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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 8 201 it is the complementary color RGB 9 247 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 8 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 8 201 shade: RGB 251 8 196, RGB 255 26 215, RGB 255 44 234, RGB 255 62 253 and RGB 255 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 8 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 8 201 shade: RGB 246 8 201, RGB 229 0 182, RGB 212 0 163, RGB 195 0 144 and RGB 178 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 8 201 shade: RGB 247 7 202, RGB 247 7 137, RGB 247 7 72, RGB 247 7 8 and RGB 247 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 8 201 shade: RGB 247 7 202, RGB 228 7 247, RGB 163 7 247, RGB 98 7 247 and RGB 34 7 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 8 201 shade matches the following richer shades: RGB 247 7 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 8 201 shade: RGB 247 7 202, RGB 226 28 189, RGB 206 48 176, RGB 185 69 163 and RGB 164 90 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 8 201 shade: RGB 163 7 247, RGB 227 7 247, RGB 247 7 203, RGB 247 7 139 and RGB 247 7 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 8 201 shade: RGB 167 5 136, RGB 207 6 169, RGB 247 7 202, RGB 248 47 210 and RGB 249 87 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 8 201 shade: RGB 246 8 201, RGB 247 99 7 and RGB 7 247 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 8 201 shade: RGB 246 8 201, RGB 203 247 7 and RGB 7 203 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 8 201 shade: RGB 246 8 201, RGB 247 99 7, RGB 7 247 51 and RGB 7 155 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 8 201 shade: RGB 246 8 201, RGB 247 171 7, RGB 7 247 51 and RGB 7 83 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 18 / 4

HEX #F608C9

RGB 246 8 201

HSL 311.34, 0.94%, 0.5%

LAB 56.07, 89.27, -37.23

 

Complementary color

CMYK 96 / 0 / 78 / 3

HEX #09F736

RGB 9 247 54

HSL 131.34, 0.94%, 0.5%

LAB 85.43, -82.11, 72.51

 

CMYK 0 / 97 / 22 / 2

HEX #FB08C4

RGB 251 8 196

HSL 313.58, 0.97%, 0.51%

LAB 56.75, 89.6, -33.23

 

CMYK 0 / 90 / 16 / 0

HEX #FF1AD7

RGB 255 26 215

HSL 310.48, 1%, 0.55%

LAB 58.89, 91.01, -40.7

 

CMYK 0 / 83 / 8 / 0

HEX #FF2CEA

RGB 255 44 234

HSL 305.97, 1%, 0.59%

LAB 60.78, 90.66, -48.41

 

CMYK 0 / 76 / 1 / 0

HEX #FF3EFD

RGB 255 62 253

HSL 300.62, 1%, 0.62%

LAB 63.17, 89.29, -55.18

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 97 / 18 / 4

HEX #F608C9

RGB 246 8 201

HSL 311.34, 0.94%, 0.5%

LAB 56.07, 89.27, -37.23

 

CMYK 0 / 100 / 21 / 10

HEX #E500B6

RGB 229 0 182

HSL 312.31, 1%, 0.45%

LAB 51.88, 84.47, -33.01

 

CMYK 0 / 100 / 23 / 17

HEX #D400A3

RGB 212 0 163

HSL 313.87, 1%, 0.42%

LAB 47.8, 79.09, -28.39

 

CMYK 0 / 100 / 26 / 24

HEX #C30090

RGB 195 0 144

HSL 315.69, 1%, 0.38%

LAB 43.68, 73.63, -23.63

 

CMYK 0 / 100 / 30 / 30

HEX #B2007D

RGB 178 0 125

HSL 317.87, 1%, 0.35%

LAB 39.49, 68.11, -18.68

 

CMYK 0 / 97 / 18 / 3

HEX #F707CA

RGB 247 7 202

HSL 311.25, 0.94%, 0.5%

LAB 56.28, 89.63, -37.47

 

CMYK 0 / 97 / 45 / 3

HEX #F70789

RGB 247 7 137

HSL 327.5, 0.94%, 0.5%

LAB 53.74, 83.07, -3.19

 

CMYK 0 / 97 / 71 / 3

HEX #F70748

RGB 247 7 72

HSL 343.75, 0.94%, 0.5%

LAB 52.28, 79.14, 34.03

 

CMYK 0 / 97 / 97 / 3

HEX #F70708

RGB 247 7 8

HSL 359.75, 0.94%, 0.5%

LAB 51.77, 77.75, 63.63

 

CMYK 0 / 97 / 97 / 3

HEX #F70707

RGB 247 7 7

HSL 0, 0.94%, 0.5%

LAB 51.77, 77.75, 63.88

 

CMYK 0 / 97 / 18 / 3

HEX #F707CA

RGB 247 7 202

HSL 311.25, 0.94%, 0.5%

LAB 56.28, 89.63, -37.47

 

CMYK 8 / 97 / 0 / 3

HEX #E407F7

RGB 228 7 247

HSL 295.25, 0.94%, 0.5%

LAB 55.44, 92.59, -64.47

 

CMYK 34 / 97 / 0 / 3

HEX #A307F7

RGB 163 7 247

HSL 279, 0.94%, 0.5%

LAB 45.16, 84.12, -81.65

 

CMYK 60 / 97 / 0 / 3

HEX #6207F7

RGB 98 7 247

HSL 262.75, 0.94%, 0.5%

LAB 36.86, 78.68, -95.62

 

CMYK 86 / 97 / 0 / 3

HEX #2207F7

RGB 34 7 247

HSL 246.75, 0.94%, 0.5%

LAB 32.27, 76.5, -103.39

 

CMYK 0 / 97 / 18 / 3

HEX #F707CA

RGB 247 7 202

HSL 311.25, 0.94%, 0.5%

LAB 56.28, 89.63, -37.47

 

