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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246.7 92.6 50 it is the complementary color RGB 8.3 162.4 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246.7 92.6 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246.7 92.6 50 shade: RGB 251.7 92.6 45, RGB 255 110.6 64, RGB 255 128.6 83, RGB 255 146.6 102 and RGB 255 164.6 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246.7 92.6 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246.7 92.6 50 shade: RGB 246.7 92.6 50, RGB 229.7 74.6 31, RGB 212.7 56.6 12, RGB 195.7 38.6 0 and RGB 178.7 20.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246.7 92.6 50 shade: RGB 246 92 49 and RGB 246 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246.7 92.6 50 shade: RGB 246 92 49, RGB 246 145 49, RGB 246 198 49, RGB 241 246 49 and RGB 188 246 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246.7 92.6 50 shade matches the following richer shades: RGB 246 92 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246.7 92.6 50 shade: RGB 246 92 49, RGB 229 102 67, RGB 212 112 84, RGB 194 122 101 and RGB 177 131 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246.7 92.6 50 shade: RGB 246 49 115, RGB 246 49 63, RGB 246 89 49, RGB 246 141 49 and RGB 246 194 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246.7 92.6 50 shade: RGB 205 51 9, RGB 244 61 10, RGB 246 92 49, RGB 248 123 89 and RGB 250 155 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246.7 92.6 50 shade: RGB 246.7 92.6 50, RGB 168 246 49 and RGB 49 89 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246.7 92.6 50 shade: RGB 246.7 92.6 50, RGB 49 246 89 and RGB 89 49 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246.7 92.6 50 shade: RGB 246.7 92.6 50, RGB 168 246 49, RGB 49 207 246 and RGB 128 49 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246.7 92.6 50 shade: RGB 246.7 92.6 50, RGB 108 246 49, RGB 49 207 246 and RGB 187 49 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 80 / 3

HEX #F65C32

RGB 246.7 92.6 50

HSL 12.99, 0.92%, 0.58%

LAB 59.62, 57, 53.8

 

Complementary color

CMYK 96 / 21 / 0 / 20

HEX #08A2CD

RGB 8.3 162.4 205

HSL 192.99, 0.92%, 0.42%

LAB 62.03, -19.83, -31.55

 

CMYK 0 / 63 / 82 / 1

HEX #FB5C2D

RGB 251.7 92.6 45

HSL 13.82, 0.97%, 0.58%

LAB 60.42, 58.55, 57.11

 

CMYK 0 / 57 / 75 / 0

HEX #FF6E40

RGB 255 110.6 64

HSL 14.64, 1%, 0.63%

LAB 64.09, 52.42, 52

 

CMYK 0 / 50 / 67 / 0

HEX #FF8053

RGB 255 128.6 83

HSL 15.91, 1%, 0.66%

LAB 67.64, 44.73, 46.35

 

CMYK 0 / 43 / 60 / 0

HEX #FF9266

RGB 255 146.6 102

HSL 17.49, 1%, 0.7%

LAB 71.53, 36.86, 41.11

 

CMYK 0 / 35 / 53 / 0

HEX #FFA479

RGB 255 164.6 121

HSL 19.52, 1%, 0.74%

LAB 75.7, 29.01, 36.36

 

CMYK 0 / 62 / 80 / 3

HEX #F65C32

RGB 246.7 92.6 50

HSL 12.99, 0.92%, 0.58%

LAB 59.62, 57, 53.8

 

CMYK 0 / 68 / 87 / 10

HEX #E54A1F

RGB 229.7 74.6 31

HSL 13.17, 0.8%, 0.51%

LAB 53.87, 58.16, 55.95

 

CMYK 0 / 73 / 94 / 17

HEX #D4380C

RGB 212.7 56.6 12

HSL 13.33, 0.89%, 0.44%

LAB 48.28, 59.01, 57.1

 

