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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 113 4 it is the complementary color RGB 9 142 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 113 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 113 4 shade: RGB 251 113 0, RGB 255 131 18, RGB 255 149 37, RGB 255 167 56 and RGB 255 185 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 113 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 113 4 shade: RGB 246 113 4, RGB 229 95 0, RGB 212 77 0, RGB 195 59 0 and RGB 178 41 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 113 4 shade: RGB 246 112 3, RGB 246 47 3 and RGB 246 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 113 4 shade: RGB 246 112 3, RGB 246 178 3, RGB 246 243 3, RGB 183 246 3 and RGB 117 246 3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 113 4 shade matches the following richer shades: RGB 246 112 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 113 4 shade: RGB 246 112 3, RGB 225 114 23, RGB 205 116 44, RGB 185 118 64 and RGB 165 120 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 113 4 shade: RGB 246 3 23, RGB 246 48 3, RGB 246 112 3, RGB 246 177 3 and RGB 246 242 3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 113 4 shade: RGB 164 75 2, RGB 205 94 3, RGB 246 112 3, RGB 251 135 39 and RGB 252 157 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 113 4 shade: RGB 246 113 4, RGB 88 246 3 and RGB 15 3 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 113 4 shade: RGB 246 113 4, RGB 3 246 112 and RGB 112 3 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 113 4 shade: RGB 246 113 4, RGB 88 246 3, RGB 3 137 246 and RGB 161 3 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 113 4 shade: RGB 246 113 4, RGB 15 246 3, RGB 3 137 246 and RGB 234 3 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 98 / 4

HEX #F67104

RGB 246 113 4

HSL 27.02, 0.97%, 0.49%

LAB 62.85, 46.71, 70.24

 

Complementary color

CMYK 96 / 43 / 0 / 2

HEX #098EFB

RGB 9 142 251

HSL 207.02, 0.97%, 0.51%

LAB 58.39, 8.86, -62.81

 

CMYK 0 / 55 / 100 / 2

HEX #FB7100

RGB 251 113 0

HSL 27.01, 1%, 0.49%

LAB 63.61, 48.55, 71.72

 

CMYK 0 / 49 / 93 / 0

HEX #FF8312

RGB 255 131 18

HSL 28.61, 1%, 0.54%

LAB 67.68, 41.51, 71.66

 

CMYK 0 / 42 / 85 / 0

HEX #FF9525

RGB 255 149 37

HSL 30.83, 1%, 0.57%

LAB 71.48, 32.71, 69.69

 

CMYK 0 / 35 / 78 / 0

HEX #FFA738

RGB 255 167 56

HSL 33.47, 1%, 0.61%

LAB 75.57, 23.92, 66.76

 

CMYK 0 / 27 / 71 / 0

HEX #FFB94B

RGB 255 185 75

HSL 36.67, 1%, 0.65%

LAB 79.88, 15.31, 63.41

 

CMYK 0 / 54 / 98 / 4

HEX #F67104

RGB 246 113 4

HSL 27.02, 0.97%, 0.49%

LAB 62.85, 46.71, 70.24

 

CMYK 0 / 59 / 100 / 10

HEX #E55F00

RGB 229 95 0

HSL 24.89, 1%, 0.45%

LAB 56.92, 48.8, 66.16

 

CMYK 0 / 64 / 100 / 17

HEX #D44D00

RGB 212 77 0

HSL 21.79, 1%, 0.42%

LAB 51.04, 50.72, 61.49

 

CMYK 0 / 70 / 100 / 24

HEX #C33B00

RGB 195 59 0

HSL 18.15, 1%, 0.38%

LAB 45.26, 52.27, 56.9

 

CMYK 0 / 77 / 100 / 30

HEX #B22900

RGB 178 41 0

HSL 13.82, 1%, 0.35%

LAB 39.67, 53.2, 52.43

 

CMYK 0 / 54 / 99 / 4

HEX #F67003

RGB 246 112 3

HSL 26.91, 0.98%, 0.49%

LAB 62.67, 47.17, 70.29

 

CMYK 0 / 81 / 99 / 4

HEX #F62F03

RGB 246 47 3

HSL 10.86, 0.98%, 0.49%

LAB 53.63, 71.52, 65.55

 

CMYK 0 / 99 / 99 / 4

HEX #F60303

RGB 246 3 3

HSL 0, 0.98%, 0.49%

LAB 51.46, 77.76, 64.65

 

CMYK 0 / 54 / 99 / 4

HEX #F67003

RGB 246 112 3

HSL 26.91, 0.98%, 0.49%

LAB 62.67, 47.17, 70.29

 

CMYK 0 / 28 / 99 / 4

HEX #F6B203

RGB 246 178 3

HSL 43.21, 0.98%, 0.49%

LAB 76.94, 13.35, 79.48

 

CMYK 0 / 1 / 99 / 4

HEX #F6F303

RGB 246 243 3

HSL 59.26, 0.98%, 0.49%

LAB 93.32, -19.52, 91.15

 

CMYK 26 / 0 / 99 / 4

HEX #B7F603

RGB 183 246 3

HSL 75.56, 0.98%, 0.49%

LAB 89.85, -46.01, 86.65

 

CMYK 52 / 0 / 99 / 4

HEX #75F603

RGB 117 246 3

HSL 91.85, 0.98%, 0.49%

LAB 86.85, -67.66, 83.02

 

CMYK 0 / 54 / 99 / 4

HEX #F67003

RGB 246 112 3

HSL 26.91, 0.98%, 0.49%

LAB 62.67, 47.17, 70.29

 

CMYK 0 / 54 / 99 / 4

HEX #F67003

RGB 246 112 3

HSL 26.91, 0.98%, 0.49%

LAB 62.67, 47.17, 70.29

 

