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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246.7 198 239 it is the complementary color RGB 8.3 57 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246.7 198 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246.7 198 239 shade: RGB 251.7 198 234, RGB 255 216 253, RGB 255 234 255, RGB 255 252 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246.7 198 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246.7 198 239 shade: RGB 246.7 198 239, RGB 229.7 180 220, RGB 212.7 162 201, RGB 195.7 144 182 and RGB 178.7 126 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246.7 198 239 shade: RGB 247 197 239, RGB 247 197 225, RGB 247 197 212, RGB 247 197 199 and RGB 247 197 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246.7 198 239 shade: RGB 247 197 239, RGB 241 197 247, RGB 228 197 247, RGB 214 197 247 and RGB 201 197 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246.7 198 239 shade matches the following richer shades: RGB 247 197 239 and RGB 252 192 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246.7 198 239 shade: RGB 247 197 239, RGB 241 202 235, RGB 236 208 232, RGB 231 213 228 and RGB 225 218 224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246.7 198 239 shade: RGB 228 197 247, RGB 241 197 247, RGB 247 197 239, RGB 247 197 226 and RGB 247 197 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246.7 198 239 shade: RGB 236 125 219, RGB 242 161 229, RGB 247 197 239, RGB 252 233 249 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246.7 198 239 shade: RGB 246.7 198 239, RGB 247 214 197 and RGB 197 247 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246.7 198 239 shade: RGB 246.7 198 239, RGB 239 247 197 and RGB 197 239 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246.7 198 239 shade: RGB 246.7 198 239, RGB 247 214 197, RGB 197 247 204 and RGB 197 229 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246.7 198 239 shade: RGB 246.7 198 239, RGB 247 229 197, RGB 197 247 204 and RGB 197 214 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 3 / 3

HEX #F6C6EF

RGB 246.7 198 239

HSL 309.49, 0.75%, 0.87%

LAB 85.17, 23.95, -13.66

 

Complementary color

CMYK 85 / 0 / 72 / 78

HEX #083910

RGB 8.3 57 16

HSL 129.49, 0.75%, 0.13%

LAB 20.11, -25.92, 20.59

 

CMYK 0 / 21 / 7 / 1

HEX #FBC6EA

RGB 251.7 198 234

HSL 319.78, 0.89%, 0.88%

LAB 85.49, 24.76, -10.47

 

CMYK 0 / 15 / 1 / 0

HEX #FFD8FD

RGB 255 216 253

HSL 303.08, 1%, 0.92%

LAB 90.53, 19.72, -12.95

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 20 / 3 / 3

HEX #F6C6EF

RGB 246.7 198 239

HSL 309.49, 0.75%, 0.87%

LAB 85.17, 23.95, -13.66

 

CMYK 0 / 22 / 4 / 10

HEX #E5B4DC

RGB 229.7 180 220

HSL 311.71, 0.5%, 0.8%

LAB 78.8, 24.49, -13.17

 

CMYK 0 / 24 / 6 / 17

HEX #D4A2C9

RGB 212.7 162 201

HSL 313.85, 0.37%, 0.73%

LAB 72.33, 25.06, -12.67

 

CMYK 0 / 26 / 7 / 23

HEX #C390B6

RGB 195.7 144 182

HSL 315.9, 0.3%, 0.67%

LAB 65.76, 25.68, -12.13

 

CMYK 0 / 29 / 9 / 30

HEX #B27EA3

RGB 178.7 126 163

HSL 317.87, 0.26%, 0.6%

LAB 59.08, 26.35, -11.57

 

CMYK 0 / 20 / 3 / 3

HEX #F7C5EF

RGB 247 197 239

HSL 309.6, 0.76%, 0.87%

LAB 84.97, 24.58, -13.96

 

CMYK 0 / 20 / 9 / 3

HEX #F7C5E1

RGB 247 197 225

HSL 326.4, 0.76%, 0.87%

LAB 84.56, 22.18, -7.11

 

