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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246.1 180.8 70 it is the complementary color RGB 8.9 74.2 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246.1 180.8 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246.1 180.8 70 shade: RGB 251.1 180.8 65, RGB 255 198.8 84, RGB 255 216.8 103, RGB 255 234.8 122 and RGB 255 252.8 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246.1 180.8 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246.1 180.8 70 shade: RGB 246.1 180.8 70, RGB 229.1 162.8 51, RGB 212.1 144.8 32, RGB 195.1 126.8 13 and RGB 178.1 108.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246.1 180.8 70 shade: RGB 246 180 69, RGB 246 133 69, RGB 246 85 69 and RGB 246 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246.1 180.8 70 shade: RGB 246 180 69, RGB 246 228 69, RGB 216 246 69, RGB 169 246 69 and RGB 121 246 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246.1 180.8 70 shade matches the following richer shades: RGB 246 180 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246.1 180.8 70 shade: RGB 246 180 69, RGB 230 176 85, RGB 214 172 101, RGB 199 168 116 and RGB 183 164 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246.1 180.8 70 shade: RGB 246 84 69, RGB 246 131 69, RGB 246 178 69, RGB 246 225 69 and RGB 219 246 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246.1 180.8 70 shade: RGB 223 144 10, RGB 244 165 30, RGB 246 180 69, RGB 248 196 109 and RGB 249 212 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246.1 180.8 70 shade: RGB 246.1 180.8 70, RGB 102 246 69 and RGB 108 69 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246.1 180.8 70 shade: RGB 246.1 180.8 70, RGB 69 246 178 and RGB 178 69 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246.1 180.8 70 shade: RGB 246.1 180.8 70, RGB 102 246 69, RGB 69 137 246 and RGB 213 69 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246.1 180.8 70 shade: RGB 246.1 180.8 70, RGB 69 246 90, RGB 69 137 246 and RGB 246 69 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 72 / 3

HEX #F6B446

RGB 246.1 180.8 70

HSL 37.75, 0.91%, 0.62%

LAB 77.89, 13.56, 63.15

 

Complementary color

CMYK 95 / 60 / 0 / 27

HEX #084AB9

RGB 8.9 74.2 185

HSL 217.75, 0.91%, 0.38%

LAB 34.97, 26.37, -63.2

 

CMYK 0 / 28 / 74 / 2

HEX #FBB441

RGB 251.1 180.8 65

HSL 37.33, 0.96%, 0.62%

LAB 78.39, 15.43, 65.84

 

CMYK 0 / 22 / 67 / 0

HEX #FFC654

RGB 255 198.8 84

HSL 40.28, 1%, 0.66%

LAB 83.26, 8.61, 63.13

 

CMYK 0 / 15 / 60 / 0

HEX #FFD867

RGB 255 216.8 103

HSL 44.92, 1%, 0.7%

LAB 87.85, 0.53, 59.82

 

CMYK 0 / 8 / 52 / 0

HEX #FFEA7A

RGB 255 234.8 122

HSL 50.89, 1%, 0.74%

LAB 92.56, -7.12, 56.58

 

CMYK 0 / 1 / 45 / 0

HEX #FFFC8D

RGB 255 252.8 141

HSL 58.84, 1%, 0.78%

LAB 97.35, -14.33, 53.48

 

CMYK 0 / 27 / 72 / 3

HEX #F6B446

RGB 246.1 180.8 70

HSL 37.75, 0.91%, 0.62%

LAB 77.89, 13.56, 63.15

 

CMYK 0 / 29 / 78 / 10

HEX #E5A233

RGB 229.1 162.8 51

HSL 37.66, 0.77%, 0.55%

LAB 71.58, 15.08, 63.83

 

CMYK 0 / 32 / 85 / 17

HEX #D49020

RGB 212.1 144.8 32

HSL 37.58, 0.74%, 0.48%

LAB 65.2, 16.82, 63.86

 

CMYK 0 / 35 / 93 / 23

HEX #C37E0D

RGB 195.1 126.8 13

HSL 37.5, 0.88%, 0.41%

LAB 58.76, 18.81, 62.65

 