CMYK 0 / 80 / 100 / 23

HEX #C32600

RGB 195.7 38.6 0

HSL 11.83, 1%, 0.38%

LAB 42.94, 59.3, 55.93

 

CMYK 0 / 88 / 100 / 30

HEX #B21400

RGB 178.7 20.6 0

HSL 6.92, 1%, 0.35%

LAB 37.97, 58.61, 51.82

 

CMYK 0 / 63 / 80 / 4

HEX #F65C31

RGB 246 92 49

HSL 13.1, 0.92%, 0.58%

LAB 59.41, 56.98, 54.01

 

CMYK 0 / 80 / 80 / 4

HEX #F63131

RGB 246 49 49

HSL 0, 0.92%, 0.58%

LAB 54.04, 71.73, 48.83

 

CMYK 0 / 63 / 80 / 4

HEX #F65C31

RGB 246 92 49

HSL 13.1, 0.92%, 0.58%

LAB 59.41, 56.98, 54.01

 

CMYK 0 / 41 / 80 / 4

HEX #F69131

RGB 246 145 49

HSL 29.24, 0.92%, 0.58%

LAB 69.52, 31.46, 63.42

 

CMYK 0 / 20 / 80 / 4

HEX #F6C631

RGB 246 198 49

HSL 45.38, 0.92%, 0.58%

LAB 81.95, 3.74, 74.53

 

CMYK 2 / 0 / 80 / 4

HEX #F1F631

RGB 241 246 49

HSL 61.52, 0.92%, 0.58%

LAB 93.81, -22.25, 84.67

 

CMYK 24 / 0 / 80 / 4

HEX #BCF631

RGB 188 246 49

HSL 77.66, 0.92%, 0.58%

LAB 90.24, -43.18, 80.17

 

CMYK 0 / 63 / 80 / 4

HEX #F65C31

RGB 246 92 49

HSL 13.1, 0.92%, 0.58%

LAB 59.41, 56.98, 54.01

 

CMYK 0 / 63 / 80 / 4

HEX #F65C31

RGB 246 92 49

HSL 13.1, 0.92%, 0.58%

LAB 59.41, 56.98, 54.01

 

CMYK 0 / 55 / 71 / 10

HEX #E56643

RGB 229 102 67

HSL 12.96, 0.76%, 0.58%

LAB 58.57, 47.17, 43.32

 

CMYK 0 / 47 / 60 / 17

HEX #D47054

RGB 212 112 84

HSL 13.13, 0.6%, 0.58%

LAB 58.25, 36.78, 33.13

 

CMYK 0 / 37 / 48 / 24

HEX #C27A65

RGB 194 122 101

HSL 13.55, 0.43%, 0.58%

LAB 58.35, 25.76, 23.24

 

CMYK 0 / 26 / 33 / 31

HEX #B18377

RGB 177 131 119

HSL 12.41, 0.27%, 0.58%

LAB 58.89, 16.01, 13.41

 

CMYK 0 / 80 / 53 / 4

HEX #F63173

RGB 246 49 115

HSL 339.9, 0.92%, 0.58%

LAB 55.1, 74.97, 11.93

 

CMYK 0 / 80 / 74 / 4

HEX #F6313F

RGB 246 49 63

HSL 355.74, 0.92%, 0.58%

LAB 54.18, 72.18, 41.39

 

CMYK 0 / 64 / 80 / 4

HEX #F65931

RGB 246 89 49

HSL 12.18, 0.92%, 0.58%

LAB 58.94, 58.24, 53.57

 

CMYK 0 / 43 / 80 / 4

HEX #F68D31

RGB 246 141 49

HSL 28.02, 0.92%, 0.58%

LAB 68.65, 33.52, 62.63

 

CMYK 0 / 21 / 80 / 4

HEX #F6C231

RGB 246 194 49

HSL 44.16, 0.92%, 0.58%

LAB 80.96, 5.81, 73.66

 