CMYK 0 / 20 / 14 / 3

HEX #F7C5D4

RGB 247 197 212

HSL 342, 0.76%, 0.87%

LAB 84.2, 20.06, -0.69

 

CMYK 0 / 20 / 19 / 3

HEX #F7C5C7

RGB 247 197 199

HSL 357.6, 0.76%, 0.87%

LAB 83.88, 18.07, 5.78

 

CMYK 0 / 20 / 20 / 3

HEX #F7C5C5

RGB 247 197 197

HSL 0, 0.76%, 0.87%

LAB 83.83, 17.77, 6.78

 

CMYK 0 / 20 / 3 / 3

HEX #F7C5EF

RGB 247 197 239

HSL 309.6, 0.76%, 0.87%

LAB 84.97, 24.58, -13.96

 

CMYK 2 / 20 / 0 / 3

HEX #F1C5F7

RGB 241 197 247

HSL 292.8, 0.76%, 0.87%

LAB 84.66, 24.06, -18.73

 

CMYK 8 / 20 / 0 / 3

HEX #E4C5F7

RGB 228 197 247

HSL 277.2, 0.76%, 0.87%

LAB 83.52, 19.88, -20.57

 

CMYK 13 / 20 / 0 / 3

HEX #D6C5F7

RGB 214 197 247

HSL 260.4, 0.76%, 0.87%

LAB 82.35, 15.44, -22.45

 

CMYK 19 / 20 / 0 / 3

HEX #C9C5F7

RGB 201 197 247

HSL 244.8, 0.76%, 0.87%

LAB 81.33, 11.4, -24.1

 

CMYK 0 / 20 / 3 / 3

HEX #F7C5EF

RGB 247 197 239

HSL 309.6, 0.76%, 0.87%

LAB 84.97, 24.58, -13.96

 

CMYK 0 / 24 / 4 / 1

HEX #FCC0F3

RGB 252 192 243

HSL 309, 0.91%, 0.87%

LAB 84.41, 29.57, -16.87

 

CMYK 0 / 20 / 3 / 3

HEX #F7C5EF

RGB 247 197 239

HSL 309.6, 0.76%, 0.87%

LAB 84.97, 24.58, -13.96

 

CMYK 0 / 16 / 2 / 5

HEX #F1CAEB

RGB 241 202 235

HSL 309.23, 0.58%, 0.87%

LAB 85.47, 19.23, -11.13

 

CMYK 0 / 12 / 2 / 7

HEX #ECD0E8

RGB 236 208 232

HSL 308.57, 0.42%, 0.87%

LAB 86.39, 13.85, -8.22

 

CMYK 0 / 8 / 1 / 9

HEX #E7D5E4

RGB 231 213 228

HSL 310, 0.27%, 0.87%

LAB 87.08, 8.82, -5.13

 

CMYK 0 / 3 / 0 / 12

HEX #E1DAE0

RGB 225 218 224

HSL 308.57, 0.1%, 0.87%

LAB 87.74, 3.45, -2.1

 

CMYK 8 / 20 / 0 / 3

HEX #E4C5F7

RGB 228 197 247

HSL 277.2, 0.76%, 0.87%

LAB 83.52, 19.88, -20.57

 

CMYK 2 / 20 / 0 / 3

HEX #F1C5F7

RGB 241 197 247

HSL 292.8, 0.76%, 0.87%

LAB 84.66, 24.06, -18.73

 

CMYK 0 / 20 / 3 / 3

HEX #F7C5EF

RGB 247 197 239

HSL 309.6, 0.76%, 0.87%

LAB 84.97, 24.58, -13.96

 

CMYK 0 / 20 / 9 / 3

HEX #F7C5E2

RGB 247 197 226

HSL 325.2, 0.76%, 0.87%

LAB 84.59, 22.34, -7.6

 