CMYK 0 / 39 / 100 / 30

HEX #B26C00

RGB 178.1 108.8 0

HSL 36.65, 1%, 0.35%

LAB 52.25, 21.08, 59.53

 

CMYK 0 / 27 / 72 / 4

HEX #F6B445

RGB 246 180 69

HSL 37.63, 0.91%, 0.62%

LAB 77.68, 13.89, 63.34

 

CMYK 0 / 46 / 72 / 4

HEX #F68545

RGB 246 133 69

HSL 21.69, 0.91%, 0.62%

LAB 67.12, 38.4, 52.39

 

CMYK 0 / 65 / 72 / 4

HEX #F65545

RGB 246 85 69

HSL 5.42, 0.91%, 0.62%

LAB 58.53, 60.59, 42.96

 

CMYK 0 / 72 / 72 / 4

HEX #F64545

RGB 246 69 69

HSL 0, 0.91%, 0.62%

LAB 56.37, 66.51, 40.5

 

CMYK 0 / 27 / 72 / 4

HEX #F6B445

RGB 246 180 69

HSL 37.63, 0.91%, 0.62%

LAB 77.68, 13.89, 63.34

 

CMYK 0 / 7 / 72 / 4

HEX #F6E445

RGB 246 228 69

HSL 53.9, 0.91%, 0.62%

LAB 89.63, -10.71, 75.1

 

CMYK 12 / 0 / 72 / 4

HEX #D8F645

RGB 216 246 69

HSL 70.17, 0.91%, 0.62%

LAB 92.11, -31.53, 76.69

 

CMYK 31 / 0 / 72 / 4

HEX #A9F645

RGB 169 246 69

HSL 86.1, 0.91%, 0.62%

LAB 89.29, -49.15, 72.98

 

CMYK 51 / 0 / 72 / 4

HEX #79F645

RGB 121 246 69

HSL 102.37, 0.91%, 0.62%

LAB 87.2, -64.23, 70.21

 

CMYK 0 / 27 / 72 / 4

HEX #F6B445

RGB 246 180 69

HSL 37.63, 0.91%, 0.62%

LAB 77.68, 13.89, 63.34

 

CMYK 0 / 27 / 72 / 4

HEX #F6B445

RGB 246 180 69

HSL 37.63, 0.91%, 0.62%

LAB 77.68, 13.89, 63.34

 

CMYK 0 / 23 / 63 / 10

HEX #E6B055

RGB 230 176 85

HSL 37.66, 0.74%, 0.62%

LAB 75.16, 10.16, 53.11

 

CMYK 0 / 20 / 53 / 16

HEX #D6AC65

RGB 214 172 101

HSL 37.7, 0.58%, 0.62%

LAB 72.72, 6.8, 42.03

 

CMYK 0 / 16 / 42 / 22

HEX #C7A874

RGB 199 168 116

HSL 37.59, 0.43%, 0.62%

LAB 70.46, 4.22, 31.06

 

CMYK 0 / 10 / 28 / 28

HEX #B7A484

RGB 183 164 132

HSL 37.65, 0.26%, 0.62%

LAB 68.23, 1.92, 19.15

 

CMYK 0 / 66 / 72 / 4

HEX #F65445

RGB 246 84 69

HSL 5.08, 0.91%, 0.62%

LAB 58.38, 60.99, 42.79

 

CMYK 0 / 47 / 72 / 4

HEX #F68345

RGB 246 131 69

HSL 21.02, 0.91%, 0.62%

LAB 66.71, 39.41, 51.95

 

CMYK 0 / 28 / 72 / 4

HEX #F6B245

RGB 246 178 69

HSL 36.95, 0.91%, 0.62%

LAB 77.2, 14.94, 62.86

 

CMYK 0 / 9 / 72 / 4

HEX #F6E145

RGB 246 225 69

HSL 52.88, 0.91%, 0.62%

LAB 88.86, -9.22, 74.36

 

CMYK 11 / 0 / 72 / 4

HEX #DBF645

RGB 219 246 69

HSL 69.15, 0.91%, 0.62%

LAB 92.31, -30.34, 76.96

 