CMYK 0 / 97 / 18 / 3

HEX #F707CA

RGB 247 7 202

HSL 311.25, 0.94%, 0.5%

LAB 56.28, 89.63, -37.47

 

CMYK 0 / 88 / 16 / 11

HEX #E21CBD

RGB 226 28 189

HSL 311.21, 0.78%, 0.5%

LAB 52.59, 82.04, -36.02

 

CMYK 0 / 77 / 15 / 19

HEX #CE30B0

RGB 206 48 176

HSL 311.39, 0.62%, 0.5%

LAB 49.94, 71.91, -32.82

 

CMYK 0 / 63 / 12 / 27

HEX #B945A3

RGB 185 69 163

HSL 311.38, 0.46%, 0.5%

LAB 48.53, 57.48, -27.62

 

CMYK 0 / 45 / 9 / 36

HEX #A45A96

RGB 164 90 150

HSL 311.35, 0.29%, 0.5%

LAB 48.77, 38.91, -19.79

 

CMYK 34 / 97 / 0 / 3

HEX #A307F7

RGB 163 7 247

HSL 279, 0.94%, 0.5%

LAB 45.16, 84.12, -81.65

 

CMYK 8 / 97 / 0 / 3

HEX #E307F7

RGB 227 7 247

HSL 295, 0.94%, 0.5%

LAB 55.28, 92.44, -64.75

 

CMYK 0 / 97 / 18 / 3

HEX #F707CB

RGB 247 7 203

HSL 311, 0.94%, 0.5%

LAB 56.33, 89.75, -37.97

 

CMYK 0 / 97 / 44 / 3

HEX #F7078B

RGB 247 7 139

HSL 327, 0.94%, 0.5%

LAB 53.8, 83.24, -4.3

 

CMYK 0 / 97 / 70 / 3

HEX #F7074B

RGB 247 7 75

HSL 343, 0.94%, 0.5%

LAB 52.32, 79.26, 32.3

 

CMYK 0 / 97 / 19 / 35

HEX #A70588

RGB 167 5 136

HSL 311.48, 0.94%, 0.34%

LAB 38.02, 66.67, -27.94

 

CMYK 0 / 97 / 18 / 19

HEX #CF06A9

RGB 207 6 169

HSL 311.34, 0.94%, 0.42%

LAB 47.31, 78.37, -32.8

 

CMYK 0 / 97 / 18 / 3

HEX #F707CA

RGB 247 7 202

HSL 311.25, 0.94%, 0.5%

LAB 56.28, 89.63, -37.47

 

CMYK 0 / 81 / 15 / 3

HEX #F82FD2

RGB 248 47 210

HSL 311.34, 0.93%, 0.58%

LAB 58.64, 85.52, -38.32

 

CMYK 0 / 65 / 12 / 2

HEX #F957DB

RGB 249 87 219

HSL 311.11, 0.93%, 0.66%

LAB 63.4, 75.07, -35.96

 

CMYK 0 / 97 / 18 / 4

HEX #F608C9

RGB 246 8 201

HSL 311.34, 0.94%, 0.5%

LAB 56.07, 89.27, -37.23

 

CMYK 0 / 60 / 97 / 3

HEX #F76307

RGB 247 99 7

HSL 23, 0.94%, 0.5%

LAB 60.53, 53.55, 68.45

 

CMYK 97 / 0 / 21 / 3

HEX #07F7C3

RGB 7 247 195

HSL 167, 0.94%, 0.5%

LAB 87.24, -60.59, 11.38

 

CMYK 0 / 97 / 18 / 4

HEX #F608C9

RGB 246 8 201

HSL 311.34, 0.94%, 0.5%

LAB 56.07, 89.27, -37.23

 

CMYK 18 / 0 / 97 / 3

HEX #CBF707

RGB 203 247 7

HSL 71, 0.94%, 0.5%

LAB 91.34, -38.75, 88.02

 

CMYK 97 / 18 / 0 / 3

HEX #07CBF7

RGB 7 203 247

HSL 191, 0.94%, 0.5%

LAB 75.74, -26.36, -33.29

 

CMYK 0 / 97 / 18 / 4

HEX #F608C9

RGB 246 8 201

HSL 311.34, 0.94%, 0.5%

LAB 56.07, 89.27, -37.23

 

CMYK 0 / 60 / 97 / 3

HEX #F76307

RGB 247 99 7

HSL 23, 0.94%, 0.5%

LAB 60.53, 53.55, 68.45

 

CMYK 97 / 0 / 79 / 3

HEX #07F733

RGB 7 247 51

HSL 131, 0.94%, 0.5%

LAB 85.41, -82.35, 73.32

 

CMYK 97 / 37 / 0 / 3

HEX #079BF7

RGB 7 155 247

HSL 203, 0.94%, 0.5%

LAB 61.83, -0.43, -55.11

 

CMYK 0 / 97 / 18 / 4

HEX #F608C9

RGB 246 8 201

HSL 311.34, 0.94%, 0.5%

LAB 56.07, 89.27, -37.23

 

CMYK 0 / 31 / 97 / 3

HEX #F7AB07

RGB 247 171 7

HSL 41, 0.94%, 0.5%

LAB 75.4, 17.48, 78.03

 

CMYK 97 / 0 / 79 / 3

HEX #07F733

RGB 7 247 51

HSL 131, 0.94%, 0.5%

LAB 85.41, -82.35, 73.32

 

CMYK 97 / 66 / 0 / 3

HEX #0753F7

RGB 7 83 247

HSL 221, 0.94%, 0.5%

LAB 42.68, 44.3, -86.13

 

Description

Color code: RGB 246 8 201 | qconv.com Color code: RGB 246 8 201 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 8 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 8 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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