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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 241 63 it is the complementary color RGB 10 14 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 241 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 241 63: RGB 250 241 58, RGB 255 255 77, RGB 255 255 96, RGB 255 255 115 and RGB 255 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 241 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 241 63: RGB 245 241 63, RGB 228 223 44, RGB 211 205 25, RGB 194 187 6 and RGB 177 169 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

Complementary color

CMYK 95 / 93 / 0 / 25

HEX #0A0EC0

RGB 10 14 192

HSL 238.68, 0.9%, 0.4%

LAB 24.27, 60.85, -85.03

 

CMYK 0 / 4 / 77 / 2

HEX #FAF13A

RGB 250 241 58

HSL 57.19, 0.95%, 0.6%

LAB 93.25, -15.87, 82.05

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

CMYK 0 / 2 / 81 / 11

HEX #E4DF2C

RGB 228 223 44

HSL 58.37, 0.77%, 0.53%

LAB 86.73, -16.66, 79.43

 

CMYK 0 / 3 / 88 / 17

HEX #D3CD19

RGB 211 205 25

HSL 58.06, 0.79%, 0.46%

LAB 80.51, -15.41, 77.81

 

CMYK 0 / 4 / 97 / 24

HEX #C2BB06

RGB 194 187 6

HSL 57.77, 0.94%, 0.39%

LAB 74.2, -13.96, 74.88

 

CMYK 0 / 5 / 100 / 31

HEX #B1A900

RGB 177 169 0

HSL 57.29, 1%, 0.35%

LAB 67.82, -12.29, 70.23

 

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

CMYK 10 / 0 / 75 / 4

HEX #DCF43D

RGB 220 244 61

HSL 67.87, 0.89%, 0.6%

LAB 91.8, -29.37, 79.02

 

CMYK 23 / 0 / 75 / 4

HEX #BDF43D

RGB 189 244 61

HSL 78.03, 0.89%, 0.6%

LAB 89.79, -41.43, 76.42

 

CMYK 35 / 0 / 75 / 4

HEX #9FF43D

RGB 159 244 61

HSL 87.87, 0.89%, 0.6%

LAB 88.17, -52.23, 74.3

 

CMYK 48 / 0 / 75 / 4

HEX #80F43D

RGB 128 244 61

HSL 98.03, 0.89%, 0.6%

LAB 86.81, -62.04, 72.53

 

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

CMYK 0 / 2 / 73 / 84

HEX #29280B

RGB 41 40 11

HSL 58, 0.58%, 0.1%

LAB 15.56, -4.4, 18.04

 

CMYK 0 / 2 / 74 / 64

HEX #5C5A18

RGB 92 90 24

HSL 58.24, 0.59%, 0.23%

LAB 37.21, -8.12, 36.51

 

CMYK 0 / 1 / 74 / 44

HEX #8F8D25

RGB 143 141 37

HSL 58.87, 0.59%, 0.35%

LAB 57.1, -11.91, 52.26

 

CMYK 0 / 2 / 74 / 24

HEX #C2BF32

RGB 194 191 50

HSL 58.75, 0.59%, 0.48%

LAB 75.43, -14.9, 66.55

 

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

CMYK 75 / 0 / 63 / 4

HEX #3DF45B

RGB 61 244 91

HSL 129.84, 0.89%, 0.6%

LAB 85.22, -74, 59.31

 

CMYK 32 / 75 / 0 / 4

HEX #A53DF4

RGB 165 61 244

HSL 274.1, 0.89%, 0.6%

LAB 49.34, 71.62, -73.13

 

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

CMYK 75 / 0 / 2 / 4

HEX #3DF4EE

RGB 61 244 238

HSL 178.03, 0.89%, 0.6%

LAB 87.9, -45.02, -10.03

 

CMYK 2 / 75 / 0 / 4

HEX #EE3DF4

RGB 238 61 244

HSL 298.03, 0.89%, 0.6%

LAB 59.93, 84.92, -55.52

 

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

CMYK 75 / 0 / 63 / 4

HEX #3DF45B

RGB 61 244 91

HSL 129.84, 0.89%, 0.6%

LAB 85.22, -74, 59.31

 

CMYK 75 / 73 / 0 / 4

HEX #3D43F4

RGB 61 67 244

HSL 238.03, 0.89%, 0.6%

LAB 40.47, 55.27, -88.04

 

CMYK 0 / 75 / 12 / 4

HEX #F43DD6

RGB 244 61 214

HSL 309.84, 0.89%, 0.6%

LAB 59.37, 81.75, -39.51

 

CMYK 0 / 2 / 74 / 4

HEX #F5F13F

RGB 245 241 63

HSL 58.68, 0.9%, 0.6%

LAB 92.88, -17.74, 80.08

 

CMYK 75 / 0 / 40 / 4

HEX #3DF492

RGB 61 244 146

HSL 147.87, 0.89%, 0.6%

LAB 85.89, -66.17, 34.62

 

CMYK 75 / 73 / 0 / 4

HEX #3D43F4

RGB 61 67 244

HSL 238.03, 0.89%, 0.6%

LAB 40.47, 55.27, -88.04

 

CMYK 0 / 75 / 35 / 4

HEX #F43D9F

RGB 244 61 159

HSL 327.87, 0.89%, 0.6%

LAB 57.15, 75.09, -11.22

 

Description

Color code: RGB 245 241 63 | qconv.com Color code: RGB 245 241 63 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 241 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 241 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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