CMYK 0 / 35 / 96 / 13

HEX #DF900A

RGB 223 144 10

HSL 37.75, 0.91%, 0.46%

LAB 66.26, 21.57, 70.03

 

CMYK 0 / 32 / 88 / 4

HEX #F4A51E

RGB 244 165 30

HSL 37.85, 0.91%, 0.54%

LAB 73.7, 19.66, 72.8

 

CMYK 0 / 27 / 72 / 4

HEX #F6B445

RGB 246 180 69

HSL 37.63, 0.91%, 0.62%

LAB 77.68, 13.89, 63.34

 

CMYK 0 / 21 / 56 / 3

HEX #F8C46D

RGB 248 196 109

HSL 37.55, 0.91%, 0.7%

LAB 82.13, 8.81, 50.21

 

CMYK 0 / 15 / 41 / 2

HEX #F9D494

RGB 249 212 148

HSL 38.02, 0.89%, 0.78%

LAB 86.68, 4.49, 36.45

 

CMYK 0 / 27 / 72 / 3

HEX #F6B446

RGB 246.1 180.8 70

HSL 37.75, 0.91%, 0.62%

LAB 77.89, 13.56, 63.15

 

CMYK 59 / 0 / 72 / 4

HEX #66F645

RGB 102 246 69

HSL 108.81, 0.91%, 0.62%

LAB 86.59, -69.03, 69.39

 

CMYK 56 / 72 / 0 / 4

HEX #6C45F6

RGB 108 69 246

HSL 253.22, 0.91%, 0.62%

LAB 44.37, 59.9, -82.62

 

CMYK 0 / 27 / 72 / 3

HEX #F6B446

RGB 246.1 180.8 70

HSL 37.75, 0.91%, 0.62%

LAB 77.89, 13.56, 63.15

 

CMYK 72 / 0 / 28 / 4

HEX #45F6B2

RGB 69 246 178

HSL 156.95, 0.91%, 0.62%

LAB 87.19, -59.62, 20.17

 

CMYK 28 / 72 / 0 / 4

HEX #B245F6

RGB 178 69 246

HSL 276.95, 0.91%, 0.62%

LAB 52.26, 71.27, -69.43

 

CMYK 0 / 27 / 72 / 3

HEX #F6B446

RGB 246.1 180.8 70

HSL 37.75, 0.91%, 0.62%

LAB 77.89, 13.56, 63.15

 

CMYK 59 / 0 / 72 / 4

HEX #66F645

RGB 102 246 69

HSL 108.81, 0.91%, 0.62%

LAB 86.59, -69.03, 69.39

 

CMYK 72 / 44 / 0 / 4

HEX #4589F6

RGB 69 137 246

HSL 216.95, 0.91%, 0.62%

LAB 57.86, 14.48, -60.84

 

CMYK 13 / 72 / 0 / 4

HEX #D545F6

RGB 213 69 246

HSL 288.81, 0.91%, 0.62%

LAB 57.13, 77.92, -61.33

 

CMYK 0 / 27 / 72 / 3

HEX #F6B446

RGB 246.1 180.8 70

HSL 37.75, 0.91%, 0.62%

LAB 77.89, 13.56, 63.15

 

CMYK 72 / 0 / 63 / 4

HEX #45F65A

RGB 69 246 90

HSL 127.12, 0.91%, 0.62%

LAB 85.96, -73.58, 60.58

 

CMYK 72 / 44 / 0 / 4

HEX #4589F6

RGB 69 137 246

HSL 216.95, 0.91%, 0.62%

LAB 57.86, 14.48, -60.84

 

CMYK 0 / 72 / 9 / 4

HEX #F645E1

RGB 246 69 225

HSL 307.12, 0.91%, 0.62%

LAB 61.03, 81.37, -43.07

 

Description

Color code: RGB 246.1 180.8 70 | qconv.com Color code: RGB 246.1 180.8 70 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246.1 red, 180.8 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246.1 180.8 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 72 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 72% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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