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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 137 80 it is the complementary color RGB 9 118 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 137 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 137 80 shade: RGB 251 137 75, RGB 255 155 94, RGB 255 173 113, RGB 255 191 132 and RGB 255 209 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 137 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 137 80 shade: RGB 246 137 80, RGB 229 119 61, RGB 212 101 42, RGB 195 83 23 and RGB 178 65 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 137 80 shade: RGB 245 137 80, RGB 245 92 80 and RGB 245 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 137 80 shade: RGB 245 137 80, RGB 245 181 80, RGB 245 226 80, RGB 220 245 80 and RGB 176 245 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 137 80 shade matches the following richer shades: RGB 245 137 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 137 80 shade: RGB 245 137 80, RGB 230 141 95, RGB 216 146 110, RGB 201 151 125 and RGB 186 155 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 137 80 shade: RGB 245 80 113, RGB 245 91 80, RGB 245 135 80, RGB 245 179 80 and RGB 245 223 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 137 80 shade: RGB 231 87 12, RGB 243 110 41, RGB 245 137 80, RGB 247 163 119 and RGB 249 190 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 137 80 shade: RGB 246 137 80, RGB 157 245 80 and RGB 80 91 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 137 80 shade: RGB 246 137 80, RGB 80 245 135 and RGB 135 80 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 137 80 shade: RGB 246 137 80, RGB 157 245 80, RGB 80 190 245 and RGB 168 80 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 137 80 shade: RGB 246 137 80, RGB 108 245 80, RGB 80 190 245 and RGB 218 80 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 67 / 4

HEX #F68950

RGB 246 137 80

HSL 20.6, 0.9%, 0.64%

LAB 68.07, 36.92, 48.04

 

Complementary color

CMYK 95 / 33 / 0 / 31

HEX #0976AF

RGB 9 118 175

HSL 200.6, 0.9%, 0.36%

LAB 47.12, -5.95, -37.81

 

CMYK 0 / 45 / 70 / 2

HEX #FB894B

RGB 251 137 75

HSL 21.14, 0.96%, 0.64%

LAB 68.68, 38.6, 51.38

 

CMYK 0 / 39 / 63 / 0

HEX #FF9B5E

RGB 255 155 94

HSL 22.73, 1%, 0.68%

LAB 73.23, 32.01, 47.26

 

CMYK 0 / 32 / 56 / 0

HEX #FFAD71

RGB 255 173 113

HSL 25.35, 1%, 0.72%

LAB 77.48, 23.97, 42.75

 

CMYK 0 / 25 / 48 / 0

HEX #FFBF84

RGB 255 191 132

HSL 28.78, 1%, 0.76%

LAB 81.94, 16.17, 38.62

 

CMYK 0 / 18 / 41 / 0

HEX #FFD197

RGB 255 209 151

HSL 33.46, 1%, 0.8%

LAB 86.55, 8.7, 34.84

 

CMYK 0 / 44 / 67 / 4

HEX #F68950

RGB 246 137 80

HSL 20.6, 0.9%, 0.64%

LAB 68.07, 36.92, 48.04

 

CMYK 0 / 48 / 73 / 10

HEX #E5773D

RGB 229 119 61

HSL 20.71, 0.76%, 0.57%

LAB 61.82, 38.5, 49.89

 

CMYK 0 / 52 / 80 / 17

HEX #D4652A

RGB 212 101 42

HSL 20.82, 0.67%, 0.5%

LAB 55.55, 40.22, 51.64

 

CMYK 0 / 57 / 88 / 24

HEX #C35317

RGB 195 83 23

HSL 20.93, 0.79%, 0.43%

LAB 49.31, 42.02, 52.89

 

CMYK 0 / 63 / 98 / 30

HEX #B24104

RGB 178 65 4

HSL 21.03, 0.96%, 0.36%

LAB 43.14, 43.81, 52.94

 

CMYK 0 / 44 / 67 / 4

HEX #F58950

RGB 245 137 80

HSL 20.73, 0.89%, 0.64%

LAB 67.93, 36.52, 47.85

 

CMYK 0 / 62 / 67 / 4

HEX #F55C50

RGB 245 92 80

HSL 4.36, 0.89%, 0.64%

LAB 59.57, 57.91, 38.1

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 44 / 67 / 4

HEX #F58950

RGB 245 137 80

HSL 20.73, 0.89%, 0.64%

LAB 67.93, 36.52, 47.85

 

CMYK 0 / 26 / 67 / 4

HEX #F5B550

RGB 245 181 80

HSL 36.73, 0.89%, 0.64%

LAB 77.9, 13.5, 58.84

 

CMYK 0 / 8 / 67 / 4

HEX #F5E250

RGB 245 226 80

HSL 53.09, 0.89%, 0.64%

LAB 89.1, -9.6, 70.54

 

CMYK 10 / 0 / 67 / 4

HEX #DCF550

RGB 220 245 80

HSL 69.09, 0.89%, 0.64%

LAB 92.18, -28.91, 73.03

 

CMYK 28 / 0 / 67 / 4

HEX #B0F550

RGB 176 245 80

HSL 85.09, 0.89%, 0.64%

LAB 89.45, -45.56, 69.37

 

CMYK 0 / 44 / 67 / 4

HEX #F58950

RGB 245 137 80

HSL 20.73, 0.89%, 0.64%

LAB 67.93, 36.52, 47.85

 

CMYK 0 / 44 / 67 / 4

HEX #F58950

RGB 245 137 80

HSL 20.73, 0.89%, 0.64%

LAB 67.93, 36.52, 47.85

 