CMYK 0 / 75 / 96 / 20

HEX #CD3309

RGB 205 51 9

HSL 12.86, 0.92%, 0.42%

LAB 46.13, 58.46, 55.87

 

CMYK 0 / 75 / 96 / 4

HEX #F43D0A

RGB 244 61 10

HSL 13.08, 0.92%, 0.5%

LAB 54.65, 67.12, 64.29

 

CMYK 0 / 63 / 80 / 4

HEX #F65C31

RGB 246 92 49

HSL 13.1, 0.92%, 0.58%

LAB 59.41, 56.98, 54.01

 

CMYK 0 / 50 / 64 / 3

HEX #F87B59

RGB 248 123 89

HSL 12.83, 0.92%, 0.66%

LAB 65.63, 45.22, 40.59

 

CMYK 0 / 38 / 48 / 2

HEX #FA9B81

RGB 250 155 129

HSL 12.89, 0.92%, 0.74%

LAB 73.12, 32.78, 28.6

 

CMYK 0 / 62 / 80 / 3

HEX #F65C32

RGB 246.7 92.6 50

HSL 12.99, 0.92%, 0.58%

LAB 59.62, 57, 53.8

 

CMYK 32 / 0 / 80 / 4

HEX #A8F631

RGB 168 246 49

HSL 83.76, 0.92%, 0.58%

LAB 89.14, -50.48, 78.77

 

CMYK 80 / 64 / 0 / 4

HEX #3159F6

RGB 49 89 246

HSL 227.82, 0.92%, 0.58%

LAB 44.87, 42.14, -81.94

 

CMYK 0 / 62 / 80 / 3

HEX #F65C32

RGB 246.7 92.6 50

HSL 12.99, 0.92%, 0.58%

LAB 59.62, 57, 53.8

 

CMYK 80 / 0 / 64 / 4

HEX #31F659

RGB 49 246 89

HSL 132.18, 0.92%, 0.58%

LAB 85.65, -76.29, 60.55

 

CMYK 64 / 80 / 0 / 4

HEX #5931F6

RGB 89 49 246

HSL 252.18, 0.92%, 0.58%

LAB 39.54, 66.92, -90.65

 

CMYK 0 / 62 / 80 / 3

HEX #F65C32

RGB 246.7 92.6 50

HSL 12.99, 0.92%, 0.58%

LAB 59.62, 57, 53.8

 

CMYK 32 / 0 / 80 / 4

HEX #A8F631

RGB 168 246 49

HSL 83.76, 0.92%, 0.58%

LAB 89.14, -50.48, 78.77

 

CMYK 80 / 16 / 0 / 4

HEX #31CFF6

RGB 49 207 246

HSL 191.88, 0.92%, 0.58%

LAB 77.24, -26.54, -30.41

 

CMYK 48 / 80 / 0 / 4

HEX #8031F6

RGB 128 49 246

HSL 264.06, 0.92%, 0.58%

LAB 43.42, 71.08, -84.12

 

CMYK 0 / 62 / 80 / 3

HEX #F65C32

RGB 246.7 92.6 50

HSL 12.99, 0.92%, 0.58%

LAB 59.62, 57, 53.8

 

CMYK 56 / 0 / 80 / 4

HEX #6CF631

RGB 108 246 49

HSL 102.03, 0.92%, 0.58%

LAB 86.66, -68.77, 75.6

 

CMYK 80 / 16 / 0 / 4

HEX #31CFF6

RGB 49 207 246

HSL 191.88, 0.92%, 0.58%

LAB 77.24, -26.54, -30.41

 

CMYK 24 / 80 / 0 / 4

HEX #BB31F6

RGB 187 49 246

HSL 282.03, 0.92%, 0.58%

LAB 51.17, 79.55, -71.13

 

Description

Color code: RGB 246.7 92.6 50 | qconv.com Color code: RGB 246.7 92.6 50 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246.7 red, 92.6 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246.7 92.6 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 80 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 80% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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