CMYK 0 / 20 / 14 / 3

HEX #F7C5D5

RGB 247 197 213

HSL 340.8, 0.76%, 0.87%

LAB 84.23, 20.22, -1.18

 

CMYK 0 / 47 / 7 / 7

HEX #EC7DDB

RGB 236 125 219

HSL 309.19, 0.74%, 0.71%

LAB 67.74, 55, -29.38

 

CMYK 0 / 33 / 5 / 5

HEX #F2A1E5

RGB 242 161 229

HSL 309.63, 0.76%, 0.79%

LAB 76.08, 40.2, -22.03

 

CMYK 0 / 20 / 3 / 3

HEX #F7C5EF

RGB 247 197 239

HSL 309.6, 0.76%, 0.87%

LAB 84.97, 24.58, -13.96

 

CMYK 0 / 8 / 1 / 1

HEX #FCE9F9

RGB 252 233 249

HSL 309.47, 0.76%, 0.95%

LAB 94.23, 9.18, -5.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 20 / 3 / 3

HEX #F6C6EF

RGB 246.7 198 239

HSL 309.49, 0.75%, 0.87%

LAB 85.17, 23.95, -13.66

 

CMYK 0 / 13 / 20 / 3

HEX #F7D6C5

RGB 247 214 197

HSL 20.4, 0.76%, 0.87%

LAB 87.92, 8.88, 12.62

 

CMYK 20 / 0 / 5 / 3

HEX #C5F7EA

RGB 197 247 234

HSL 164.4, 0.76%, 0.87%

LAB 93.59, -18.42, 1

 

CMYK 0 / 20 / 3 / 3

HEX #F6C6EF

RGB 246.7 198 239

HSL 309.49, 0.75%, 0.87%

LAB 85.17, 23.95, -13.66

 

CMYK 3 / 0 / 20 / 3

HEX #EFF7C5

RGB 239 247 197

HSL 69.6, 0.76%, 0.87%

LAB 95.54, -10.79, 23.2

 

CMYK 20 / 3 / 0 / 3

HEX #C5EFF7

RGB 197 239 247

HSL 189.6, 0.76%, 0.87%

LAB 91.83, -11.78, -8.35

 

CMYK 0 / 20 / 3 / 3

HEX #F6C6EF

RGB 246.7 198 239

HSL 309.49, 0.75%, 0.87%

LAB 85.17, 23.95, -13.66

 

CMYK 0 / 13 / 20 / 3

HEX #F7D6C5

RGB 247 214 197

HSL 20.4, 0.76%, 0.87%

LAB 87.92, 8.88, 12.62

 

CMYK 20 / 0 / 17 / 3

HEX #C5F7CC

RGB 197 247 204

HSL 128.4, 0.76%, 0.87%

LAB 92.91, -24.02, 15.52

 

CMYK 20 / 7 / 0 / 3

HEX #C5E5F7

RGB 197 229 247

HSL 201.6, 0.76%, 0.87%

LAB 89.22, -6.69, -12.23

 

CMYK 0 / 20 / 3 / 3

HEX #F6C6EF

RGB 246.7 198 239

HSL 309.49, 0.75%, 0.87%

LAB 85.17, 23.95, -13.66

 

CMYK 0 / 7 / 20 / 3

HEX #F7E5C5

RGB 247 229 197

HSL 38.4, 0.76%, 0.87%

LAB 91.61, 1.15, 17.83

 

CMYK 20 / 0 / 17 / 3

HEX #C5F7CC

RGB 197 247 204

HSL 128.4, 0.76%, 0.87%

LAB 92.91, -24.02, 15.52

 

CMYK 20 / 13 / 0 / 3

HEX #C5D6F7

RGB 197 214 247

HSL 219.6, 0.76%, 0.87%

LAB 85.34, 1.11, -18.05

 

Description

Color code: RGB 246.7 198 239 | qconv.com Color code: RGB 246.7 198 239 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246.7 red, 198 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246.7 198 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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