CMYK 0 / 49 / 90 / 12

HEX #E17217

RGB 225 114 23

HSL 27.03, 0.81%, 0.49%

LAB 59.98, 38.3, 63.04

 

CMYK 0 / 43 / 79 / 20

HEX #CD742C

RGB 205 116 44

HSL 26.83, 0.65%, 0.49%

LAB 57.71, 29.69, 52.46

 

CMYK 0 / 36 / 65 / 27

HEX #B97640

RGB 185 118 64

HSL 26.78, 0.49%, 0.49%

LAB 55.73, 21.18, 40.01

 

CMYK 0 / 27 / 49 / 35

HEX #A57854

RGB 165 120 84

HSL 26.67, 0.33%, 0.49%

LAB 54.1, 13.13, 26.63

 

CMYK 0 / 99 / 91 / 4

HEX #F60317

RGB 246 3 23

HSL 355.06, 0.98%, 0.49%

LAB 51.52, 77.94, 58.79

 

CMYK 0 / 80 / 99 / 4

HEX #F63003

RGB 246 48 3

HSL 11.11, 0.98%, 0.49%

LAB 53.72, 71.27, 65.59

 

CMYK 0 / 54 / 99 / 4

HEX #F67003

RGB 246 112 3

HSL 26.91, 0.98%, 0.49%

LAB 62.67, 47.17, 70.29

 

CMYK 0 / 28 / 99 / 4

HEX #F6B103

RGB 246 177 3

HSL 42.96, 0.98%, 0.49%

LAB 76.71, 13.87, 79.31

 

CMYK 0 / 2 / 99 / 4

HEX #F6F203

RGB 246 242 3

HSL 59.01, 0.98%, 0.49%

LAB 93.06, -19.04, 90.96

 

CMYK 0 / 54 / 99 / 36

HEX #A44B02

RGB 164 75 2

HSL 27.04, 0.98%, 0.33%

LAB 42.66, 33.43, 52.01

 

CMYK 0 / 54 / 99 / 20

HEX #CD5E03

RGB 205 94 3

HSL 27.03, 0.97%, 0.41%

LAB 52.94, 40.21, 61.28

 

CMYK 0 / 54 / 99 / 4

HEX #F67003

RGB 246 112 3

HSL 26.91, 0.98%, 0.49%

LAB 62.67, 47.17, 70.29

 

CMYK 0 / 46 / 84 / 2

HEX #FB8727

RGB 251 135 39

HSL 27.17, 0.96%, 0.57%

LAB 68.01, 38.3, 65.97

 

CMYK 0 / 38 / 68 / 1

HEX #FC9D50

RGB 252 157 80

HSL 26.86, 0.97%, 0.65%

LAB 73.15, 28.96, 53.92

 

CMYK 0 / 54 / 98 / 4

HEX #F67104

RGB 246 113 4

HSL 27.02, 0.97%, 0.49%

LAB 62.85, 46.71, 70.24

 

CMYK 64 / 0 / 99 / 4

HEX #58F603

RGB 88 246 3

HSL 99.01, 0.98%, 0.49%

LAB 86, -74.6, 81.99

 

CMYK 94 / 99 / 0 / 4

HEX #0F03F6

RGB 15 3 246

HSL 242.96, 0.98%, 0.49%

LAB 31.39, 76.67, -104.31

 

CMYK 0 / 54 / 98 / 4

HEX #F67104

RGB 246 113 4

HSL 27.02, 0.97%, 0.49%

LAB 62.85, 46.71, 70.24

 

CMYK 99 / 0 / 54 / 4

HEX #03F670

RGB 3 246 112

HSL 146.91, 0.98%, 0.49%

LAB 85.55, -76.25, 50.4

 

CMYK 54 / 99 / 0 / 4

HEX #7003F6

RGB 112 3 246

HSL 266.91, 0.98%, 0.49%

LAB 38.13, 79.81, -92.9

 

CMYK 0 / 54 / 98 / 4

HEX #F67104

RGB 246 113 4

HSL 27.02, 0.97%, 0.49%

LAB 62.85, 46.71, 70.24

 

CMYK 64 / 0 / 99 / 4

HEX #58F603

RGB 88 246 3

HSL 99.01, 0.98%, 0.49%

LAB 86, -74.6, 81.99

 

CMYK 99 / 44 / 0 / 4

HEX #0389F6

RGB 3 137 246

HSL 206.91, 0.98%, 0.49%

LAB 56.65, 9.84, -62.84

 

CMYK 35 / 99 / 0 / 4

HEX #A103F6

RGB 161 3 246

HSL 279.01, 0.98%, 0.49%

LAB 44.65, 84.08, -81.93

 

CMYK 0 / 54 / 98 / 4

HEX #F67104

RGB 246 113 4

HSL 27.02, 0.97%, 0.49%

LAB 62.85, 46.71, 70.24

 

CMYK 94 / 0 / 99 / 4

HEX #0FF603

RGB 15 246 3

HSL 117.04, 0.98%, 0.49%

LAB 85.01, -83.35, 80.77

 

CMYK 99 / 44 / 0 / 4

HEX #0389F6

RGB 3 137 246

HSL 206.91, 0.98%, 0.49%

LAB 56.65, 9.84, -62.84

 

CMYK 5 / 99 / 0 / 4

HEX #EA03F6

RGB 234 3 246

HSL 297.04, 0.98%, 0.49%

LAB 56.3, 93.6, -62.48

 

Description

Color code: RGB 246 113 4 | qconv.com Color code: RGB 246 113 4 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 113 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 113 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 98% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - 济南网络托管公司_网站建设_全网营销推广...
Link: http://www.cn-un.net

Verification of their color palette as a manufacturer!

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