.27, 0.8%, 0.84%

LAB 90.9, -16.44, -9.82

 

CMYK 18 / 27 / 0 / 3

HEX #CAB5F7

RGB 202 181 247

HSL 259.09, 0.8%, 0.84%

LAB 77.47, 20.4, -29.99

 

CMYK 0 / 24 / 28 / 3

HEX #F7BCB3

RGB 247 188 179

HSL 7.94, 0.81%, 0.84%

LAB 81.29, 19.98, 12.79

 

CMYK 17 / 0 / 27 / 3

HEX #CEF7B5

RGB 206 247 181

HSL 97.27, 0.8%, 0.84%

LAB 93.01, -24.74, 27.51

 

CMYK 27 / 3 / 0 / 3

HEX #B5EFF7

RGB 181 239 247

HSL 187.27, 0.8%, 0.84%

LAB 90.9, -16.44, -9.82

 

CMYK 11 / 27 / 0 / 3

HEX #DDB5F7

RGB 221 181 247

HSL 276.36, 0.8%, 0.84%

LAB 79.12, 26.26, -27.32

 

Description

Color code: RGB 247 188 179 | qconv.com Color code: RGB 247 188 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 188 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 188 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 28 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 28% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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