CMYK 0 / 39 / 59 / 10

HEX #E68D5F

RGB 230 141 95

HSL 20.44, 0.73%, 0.64%

LAB 67.05, 29.47, 38.58

 

CMYK 0 / 32 / 49 / 15

HEX #D8926E

RGB 216 146 110

HSL 20.38, 0.58%, 0.64%

LAB 66.74, 22.44, 29.77

 

CMYK 0 / 25 / 38 / 21

HEX #C9977D

RGB 201 151 125

HSL 20.53, 0.41%, 0.64%

LAB 66.54, 15.29, 20.99

 

CMYK 0 / 17 / 25 / 27

HEX #BA9B8B

RGB 186 155 139

HSL 20.43, 0.25%, 0.64%

LAB 66.33, 9.02, 12.68

 

CMYK 0 / 67 / 54 / 4

HEX #F55071

RGB 245 80 113

HSL 348, 0.89%, 0.64%

LAB 58.36, 64.82, 17.61

 

CMYK 0 / 63 / 67 / 4

HEX #F55B50

RGB 245 91 80

HSL 4, 0.89%, 0.64%

LAB 59.41, 58.33, 37.91

 

CMYK 0 / 45 / 67 / 4

HEX #F58750

RGB 245 135 80

HSL 20, 0.89%, 0.64%

LAB 67.52, 37.55, 47.38

 

CMYK 0 / 27 / 67 / 4

HEX #F5B350

RGB 245 179 80

HSL 36, 0.89%, 0.64%

LAB 77.42, 14.55, 58.33

 

CMYK 0 / 9 / 67 / 4

HEX #F5DF50

RGB 245 223 80

HSL 52, 0.89%, 0.64%

LAB 88.34, -8.1, 69.75

 

CMYK 0 / 62 / 95 / 9

HEX #E7570C

RGB 231 87 12

HSL 20.55, 0.9%, 0.48%

LAB 55.92, 53.2, 63.41

 

CMYK 0 / 55 / 83 / 5

HEX #F36E29

RGB 243 110 41

HSL 20.5, 0.89%, 0.56%

LAB 61.97, 47.58, 59.63

 

CMYK 0 / 44 / 67 / 4

HEX #F58950

RGB 245 137 80

HSL 20.73, 0.89%, 0.64%

LAB 67.93, 36.52, 47.85

 

CMYK 0 / 34 / 52 / 3

HEX #F7A377

RGB 247 163 119

HSL 20.63, 0.89%, 0.72%

LAB 74.38, 26.54, 35.53

 

CMYK 0 / 24 / 37 / 2

HEX #F9BE9E

RGB 249 190 158

HSL 21.1, 0.88%, 0.8%

LAB 81.53, 17.06, 24.36

 

CMYK 0 / 44 / 67 / 4

HEX #F68950

RGB 246 137 80

HSL 20.6, 0.9%, 0.64%

LAB 68.07, 36.92, 48.04

 

CMYK 36 / 0 / 67 / 4

HEX #9DF550

RGB 157 245 80

HSL 92, 0.89%, 0.64%

LAB 88.47, -52.13, 68.05

 

CMYK 67 / 63 / 0 / 4

HEX #505BF5

RGB 80 91 245

HSL 236, 0.89%, 0.64%

LAB 46.68, 43.76, -78.35

 

CMYK 0 / 44 / 67 / 4

HEX #F68950

RGB 246 137 80

HSL 20.6, 0.9%, 0.64%

LAB 68.07, 36.92, 48.04

 

CMYK 67 / 0 / 45 / 4

HEX #50F587

RGB 80 245 135

HSL 140, 0.89%, 0.64%

LAB 86.38, -65.58, 40.75

 

CMYK 45 / 67 / 0 / 4

HEX #8750F5

RGB 135 80 245

HSL 260, 0.89%, 0.64%

LAB 48.86, 58.35, -74.62

 

CMYK 0 / 44 / 67 / 4

HEX #F68950

RGB 246 137 80

HSL 20.6, 0.9%, 0.64%

LAB 68.07, 36.92, 48.04

 

CMYK 36 / 0 / 67 / 4

HEX #9DF550

RGB 157 245 80

HSL 92, 0.89%, 0.64%

LAB 88.47, -52.13, 68.05

 

CMYK 67 / 22 / 0 / 4

HEX #50BEF5

RGB 80 190 245

HSL 200, 0.89%, 0.64%

LAB 72.97, -14.51, -36.41

 

CMYK 31 / 67 / 0 / 4

HEX #A850F5

RGB 168 80 245

HSL 272, 0.89%, 0.64%

LAB 52.57, 64.52, -68.43

 

CMYK 0 / 44 / 67 / 4

HEX #F68950

RGB 246 137 80

HSL 20.6, 0.9%, 0.64%

LAB 68.07, 36.92, 48.04

 

CMYK 56 / 0 / 67 / 4

HEX #6CF550

RGB 108 245 80

HSL 109.82, 0.89%, 0.64%

LAB 86.54, -66.4, 65.43

 

CMYK 67 / 22 / 0 / 4

HEX #50BEF5

RGB 80 190 245

HSL 200, 0.89%, 0.64%

LAB 72.97, -14.51, -36.41

 

CMYK 11 / 67 / 0 / 4

HEX #DA50F5

RGB 218 80 245

HSL 290.18, 0.89%, 0.64%

LAB 59.19, 74.8, -57.43

 

Description

Color code: RGB 246 137 80 | qconv.com Color code: RGB 246 137 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 137 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 137 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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